
Top 10 bestselling NZ books: May 10
Our bestselling local books. Photos / Supplied
1.(1) Everyday Comfort Food by Vanya Insull (Allen & Unwin)
Vanya Insull, aka VJ Cooks, is back to the top of the bestsellers with her third cookbook, focused on satisfying winter meals (you can find recipes from the book here).
Her publisher writes: 'Vanya has built her reputation on simple, delicious, never-fail recipes. She knows what works in the kitchen when it comes to feeding a family and how to whip up the perfect dish for every occasion. Following on from the runaway success of Everyday Favourites and Summer Favourites, Everyday Comfort Food celebrates the colder seasons, with warming winter meals and nostalgic treats to keep the whole tribe happy — as well as more of the everyday winning dishes Vanya is known for. From hearty soups, tender slow-cooked lamb and flaky golden pies to sweet delights and indulgent self-saucing puddings, Everyday Comfort Food delivers 70 mouth-watering recipes that taste like home.'
Everyday Comfort Food by Vanya Insull. Photo / Supplied
2. (3) No Words for This by Ali Mau (HarperCollins)
TV journalist Alison Mau's new book promises to be an 'inspiring, honest and intimate memoir about family, love and rising from the ashes'.
From the publisher: 'From the age of 12, Alison Mau wanted to be a journalist like her father. He was a beer-swilling, straight-talking Aussie who was rough around the edges but could quote passages of Hamlet at will. He taught Ali everything – from how to skin a rabbit and throw a punch to how to craft a sharp sentence – and she craved his validation as she navigated the sexist badlands of Australian print and television journalism through the 1980s and 90s.
'From Melbourne to London and Auckland, Ali built a glittering career and became a media darling – until an unexpected call from her sister brought her professional and personal lives crashing together with devastating force. As an investigative reporter bringing New Zealand's #MeToo stories to light, she had to survey the wreckage of her family myth and ask herself, 'Am I strong enough?' and 'Are there words for this?''
No words for this by Ali Mau. Photo / Supplied
3. (2) The Bookshop Detectives: Tea And Cake And Death by Gareth and Louise Ward (Penguin)
The bestselling Bookshop Detectives, owners of Sherlock Tomes, have another mysterious case to solve.
From the publisher: 'In this rollicking new adventure, Garth and Eloise (and Stevie) must sniff out a prolific poisoner ahead of a vital fundraising event, the Battle of the Book Clubs. As time runs out and the body count rises, it seems the bad actors are circling closer to the people and places they care about. Could Pinter, the infamous serial killer from Eloise's past, somehow be involved? And when anyone could be a suspect, how can Garth and Eloise keep their customers, their small town and their beloved bookshop safe?'
You can read more about how Gareth and Louise Ward found inspiration for their Bookshop Detectives series here.
The Bookshop Detectives: Tea and Cake and Death by Gareth & Louise Ward. Photo / Supplied
4. (4) Three Wee Bookshops at the End of the World by Ruth Shaw (A&U)
Manapōuri bookshop owner Ruth Shaw returns to tell the second half of her fascinating life story.
The Listener noted: 'One could be forgiven for looking at the cover of this book, with its gentle peach and grey-blues, the idyllic three buildings lit up like little beacons, and the title (I mean, little bookshops! How appealing can you get?) and expect a book of lovely little tales about finding the perfect book for the perfect reader. These tales are here, but they are interleaved between chapters of Ruth's adventures. The main thrust of this book is the second half of her memoir, begun in The Bookseller at the End of the World.
'In that book she detailed her first 35 years, and now she delves into her life from 35 to 78, admitting wryly but without guile that this 'period of my life was not as chaotic as my first 35 years'. This has to be a good thing. Surviving another 35 years as eventful as Ruth's first, which included three marriages, several tragic deaths and close encounters with pirates, would take more fortitude than one can imagine – perhaps more than even Ruth has. But she still takes on considerable adventures with gusto in this period, advised or non-advised.'
