Latest news with #SXSWLondon
Yahoo
5 hours ago
- Entertainment
- Yahoo
Deadline's Sound & Screen At SXSW London Saw Honor For Oscar Winner Anne Dudley And Music From ‘Chad Powers', ‘Shrinking' & More
Deadline's Sound & Screen event made its London debut during SXSW London on Saturday, honoring Oscar-winning composer Anne Dudley and featuring live performances from hit screen projects, including Shrinking and Arcane. On a rainy summer's day in London, Deadline provided a ray of musical sunshine for a packed audience at the historic Shoreditch Church. Dudley, who won an Academy prize for her work on The Full Monty, took to the stage to perform a medley of her work, including Poldark and Jeeves and Wooster. More from Deadline 'Cielo' Producers Talk Opportunities & Challenges Of Shooting In Bolivia: "It's Such An Extraordinary And Diverse Landscape" Tony Awards 2025: The Musical Performances Deadline's Tony Awards Live Blog She was awarded Sound & Screen's inaugural Impact Award, with Baz Bamigboye, Deadline columnist and master of ceremonies, presenting her with the prize following her performance. Dudley said the award would sit alongside her Oscar, Grammy, Brit, and Ivor Novello prizes, telling Bamigboye that there had been a 'sea change' in the opportunities for women in music and film. She also looked ahead to her next project, PBS Masterpiece's sweeping period drama The Forsytes, which is due to premiere this year. Dudley confirmed a second series is filming this summer. The lineup also included the composers: Natalie Holt with Chad Powers; Tom Howe with Shrinking and Dog Man; Nainita Desai with Love & Rage: Munroe Bergdorf and Secrets of the Penguin; and Alex Seaver with Arcane. Howe revealed that he planned to be involved in Season 4 of Ted Lasso, building on his work on previous seasons of Apple TV+'s Emmy-winning series. Filming starts in July/August, Howe confirmed, after he performed music from Shrinking, which is also featured on Apple. Elsewhere, Desai talked about her love of scoring natural history and why she felt connected to Love & Rage: Munroe Bergdorf, the documentary that premiered at SXSW on Friday. Holt discussed getting her head around American Football for Chad Powers, the upcoming Hulu series starring Glen Powell. Desai summed up her role like this: 'With film and TV composers, we have this kind of superpower. We have this ability to be able to manipulate people's emotions and make them feel something.' Fittingly, as Sound & Screen reached London, there was a musical tribute to Abbey Road, the iconic recording studio nestled in the north-west of the English capital. Instantly recognizable feature scores for Harry Potter, Goldeneye, and Jurassic World were performed. Mirek Stiles, head of audio products at Abbey Road Studios, told Deadline's Stewart Clarke that there were ongoing 'conversations' with Sam Mendes about recording the score for his four Beatles films at the studio. The Music Box Ensemble provided the orchestra for the event. Steve Morris and Marianne Haynes played violin, Triona Milne was on the viola, Chris Allen was the celloist, Kat Tinker was the pianist, Tommy Emmerton provided guitar, Chris Hill played the bass, and Ralph Salmins was on drums. Sound & Screen was produced in partnership with Abbey Road, PRS for Music, ASCAP, BMI, SCL and AWFC. { pmcCnx({ settings: { plugins: { pmcAtlasMG: { iabPlcmt: 1, }, pmcCnx: { singleAutoPlay: 'auto' } } }, playerId: "32fe25c4-79aa-406a-af44-69b41e969e71", mediaId: "e61910c9-95f0-4053-a1ad-f87c2449ee08", }).render("connatix_player_e61910c9-95f0-4053-a1ad-f87c2449ee08_2"); }); Best of Deadline Sean 'Diddy' Combs Sex-Trafficking Trial Updates: Cassie Ventura's Testimony, $10M Hotel Settlement, Drugs, Violence, & The Feds A Full Timeline Of Blake Lively & Justin Baldoni's 'It Ends With Us' Feud In Court, Online & In The Media Where To Watch All The 'John Wick' Movies: Streamers That Have All Four Films
Evening Standard
11 hours ago
- Entertainment
- Evening Standard
SXSW London 'kicked off biggest month for business in London'
Ayesha Qureshi MBE who was instrumental in the London 2012 Olympics working across community engagement and planning compare the event to the Games, saying, 'Just like the Olympics, SXSW London has sown the seed that it can be a catalytic event for the UK. The festival has had a tremendous impact in its first year alone and represents a huge opportunity for us in this country to be global innovation leaders. On the ground it also injected new diverse global audiences to buildings and venues in East London who desperately need the revenue streams. I walked up and down Brick Lane and spoke to local businesses who told me that they had experienced exponential increase in footfall. The promise of SXSW London as a ten-year stint also means we can continue to grow the halo effect the festival can have across the whole of the UK – marking the UK as unique leaders in global innovation.'
