Latest news with #concertfilms
BreakingNews.ie
3 days ago
- Business
- BreakingNews.ie
Taylor Swift acquires the rights to all of her music
Taylor Swift has announced that she has acquired the rights to all of her music. The 35-year-old also said she has purchased the rights to all of her concert films, music videos, album art and photography, as well as unreleased songs, in an announcement on her website on Friday. Advertisement She also confirmed she will release Taylor's Version re-recordings of her self-titled and Reputation albums. In the announcement, the singer said: 'I'm trying to gather my thoughts into something coherent, but right now my mind is just a slideshow. A flashback sequence of all the times I daydreamed about, wished for, and pined away for a chance to get to tell you this news. View this post on Instagram A post shared by Taylor Swift (@taylorswift) 'All the times I was this close, reaching out for it, only for it to fall through. I almost stopped thinking it could ever happen, after 20 years of having the carrot dangled and then yanked away. But that's all in the past now. 'I've been bursting into tears of joy at random intervals ever since I found out that this is really happening. I really get to say these words, all of the music I've ever made now belongs to me. Advertisement 'And all my music videos, all the concert films, the album art and photography, the unreleased songs, the memories, the magic, the madness, every single era, my entire life's work. 'To say this is my greatest dream come true is actually being pretty reserved about it.' Swift also thanked her fans for their 'passionate support' which she said is 'why I was able to buy back my music'. The singer added: 'I can't thank you enough for helping to reunite me with this art that I have dedicated my life to, but have never my owned until now.' Advertisement Swift said the process of gaining ownership of her work was 'honest, fair, and respectful' and said she was 'endlessly thankful' to private equity firm Shamrock Capital, which offered her the deal. In a post on LinkedIn, Shamrock Capital said: 'We are thrilled with this outcome and are so happy for Taylor.' The value of the deal has not been disclosed. The singer announced plans to re-record all her songs in 2019 following a dispute with retired talent manager Scooter Braun after he acquired the recordings of her first six studio albums when he bought her former label. Advertisement Though the masters changed hands again after a deal with Shamrock Capital, Swift continued with a bid to regain ownership of the music by creating new versions of the songs. She has been re-recording of all of her albums, re-releasing them as 'Taylor's Version'. To date Swift has released new versions of her previous albums Fearless (2008), Red (2012), Speak Now (2010) and 1989 (2014), with Reputation and her self-titled debut yet to be re-released as Taylor's Versions. Taylor Swift also confirmed plans for Reputation (Taylor's Version) and Taylor Swift (Taylor's Version). Photo: Doug Peters/PA In the announcement Swift spoke about plans to release Taylor Swift (Taylor's Version), originally released in 2006, and Reputation (Taylor's Version), which was originally released in 2017. Advertisement She added: 'I know, I know. What about (Reputation (Taylor's Version))? Full transparency, I haven't even re-recorded a quarter of it. The Reputation album was so specific to that time in my life, and I kept hitting a stopping point when I tried to remake it. 'All that defiance, that longing to be understood while feeling purposely misunderstood, that desperate hope, that shame-born snarl and mischief. To be perfectly honest, it's the one album in those first six that I thought couldn't be improved upon by redoing it. Not the music, or photos, or videos. 'So I kept putting it off, there will be a time (if you're into the idea) for the unreleased vault tracks from that album to hatch. 'I've already completely re-recorded my entire debut album, and I really love how it sounds now. 'Those two albums can still have their moments to re-emerge when the time is right, if that would be something you guys would be excited about. 'But if it happens, it won't be from a place of sadness and longing for what I wish I could have. It will just be a celebration now.' Braun gained ownership of some of Swift's back catalogue in 2019 when his holding company, Ithaca Holdings, acquired her former label, Big Machine Label Group. Swift signed with Big Machine, founded by former Universal executive Scott Borchetta, in 2005 and moved to Universal Music Group in November 2018 in a deal ensuring she maintained the rights to her work. Swift thanked her fans for their 'passionate support' after the deal was concluded. Photo: Liam McBurney/PA When Braun acquired her masters, Swift said she was 'sad' and 'grossed out' and accused the 43-year-old of being behind 'incessant, manipulative bullying'. Braun sold the recordings to Shamrock Capital in 2020 and reports in the US suggested the deal was worth more than $300 million (about €265 million). Swift said before negotiations could start, Braun's team wanted her to sign an 'ironclad NDA stating I would never say another word' about him 'unless it was positive'. She said at the time: 'So I would have to sign a document that would silence me forever before I could even have a chance to bid on my own work. Entertainment Taylor Swift crowned global recording artist of th... Read More 'My legal team said that this is absolutely not normal, and they've never seen an NDA like this presented unless it was to silence an assault accuser by paying them off.' It was at this stage she confirmed she had begun the process of re-recording her old music, in a bid to gain control, saying 'it has already proven to be both exciting and creatively fulfilling'. A master recording is the original recording of a song and whoever owns it earns revenue through avenues including streaming and use in TV, film and adverts.