Three Wee Bookshops at the End of the World by Ruth Shaw. Photo / Supplied
5. (5) Black Silk and Buried Secrets by Deborah Challinor (HarperCollins)
Deborah Challinor returns to the story of her intrepid heroine Tatty Crowe and the world of Sydney's Victorian funeral business.
From the publisher: 'Sydney, 1871. Twenty-five-year-old widow Tatty Crowe is the owner of busy undertaking firm Crowe Funerals. Life and business are good until Tatty notices how many women are dying after unlawful abortions, and after a terrible tragedy strikes close to home, she vows to expose the culprit.
'And then there are the whispered rumours of baby farming. Once again, Tatty sets out to investigate the crisis and finds herself immersed in the dark and sometimes heartless world of paid foster care and adoption. Along the way, she encounters an old foe, and clashes with a new adversary who, it transpires, is far more dangerous.
'From the grim slums of Chippendale and Newtown to the grand houses of Woolloomooloo to Sydney's rowdy Criminal Court, comes the next chapter in the story of compassionate and clever – but headstrong – Tatty Crowe.'
Deborah Challinor talked to listener.co.nz in 2024 about the research behind her books. You can read more here.
Black Silk & Buried Secrets by Deborah Challinor. Photo / Supplied
6. (6) See How They Fall by Rachel Paris (Moa Press)
Sydney-set thriller from Auckland writer Rachel Paris features a Succession-style family gathering in their retreat after the patriarch dies. Tragedy ensues and, as the Listener noted: 'The gilded family will fall … Some of the family will fall by dying. By poison. Others by other methods: loss of reputation, loss of fortune. Those golden sands turn out to be quicksand which swallows nasty rich people up. You have to applaud.'
See How They Fall by Rachel Paris. Photo / Supplied
7. (NEW) High Heels and Gumboots by Rebecca Hayter (HarperCollins)
'A city girl and a lot to learn,' runs the subtitle. Based on the author's column of the same name, this is a 'candid, hilarious, heartbreaking and heartwarming' story of an Auckland yachting journalist who, on a whim, bought a lifestyle block on the beach at Golden Bay at the top of the South Island. 'Unexpectedly in charge of chickens, sheep and an orchard, Rebecca shamelessly exploited local knowledge as she tackled drought, isolation and the mysteries of her Massey Ferguson 135. As a journalist, she explored local politics and the differences between urban and rural New Zealand. As a daughter, she explored the most complex relationship of her life.'
High Heels and Gumboots: A city girl and a lot to learn by Rebecca Hayter. Photo / Supplied
8. (10) Northbound by Naomi Arnold (HarperCollins)
Journalist Naomi Arnold spent almost nine months walking the length of Aotearoa New Zealand on Te Araroa, which runs the length of the country, fulfilling a dream. Her story is promised to be an 'upbeat, fascinating and inspiring memoir of solitude, love and friendship, and the joys and pains to be found in the wilderness.
'On her own, she traverses mountains, rivers, cities and plains from summer to spring, walking on through days of thick mud, blazing sun and lightning storms, and into cold, starlit nights. Along the way she encounters colourful locals and travellers who delight and inspire her.'
North Bound by Naomi Arnold. Photo / Supplied
9. (7) The Bookshop Detectives: Dead Girl Gone by Gareth Ward & Louise Ward (Penguin)
Back in the top 10 as the new book is released (see No.3), Gareth and Louise Ward's first cosy thriller.
'When we opened Sherlock Tomes people warned us that we'd made a terrible mistake. People warned us that e-readers were taking over. People warned us that we'd never compete with Amazon. The one thing they didn't warn us about was the murders.'
