
Hulk Hogan's death resurfaces painful contradictions for Black wrestling fans
His love of Hogan in the ring became inextricable from what would become a lifelong obsession with the sport — including a yearlong role touring the country and writing scripts for WWE's top talent.
'He was a superhero to a lot of people, including myself,' said Famuyide, who is Black and now co-hosts the WWE-themed podcast 'The Ringer Wrestling Show.' He remembers Hogan telling audiences to 'train, say your prayers and eat your vitamins,' often in front of giant American flags.
But for the 38-year-old Famuyide and other Black wrestling fans and sports commentators, Hogan's death this week at 71 has resurfaced an irreconcilable contradiction in the iconic wrestler's legacy: Hogan's undeniable role in broadening wrestling's appeal to fans of all backgrounds versus his well-documented racism.
'You never really got the feeling that Hulk Hogan truly felt remorse,' Famuyide said.
Reactions to Hogan's death reflect American divide on race
'The Right Time' podcast host Bomani Jones noted there were two sharply different reactions to Hogan's death. Remembrances have split between those who see no need to harp on past controversies and those who struggle with his behavior that got once got him banned from the WWE.
'This was never going to be one where people were going to mourn quietly,' Jones said.
Hogan's death drew remembrances from politicians, celebrities and fans alike, celebrating his accolades. Many applauded how he was able to parlay his wrestling persona into movie appearances, brand deals, a reality television show and notable political influence.
On Friday, Dwayne 'The Rock' Johnson, whose fame arguably rivals Hogan's acclaim, paid tribute. Johnson, the son of pioneering wrestler Rocky Johnson, one of the WWE's first Black champions, said Hogan was a hero 'to millions of little kids.'
'You may have 'passed the torch' to me,' Johnson wrote under a 2002 video showing him and Hogan facing off at Wrestlemania.
'But you, my friend…you 'drew the house' meaning you sold out every arena and stadium across the country in your prime as Hulk Hogan, on your way of becoming the greatest of all time.'
Other notable Black professional wrestlers, from Booker T and Mark Henry, to Jacqueline Moore and Carlene 'Jazz' Moore-Begnaud, have found success and fame in the WWE.
But just as many people took Hogan's death as an opportunity to regale Hogan's more controversial behavior.
In 2016, a Florida jury awarded Hogan over $115 million against Gawker Media, after Hogan sued them for posting a video of him having sex with his former best friend's wife. The litigation led to the discovery that Hogan had used racial slurs in 2007 to describe his daughter's Black ex-boyfriend.
'I am a racist, to a point,' Hogan said, before adding the slur against Black people, according to a transcript.
Hogan apologized at the time and called the language 'unacceptable.'
Around the same time, some outlets reported that Hogan used the same slur on a recorded phone call with his son.
Hogan's enthusiastic endorsement of conservative political figures like longtime friend President Donald Trump made many people doubt the sincerity of that apology, Jones said.
'It's one thing to get caught on tape saying these things in private. It's another thing for you to decide publicly to align yourself with a cause that many Black people find antagonistic toward us,' Jones said.
Professional wrestling has a history of reckoning on racist tropes
For many Black wrestling enthusiasts, Hogan's death brings up familiar contradictions in how the sport deals with race.
Lyric Swinton, 27, a freelance wrestling writer, first fell in love with the sport when she was 8. She describes wrestling as 'the most nuanced and colorful' form of storytelling.
Although she feels representation has improved, Swinton remembers WWE use racist tropes in Black wrestlers' plot lines. Swinton recalls Shelton Benjamin having a 'mammy,' played by Thea Vidale, invoking a racist caricature.
Swinton considers Benjamin one of the most talented wrestlers at the time, but feels he never got the recognition that his contemporaries did, in part because he was scripted to those roles.
'I kind of felt like I had to check my Blackness at the door,' she said.
Hogan hasn't tarnished sport for all Black fans
For WWE enthusiast and sports journalist Master Tesfatsion, the mixed reactions to Hogan's death mirror fault lines that exist throughout the country, and highlight how central wrestling has become in pop culture.
Growing up, Tesfatsion, who is Black, remembers watching Vince McMahon, the company's co-founder and former chairman, use a racial slur in a match with John Cena in 2005; or the storyline in 2004 when wrestler John Layfield chased Mexicans across the border.
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'In some strange way, the WWE always had a pulse on where America stood,' Tesfatsion said. 'You cannot tell the history of America without all these issues, just like you cannot tell the history of the WWE without these issues.'
