Latest news with #electronicMusic
CBC
03-06-2025
- Entertainment
- CBC
The wrestling saga at the heart of The Halluci Nation's new EP
In a Q interview, the Canadian electronic music duo discusses their new record Path of The Baby Face CBC Arts · Social Sharing
South China Morning Post
27-05-2025
- Entertainment
- South China Morning Post
How Madame Gandhi's new album Let Me Be Water sends out a loud environmental message
Madame Gandhi's journey to creating her latest album, Let Me Be Water, has roots in an overflowing rubbish bin at her Los Angeles home during the pandemic. Advertisement 'There were stacks of takeout food containers,' she says. 'This was my New York City upbringing, where we grew up being able to eat at any restaurant any time of day without any awareness of how that impacts our climate and sustainability.' That snapshot of her pandemic life became a potent symbol. 'This is horrible,' she recalls thinking. 'I don't want to have to throw this anywhere. I don't want to participate in this. 'I can see this for what it is and this is sad. I've only lived in cities and I've only ever known this highly capitalist, highly unsustainable way of living.' Gandhi was born in Boston and is currently based in London. Photo: Lindsey Byrnes Gandhi – real name is Kiran Gandhi – is an award-winning musician, activist, DJ and international speaker known especially for her vibrantly percussive electronic music.
The Sun
22-05-2025
- Entertainment
- The Sun
Techno pioneer Dan Curtin returns with new tracks 15 years after album… as he reveals his favourite tunes
AFTER 15 years away from the album format, US born, Berlin based techno pioneer Dan Curtin returns with The 4 Lights on Belgian imprint De:tuned. The long player is a cosmic, groove-laden collection of tracks that bridge the past and future of electronic music. 1 The playlist Dan has put together for us digs deep into 10 pivotal tracks that influenced his creative process, each carrying a piece of the musical DNA that pulses through The 4 Lights. From the mechanical funk of Kraftwerk and the raw Motor City soul of Model 500 to the ethereal textures of The Cure and the beat science of J Dilla and The Alchemist, these selections reflect Curtin's wide-ranging sonic world. A world where electro, house, techno, and hip hop collide with emotion and forward-thinking production. These aren't just tracks he likes. They're moments that marked turning points, altered life paths, and etched themselves into the core of his artistic identity. Each selection is accompanied by Dan's personal reflections, giving you direct insight into how these records helped shape his new album. Kraftwerk – Numbers When I first heard this, I honestly thought it was a NYC electro crew because it was such a big hit with hip hop DJs and breakers at the time. I was shocked to learn they were German—but the funk, the futurism, the innovation blew me away. Kraftwerk remains, to this day, my all-time favorite band. BFC – Chicken Noodle Soup This record became a part of my soul. Probably every record I've ever done has some of this in it—if not in sound, then in spirit and soul. The ethereal chords and rough, sampled beats—nothing can top this masterpiece from Carl Craig. Rhythm Is Rhythm – It Is What It Is I'll never forget it. After a gig with my goth band, I was driving through the Cleveland city skyline on the Shoreway around 3 a.m., listening to this in the car with the windows down—Lake Erie to the left, downtown to the right—and at that moment, I quit my band and knew that techno was going to be it forever. That feeling is most definitely present in my new album. Mr. Fingers – Can You Feel It I had never heard anything like this before—those lush chords, that melody, that bassline. Music from heaven. My number one house track of all time. It didn't just influence my music; it changed my life. You can tell when the divine touches our souls. 69 – Ladies and Gentlemen Carl Craig again, absolutely delivering a groundbreaking shift in techno before anyone even knew what was happening. His sample-based approach to Detroit techno resonated deeply with me—it was like the sound I'd always been waiting for. If you hear the tracks on my new album, many are sample-based. I love this way of making techno. Slum Village – Climax Is it this track more than any other Dilla track? Maybe. This is one of my absolute favorites from him, but Dilla's music is etched on my soul—it's impossible for it not to come out every time I step into the studio. The Cure – Faith I'd be remiss not to include The Cure—especially their early albums. They had a huge impact on me. It's not always a one-to-one influence, like 'this track influenced that track"—it's more that the music becomes a part of me, and then I can hear it later when I create something. And in my 4 Lights album, it's definitely there. Armando – Confusion's Revenge This had a big impact on me—it was shockingly new and otherworldly, like no music I'd ever heard. Yet it had groove and funk—so futuristic, but tied to humanity through that groove. To me, it's the ultimate expression of hope, stating that we will make it. This is one of the main themes in my album and all my music: hope for a bright future for humanity. To me, the future always looks bright. Mike, Wiki & The Alchemist – Mayor's a Cop The Alchemist is my current top hip hop producer. He's the artist I listen to the most these days—daily—and he's heavily influenced my newer productions. He's like J Dilla in that everything he touches turns to gold. And he doesn't just work with any rappers, but always the right rappers. His music so often has that touch of beauty, longing, hope, and truth—going deep into the soul every time.