And so begins this first joint novel from actual Hawke's Bay booksellers Gareth and Louise Ward, a cosy murder-mystery that promises bookshop insider tidbits and literary puns galore. The plot has Garth and Eloise and their dog Stevie, who, telling the story in alternate chapters, 'are drawn into the baffling case of a decades-old missing schoolgirl. Intrigued by the puzzling, bookish clues, the two ex-cops are soon tangled in a web of crime, drugs and floral decapitations, while endeavouring to pull off the international celebrity book launch of the century'.
The Bookshop Detectives: Dead Girl Gone by Gareth & Louise Ward. Photo / supplied
10. (8) Sea Change by Jenny Pattrick (David Bateman)
Jenny Pattrick returns with a contemporary story packed with classic themes: good vs bad, authority vs community, wealth vs resourcefulness, greed vs friendship.
The Listener's review sets the scene: 'The title of Sea Change is meant literally as a community is ravaged by a tsunami after a violent South Island earthquake. Unnamed but located on the Kapiti Coast of the North Island, it is a typical small town. A handy map at the beginning of the book illustrates the layout: church, school, community hall, rugby field, railway station and numerous small houses, sandwiched between the overshadowing hills and the roaring sea at its base. As the tsunami strikes, the sea wall is breached, reducing the village to a fraction of its size. On the same day, aftershocks create rockfalls in the hills, blocking off outside access as 'tonnes and tonnes of rock roar down the hill and out to sea'. Within the reduced housing area lives a group of self-named 'individualists and alternative oddballs' … Above the town, Dylan, a recluse 'with a clever mind', witnesses the 'tiny people running, leaving the log-jam of cars by the shops, heading on foot up the hill road'.'
You can read more about Jenny Pattrick's writing and artistic life here.
Sea Change by Jenny Pattrick. Photo / Supplied
Source: NielsenIQ BookScan – week ending May 3.
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The Spinoff
7 days ago
- The Spinoff
All the finalists in the 2025 NZ Book Awards for Children and Young Adults
Announcing all the books – and their authors, illustrators, translators and publishers – in the running for this year's New Zealand Book Awards for Children and Young Adults. The winter months are an apt time to celebrate the creators of books that feed future creators of books. With long nights and days punctuated by weather, here's an opportunity to gather around the best Aotearoa has to offer and their promises of armchair adventure. There were 156 entries to the awards this year (slightly down on 2024's 176). The judging panels were assisted by 450 reviews submitted by school students from 51 schools around Aotearoa. Among this year's finalists are books that, according to convenor of judges Feana Tu'akoi, present 'big ideas from our past, present and possible dystopian futures are considered in absorbing and thoughtful ways, providing springboards for deeper discussion. Themes include identity, connection, mental health, our histories, traditional wisdom, indigenous languages, and the importance of being exactly who we are.' Before we dive into some analysis of each category, a recap of what they are and the monies attached. There are six categories: Picture Book, Junior Fiction, Young Adult Fiction, Non-Fiction, Illustration and te reo Māori. Winners are announced at a ceremony at Pipitea Marae in Wellington on August 13 and will