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Mail & Guardian
2 days ago
- Politics
- Mail & Guardian
We must all reclaim our information space
Elon Musk. (File photo) More South Africans arrived in the United States this week. But it is an old resident who made the most headlines. Elon has left the Doge office. He did so in bizarre pomp and ceremony, with Donald Trump looking to save both their faces with a predictably awkward golden key award ceremony. Musk and his Javier Milei-inspired chainsaw are no longer a factor in Washington. The same cannot be said for public life. Musk owns X/Twitter, one of the biggest social media platforms on the planet. He's had a huge following on it long before he took control in 2022. He relishes using that influence to peddle all manner of absurdity and falsity. Musk has been the figurehead of the open conspiracy of tech oligarchs that reign in the White House. They have made no secret of their willingness to do whatever is asked of them, knowing that the reciprocation will be ample (or indeed, the punitive repercussions for a failure to toe the line would be grave.) Meta owner Mark Zuckerberg's sycophantic about-turn on moderation was a perfect example of that reality playing out in real time. In that now infamous announcement video, he waxed lyrical about how he created Facebook to be a democratic marketplace of free ideas. That is a lie, of course. He created Facebook so college boys could rate women on the internet. Regardless, with other media and search engine owners included in the cohort, the fact remains that a few powerful men control the dominant means of creating and sharing information in 2025. Those white South Africans arriving as refugees in the US should be all the reminder we need of how pernicious a narrative can be; and that real-world consequences need not be grounded in truth or rational reasoning. It bears repeating: there is no white genocide in South Africa. It is imperative that we, as individual news consumers and practitioners, reclaim our information space. For as much as the oligarchs strut with the swagger of impunity, that is far from the case. While this would be an obvious segue into launching into a pitch to get you to subscribe, the struggle we face goes beyond promoting ideas of established media. There's a war going on for our attention. The mistake would be in thinking we have to take sides. We have to respect each other and the process of sharing ideas civilly, with a respect for the truth. If our engagement begins and ends with a retweet, our society will begin to look even bleaker. The algorithm only wins if you surrender to it.
New York Times
26-05-2025
- Entertainment
- New York Times
From the Creator of ‘Succession,' a Delicious Satire of the Tech Right
In November, when the 'Succession' creator Jesse Armstrong got the idea for his caustic new movie, 'Mountainhead,' he knew he wanted to do it fast. He wrote the script, about grandiose, nihilistic tech oligarchs holed up in a mountain mansion in Utah, in January and February, as a very similar set of oligarchs was coalescing behind Donald Trump's inauguration. Then he shot the film, his first, over five weeks this spring. It premiers on Saturday on HBO — an astonishingly compressed timeline. With events cascading so quickly that last year often feels like another era, Armstrong wanted to create what he called, when I spoke to him last week, 'a feeling of nowness.' He's succeeded. Much of the pleasure of 'Mountainhead' is in the lens it offers on our preposterous nightmare world. I spend a lot of my time saucer-eyed with horror at the rapid degeneration of this country, agog at the terrifying power amassed by Silicon Valley big shots who sound like stoned Bond villains. No one, I suspect, can fully process the cavalcade of absurdities and atrocities that make up each day's news cycle. But art can help; it's not fun to live in a dawning age of technofeudalism, but it is satisfying to see it channeled into comedy. In 'Mountainhead,' three billionaires gather at the modernist vacation home of a friend, a Silicon Valley hanger-on they call Souper, short for 'soup kitchen,' because he's a mere centimillionaire. One of the billionaires, the manic, juvenile Venis — the richest man in the world — has just released new content tools on his social media platform that make it easier than ever to create deepfakes of ordinary people. Suddenly, people all over the world are making videos of their enemies committing rapes or desecrating sacred sites, and any prevailing sense of reality collapses. Internecine violence turns into apocalyptic global instability. It's not a far-fetched premise. Facebook posts accusing Muslims of rape have already helped fuel a genocide in Myanmar, and tools like those that Venis unleashes seem more likely to be months than years away. Venis's foil is Jeff, who has built an A.I. that can filter truth from falsehood and whose flashes of conscience put him at odds with the others. Rounding out the quartet is Randall, a venture capitalist — played by a terrific Steve Carrell — who pontificates like the bastard offspring of the investors Peter Thiel and Marc Andreessen. As the planet melts down, they start fantasizing about taking over 'a couple of failing nations' and running them like start-ups. 'We intellectually and financially back a rolling swap-out to crypto network states, populations love it, and it snowballs,' says Randall. But as the global crisis spirals and the dread specter of regulation appears, their ambitions expand. The group seems to have a good relationship with the unnamed president, but they also regard him as an idiot. After the president chastises Venis, they start thinking about replacing him. Given the administration's 'wobbles,' Venis asks, 'do we just get upstream, leverage our hardware, software, data, scale this up and coup out the U.S.?' Want all of The Times? Subscribe.