Telegraph
3 days ago
- Business
- Telegraph
Taylor Swift buys rights to all her music in end to record label feud
Taylor Swift has announced she has bought the rights to all of her music, ending a years-long and bitter feud over ownership. The global pop sensation said she has purchased the rights to all of her concert films, music videos, album art and photography, as well as unreleased songs, in an announcement on her website on Friday. Swift, 35, also confirmed she will release Taylor's Version re-recordings of her self-titled and Reputation albums. 'My greatest dream come true' In the announcement, the singer said: 'I'm trying to gather my thoughts into something coherent, but right now my mind is just a slideshow. A flashback sequence of all the times I daydreamed about, wished for, and pined away for a chance to get to tell you this news. 'All the times I was this close, reaching out for it, only for it to fall through. I almost stopped thinking it could ever happen, after 20 years of having the carrot dangled and then yanked away. But that's all in the past now. 'I've been bursting into tears of joy at random intervals ever since I found out that this is really happening. I really get to say these words, all of the music I've ever made now belongs to me. 'And all my music videos, all the concert films, the album art and photography, the unreleased songs, the memories, the magic, the madness, every single era, my entire life's work. 'To say this is my greatest dream come true is actually being pretty reserved about it.' Swift also thanked her fans for their 'passionate support', which she said is 'why I was able to buy back my music'. The singer added: 'I can't thank you enough for helping to reunite me with this art that I have dedicated my life to, but have never owned until now.' Swift said the process of gaining ownership of her work was 'honest, fair, and respectful' and said she was 'endlessly thankful' to private equity firm Shamrock Capital, which offered her the deal. In a post on LinkedIn, Shamrock Capital said: 'We are thrilled with this outcome and are so happy for Taylor.' The value of the deal has not been disclosed. 'It will be a celebration' The singer announced plans to re-record all her songs in 2019 following a dispute with retired talent manager Scooter Braun after he acquired the recordings of her first six studio albums when he bought her former label. Though the masters changed hands again after a deal with Shamrock Capital, Swift continued with a bid to regain ownership of the music by creating new versions of the songs. She has been re-recording all of her albums, re-releasing them as 'Taylor's Version'. To date, Swift has released new versions of her previous albums Fearless (2008), Red (2012), Speak Now (2010) and 1989 (2014), with Reputation and her self-titled debut yet to be re-released as Taylor's Versions. In the announcement, Swift spoke about plans to release Taylor Swift (Taylor's Version), originally released in 2006, and Reputation (Taylor's Version), which was originally released in 2017. She added: 'I know, I know. What about (Reputation (Taylor's Version)? Full transparency, I haven't even re-recorded a quarter of it. The Reputation album was so specific to that time in my life, and I kept hitting a stopping point when I tried to remake it. 'All that defiance, that longing to be understood while feeling purposely misunderstood, that desperate hope, that shame-born snarl and mischief. To be perfectly honest, it's the one album in those first six that I thought couldn't be improved upon by redoing it. Not the music, or photos, or videos. 'So I kept putting it off, there will be a time (if you're into the idea) for the unreleased vault tracks from that album to hatch. 'I've already completely re-recorded my entire debut album, and I really love how it sounds now. 'Those two albums can still have their moments to re-emerge when the time is right, if that would be something you guys would be excited about. 'But if it happens, it won't be from a place of sadness and longing for what I wish I could have. It will just be a celebration now.' Braun gained ownership of some of Swift's back catalogue in 2019 when his holding company, Ithaca Holdings, acquired her former label, Big Machine Label Group. Swift signed with Big Machine, founded by former Universal executive Scott Borchetta, in 2005 and moved to Universal Music Group in November 2018 in a deal ensuring she maintained the rights to her work. When Braun acquired her masters, Swift said she was 'sad' and 'grossed out' and accused the 43-year-old of being behind 'incessant, manipulative bullying'. Braun sold the recordings to Shamrock Capital in 2020, and reports in the United States suggested the deal was worth more than $300 million (about £222 million). Swift said before negotiations could start, Braun's team wanted her to sign an 'ironclad NDA stating I would never say another word' about him 'unless it was positive'. At the time, she said: 'So I would have to sign a document that would silence me forever before I could even have a chance to bid on my own work. 'My legal team said that this is absolutely not normal, and they've never seen an NDA like this presented unless it was to silence an assault accuser by paying them off.' She confirmed she had begun the process of re-recording her old music, in a bid to gain control, saying 'it has already proven to be both exciting and creatively fulfilling'. A master recording is the original recording of a song, and whoever owns it earns revenue through avenues including streaming and use in TV, film and adverts.