each take home $8,500. Of those winners, one will be named the Margaret Mahy Book of the Year and will receive an extra $8,500. The Best First Book prize winner gets $2,500. The Bookhub Picture Book Award finalists Ten Nosey Weka by Kate Preece, illustrated by Isobel Joy Te Aho-White (Ngāti Kahungunu, Kāi Tahu) (Bateman Books) Titiro Look by Gavin Bishop (Tainui, Ngāti Awa), translated by Darryn Joseph (Ngāti Maniapoto, Ngāti Rereahu) (Gecko Press, Lerner Publishing Group) You Can't Pat a Fish by Ruth Paul (Walker Books Australia) Picture books are an artistic collaboration. Words, text, design and format all have to work together perfectly. These finalists are all pros. Gavin Bishop, Ruth Paul, Juliette MacIver have all been here before, as have illustrators Lily Uivel and Isobel Joy Te Aho-White. Kate Preece is new to the awards with her first-of-a-kind counting book revolving around those curious, sneaky wee birds, the weka. In this interview with The Sapling, Preece explains how the book is tri-lingual and is the first to include Ta rē Moriori, the indigenous language of Rēkohu, where Preece now lives. Wright Family Foundation Esther Glen Junior Fiction Award finalists Brown Bird by Jane Arthur (Penguin Random House New Zealand) Detective Beans and the Case of the Missing Hat by Li Chen (Penguin Random House New Zealand) The Apprentice Witnesser by Bren MacDibble (Allen & Unwin) The Raven's Eye Runaways by Claire Mabey (Allen & Unwin) V iolet and the Velvets: The Case of the Missing Stuff by Rachael King, illustrated by Phoebe Morris (Allen & Unwin) This is all very … strange, for me. I love writing. I love writing novels for young readers because at heart I am still a young reader. It's extremely odd to be writing with this books editor hat on about this award with my author hat on. But the books editor is saying well done to the author and the author is chuffed (if not quite awkward). Mostly because of the company my first novel is keeping here. Back for the second year in a row is the unstoppable Rachael King (who was also a finalist in 2024 for The Grimmelings); I adored Jane Arthur's self-described 'quiet novel' about a character who now looms large in my mind. Bren MacDibble is an absolute powerhouse writer whose work is admirable for its voice, its world building and its control. And Li Chen's Detective Beans and the Case of the Missing Hat has stunning visual worldbuilding and a cute as leading cat. Note the mystery theme: definitely a trend I've noticed in international publishing. Young readers love intrigue just as much as anyone! Young Adult Fiction Award finalists Bear by Kiri Lightfoot, illustrated by Pippa Keel Situ (Allen & Unwin) Gracehopper by Mandy Hager (One Tree House) Migration by Steph Matuku (Ngāti Tama, Ngāti Mutunga) (Huia Publishers) The Mess of Our Lives by Mary-Anne Scott (One Tree House) The Paradise Generation by Sanna Thompson (umop apisdn press) Writing for young adults is a tall order. Young adults (otherwise known as teenagers) can be a tough crowd. What all of these books do is simply tell a story, build worlds, with teenage protagonists at the heart of them. Kiri Lightfoot's Bear is akin to acclaimed Patrick Ness novel, A Monster Calls, in that it uses a metaphoric beast to represent Jasper's rage, fear and consuming emotional undertow. Steph Matuku (no stranger to these awards) has written a brilliant dystopian sci-fi that reflects our present-day conflicts all too well. The Mess of Our Lives by Mary-Anne Scott is a story of overcoming an extremely