Tesfatsion was in the audience at Hogan's last appearance at a professional match in January. He was one of the many who booed Hogan. After decades of fandom, it was his first time seeing Hogan live.
'I never thought that I would see 'The Hulk' in person, and that I would resort to bullying him. But that's what his actions made me do.'
Still, Tesfatsion said he will never stop being a super fan.
'I still love America, I still love the WWE. It's an emotional contradiction that I choose to deal with because I still find value in it,' he said.
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Toronto Sun
2 days ago
- Toronto Sun
LILLEY: CBC pushes left-wing political values in effort to cancel Christian singer
But the public broadcaster's news coverage of the 'MAGA musician' has instead made Sean Feucht a much bigger celebrity in Canada Get the latest from Brian Lilley straight to your inbox American musician Sean Feucht had been scheduled to perform in Moncton, N.B., on Thursday, July 24, 2025. Photo by Gage Skidmore/CC BY-SA 2.0 CBC went on a religious war against a Christian singer this past week in an effort to cancel his concerts. Instead, CBC raised the profile of Sean Feucht in Canada and showed just how politicized their news coverage has become. It started several days ago as Canada's public broadcaster went wall to wall with coverage of Feucht's show in Halifax. They described him repeatedly as a 'MAGA musician' and then made it clear to their readers and viewers that Feucht holds views that no Canadian should welcome. 'Sean Feucht is a religious singer from the U.S. who has expressed anti-diversity, anti-2SLGBTQ+ and anti-women's rights views on his platforms,' read one story about his original venue in Halifax being cancelled. Other media outlets joined in the pile on, simply describing Feucht as MAGA and therefore unacceptable. We don't need to tell you more than that, we've already told you that he likes the bad Orange man in the White House – BAN HIM! This advertisement has not loaded yet, but your article continues below. THIS CONTENT IS RESERVED FOR SUBSCRIBERS ONLY Subscribe now to read the latest news in your city and across Canada. Unlimited online access to articles from across Canada with one account. Get exclusive access to the Toronto Sun ePaper, an electronic replica of the print edition that you can share, download and comment on. Enjoy insights and behind-the-scenes analysis from our award-winning journalists. Support local journalists and the next generation of journalists. Daily puzzles including the New York Times Crossword. SUBSCRIBE TO UNLOCK MORE ARTICLES Subscribe now to read the latest news in your city and across Canada. Unlimited online access to articles from across Canada with one account. Get exclusive access to the Toronto Sun ePaper, an electronic replica of the print edition that you can share, download and comment on. Enjoy insights and behind-the-scenes analysis from our award-winning journalists. Support local journalists and the next generation of journalists. Daily puzzles including the New York Times Crossword. REGISTER / SIGN IN TO UNLOCK MORE ARTICLES Create an account or sign in to continue with your reading experience. Access articles from across Canada with one account. Share your thoughts and join the conversation in the comments. Enjoy additional articles per month. Get email updates from your favourite authors. THIS ARTICLE IS FREE TO READ REGISTER TO UNLOCK. Create an account or sign in to continue with your reading experience. Access articles from across Canada with one account Share your thoughts and join the conversation in the comments Enjoy additional articles per month Get email updates from your favourite authors Don't have an account? Create Account A protestor chants slogans against pro-Maga and Christian singer Sean Feucht during his performance at Ministerios Restauración in Montreal on Friday, July 25, 2025. Photo by Allen McInnis / MONTREAL GAZETTE The original venues for all six concerts cancelled on him – some reportedly keeping the fees he had already paid. Feucht may not be a household name in Canada, but he has played and toured here many times and he quickly found new venues. The media hype about the dangers of allowing a Christian rocker to perform here kept up and when he played Montreal on Friday night, radical protesters showed up to try and forcibly shut down the show. Montreal police arrest a protester who refused to stop eating on the stairs of Ministerios Restauración during pro-Maga and Christian singer Sean Feucht's performance in Montreal on Friday, July 25, 2025. Photo by Allen McInnis / MONTREAL GAZETTE CBC quoted a spokesperson for Montreal Mayor Valerie Plante saying they believe in freedom of expression but not for this guy. 'Freedom of expression is one of our fundamental values, but hateful and discriminatory speech is not accepted in Montreal and, as in other Canadian cities, the show will not be tolerated,' Catherine Cadotte told CBC . Your noon-hour look at what's happening in Toronto and beyond. By signing up you consent to receive the above newsletter from Postmedia Network Inc. Please try again This advertisement has not loaded yet, but your article continues below. Mayor Valérie Plante at a press conference on the terrace at City Hall in Montreal on Wednesday, June 11, 2025. Photo by John Mahoney / MONTREAL GAZETTE The mayor's office tried to shut down the show even after it moved from a municipal venue to a church – and the city is now threatening to fine that church. They claimed Feucht didn't have a permit to play and it wouldn't be allowed to go forward, a claim CBC dutifully put to the singer as he spoke with media ahead of the show. 