Yahoo
a day ago
- Entertainment
- Yahoo
Mubi CEO on Pushing Into Production and That Huge Cannes Haul
Arthouse streamer and distributor Mubi is planning to work on not more than 12 movies annually but is already up to 15 movies this year after a hot streak picking up a slew of Cannes Film Festival buzz titles – and the Venice Film Festival has not even started yet, CEO and founder Efe Cakarel told SXSW London on Friday in an energetic appearance that had the crowd engaged late in a busy week. Cakarel shared his love of the cinema-going experience early in his appearance, saying, 'I really focus on theatrical,' and 'I am very committed to these films getting as wide a release in cinemas as possible.' More from The Hollywood Reporter Canal+ to Distribute Netflix in Francophone Africa in Landmark Pact Enzo Staiola, Child Star in Vittorio De Sica's 'Bicycle Thieves,' Dies at 85 Wes Anderson Shares How Indian Cinema Legend Satyajit Ray Shaped His Aesthetic Last year, Mubi released The Substance globally, he highlighted. 'It turns out distribution is not rocket science,' Cakarel concluded, adding that the firm is launching theatrical in Italy next. Mubi was on a streak at Cannes, picking up rights in select markets to competition titles The Secret Agent from writer and director Kleber Mendonça Filho, Sentimental Value, Joachim Trier's latest feature, Mascha Schilinski's Sound of Falling (In Die Sonne Schauen), and Lynne Ramsay's Jennifer Lawrence-Robert Pattinson starrer Die My Love. The latter deal came with a $24 million price tag, the biggest known and announced during the festival. He joked that his team is 'freaking out' after Mubi's strong Cannes run – in a good way. Production is also a big new area for the company after Mubi debuted its first production at Cannes, namely Kelly Reichardt's The Mastermind. 'We want to produce more' great films and series, he shared. Mubi is, for example, a co-producer on the new Jim Jarmusch movie, Father Mother Sister Brother, which stars Cate Blanchett, Vicky Krieps, Adam Driver, Mayim Bialik, Tom Waits, Charlotte Rampling, Indya Moore, and Luka Sabbat. Cakarel mentioned on Friday that it is set to screen at Venice. Cakarel also shared on Friday that Mubi was 'profitable' by 2020. With 60 percent first-quarter 2020 subscriber growth amid the COVID pandemic, the company experienced strong cash flow growth, which allowed Mubi to invest and grow further. The company's headcount has also grown to 400 people in 15 countries, he explained. The company has increasingly picked up movies not only for streaming but also for theatrical distribution. Mubi chief content officer Jason Ropell highlighted the role of streaming in the indie film space last year, saying: 'The streaming component of the ecosystem has actually broadened the audience for multiple kinds of film, including independent film. There's a generation of viewers, of customers, of cinephiles that have been exposed to films, which they would not have but for that technology, for the access to streaming.'Last year, Mubi acquired The Substance at Cannes, prepping the title for what would go on to be an Oscar run for Coralie Fargeat's body horror thriller. SXSW London runs through June 7. Penske Media, the parent company of The Hollywood Reporter, is the majority stakeholder of SXSW. Best of The Hollywood Reporter 13 of Tom Cruise's Most Jaw-Dropping Stunts Hollywood Stars Who Are One Award Away From an EGOT 'The Goonies' Cast, Then and Now
Yahoo
a day ago
- Entertainment
- Yahoo
New Lena Dunham, Sarah Snook Shows Touted as Universal U.K. TV Labels Execs Talk Sector Cuts
