Latest news with #vases
Daily Mail
14 hours ago
- Business
- Daily Mail
EXCLUSIVE Mystery of 5,000-year-old ancient Egyptian relics made using 'lost advanced technology'
A Florida billionaire has unveiled a private collection of ancient Egyptian vases he believes could rewrite history. Matt Beall, CEO of the retail giant Bealls Stores, has spent the last three years acquiring 85 hard-stone vessels carved from a range of stones, including granite, limestone and quartz. Many date back more than 5,000 years, but they feature a level of precision, symmetry, and detail that he says rivals modern machine work. The vases, carved from single blocks of hard stones, feature intricately shaped handles, finely hollowed interiors and bases accurate to thousandths of an inch. 'The explanation is that stone and copper chisels were used, that's absolutely ridiculous,' Beall said at the Cosmic Summit, a conference on alternative history held in North Carolina. 'There was certainly a lathe involved. But the tools needed to make these things aren't in the archaeological record.' He has spent countless hours scouring auction sites and antiquities dealers, acquiring pieces he believes hold the key to a lost technology. He has also teamed up with engineers and researchers to probe the mystery behind the vases' construction. However, Beall's claims challenge traditional views of Egyptian craftsmanship and have sparked debate among scholars. While experts admire the ancient stonework, they say there's no proof of lathes or advanced lost tools. Over 40,000 similar vases have been recovered from sites like the Step Pyramid of Djoser, and many are dated to before 2800 BC. Despite their age, many exhibit surprising symmetry and fine detailing. They are among the oldest artifacts of ancient Egypt, with some dating back over 6,000 years to the Predynastic period, which spanned from 4000 to 3000BC. The earliest examples were found in graves, where they were likely used in religious or funerary rituals. By the time of Egypt's First Dynasty, around 3100BC, stone vases had become widespread and increasingly sophisticated, used to hold oils, perfumes or offerings, and were often buried with the dead. Beall's controversial theory builds on observations made as far back as 1883, when famed British archaeologist Flinders Petrie discovered a trove of goods, noting signs that some vases may have been turned on lathes. 'The curves of vases are so regular, and the polish so fine, that it seems as if some mechanical means, such as a rotating appliance, must have been employed,' Petrie wrote in his studies. While some archaeologists argue that such precision can be explained by highly skilled manual craftsmanship, refined over generations, Beall has put his money and time on Petrie's side. 'We know they were made before the third dynasty, so they could go way back to before the Younger Dryas,' said Beall, who is the host of the Matt Beall Limitless podcast. The Younger Dryas is a controversial period proposed to have ended around 11,600 BC. While not widely accepted by mainstream scholars, some fringe researchers have linked it to a cataclysmic event that may have wiped out a forgotten advanced civilization, possibly the makers of these vases. Beall has been working with the Artifact Research Foundation, a team of meteorologists and engineers who specialize in ancient technologies. Together, they have used structured-light scanning, a method that projects light patterns to create highly accurate 3D models, on around 30 of the vases. CT scans have been performed on 35, offering a deeper look at their internal structure and uniformity. Beall pointed to CT scans of a thin granite vase, which revealed that both the top and sides are nearly perfectly round, with variations of less than one-thousandth of an inch, a level of accuracy rarely seen in ancient artifacts. A separate study of 22 vases by Dr Max Fomitchev-Zamilov, a computer scientist from the Moscow Institute of Electronic Technology, uncovered shape errors as small as 15 microns, making them up to 10 times more precise than vases carved using modern machinery. Dr Fomitchev-Zamilov also noted that many of the vases appeared to be perfectly centered, suggesting a highly controlled method for aligning and rotating the stone during carving, which is typically associated with machine tools like lathes. However, the findings have not yet been peer-reviewed, and the researchers acknowledge the need for independent academic verification. Some of the vases have openings that are smaller than a human finger, baffling experts on how ancient people made a small, precise hole and then removed all the material inside thousands of years ago. Some of the vases have openings that are smaller than a human finger, baffling experts on how ancient people made a small, precise hole and then removed all the material inside thousands of years ago 'Interior tool marks are present on most, if not all, of these artifacts, which is pretty fascinating,' Beall said. 'It's strong evidence of lathe use. You just don't get those fine, precise lines inside these objects unless they're being cut with a very sharp tool. 'Now, whether that tool was diamond-tipped or something else, we don't know. But these are some of the hardest stones on Earth. 'And to think those lines, these aren't spiral grooves, by the way, they're horizontal lines, cleanly cutting across the stone. So yes, we do see tool marks inside the material, but so far, no physical tool remnants have been found within the cuts.'
Vogue
09-05-2025
- Lifestyle
- Vogue
Simone Bodmer Turner's New Collection of Ceramics Is Inspired by the Massachusetts Countryside
By Simone Bodmer Turner's own admission, moving an entire ceramics studio 'involved a lot more than I understood.' But that's exactly what she's spent the last year and half doing, after deciding to leave Brooklyn for the idyllic expanses of Pioneer Valley, Massachusetts—and her practice along with it. But today, she has some big news: her kilns are up and running. And so is an online shop that will offer a new collection of vases. Called 'Spade Vessels,' it is the artist and designer's first creative endeavor in ceramics since her lifestyle shift. They reflect as much: they exude an organic air, like a flower peeling open or the lips of a fish. 'They have a wide mouth shape,' says Bodmer Turner. The body of the pieces, however, takes on the silhouette of a classic urn. 'They come from this very classical shape that you see often in garden design,' she adds. Photo: Scott McDonough Bodmer Turner says that she was inspired by a sense of countryside practicality. When living in New York City, she would buy all of her pre-cut flowers and mostly worked with smaller stems. Now, she can forage them on her own—and needs a vase to hold larger, rugged blooms and grasses. 'It's really a product of being here in the countryside for the first time in designing these vases in a place where instead of going supermarket or the bodega carefully choosing a few stems of expensive florals that have been brought into the city for the first time, I take my clippers out on walks, go out into the fields, and cut whatever I'm seeing,' she says. 'The fact that they can hold a much more abundant arrangement feels very suited to being here and suddenly having flowers just growing everywhere wild on the side of the road.'
