Caleigh Crow reflects on a town where the sun is a 20-foot-tall mirror
Old Little Sister is an original short story by Caleigh Crow. It is part of Mirrors, a special series of new, original writing featuring work by the English-language winners of the 2024 Governor General's Literary Awards, presented in partnership with the Canada Council for the Arts.
Caleigh told CBC Books she was captivated by a small town in the Italian Alps, where a giant mirror on the mountainside reflects sunlight into the town square. For 83 days each winter, the town is shrouded in darkness. Inspired by their journey from shadow to light, Caleigh created her original work of evocative prose. When the mirror was unveiled, she imagined the townsfolk's reactions.
CBC's Radio One will host an episode featuring participants from this original series.
Crow won the 2024 Governor General's Literary Award for drama for the play There Is Violence and There Is Righteous Violence and There Is Death, or the Born- Again Crow.
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Old Little Sister
When the day finally came to unveil the mirror, Gene was a nervous wreck, his stomach clenched, trying to hold in all the doubt he felt but could not let on. He felt like a fraud. He worried that the Creator was looking askance at him. Who was Gene to impose his will on the land?
The whole town gathered in the paved central square, all 172 of them. Gene was reminded how few families remained. Mostly young people left in search of — what else — work and society and never returned except to visit and share their worldly wisdom with the townies who remained. Like his sister Junie.
"This is wrong," she said.
"You haven't even been here," he spat. "You don't remember what it's like."
It was true that Junie didn't remember what it was like to spend 83 days without any direct sunlight. The solution the town came up with was to build a twenty-foot-tall mirror on the mountainside.
"There's some stuff you just have to learn to live with," she lit a cigarette. "Actually, maybe it's the gift of living here."
Gene: "The gift? Junie, come on."
Junie: "It'll be fake sunlight."
Junie was always an advocate for the natural, for the authentic, the real. But there was a sharpness to the way she said fake that hadn't been there before. It had been a hard year for her: a fire destroyed her house, and then her husband destroyed their marriage.
Gene observed a thin stripe of greying hair on the right side of her part and the wrinkles at the corners of her mouth that had deepened even in the five years since they last were together, in person, here in their hometown. Five years?
It had been a hard year for her: a fire destroyed her house, and then her husband destroyed their marriage.
He looked at her again, more zoomed out. She really looked older. She was more stooped, more round, less elastic.
Christ, I probably look the same, he thought. All grey and wrinkled. Probably even more aged since Gene is 9 years older than Junie.
Gene: "You just think people have to earn everything."
Junie: "We do."
Gene: "It will help people cope."
Junie shrugged. "It will be fake coping."
"It's real sunlight," Rachel Ramsay, head engineer of the project and another non-local, interjected.
Junie: "You can't read in a mirror."
Rachel: "What's reflected in a mirror is a matter of your own perspective. You don't need a mirror to make writing backwards, all you need to do is shine a light behind the paper and read it from the other side. It's two-dimensional."
"But it doesn't show things properly in three dimensions either, does it," Junie pushed, "when I raise my left hand in a mirror —"
"It appears as though your right hand is raised," Rachel interrupted. "Yes, yes, but that is an illusion. That person doesn't exist. There is, of course, only one of you, with your left hand raised."
"But how?" Gene asked.
"Illusions can be very powerful. Your brain is easily tricked," Rachel replied.
"Exactly," Junie said, sulking, "We're saying the same thing."
Gene stepped onto a makeshift pallet platform with a megaphone and instructed everyone to look at their feet, not the mirror. When everyone complied, he radioed to the engineers at the mountainside site and gave the signal.
In an instant, the square was illuminated. The light was pale, crooked and had vestigial colours at the edges. Gene looked down at the townsfolk who had worked hard to get this mirror because they missed the sun.
Someone was crying. It was Mrs. Daniels, whose son took his own life on the Winter solstice just last month.
Inside, she was thinking — It seems like we can change everything in the world except the fact that my son is never coming back.
In an instant, the square was illuminated. The light was pale, crooked and had vestigial colours at the edges.