Upcoming Sarah Snook-starring thriller series All Her Fault and Lena Dunham rom-com show Too Much, as well as a planned TV take on Alfred Hitchcock's The Birds got big shout-outs during SXSW London on Thursday. They were in the spotlight as global hit series from various production labels under the Universal International Studios umbrella took center stage at the first-ever SXSW London. More from The Hollywood Reporter Enzo Staiola, Child Star in Vittorio De Sica's 'Bicycle Thieves,' Dies at 85 Wes Anderson Shares How Indian Cinema Legend Satyajit Ray Shaped His Aesthetic Evan Shapiro to Keynote The Hollywood Reporter's Access Canada Summit 'Global Stories: What makes compelling TV?' was the question discussed by Surian Fletcher-Jones, head of drama at Working Title Television; Sue Gibbs, head of development at Heyday Television, the joint venture of producer David Heyman and Universal International Studios; and Noemi Spanos, creative director at Carnival Films. Beatrice Springborn, president, Universal International Studios and Universal Content Productions (UCP), functioned as the moderator. Confronted with a question about how TV industry cost reductions, other spending cutbacks and layoffs are affecting their work, the execs shared insight into the challenges but also opportunities. 'One is adapting,' offered Gibbs. 'Heyday as a company, historically, we've always worked with IP. David's known for it with Harry Potter and Paddington. So we will always be looking for IP. I think we're probably looking less to the new books that are coming out because it's so super competitive. They're so expensive. So, we're looking at classic books, old TV shows, articles, etc. So I think it's adapting in that way.' Gibbs also mentioned that Heyday has often commissioned scripts with writers and then taken them out to the market to buyers. 'We're slightly changing that now and trying to be more fleet of foot,' she explained. 'Perhaps you just go out with a pitch so you can be faster. Or we're trying to set up more projects with buyers. [In the past], we would have perhaps taken them out to a number of buyers at the same time. Now, we are trying to get in with a buyer straight off, which is a financial incentive, but it's really more about the emotional incentive. If the buyer is emotionally invested in your project from the off, they can be more likely to try and help make it work.' In terms of upcoming shows they are excited for, Spanos touted psychological thriller All Her Fault for Peacock. 'Sarah Snook's character knocks on a door to pick up a kid from a play date, and the older woman who opens the door has never heard of her, her kid has no idea what she's talking about,' she explained. 'That kicks off that sort of thriller engine, but also it turns into a sort of bigger Big Little Lies kind of mystery about all the secrets and lies between these different families and relationships.' Concluded Spanos: 'What I liked coming into it, reading it fresh and watching it fresh was that there's quite a thematic feminist messaging underneath it all, because it's called All Her Fault, and it's all really about how the mother is treated very differently from the father in that circumstances by the police, by the community, by everyone, really.' About the series planned on The Birds, Gibbs shared: 'This is obviously a Universal film title, the iconic Hitchcock movie. We're not adapting that. We're going back to the source material, the Daphne du Maurier novella and using that as inspiration. And at its heart, it's looking at when nature turns on you. Obviously, with climate change that is very timely, and we just attached an exciting U.S. showrunner who's very experienced in genre.' She didn't mention their name. Fletcher-Jones, meanwhile, touted Too Much and how it explores the differences between the U.S. and U.K. in lovable ways. And she said that Working Title and the BBC are developing a TV adaptation of E.M. Forster's popular 1924 novel A Passage to India, which is set against the backdrop of the Indian independence movement against the British Empire and has previously received the film treatment. The companies are collaborating with Canadian director and writer Richie Mehta on the five-part series. 'Richie is Indian by heritage, so it is completely turning that novel on its head and doing it from the Indian point of view,' shared Fletcher-Jones. 'It's a beautiful piece he's writing and directing it all.' She also called it a take that will 'reclaim colonial history, which feels really sort of Soul Food-y.' On Wednesday, SXSW London sessions featured appearances by the likes of Idris Elba, ABBA's Björn Ulvaeus and Letitia Wright, among others. SXSW London, which not only features panel discussions, but also film screenings and live music events, among other things, runs through June 7. Penske Media, the parent company of The Hollywood Reporter, is the majority stakeholder of SXSW. Best of The Hollywood Reporter 'The Studio': 30 Famous Faces Who Play (a Version of) Themselves in the Hollywood-Based Series 22 of the Most Shocking Character Deaths in Television History A 'Star Wars' Timeline: All the Movies and TV Shows in the Franchise
