4 days ago
The Stylist Behind Young Hollywood's Coolest Looks
'Even when I think my schedule is chill, it usually isn't,' stylist Jared Ellner says from his home base of Los Angeles, where he's just returned after a stint in Europe. For the past few weeks, he's been juggling a slate of overlapping international projects, including the wardrobe for
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Guel Sener/Thom Browne
Molly Gordon in Thom Browne.
A self-proclaimed fashion nerd who grew up in suburban New Jersey, Ellner fed his obsession by taking sewing lessons and studying both fashion and art history. He enrolled at Parsons for fashion design, where he built his stamina for sleepless working nights. After college, he took an assistant gig at the now-defunct
Garage
magazine. The first shoot he styled solo featured Chamberlain; about a year later, her publicist called to ask if he'd consider working with her full-time.
Ellner has a track record of taking a client from fashion newbie to front-row fixture. A prime example is Chamberlain, who signed on as a Louis Vuitton ambassador—a first for a YouTube-native talent—in 2019. The two worked together on a handful of projects before her first Met Gala in 2021. 'Things got much more serious after that,' he recalls. (They are so close that Chamberlain modeled Ellner's self-titled fashion line when it launched this past fall.)
Dimitrios Kambouris
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Sabrina Carpenter in vintage Bob Mackie.
Sennott was his second client, a connection made by their mutual friend (and her
Shiva Baby
co-star) Gordon. He styled Sennott for the movie's premiere—her first time working with a stylist. 'We were so green, and now she's a Balenciaga [campaign star],' he says.
Ellner's encyclopedic fashion knowledge informs his work, and he's unafraid to drop an archival reference—a styling tactic that has sparked heated discourse among fans online. 'I think people are rightfully fatigued by it, so it's a balance of figuring out when it feels authentic, impactful, and useful, and when it feels like a crutch,' he explains. His favorite nod to the past thus far?
Guts
, and a year later, Carpenter wore a look from his fall 1994 show for New Year's Eve.
Courtesy of Jared Ellner
Stylist Jared Ellner.
Styling is intimate and requires intense vulnerability, so when it comes to Ellner's clients, the lines often blur between the personal and professional. 'I am so comfortable and productive with Jared, because the foundation of our relationship is friendship rather than business,' Chamberlain says of their partnership. 'We are not afraid to disagree and voice our opinions, because we trust the bond we have, which allows us to truly collaborate.' Gordon echoes this sentiment, saying, 'Jared is so giving, warm, and kind, but he has a cutting honesty that I trust 100 percent.'
'The sweetest part of the job is that all of these people feel comfortable allowing me into such personal parts of their physicality, their image, and their communication of themselves to the world,' Ellner says. With his long-term clients, he enjoys helping to curate an overall image that goes beyond just a year or two of looks. 'The balance of styling is keeping everybody in their zone while also allowing the freedom to experiment and be a different person for a day, without feeling inconsistent with their personal brand,' he explains. A recent moody turn he's proud of is Chamberlain's Oscar after-party look, which might just be his favorite: a
Gareth Cattermole
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Getty Images
Another important through line for Ellner's clients? While they're all serious talents, they don't take themselves too seriously. 'There are a lot of people who would not be comfortable taking a risk or doing anything even slightly off-kilter for a major moment,' he says. 'But all my girls—they're fearless.'
A version of this story appears in the Summer 2025 issue of ELLE.
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