Malay Mail
24-05-2025
- Entertainment
- Malay Mail
The evolving film culture in Malaysia: From cinematic experiences to film clubs and critiques
KUALA LUMPUR, May 25 — Film culture in Malaysia has seen remarkable growth and transformation over the years. From the heyday of film critics and clubs to the emergence of pop culture conventions, film conferences, and mini museums like the Yasmin Ahmad Museum in Ipoh, Perak, and Rumah P. Ramlee in Penang, the nation's cinematic landscape continues to expand. With advancements in high-end movie theatre technology and the proliferation of cinemas nationwide, Malaysia's film culture is entering an exciting new chapter. The rise of cinematic experiences Moviegoers today enjoy more than just blockbuster films; they are presented with a range of cinematic experiences tailored to individual preferences. From premium seating to advanced audio systems and cutting-edge screen technology, audiences are spoiled for choice. Concert films have also become a phenomenon, turning cinema halls into stadium-like venues where fans can sing along and relive live concert experiences. One standout example is Taylor Swift: The Eras Tour film, which premiered globally in October 2023 and became the highest-grossing concert film of all time, earning over US$261 million (RM1.1 billion) globally. Using footage from Swift's performances at SoFi Stadium in California during her US tour, the film captivated Malaysian Swifties upon its local release. Kenneth Koh Wye Hong, 29, attended a screening at GSC Mid Valley during its premiere week and described the atmosphere as electric. 'The experience honestly felt like going to an actual concert,' Koh said. 'The atmosphere was super positive, with people dancing, singing, waving lightsticks, and even screaming at the top of their lungs.' For local Swifties unable to attend her Singapore concert, the film provided a chance to connect with her music. The trend continues with K-pop sensation J-hope, whose Hope On The Stage tour finale in Japan will be broadcast live in cinemas worldwide, including Malaysia, on May 31. Local film critic Abdul Wahab Hamzah notes that modern film reviews often prioritise technical aspects over storytelling and thematic depth. — Picture by Shafwan Zaidon Film criticism: A lost art Film criticism, once a cornerstone of film culture, is gradually fading in Malaysia. Veteran critic Abdul Wahab Hamzah, who has reviewed local films for over 20 years, observed a shift towards online platforms like YouTube, where many reviewers focus on gaining followers. 'In the past, reviews were more reflective and analytical,' Abdul said. 'Nowadays, critics often emphasise cinematography, editing, and effects while overlooking storylines, acting, and messages.' Despite these changes, Abdul maintains that his critiques have always been professional, citing respectful discussions with prominent filmmakers like Datuk Yusof Haslam and the late Mamat Khalid. FilmCulture3 Caption: A screening session organised by Kelab Seni Filem Malaysia. — Picture via Facebook/Kelab Seni Filem Malaysia The role of film clubs Film clubs in Malaysia may not be mainstream, but they have a devoted following. According to a 2023 study co-authored by filmmaker Muzammer Rahman, over 30 active film clubs exist nationwide, primarily in the Klang Valley. These clubs often host screenings of classic, independent, and rare films, followed by discussions. Kelab Seni Filem Malaysia (KSFM), one of the oldest clubs, has been promoting arthouse and non-commercial films since the 1960s. Currently, it holds screenings at HELP University's auditorium in Bukit Damansara. KSFM collaborates with foreign embassies and cultural institutions like the Goethe Institute and Alliance Française, which supply films for free. Screenings are now free to the public to attract more viewers, particularly university students. Despite challenges such as licensing and censorship by Malaysia's Film Censorship Board (LPF), KSFM remains dedicated to its mission of fostering film appreciation. 'While the LPF's role in vetting films is understandable in a multicultural society, there are instances of overreach,' said KSFM president Wong Tuck Cheong. KSFM continues to spotlight local films, including works like Village People Radio Show by Amir Muhammad and The Beautiful Washing Machine by James Lee, alongside its workshops and seminars on filmmaking and appreciation. Film culture in Malaysia is undoubtedly evolving, offering opportunities for both casual moviegoers and devoted cinephiles to engage with the medium in diverse and meaningful ways.