'It's because you don't have a permit,' a CBC-Radio Canada journalist stated to Feucht on the issue of why some wanted his show shut down. 'I don't think you need a permit to worship in a church,' Feucht responded. Feucht, the American, has a better understanding of how our country operates than a CBC journalist, that is truly sad. If we lived in a country fully run by CBC and Montreal Mayor Valerie Plante, then we would have to sign away freedom of religion, freedom of assembly and freedom expression – three fundamental freedoms protected by Canada's Charter of Rights and Freedoms. This advertisement has not loaded yet, but your article continues below. Pro-Maga and Christian singer Sean Feucht speaks before his performance at Ministerios Restauración in Montreal on Friday, July 25, 2025. Photo by Allen McInnis / MONTREAL GAZETTE As you can see, there is a selective approach to who gets those rights and freedoms protected. There is a lot of chatter about what kind of musical acts are acceptable these days. Concerts for British punk rap duo Bob Vylan were cancelled after they shouted 'death, death to the IVF' at the Glastonbury music festival. Irish rap group Kneecap are slated to perform four sold-out shows in Toronto and Vancouver later this year but there are calls for them to be banned from Canada for their open support of banned terrorist groups like Hezbollah and Hamas. Read More This advertisement has not loaded yet, but your article continues below. When CBC did a story on protests against Kneecap, they spoke with the Centre for Free Expression about how problematic it is to ban musical acts. That's something they only did in Feucht's case after days of broadcast and online print stories whipping up the Canadian public about the MAGA invasion. I'd never heard of Sean Feucht before this past week and CBC 's decision to join a Holy War to shut him down. They may have gotten the venues to deny him entry, but they also made him a much bigger celebrity in Canada than he would have been otherwise. CBC also showed that while they claim to stand up for Canadian values, they don't mean the ones in the Charter, they mean the left-wing political values they push every single day. blilley@ Columnists Toronto & GTA Columnists Sunshine Girls Columnists


Winnipeg Free Press
2 days ago
- Winnipeg Free Press
Canada-Mexico arrangement perfect fit for Pony Corral musician José 'Pepê' Cortes
'I usually do this one later on in the night but since I just had a request for it, here we go, off to Mexico!' It's Saturday evening at the Pony Corral Restaurant & Bar on Pembina Highway. Entertainer José 'Pepê' Cortes launches into a rollicking version of La Bamba, diners on the eatery's spacious riverside patio put down their forks and knives to clap along to the Ritchie Valens hit, which Cortes performs on guitar with the assistance of a pre-recorded backing track. Given his high-spirited delivery, one would never guess that Cortes, a summertime fixture at the Fort Garry hotspot since the mid-2000s, has sung the crowd-pleaser 'oh, about a million times,' over the years. Jose (Pepe) Cortes, who is a one-man show, performs on the riverside patio at the Pony Corral Restaurant & Bar three nights a week. 'The thing I try to remind myself is that there's always going to be somebody here for the first time who has never heard me do La Bamba, which, I suppose because I'm from Mexico, people kind of expect,' Cortes remarks later, during a break between sets. That's fine with him, he continues. His job, he feels, is to make guests forget about whatever might be troubling them, if only for an hour or two. So when he spots somebody beaming and raising their glass during La Bamba or Besamé Mucho, another Mexican standard that's part of his act, he tells himself, 'mission accomplished.' Cortes, 66, was born in Mexico City, the second eldest of five siblings. Growing up, he was a big fan of the Beatles and the Rolling Stones, he says, casually dressed in sandals, grey shorts and a pale-blue short-sleeve dress shirt . By the time he was 11, he was teaching himself to play popular songs he heard on the radio, on an acoustic guitar borrowed from a relative. Not that he always understood what he was singing about. 