Mr. Daniels put his arm around his wife. Inside, he was thinking — Maybe this will give us something warm to think about.
Gene said: "Hope this helps."
Junie rolled her eyes and stubbed out her cigarette.
And the snow started to melt.
About Caleigh Crow
Caleigh Crow is a queer Métis theatre artist from northeast Calgary. She is the co-founder and artistic lead of Thumbs Up Good Work Theatre.
The English-language books that won the 2024 Governor General's Literary Awards demonstrate how stories help us reflect on our lives, understand ourselves more deeply and see the world in new ways.
CBC Books asked the winners to further explore the power of reflection in original works. The special series, themed around the theme of mirrors, challenges how we see ourselves and our society — unearthing hidden truths, exploring alternative identities and blurring the lines between reality and fantasy.
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Winnipeg Free Press
2 days ago
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Nina Stemme says farewell to Isolde after 126 performances
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Global News
3 days ago
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Japan Forward
3 days ago
- Japan Forward
New Music Zine N.E.R.O. Launches June 19 with Shibuya Party and Three Cool Bands
When was the last time you picked up a really good music magazine? You know – a bound sheaf of pages filled with insightful interviews and striking photography of your favorite musicians? If you thought print was dead, now's your chance to witness the birth of a brand new zine: N.E.R.O. Chief Editor Yukiko Inoue is a veteran of the analog world. She began her career as a member of Flipper's Guitar, the seminal late-1980s/'90s Shibuya-kei band led by musicians Cornelius (Keigo Oyamada) and Kenji Ozawa. Later, in 2010, she founded the premium music magazine nero, whose pleasingly thick editions featured bilingual interviews with revered artists from Yoko Ono and Sean Lennon to Phoenix alongside a plethora of young up-and-comers. N.E.R.O. founder and Chief Editor Yukiko Inoue. 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N.E.R.O. will launch with a party in Tokyo on June 19 that includes live performances from Melbourne band HighSchool, Paris-based Pol, and Tokyo's Luby Sparks. N.E.R.O. presents borderless night. The new zine's upcoming launch party will feature a live set by Melbourne band HighSchool. Inoue explains that N.E.R.O. was born from the ashes of her previous magazine nero, which faltered during the pandemic. "For various reasons, it felt like a good time to move on," she says. "I had some interviews already planned though, so I decided to find a new way to publish them, in a format that was more suited to the modern era. Magazines don't work the same way they used to, and a website didn't really appeal to me, as I am quite an analog person." With this in mind, Inoue settled on a zine format. While nero was presented as an aspirational magazine that made its bespoke photography look beautiful and timeless, N.E.R.O. will have a scrappier feel. It will be a series of zines devoted to one artist per issue, and readers can choose to buy just the ones they like or collect the whole set. Since each will have matching cover designs, they'll make a great collection. Countdown to the First/Last Issues Inoue is planning a set of around eight issues for this experimental first run – the first two of which feature interviews with HighSchool and POL. (Technically these are the last two issues, as they will count down backwards to zero, ending with an issue focused on Nick Knight.) Paris-based duo Pol will leave their first impression on Tokyo fans at the N.E.R.O. launch party in June. "In July, the next issues will be about Turnstile and Ca7riel & Paco Amoroso, who will be coming that month to play at the Fuji Rock Festival," says Inoue. "The great thing about doing separate issues about each band rather than one big magazine is that each issue can be timed to release when the band is in Japan, so fans can see their show and pick up the zine at the same time." The bands featured in N.E.R.O. are not exactly household names, as Inoue has a passion for discovering artists early in their career. Some of her discoveries have gone on to become relatively big, such as Sky Ferreira, The 1975 and Clairo. But more importantly, Inoue brings a sense of human curation that is essential in this digital world. The lineup for the June 19 launch event at Shibuya WWW is a great example of this approach, with three bands whose sound is individually unique yet who complement each other perfectly. If you like one of them, you'll probably like all three. Advertisement First Invites Melbourne band HighSchool "The first band I invited to join the party was HighSchool," explains