
Two Point Museum review – keep a cultural institution afloat with the joy of curation
All was quiet at the County Archives Museum, until a woman erupted from one of the toilets. Clad in full scuba gear, she would have gone unnoticed as she weaved among the usual visitors – a bored gaggle of schoolchildren, tourists, and a yeti – were it not for a beady eyed security guard. The woman, it turns out, was a member of an infamous crime syndicate, renowned for breaking into museums, stealing priceless exhibits and slipping back into the sewers like a well-renumerated goldfish. As my security guard tackled the thief, the museum's prehistory expert neatly sidestepped the fray and departed for a far-flung corner of the Earth, soon to return with a prized relic of the ancient world. Burglars get caught; museums just hire better qualified thieves and send them on expeditions.
This is the kind of whimsical satire that Two Point Studios trades on, making delightful and irreverent management games that poke fun at very serious establishments: hospitals, universities, and now museums. Here, as the curator of the county's timeworn institutions, you must protect profit first and history second. Easier said than done when there's so much to manage: you must hire experts to source and maintain exhibits, assistants to run front-of-house, janitors to scrape stubborn substances from floors, and security guards to handle donations and play whack-a-mole with criminals.
Tour routes must be carefully plotted and decorated to impress, thus generating 'buzz' and convincing visitors to make a donation. Different visitor types like different things: sage professors crave knowledge from well-placed information stands, while hyperactive children just want something that goes beep. To please pint-sized punters, you need to research and build kid-friendly interactive displays in the workshop, paying for the materials through any fundraising means necessary, whether that be loans, gift-shop sales, or advertising deals with local businesses. It's a beautifully detailed operation that suggests the developers have paid close attention to human nature, and how to mirror it in an intriguing game-loop.
You can imagine that the curators atthe British Museum scratch their heads over the same challenges (save the scuba thieves). Some visitors barrel straight through, pausing just long enough to take a selfie with the most popular exhibit, while others will spend hours in the gift shop. Two Point does a spectacular job of simulating the challenge of satisfying diverse crowds … despite the fact that here, your audience includes literal clowns.
Museum themes range from the expected – prehistoric, aquatic, botanical – to the outlandish – haunted, extraterrestrial, apocalyptic. Previous instalments in the Two Point series forced your institutions to stay siloed (it would have been odd, after all, for a sports university to install a wizarding magic department). But the very nature of museums requires a joyful mishmash of curiosities, allowing you to build wildly varied exhibits across unique locations. The aquarium, for instance, offers expeditions that yield the prehistoric bones of sea creatures, or cursed booty from creepy sunken pirate ships. This means your collection stays useful, rather than languishing in a forgotten inventory menu, and progression feels consistently rewarding.
This is easily the best-looking Two Point game yet, even the simple act of placing objects has been improved, with priceless artefacts wobbling precariously as you move them. Floors gleam with the reflections of those walking across them, shadows slant dramatically through windows, and vending machines cast an almost heavenly glow. This new lighting enhances Two Point's signature cartoonish style, preserving its charm while elevating the spectacle. A hallmark of any great management game is empowering the player to create something that boasts form and function.
'Prehistoric items have been here for thousands of years,' announces the museum's public address system. 'Same,' you may think, as you adjust the colours of your gift shop counter to match your new tiles. Yet, as you step back to admire the result, not a second feels wasted. Two Point Museum takes all the lessons from the previous games and builds on them to make a thoughtful and hugely entertaining contribution to the management sim genre.
Two Point Museum is out now; £24.99

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BBC News
28-05-2025
- BBC News
Gladiator exhibition opens at Northampton Museum & Art Gallery
A touring exhibition exploring the world of Roman gladiators has opened in Museum & Art Gallery is hosting Gladiators of Britain, which offers insight into the gladiators who lived in the county and the wider finds included two Nene Valley vessels depicting gladiators, fragments of an engraved glass from a Roman villa near Nether Heyford, and a clasp knife discovered in Birrell, curator at Northampton Museum & Art Gallery, said: "[The items] show us the Romans who did live here engaged in spectacle culture... they made objects that have gladiators depicted on them and bought them, used them and lost them in the county." Gladiators are traditionally associated with arenas like the Colosseum in Rome, but many fights took place across was no amphitheatre in Northamptonshire, with the closest being at St Albans - formerly known as Verulamium. There were 25 artefacts in the exhibition, including the Hawkedon Helmet - the only confirmed piece of gladiatorial armour from Roman Britain. It was possibly plundered from Colchester - known then as Camulodunum - during Boudica's rebellion of to the British Museum, the heavy bronze helmet originally had a tinned surface, and the wearer's face would have been encased in a hinged mask with eye guards. Another key exhibit is the Colchester Vase from AD175, discovered in a Roman-era grave in Willi, the curator for ancient Mediterranean life at the British Museum, added: "There are misconceptions about gladiatorial fights... we are trying to dispel some of these myths. "For example, there were rules to the fights, there were umpires, and people didn't always fight to the death. In fact, a bout would last around 15 minutes because a dead gladiator was much more expensive than a wounded one that could fight more."Gladiators of Britain is at Northampton Museum & Art Gallery until 7 September. Follow Northamptonshire news on BBC Sounds, Facebook, Instagram and X.