Yahoo
a day ago
- Entertainment
- Yahoo
‘Industry' Creators on How Their Storytelling and Characters Have Evolved (in Bleepable Ways) and HBO's 'Fantastic Notes'
The traders of Pierpoint were in the London spotlight on Thursday as Industry co-creators Mickey Down and Konrad Kay shared some anecdotes and insights into their hit drama at the inaugural SXSW London during one of Thursday's Screen Keynote sessions. 'We were in development hell on Industry for three years,' Down recalled. 'We wrote the first episode like 60 times.' More from The Hollywood Reporter Disney+ Inks New Deal to Bundle With Crave, TSN in Canada New Lena Dunham, Sarah Snook Shows Touted as Universal U.K. TV Labels Execs Talk Sector Cuts Nickelodeon Acquires Animated 'Mr. Crocodile' Series, Based on French Children's Book He lauded HBO for ordering the show and allowing the creators to let the series evolve over time. 'It started off as a slice-of-life London thing,' Down shared. 'And that kind of unlocked the show.' Over time, the series and its characters have grown up, the duo highlighted. Down drew laughs, highlighting how Harry Lawtey's character Robert has gone from a 'two-dimensional fuckboy' to the 'emotional heartbeat' of Industry. Kay shared insight on the growth in terms of storytelling that the creative duo went through. He told the audience that 'we were interested in, but not confident enough in expanding the horizon of the trading floor to actually say something, maybe a little bit more about capitalism and Britain.' But over time, 'we started to look at newspapers, politics, the intersection of all that stuff in season three,' he noted. 'So when we came back for season four, we wanted to do an actual proper newspaper storyline, or an actual political storyline. We don't have to wed ourselves necessarily to the financial story. It takes us 18 months to make eight hours of TV. It's about how we are going to keep ourselves creatively engaged. And the truth is, we've got older, we become more interested in this stuff, it's just a natural broadening of the canvas to keep me and him engaged.' 'My and Mickey's creative impulse really is a negative one,' said Kay. 'That was what we really galvanized over as a creative duo, looking at stuff that we didn't like rather than what we like.' In their actions with HBO early on, 'we would be a little bit sharp-elbowed about the way we interacted with that stuff,' he also shared. 'And honestly, their notes are always fantastic, and they continue to be fantastic. And even if we don't end up doing one of their notes, it makes us interrogate something, or it makes us look at something two steps back. I think we've just become, naturally, a little bit more collaborative, and that comes from experience.' HBO renewed the darkly comic investment-banking drama, starring Marisa Abela, Harry Lawtey and Ken Leung, among others, for a fourth season in September. Season 3 featured their characters making a big bet on a green tech energy company led by a member of the British peerage, portrayed by Kit Harington, who told THR he's been a long-time fan of showrunner duo met as students at Oxford and went on to work in the finance world depicted in Industry. SXSW London runs through June 7. Penske Media, the parent company of The Hollywood Reporter, is the majority stakeholder of of The Hollywood Reporter 'The Studio': 30 Famous Faces Who Play (a Version of) Themselves in the Hollywood-Based Series 22 of the Most Shocking Character Deaths in Television History A 'Star Wars' Timeline: All the Movies and TV Shows in the Franchise