challenging home life; while Mandy Hager (also no stranger to these awards) has written a story that centres on themes of identity and inclusion. First-time author Sanna Thompson is the wild card here: you can read an excerpt from The Paradise Generation over on Kete Books. Elsie Locke Award for Non-Fiction Finalists Black Magic by David Riley, illustrated by Munro Te Whata (Ngāpuhi, Ngāti Porou, Makefu) (Reading Warrior) Dear Moko: Māori Wisdom for our Young Ones by Hinemoa Elder (Te Aupōuri, Te Rarawa, Ngāti Kurī, Ngāi Takoto, Ngāpuhi nui tonu) (Penguin Random House New Zealand) Ruru: Night Hunter by Katie Furze, illustrated by Ned Barraud (Scholastic New Zealand) The Treaty of Waitangi / Te Tiriti o Waitangi by Ross Calman (Ngāti Toa, Ngāti Raukawa, Kāi Tahu) (Oratia Books) Tui Pea Luva by Mele Tonga Grant, illustrated by Luca Walton (Mila's Books) Huge names! These books are so crucial for education at home and at school: they condense complex subjects and present them in fluid, learnable ways via text, image and design. I love Ruru: Night Hunter for its immersive journey through the nightlife of our little owls. Ross Calman's The Treaty of Waitangi | Te Tiriti o Waitangi is extremely useful: highly illustrated, clearly written, an all-ages text, really. Mila's Books are the only all-Pasifika publishing house in the world and they consistently put out books made by and for Pasifika children and families. Tui Pea Luva is Grant's poetry collection which passes down the wisdom of Pasifika women. David Riley's Reading Warrior is a multi-faceted organisation that publishes books, creates projects in collaboration with communities, runs workshops and puts student writing into print. Black Magic continues Reading Warrior's focus on sporting heroics with the story of how we got our all black uniforms with a silver fern. Russell Clark Award for Illustration Alice and the Strange Bird by Isaac du Toit (Isaac du Toit) Hineraukatauri me Te Ara Pūoro, illustrated by Rehua Wilson (Te Aupouri, Te Rarawa), written by Elizabeth Gray (Ngāti Rēhia, Ngāti Uepōhatu, Tama Ūpoko ki te awa tipua, Ngāti Tūwharetoa anō hoki) (Huia Publishers) Poem for Ataahua, illustrated by Sarah Wilkins, written by Alistair Te Ariki Campbell (Reading Warrior) Sad Sushi, Anna Aldridge (Anna Aldridge) You Can't Pat a Fish by Ruth Paul (Walker Books Australia) It's always amazing to me how illustrators find angles, perspectives, and wordless narratives that bring a text to life. Sarah Wilkins' illustrations for Poem for Ataahua first caught my eye on Instagram: they're stunning, ethereal. Wilkins is longlisted for the World Illustration Awards 2025 for this same work (selected from 5000 entries from 81 countries). I also adore Ruth Paul's bold style: there's such comedy in the images that work so well with Paul's rollicking rhyme (hard to do but Paul does it so well). Wright Family Foundation Te Kura Pounamu Award Finalists A Ariā me te Atua o te Kūmara by Witi Ihimaera (Te Whānau a Kai, Rongowhakaata, Te Aitanga a Mahaki, Ngāti Porou), illustrated by Isobel Joy Te Aho-White (Ngāti Kahungunu, Kāi Tahu), translated by Hēni Jacob (Ngāti Raukawa) (Penguin Random House New Zealand) *Hineraukatauri me Te Ara Pūoro by Elizabeth Gray (Ngāti Rēhia, Ngāti Uepōhatu, Tama Ūpoko ki te awa tipua, Ngāti Tūwharetoa anō hoki), illustrated by Rehua Wilson (Te Aupouri, Te Rarawa) (Huia Publishers) Ka mātoro a Whetū rāua ko Kohu i Rotorua by Hayley Elliott-Kernot, translated by Te Ingo Ngaia (Taranaki, Ngāruahine, Te Ātiawa, Waikato-Maniapoto, Ngāti Whakaue, Te