The Sun
20-05-2025
- The Sun
Free and cheap activities for the kids during May half term – from Legoland to splashpads
WHEN May half term comes around, parents across the UK can breathe a sigh of relief knowing there is plenty they can do to keep their children occupied for free. That's because, as the weather warms up, we can make the most of cheap, or free, days out while the kids are off school. 6 It's a good job too, as I often find that this half term costs almost as much as the summer holidays if you want to go away - which is why me and my family like to hunker down at home and enjoy budget-friendly day trips that won't break the bank. Here's how you can do the same. Museum specials According to the Museums Association, there are almost 1,800 museums in the UK are free to enter. Many of these are holding additional special free activities for kids during half term. For instance, in London, the British Museum is hosting a series of free family activities inspired by their new Ancient India exhibition and the National Maritime Museum has free storytelling and workshops on the wonders of the ocean. In Manchester, the Manchester Museum has free dance workshops and storytelling as part of a collaboration with Afrocats. In Edinburgh, the National Museums Scotland is hosting a day of free performances and activities to kick off the Edinburgh International Children's Festival. To find out more about what's happening in a museum near you, head to the Which Museum website. Get hands on with art galleries Many of the country's top art galleries hold child-friendly sessions and workshops during the school holidays, and May half term is no exception. The National Gallery is holding special sessions in the Roden Centre for Creative Learning, showing children how to decode pictures. Parents are scrambling to The Range to nab new kids' toys - there's inflatables, swimming pools and up to 40% off The Tate Modern has a free programme of art and activities for kids as part of its Uniqlo Tate Play sessions. In Liverpool, The Walker Art Gallery is hosting a Big Art special: Art Sparks session, where kids can make their own masterpiece to take home. Head to the big parks Many of the country's top parks are hosting free activities and festivals over half term. In the capital, Brockwell Park is hosting Brockwell Bounce which claims to be London's biggest kids' festival. Free to enter, it has live music, creative workshops, skateboard lessons, theatre and much more. For something a little quieter, St James's Park and Kensington Gardens are hosting nature roadshows, and Greenwich Park is holding a welcome day with London play - inspiring kids through nature-based play. In Manchester, Heaton Park is holding its #sevendaysofstufftodo throughout the entire half term, with craft-making, family-friendly films and traditional games. Splashpads and paddling pools Getting out and about in the fresh air is so much easier if the weather is warm. Pack a picnic and head for your nearest park so the little ones can let off steam. In May lots of councils will be opening up their splashpads and paddling pools for the summer season, so check those out if you feel like you've done all your other local outside spaces to death over the winter. Most are free to access and there's often other facilities like playgrounds nearby, so you can make a day of it. We also love a lido, but you usually have to pay. If you have monthly membership at your local leisure centre or your kids take swimming lessons there, it can sometimes cover taking a dip in the outdoor pool, so it's worth checking. Don't forget the suncream and hats! Start of season offers Lots of visitor attractions want to start the summer in style, so you'll often find some good deals if you keep your eyes peeled. The more visitors they can get through the doors in May, the more their site will appear on social media, so it's worth their while to keep costs low at the start of the season while they build up a buzz. 6 And some seasonal sites are still getting fully up and running after the winter so aren't charging full price yet. One year, we spotted an incredible deal on social media for Legoland Discovery Centre in Birmingham over May half term, which dropped prices to less than £10 per person, compared to more than £20 per person at peak times normally. We had a fantastic day out for less than £50 at a place that would normally be out of budget. Annual passes about to expire May half-term can be a great time to make one last visit to any attractions covered by a pay once, visit all year scheme, particularly if you're planning to go away at the start of the summer holidays. There's nothing more annoying than getting out annual passes and finding they are a few days out of date when you want to use them again. 