
Sthal, Sabar Bonda: Marathi cinema finds global spotlight at festivals
Once pioneers of Indian cinema, Marathi films have long been hurt by Bollywood's dominating influence in the state of Maharashtra - where the language is spoken - and elsewhere in the country. But in the past decade, they've been quietly making a global mark, with diverse, acclaimed titles lighting up international festivals.Nagraj Manjule's romantic-tragedy Sairat was picked up for Berlinale in 2016. Chaitanya Tamhane's The Disciple won the best screenplay award at Venice a few years later - Oscar-winner Afonso Cuaron came on-board as its executive producer.At least a dozen other independent and experimental Marathi films have since found a spot at global festivals, handling an impressive diversity of subjects.Harshad Nalawade's Follower, which was selected for the Rotterdam Film Festival and had a limited theatrical release for instance, dives into the radicalisation of India's youth, exploring the life of a small-town troll with compassion.In Second Chance, a black-and-white debut by Subhadra Mahajan, a woman's post-trauma journey leads her to the Himalayas. Premiered at Busan, it hits Indian theatres this June.
With strong roots in Marathi literature and theatre, including experimental theatre, Marathi cinema has always produced strong films, Shedde says.Many of the independent films offer "quiet spaces for reflection" she adds, unlike the bombastic commercial appeal of Bollywood.The aesthetics of this cinema reflect the often marginal backgrounds of its makers - many are self-taught and outside traditional power circles.Take Sabar Bonda director Rohan Kanawade, for instance - he grew up in Mumbai's slums but dared to dream of making films."This brings a rich, unschooled, rawness and lived experience to their cinema. They are very different from the smooth universal polish of films that tend to come out of international script labs and international co-productions," Shedde says.
But unlike the steady stream of content from other regional cinema - such as Malayalam films from Kerala - Marathi films still emerge in bursts. That's partly because there's no institutional support, says Shefali Bhushan, Sthal's producer, who, along with three other partners, put their own money to finance the film.The big studios don't pick-up Marathi projects without an "obvious commercial appeal", which means an ecosystem supportive of experimental artistic voices is sorely lacking, she adds.Unlike Kerala, Maharashtra also offers little state support for regional cinema and lacks a strong movie-going culture.Being centred mainly around the cities of Mumbai and Pune, Marathi films "feel the full, suffocating weight of Bollywood, that other regional cinemas don't", says Shedde.Besides, Maharashtra does not have Kerala's highly "cine-literate audience" where "rice farmers discuss [legendary filmmaker Sergei] Eisenstein and his legacy", giving those filmmakers confidence that their small indie film can recover costs and make money, she adds.
The makers are also to be partially blamed, says veteran film critic Ashok Rane, who was tasked by the state government to market the region's films at Cannes in the last decade.They've done little to explore subjects that "speak a universal language" and would appeal to the global audience, Rane told the BBC.Shedde says the industry's growth has also been stymied by the "lack of aggressive ambition" and the absence of a film distribution system meant that, for decades, India was the "graveyard of good cinema".However, she believes international recognition at festivals such as Sundance and Cannes will help to address this – especially for Indie filmmakers wanting to expand to non-traditional markets. Bhushan agrees - the chance to show her film at Cannes, facilitated by the Maharashtra government, has opened new doors.She says the festivals are "a chance to learn how to make sales to different territories, mount new projects as co-productions with people [from around the globle]". "There's a whole world waiting to be tapped."Follow BBC News India on Instagram, YouTube, X and Facebook
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Reuters
2 days ago
- Reuters
OBITUARY Terence Stamp, actor who played Superman villain Zod, dies at 87
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The Guardian
2 days ago
- The Guardian
Trying to keep cool in an increasingly hot world
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With large buildings in the background, the photo illustrates a division of wealth between those in technologically developed areas and others exposed to the extreme heat on the streets. 29C | 72% | Children dive in the Cachoeira Piscininha do Silvestre, a waterfall in the neighbourhood of Cosme Velho in Rio de Janiero, Brazil, 2022 In this photo, young children swim in a pond to cool down. Although it is not the case here, there are cases when entering a polluted body of water is the only means for some people to escape the heat, leading to severe health risks. 'When deciding for this project how we were going to represent the topic of air conditioning, we decided we had to represent people from all social classes. 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Squarci and Crimi said: 'One of the most vulnerable demographics are the elderly, and because there was shade on the side of the building, he could thankfully access the open air.' The pair chose to visit Italy for this project because they want to connect western audiences to their message and bring the issue closer to home. 25C | 75% | A German family sits in the shade of a boat pulled aground on a beach in Stromboli, a volcanic island near Sicily, Italy, 2022 The shadow of a boat was the only shade on the beach. They said they did not expect it to be this unbearably hot, and the father said they 'scrambled for a little piece of relief from the heat' in the shadow of the boat. Squarci and Crimi said they often found themselves taking shelter in similar ways while working on the project. 28C | 68% | Andrea Squarci, 69, watches a tennis match on TV during a heatwave at Lido dei Pini, a seaside location about an hour away from Rome. The house where Andrea lives with his wife, Chiara, since his retirement in 2019, is right in front of the sea Squarci said her father usually did not use air conditioning and would open a window to let a breeze into the house, but that on rare occasions the temperature would be too hot for him and he would have to turn on the AC. Squarci took the photo of her father because she wanted to show a middle-class Italian person who could afford air conditioning and used it sparingly.


The Independent
2 days ago
- The Independent
Hindus celebrate the birth of Lord Krishna in India and Nepal, in photos
News Hindus celebrate the birth of Lord Krishna in India and Nepal, in photos Show all 14