Whānau-a-Karuai ) (Round Door Design) Ko ngā Whetū Kai o Matariki, ko Tupuānuku rāua ko Tupuārangi by Miriama Kamo (Ngāi Tahu, Ngāti Mutunga), illustrated by Zak Waipara (Ngāti Porou, Ngāti Ruapani, Ngāti Kahungunu, Rongowhakaata), translated by Ariana Stevens (Poutini Ngāi Tahu) (Scholastic New Zealand) * Ngā Kupenga a Nanny Rina by Qiane Mataa-Sipu (Te Waiohua, Waikato, Ngāpuhi, Ngāti Pikiao, Cook Islands), illustrated by Isobel Joy Te Aho-White (Ngāti Kahungunu, Kāi Tahu) (Penguin Random House New Zealand) * Indicates a finalist book originally written in te reo Māori A specialist judging panel was enlisted to analyse the merits of these books either translated into te reo Māori or originally written in te reo Māori. Many familiar names here including Mirama Kamo and Zak Waipara (who were finalists in 2019 for Ngā Whetū Matariki i Whānakotia, translated by Ngaere Roberts); and Witi Ihimaera and Isobel Joy Te Aho-White who were finalists in 2023 with Te Kōkōrangi: Te Aranga o Matariki (translated by Hēni Jacob). NZSA Best First Book Award Finalists Brave Kāhu and the Pōrangi Magpie by Shelley Burne-Field (Ngāti Mutunga, Ngāti Rārua, Te Ātiawa, Sāmoa) (Allen & Unwin) Play Wild by Rachel Clare (Bateman Books) The Raven's Eye Runaways by Claire Mabey (Allen & Unwin) The Witch of Maketu and the Bleating Lambs by Anika Moa (Ngāpuhi, Te Aupōuri), illustrated by Rebecca ter Borg (Penguin Random House New Zealand) The Writing Desk by Di Morris (Bateman Books) I don't think many of us on this list ever expected to see our names alongside queen Anika Moa. I loved her book based on the character in her superbly creepy song. Shelley Burne-Field is a gorgeous writer (you can read about why she writes for children on The Spinoff). Di Morris' The Writing Desk is a stunning graphic account of the lives of colonial women; and Rachel Clare's Play Wild is a guide to having little adventures outside (reminiscent of Giselle Clarkson's The Observologist, though more geared towards using natural materials to aid imaginative play). Thanks to the English and bilingual judging panel: Convenor of judges Feana Tu'akoi, a Kirikiriroa-based writer; Don Long, a children's and educational publishing expert; Linda Jane Keegan, a Singaporean-Pākehā writer and reviewer; Stacy Gregg (Ngāti Mahuta, Ngāti Pukeko, Ngāti Maru Hauraki), recipient of the Margaret Mahy Book of the Year at the 2024 NZCYA awards; and Mero Rokx (Ngāti Porou, Ngāti Awa, Ngāi Tai), an education specialist who is on the English-language and bilingual panel, as well as Te Kura Pounamu panel. And to the panel judging te reo Māori entries: Convenor Mat Tait (Ngāti Apa ki te Rā Tō, Rangitāne o Wairau, Ngāti Kuia), a freelance artist, illustrator, writer and te reo Māori tutor based in the Motueka area; Justice-Manawanui Arahanga-Pryor (Ngāti Awa ki Rangitaiki, Ngāti Uenuku, Ngāti Rangi, Ngāi Te Ruahikihiki), a kaitakawaenga / library programming specialist; and Maxine Hemi (Ngāti Porou, Ngāti Kahungunu, Rangitāne), a kaiako with over 30 years' experience teaching. And praise be for those who make the awards possible: Creative New Zealand, HELL Pizza, the Wright Family Foundation, LIANZA Te Rau Herenga o Aotearoa, Wellington City Council, BookHub presented by Booksellers Aotearoa New Zealand, New Zealand Society of Authors Te Puni Kaituhi o Aotearoa, the National Library of New Zealand Te Puna Mātauranga o Aotearoa, the Mātātuhi Foundation, and NielsenIQ BookData. The Awards are administered by the New Zealand Book Awards Trust Te Ohu Tiaki i Te Rau Hiringa.