'We did take English in school but no, there were lots of times I didn't have a clue what the lyrics meant, I was mostly just pretending,' he says, mentioning he has answered to the nickname Pepê — even his mother calls him that — for as long as he can remember. Before long his older brother Eduardo, Lalo for short, began accompanying him on drums. Cortes guesses he was 12 or 13 when a sign went up in their neighbourhood, advertising for bands to volunteer their services for an outdoor music festival. After talking a pair of classmates into joining them, the foursome made its official debut as El Dilema, covering rock tunes by American groups such as Grand Funk Railroad, with Cortes handling lead vocals. El Dilema was well-received. Before long the group was getting booked for community dances around town, now billed as Children owing to how young they were. The band eventually expanded to seven members and by the mid-1970s, Children had become a popular nightclub draw, not just in Mexico City but in more touristy destinations, as well. Cortes was 21 in 1979 when Children was booked for a weeklong engagement at the Princess Hotel in Acapulco. Also appearing there was a band called Zig Zag, which got its start in Mexico before relocating to Minneapolis. Following one of Children's performances, the members of Zig Zag told Cortes they were impressed with his voice, especially when he sang falsetto on Bee Gees numbers. Also, would he be interested in going with them when they headed back to the States? It seemed like a great opportunity and after discussing it with his bandmates, he made the difficult decision to leave Mexico. Supplied José 'Pepe' Cortes in Mexico with the band Children 'Zig Zag mostly did classic rock — Boston, Kansas, that kind of stuff — and we used to get standing ovations for our version of Bohemian Rhapsody,' Cortes says with a laugh, adding besides the Twin Cities, they were also getting booked for shows in North and South Dakota, and, later on, in Canada. In August 1984 Zig Zag was hired for a social being held at the Canadian Forces Base in Shilo. In attendance was a pharmaceuticals rep originally from Deloraine who had relocated to Brandon. Cortes struck up a conversation with her between sets. Within a year, they were married and living in Winnipeg. Cortes continued his musical career after moving to the city. He started off with a country-rock outfit called Raven before being introduced in 1987 to Wayne Hlady, founder of the Beatles tribute act Free Ride. For the next 18 years, Cortes-as-George Harrison played guitar and sang with Free Ride. It was a lucrative gig, he says, but because the band was often booked as many as six nights a week, it caused a strain in his marriage. 'We had two kids, a boy and girl. I was Mr. Mom during the day, cooking the meals and seeing them off to school, but the minute my wife got home, I'd be out the door,' he says. Free Ride definitely helped pay the bills, he goes on, but still, his wife desired a normal life, one that would enable them to socialize with family and friends on the weekend, instead of him always appearing at this bar or that. He understood her point — he even tried his hand at a 'real' job working for a local landscaping firm — but in the end they had grown too far apart. Following his divorce in 2005, Cortes made the decision to part ways with Free Ride. For a while he'd been writing songs of his own, but because Free Ride was all-Beatles, all-the-time, he knew there would never be an opportunity for him to perform his compositions in front of a live audience. One of the first places that hired him after he struck out on his own was the Pembina Highway Pony Corral. There he was encouraged to mix in original tunes alongside time-tested favourites such as Under the Boardwalk, Imagine and Brown Eyed Girl. He also returned to his roots, by sprinkling in Spanish-style songs popularized by the likes of the Gipsy Kings and Santana. By 2011, Cortes, who did three sets a night, Wednesday through Saturday, had developed a loyal following. That summer he was on Facebook when he spotted a message from a person he'd gone to school with in Mexico City. He remembered she used to be pals with his first girlfriend. Out of curiousity he asked if the two of them were still in touch. They were, she replied. SUPPLIED Free Ride as The Rolling Stones. Jose 'Pepe' Cortes is Keith Richards,, front Five minutes later, he received a second message, this time from his ex, a woman named Gabriela. 'She was like 'hi, how are you.' She told me she was living in Tequisquiapan, about three hours from Mexico City. After messaging back and forth a bit more, she said I should come for a visit, which I ended up doing that winter.' Cortes fell in love with both Gabriela and the town, notable for its quaint cobblestone streets and rustic houses. On the flight back to Winnipeg he thought if he could land a gig there, he'd probably move. Four years later he was preparing to do just that. Ahead of his imminent departure, Peter Ginakes, owner of the Pony Corral, proposed they stage a 'Farewell Pepê' concert in his honour, on the patio. That night the place was jam-packed, with lineups stretching into the parking lot. As Cortes was putting away his guitar for what he thought would be the last time at that locale, Ginakes approached him to say, 'You know, there isn't any reason we can't do this every summer.' Cortes, who has dual citizenship, refers to his current situation, which sees him living and performing in Tequisquiapan for nine months of the years, and spending June through August in Lorette with his daughter Sam and her husband, as the 'best of both worlds.' Not only does he get to see his two adult children as well as a pair of grandchildren, ages five and nine, when he's here he holds down a Las Vegas-style residency at the Pony Corral three nights a week, Thursday to Saturday. Added bonus: his son Matthew occasionally supports him on bongo drums. 