6 Last summer, we visited the National Space Centre in Leicester at the very start of August and entry tickets are converted into an annual pass if you prebook online. So I need to make sure to use our tickets again in May half term or the start of the summer holidays if I don't want to miss out on a return visit. Launch parties Lots of places will be launching new or refurbished attractions in time for May half term, so it's worth taking a look at whether there's any launch parties you can latch onto or new locations near you that you haven't visited before. The National Trust has just announced that Coventry Charterhouse, which has a children's playground and heritage parkland, will reopen in time for the half term holiday. This former monastic house in the Midlands city had been operating independently but will now be part of the National Trust, so members can get in free and there will be a programme of children's activities provided. Bouncy castles in beer gardens If the sun is out, there's nowhere better to enjoy the great British summer than a beer garden, particularly if it's got bouncy castles, sandpits or games to keep the kids happy. While you might be expected to buy a round of drinks, you can choose how much to spend and the bouncy castle itself is usually free, so the kids can have fun for as long as they like. 6 6 Our local has even gone one step further and opened a small soft play and ballpit for younger children in its outdoor space. You can treat yourself to some pub grub and a drink instead of splashing out on entry fees and parking costs. Even better, if it's within walking distance of home, you haven't got any travel costs either! Having a great half-term doesn't have to cost much at all. It's all about thinking outside the box and making the most of what's on your doorstep. And supporting local sites is a great way to keep them open to all, so it's a win win. How to survive six weeks of school summer holidays IF you are struggling with the six week summer holidays, you've come to the right place... BATTLING BOREDOM: Despite hours of activities and playdates, if your kids are already complaining there's nothing to do, parenting expert Liat Hughes Joshi says: 'Don't feel you have to organise every second of the holidays. Kids benefit from boredom and learn to make their own fun. 'Boredom can trigger creative and imaginative play but you need to encourage kids to get used to not being told how to spend their time. 'Ride out the pleas of boredom. Counter it with comments such as, 'What do you think you could do?' and maybe have a list of 'I'm bored' activity ideas on the fridge.' SCREEN OVERLOAD: It's tempting during the holidays to rely on a digital babysitter but don't let them gawp their whole summer away in front of a screen. Liat says: 'It's unfair to expect older kids to power down but it's important to set some ground rules. 'Set family tech rules together. If you're often distracted by your phone, follow the rules too. Maybe tell the kids they aren't allowed any screen time until they've done set chores, some exercise, or a board game. 'Are there times when you'd like to ban screens completely? Perhaps during dinner or when they have friends over to visit. 'Tech is a battleground for parents, but you have to set boundaries. Stand firm and be prepared to be unpopular.' TOO MUCH TOGETHERNESS: You love your kids, but being with them 24/7 can be exhausting. Do not feel guilty if you need a bit of downtime. Liat says: 'If you're juggling work and household tasks as well as occupying the kids, it's normal to start feeling overwhelmed or jaded and in need of some peace. 'If you can't afford or don't want to send your kids to all-day camps, look for free kids' workshops so you can get on with jobs or have a break for a couple of hours. 'Seeking a spell of quiet every now and then doesn't make you a bad parent — in fact it will probably make you more positive and enthusiastic when you are with the kids.' SCHEDULING CONFLICT: Schedules can go out the window during holidays, but late nights and early mornings can mean tired and unhappy children. Dr Tamara Bugembe, paediatrician and founder of says: 'Children get grumpy, test boundaries and become challenging when routines are broken. 'Sticking to some kind of routine during the holidays is a good idea. 'We release hormones at different times of the day and when regular meal times and bed times are broken, it causes dips and peaks in mood. 'Holidays are about having fun but an early night once or twice a week will make everyone happier.' EXCESS ENERGY: Make sure kids get out in the fresh air to tire them out — and make them healthier and happier. Dr Bugembe says: 'Sunshine also tops up vital vitamin D levels which helps improve bone strength and energy levels in children. Our levels run low in winter so let the kids stock up in warmer weather. 'Letting them run around in shorts and a T-shirt is the best way to top up. Make sure they're wearing sun cream, get outside and have fun. 'Encourage them to try healthy habits such as cycling and walking. They'll hopefully get hooked and want to carry them on when the weather gets colder.'