The Spinoff
02-06-2025
- The Spinoff
Jacinda Ardern steps back into the global spotlight
As the former PM's memoir hits shelves, Penguin is hoping her enduring star power can turn A Different Kind of Power into a bestseller, writes Catherine McGregor in today's extract from The Bulletin. A different kind of memoir Jacinda Ardern's long-anticipated autobiography, A Different Kind of Power, is officially released today. Framed as a deeply personal account rather than a political exposé, the memoir chronicles Ardern's rise from small-town Morrinsville to global leadership – and her abrupt, self-authored exit from the world stage. The book's launch has been accompanied by a major international publicity push. Ardern has appeared on CBS's Sunday Morning show, sat down for a reflective interview with The Guardian, and featured on the mega-popular The Rest is Politics podcast. At home, she's been interviewed by Seven Sharp's Hilary Barry and the NZ Herald's Kim Knight, among others. The media blitz is not just about selling copies, but reinforcing Ardern's core message: that kindness, empathy and even self-doubt have a place in leadership. More personal warmth than political revelation Early reviews suggest that A Different Kind of Power offers plenty of feeling but not a lot of drama. Frances Stead Sellers of The Washington Post (paywalled) praises the memoir as a 'clear and compelling case for compassion' that suffers at times from 'its author's earnestness', while The Post's editor Tracy Watkins describes the book as emotionally resonant but light on backroom revelations – especially when it comes to a post-mortem on pandemic decision-making. 'If, like me, you're looking for fresh insights, or signs of regret over some of the decisions her government made, you may be disappointed,' Watkins writes. Newsroom's Steve Braunias, in the most deeply read and incisive review so far, is more generous. Like other reviewers, he comments on Ardern's sometimes cloying focus on empathy throughout the book – but also highlights a 'pitiless' nine-page section on a certain New Zealand politician. 'Ardern introduces him to an American public who had hitherto never heard of the vainglorious sap and parades him as the villain of A Different Kind of Power,' he writes. Today is probably a very bad day to be former Labour leader David Cunliffe. A big bet for Penguin Commercially, A Different Kind of Power is a major gamble. According to a fascinating story, again by Steve Braunias at Newsroom, Penguin is rumoured to have paid Ardern an advance of $1.5 million, meaning the book will need to sell at least 140,000 copies globally to break even. Publishing experts believe it's possible, particularly with Australian rights in play and a high-profile North American book tour scheduled. Braunias speaks to writer and book editor Paula Morris, who points out that the advance may also include Ardern's upcoming children's book, Mum's Busy Work, due out in September, which will make earning it back a far easier task. Comparisons are already being drawn to Spare by Prince Harry, which reportedly required 500,000 print sales to recover its costs. As with Harry, Ardern is a polarising figure, and that may well help drive both publicity and sales. (As an aside, Newsroom is the place to be for Ardern-book completists this week, with not one but three reviews scheduled, from Braunias, Janet Wilson and Tim Murphy.) Not the first Ardern book, and not the last word This isn't the first time Ardern's life has been turned into reading material. Jacinda Ardern: A New Kind of Leader by The Spinoff's own Madeleine Chapman was a bestseller, as was Michelle Duff's Jacinda Ardern: The Story Behind An Extraordinary Leader, which in 2019 inspired the bizarre #TurnArdern campaign. The Covid-era tome Jacinda Ardern: Leading with Empathy earned a withering review from Toby Manhire, who said that 'it was written by two authors trying hard to tell the story of a country without visiting it'. At the time, Ardern said it was 'awkward' to have her life story told via unauthorised biography – perhaps she was thinking about her own authorised version even then. Ardern's book won't be the last word, either. Her story has also been told in Prime Minister, a feature documentary about Ardern's time in office, co-directed by Michelle Walshe and Lindsey Utz. While no NZ release date has been confirmed, it will play in this year's NZ International Film Festival. Outside of the NZIFF programmers, few people here have yet seen the film, but a close reading of the trailer by The Spinoff's Alex Casey reveals mic drop, teary moments, and many obligatory Aotearoa-landscape drone shots.