'It's funny because couples who used to come see me at the Pony 20 years ago, back when they were dating, now show up with their kids to catch the show,' he says. 'The other night my own grandkids were here and the oldest one spent the whole time in one of the Tiki huts, banging away on the table like he was playing drums.' Cortes, who has recorded four CDs of original material, figures he currently has close to 150 songs in his repertoire, including what he refers to as the calypso medley, which he put the finishing touches to in Mexico, this past winter. Jose (Pepe) Cortes on the patio at the riverside Pony Corral Restaurant & Bar (Pier7) at 1700 Pembina Hwy. 'For that one, I kick off things off with Lionel Richie's All Night Long, then switch to Kokomo by the Beach Boys, September by Earth, Wind and Fire and finally Hot Hot Hot (by Buster Poindexter). If that doesn't get people tapping their toes, nothing will.' And although Gabriela has only come with him to Winnipeg once — she found it too chilly, even in June, he says with a wink — he intends to make the annual trip north for as long as Ginakes and the Pony Corral will have him. 'The only tough part is I'm not as young as I used to be,' he says, polishing off the last of his coffee. 'Lots of times customers will go, 'Pepê, it's so good to see you,' and offer to buy me a drink. I have to tell them thanks, but no thanks… or at least to wait till Saturday night, when I don't have to work the next day.' Monthly What you need to know now about gardening in Winnipeg. An email with advice, ideas and tips to keep your outdoor and indoor plants growing. David Sanderson Dave Sanderson was born in Regina but please, don't hold that against him. Read full biography Our newsroom depends on a growing audience of readers to power our journalism. If you are not a paid reader, please consider becoming a subscriber. Our newsroom depends on its audience of readers to power our journalism. Thank you for your support.


National Post
2 days ago
- National Post
Raymond J. de Souza: Hulk Hogan told a simple story, but his life was far more complex
Article content Hogan did have charisma, as much or more than any other performer in any field. Wrestling is all about lights and music and grand entrances, but Hogan was his own source of energy, uniquely able to connect with mass audiences. The frenzy of a full Saddledome that night was a formidable thing — a frenzy that the world would see at the Silverdome the following year when Hogan body-slammed the Giant. Article content It was the capacity for public frenzy that struck teenage me as a bit frightening. I recall a woman, climbing atop her chair, face contorted and screaming, resembling a woman possessed. She was my mother's age, so should have known better. Article content The performers in the ring were scripted, directed toward telling a story. The frenzy on the outside was harder to control. In time, others would learn, in wrestling and the broader culture, that frenzy could be put to other purposes. Article content In the 1980s, McMahon presented Hogan as utterly wholesome, advising kids to 'train, say your prayers, and take your vitamins.' Eventually, Hogan's fans would discover that he 'trained' with steroids, said nasty racist things, and took other men's wives. Alongside that, as is always necessary in wrestling, Hogan became a villain. Frenzied adulation or frenzied vituperation matters less than the frenzy itself, which generates attention and relevance and revenue. Article content Article content Fifteen years after the Saddledome, Hogan fought The Rock at the Skydome in the most memorable match of WrestleMania X8 (18). Remembered now as one of the historic moments in wrestling history, it was the pro-Hogan frenzy of the crowd that determined the outcome of the story, an unusual reversal of manipulators and manipulated. Article content Toronto 2002 would be the effective end of the Hogan era. Then, nearly fifty years old, boasting a litany of back and hip and knee surgeries, Hogan was losing the sheer athletic ability demanded of professional wrestlers. Soon, he would descend into scandal and, despite WWE's attempts to restore him to prominence, his last wrestling appearance ended in an embarrassment of booing. The frenzy had turned. Article content Hogan's career then slipped from wrestling into reality TV — and eventually to politics. For those of us who long ago explained that Donald Trump could not be understood apart from professional wrestling, Hogan's introduction of Trump at the Republican National Convention last summer was sad confirmation of a malign cultural force converted to demoralizing political effect. The frenzied woman of 1986 was the Trump voter long before there was Trump to vote for. Article content Article content WWE will honour Hogan in death, recalling the glory days of the 1980s. Vince McMahon himself will not do so, banished from the company he built after a flurry of sexual misconduct claims. Perhaps his wife Linda might, serving as she does as Trump's secretary of education. Article content