The Guardian
18-05-2025
- The Guardian
Ancient India review – snakes, shrines and sexual desire power a passionate show
About 2,000 years ago, Indian art went through a stunning transformation led, initially, by Buddhists. From being enigmatically abstract it became incredibly accomplished at portraying the human body – and soul. You can see this happen in the bustling yet harmonious crowd of pilgrims and gift-givers you meet about a third of the way through this ethereal and sensual show. Two horses bearing courtiers or merchants are portrayed in perfect perspective, their rounded chests billowing, their bodies receding. Around them a crowd of travelling companions, on horseback and foot, are depicted with the same depth. Their bodies and faces are full of life, in a frenetic pageant, a bustling carnival, yet this human hubbub is composed with order and calm. It's a Buddhist masterpiece, which helps explain the inner harmony: one of a group of stunning reliefs in this show from the Great Stupa of Amaravati, excavated in the early 1800s by the East India Company and now owned by the British Museum. A stupa is a domed structure holding Buddhist or Jain relics, perhaps modelled on prehistoric mounds, but this one was embellished in the first century AD with sublime pictorial art. Buddha himself stands further along the slender stone block, taller and more still than everyone else. The exact dates of Siddhartha Gautama, the teacher and seeker of enlightenment who became the Buddha, are unknown but by the time this work was created the movement he started was about 500 years old and spearheading one of the most influential renaissances in the story of world art. This exhibition gets to that artistic truth in an unlikely way. It doesn't bother with the minutiae of stylistic change or dynastic history. Instead, it tells a passionate story about the three great religions of ancient India – Hinduism, Jainism and Buddhism – and their vitality across time. You meet practitioners of these faiths in Britain today, sharing their devotion on film. This is a wonderfully direct way to blast the museum dust off such ancient art – and when that dust clears, you get a much better sense of its living power. Hindu and Jain beliefs are older than Buddhism (far older, in the case of Hinduism) but it was after the Buddhist breakthrough in storytelling art that they too became brilliantly figurative. Is it crude to see this as competition? It was at the very least a dialogue. At first I mistook a display of beautiful Jain statues for Bodhisattvas, Buddhist saints. In fact, the slender swaying grace of these figures embodies the ascetic Jain ideal of universal compassion. Yet the biggest, most spectacular artistic transformation was achieved by Hinduism. You can't get a friendlier, more paradoxically human deity than the elephant-headed Ganesha. A statue of him in this show, dating from about AD1100 to AD1200, is a technical miracle in the way the artist fuses an elephant's head with a human body – both precisely observed. But it's the pathos that gets you, the artist's intuition of the wisdom and sensitivity of elephants. Ganesha here is not just divine but lovable. Such moving, homely art is a long way from a black stone lingam, the older, aniconic Hindu representation of Shiva as a male tube being inserted into a female yoni. But sexual desire is a feeling too and the big difference between Christianity and the religions here is Indian sacred art's embrace of the erotic. Statuettes and plaques that date from as early as 300BC depict Yaksis, female nature spirits, with jewellery on their curvy bodies and the same spherical, bulging breasts that you see throughout the show. Female sexual and reproductive power are celebrated simultaneously in the art of all three great religions. Another relief from the Great Stupa of Amaravati portrays The Birth of the Buddha. Its main character is Gautama's mother, Queen Maha Maya. She lies on a bed in a curvy pose, and gives birth in a posture almost as luxuriant. Growing up in a Protestant Christian church, I thought of religion as a taking away, a denial. Here it is an addition – human and elephant, spirit and body, dream and reality. Life infuses these religions: they don't oppose themselves to it. That appetite for reality, as they attempt to make sense of the cosmos, mortality and desire, to find the dharma, must be what made India's religions so exportable. Many of us don't think of Buddhism as specifically Indian because it has spread so far so quickly. One of the most captivating works here is a silk painting of the Buddha set in a dreamworld of deep reds and greens, from a cave near Dunhuang, China, created in the eighth century AD. Nearby in the same final space is a statue of Ganesha from Java, one of the many places Hinduism took root. This is an exhibition with a true sense of mystery. Not just in the atmospheric way it is lit with coloured misty veils separating displays, or even the marvels you encounter such as a nagini snake goddess floating in the shadows – but in the way it worships life. Ancient India: Living Traditions is at the British Museum, London, from 22 May to 19 October