Scoop
02-06-2025
- Scoop
Thieves In The Kitchen: The Stealing Of Recipes
Recipe author Nagi Maehashi, unmoved by her own numbing banality, is peeved. Her target: Penguin books and author Brooke Bellamy. Her accusation: the apparent copying of recipes for caramel slice and baklava from Maehashi's RecipeTin Eats website, released in Bellamy's Bake with Brooki, published in October last year. 'Profiting from plagiarised recipes is unethical,' she huffed, 'even if it is not copyright infringement – and undermines the integrity of the entire book.' Rather indulgently, Maehashi goes on to decry this as a 'slap in the face to every author who puts in the hard work to create original content rather than cutting corners.' The question left begging is whether this is ever possible for a cookbook. Bellamy, who has the combined weight of 3 million followers on TikTok and Instagram, has flatly denied the accusation. 'I did not plagiarise any recipes in my book which consists of 100 recipes I have created over many years,' she claims on Instagram. 'In 2016, I opened my first bakery. I have been creating my recipes and selling them commercially since October 2016.' The social media figure is candid in admitting that she did not invent any of the recipes listed in her book dealing with cookies, cupcakes, brownies or cakes. On the issue of the caramel slice, Bellamy merely observes that the RecipeTin Eats recipe, published in March 2020, 'uses the same ingredients as my recipe, which I have been making and selling since four years prior.' Evidently not a pugilist, Bellamy has even offered to remove the caramel slice and baklava recipes from any future reprints of her book, a point 'communicated to Nagi swiftly through discussions'. Another author from cookbook land, Adam Liaw, abandons his kitchen implements briefly to explain the finer points of intellectual property in light of this dispute. As an intellectual property lawyer in his previous non-cooking life, he suggests that the copyright 'doesn't protect the recipe itself. It protects the publication of the exact same written form of that recipe. None of the recipes written in the world would reach the standards necessary to obtain patent protection.' A closer look at the claim is one of plagiarism. This is an interesting point, given the multitude of borrowings, replications and, along the way, adjustments, that come along with the use of recipes. Professor John Swinson from the University of Queensland adds insult to injury to Maehashi's case by simply stating that the steps involved in making the recipe were 'not very expressive'. When looking at a comparison between the two recipes in question, one is left with a similar impression. 'You can't protect a cake or cookie,' Swinson clarifies. 'You can only protect how it\s expressed, not the end result, and most recipes are just factual instructions'. A sticking point here is the issue of attribution. Under the Australian Copyright Act 1968 (Cth), there are various described moral rights, as distinct from economic rights. These include the right of attribution (that the author be identified and named as the author of that work); the right against false attribution (the right of the author to prevent someone else from being credited as the author of their work; and the right of integrity (the right of an author to ensure that the work is not subjected to derogatory treatment harmful to the author's honour or reputation). Historically speaking, the publication of recipes drawn from the vast archive of cookery is more than standard. We find Isabella Beeton in October 1861, a co-editor of the Englishwoman's Domestic Magazine pillaging at will any number of recipes for The Book of Household Management. As food boffin and author Helana Brigman points out, this book of revelation for Victorian readers, one that allayed fears about 'how much should a family of five spend on groceries', had nothing that was her own. In writing her book, Beeton made generous use of readers' submissions. The fact remains that, however murky one might assume the laws on copyright were on the subject, neither US nor British copyright laws (ditto Australia's equivalent) protect a listing of ingredients, even those found in formulas, compounds, or prescriptions. Broadly speaking, claiming some ownership over a dish is much like asserting control over the air and its vapours. An iconoclastic Jonathan Meades takes the torch to such proprietary assertions in his The Plagiarist in the Kitchen: A Lifetime of Culinary Thefts. His work eschews 'culinary originality', being an 'anti-cookbook' favouring 'the daylight robbery of recipes, to hijacking techniques and methods, to the notion that in the kitchen there is nothing new and nor can there be anything new.' Meades rightly notes that the pathology of originality arises from the emergence of the cult chef, the God creator in the kitchen. In an interview, he notes how it began 'in upscale restaurants in Spain and then in Britain with Heston Blumenthal.' The entire grievance on Maehashi's part has given Bellamy even more oxygen for her enterprise, with the latter preferring to repair back to the bakery. Two new stores are set to open in Queensland in July. An international pop-up store in the United Arab Emirates is planned to open by the end of the year, adding to existing ones in the Middle East. If Bellamy was ever a thief in the kitchen, the enterprise is doing quite nicely.