Inoue. "They first came to play in Japan last year (2024), and I love their music and live performance. They have a nostalgic sound that reminds me of New Order and Joy Division, so I think they'll appeal to fans of that kind of music." HighSchool's bright guitar tones, downbeat vocal delivery and confessional lyrics recall classic British bands like The Smiths and New Order, while their live shows carry an intensity that is electrifying. Luby Sparks The next addition to the lineup was Luby Sparks, a Tokyo-based band. "I don't listen to much Japanese music, but I'm good friends with the band, and I thought they would be a good match for HighSchool," says Inoue. While Luby Sparks hail from Japan, their music homages the dreamier end of the '90s Britpop scale, underpinned with a US alternative-rock heart. The music video for their single One Last Girl featuring bedroom-wall posters of Echobelly alongside raunchier artists like Hole and Joan Jett, giving a clear indication of their influences. French band Pol Adding Goth and a Touch of France Deciding that inviting only one foreign band and one from Japan was not quite enough of a challenge, she added Pol to the lineup, flying them in from France. The band's music takes things a little further back to the '80s, with their guitar and synth combo drawing from the well of Gary Numan and the Human League. "Pol are not very well known in Japan yet, but they have a great visual style and their music has so much potential, especially since the type of new wave music they make is due a resurgence," says Inoue. Lillies and Remains vocalist Kent will perform a special DJ set. In addition, Kent, the vocalist from cult Japanese band Lillies and Remains, will also appear as a guest DJ, adding a ripple of Goth to the event. "There will be elements of guitar-pop and Goth, but it's all through the filter of just one person – me – so even if you don't know all the bands, I'm sure you'll enjoy it as an event," says Inoue. "People who love music and beautiful things, and people who want to meet likeminded people – give it a chance and come check out the show!" Advertisement Representing Asia's Music Scene The HighSchool and Pol issues of N.E.R.O. will be available to buy at the launch party. All the issues will also eventually be available to order online, with overseas delivery likely available too. Each issue will be published in English, with a foldout insert that includes Japanese translations. Melbourne band High School. Inoue writes the bilingual versions of her interviews with the help of a translator and an interpreter. For now, the majority of the musicians she interviews are from the West. However, she originally envisioned nero as a magazine that could represent Asia's music scene and which could be read in English around Asia and elsewhere around the world. Her new zine takes a similar approach, embracing a "borderless" concept. Inoue's selective approach means she is able to channel her passion for each artist into her interviews. In turn, that encourages them to open up. For example, in Volume 8 of nero magazine, Yoko Ono and Sean Lennon spoke in detail about personal topics such as their family dynamic, making for an unusually engaging article. Tokyo band Luby Sparks round out the bill at N.E.R.O.'s launch event. Inoue's Secret: Listening "I've been told that I'm like a counselor," she says. "With Sean Lennon, he was a fan of my magazine, and he offered to pay a photographer he liked (Greg Kadel) so we could do a cover shoot together. I don't know why, but music producers like Mark Ronson seem to connect with what I do as well, and they really open up to me. Maybe it's because I'm a good listener." As someone who has interviewed hundreds of creative people myself over the past couple of decades, I know how hard it is to build a rapport with someone in the few minutes before you hit record, and to have them forget their media training and speak from the heart. So I ask Inoue her tips for getting the best out of her interviewees. "The most important thing is to listen to their music over and over beforehand," she replies. "If you love their music, you'll have no problem finding questions to ask them, because you're naturally interested in what they have to say. "And then you have to listen carefully to their responses and follow up with deeper questions. If you do it with love, they can tell." Advertisement Interested in the June Event? N.E.R.O. presents borderless night takes place on June 19 at Shibuya WWW in Tokyo. It includes live performances from HighSchool, Pol & Luby Sparks. For tickets and further information about the show and the first issues of N.E.R.O., visit or RELATED: Interview by: Daniel Robson Read Daniel's artist interviews and his series Gamer's World on JAPAN Forward, and find him on X (formerly Twitter).