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How to best view the Perseid meteor shower

How to best view the Perseid meteor shower

CBC2 days ago
Aug. 12, 2025, is the peak night to watch the Perseid meteor shower. Astrophotographer Tim Yaworski ('The Living Sky Guy') joined CBC Radio's Saskatoon Morning to talk about the Perseids and how to best watch them.
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With short episodes and help of yellow space blob, new show Bumpadoo finds 'path forward' for kids' TV
With short episodes and help of yellow space blob, new show Bumpadoo finds 'path forward' for kids' TV

CBC

timean hour ago

  • CBC

With short episodes and help of yellow space blob, new show Bumpadoo finds 'path forward' for kids' TV

Social Sharing An extraterrestrial yellow blob, a curious preschooler and thousands of painstakingly crafted stop-motion frames come together in Bumpadoo, a new children's show aiming to make science and math fun. Bumpadoo came out on YouTube and TVO online Aug. 8 and will broadcast on TVO Aug. 17. The short stop-motion show follows four-year-old LiLi, voiced by Olivia Yang, and her shape-shifting alien friend Bumpi. The pair learn about and discuss topics related to science, technology, engineering and mathematics (STEM), such as the difference between up and down, and why you get hungry. The show, created by Carmen Albano and Celeste Koon, was first pitched in 2022 and the first season was later shot in a Toronto studio. Characters LiLi and Bumpi may be besties on screen, but in the studio they "can't go anywhere near each other," said Hamilton-raised Evan DeRushie, who is the show's stop-motion director. "Bumpi, we love him, but he's messy," he said, explaining how Bumpi's materials don't allow him to be physically with the rest of the cast. "He's oily, he's made of plasticine and he gets everywhere." That made production of the show a bit challenging, he said, as scenes between the two had to be filmed separately. Stop-motion animation is already careful, slow work, with still images put together to make movement on screen. The show was shot at 12 frames per second, and episodes are around three and a half minutes long. The math says that would be just over 2,500 frames per episode of handmade movements, not counting the scenes that had to be shot multiple times because of Bumpi's messiness. Hamilton a big influence for animator DeRushie grew up in Hamilton's Westdale neighbourhood. He said it was a co-op placement at Cable 14 while he was in school that set him up to eventually create his own studio, Stop Motion Department. "There's just a lot of patient people that have been there for a long time. And they show you how to coil cables and how to be respectful of the talent when they come in and how to manage a room of people," he said. "There's a lot of skills there that I think were really influential for me." DeRushie is now based in Toronto, where his studio is. Stop Motion Department now runs co-op programs with students from Sheridan College and Ontario College of Art & Design University. Some of the students there also took part in the making of Bumpadoo, said DeRushie. Them and the rest of the animation staff "really embraced the show and these characters," he said. "We were all quoting Bumpi all throughout the day." DeRushie said the animation team built the characters by hand and then photograph each frame. "It's a bit of just a photo collage of photos of props that are stuck together," he said. 'A lot of pressures' on children's TV industry The price and effort that goes into stop-motion animation is one of a few reasons why the episodes are short, said Hamilton-based producer Kat Hayduk. "In children's media, things are generally shorter," said Hayduk, founder of Turtlebox Productions, the company behind the show. "But this was also designed to be a digital-first show … So we put it together as little three and a half minute shorts. It's also a way to build the brand and see where it goes." Hayduk said with the children's television industry struggling, partly due to kids turning to YouTube content that may lack educational value, the show's digital nature was also intentional. "There's been a lot of pressures on the industry right now, but creators will find a way and creating a show like this that kids can find online is one path forward," she said. Albano and Koon originally pitched the show to Turtlebox Productions, led by Hayduk and her partner Cam, and the couple was "charmed by it immediately." "We loved the look of it," said Hayduk, "and we loved the pitch." The show is a comedy, she said, "which kids love and respond to," but it is also educational, exploring preschool STEM concepts such as shapes, colours and textures. "I like to think that the show is inspiring a little bit of STEM education in kids," said Hayduk. "But it's also the beautiful nature of the animation and the [colours], that could inspire some kid to become an artist." Hayduk said the team is already working toward a second season of Bumpadoo and producing "at least twice as many episodes" in 2026 to push the show internationally. "Who knows what Bumpadoo could become. We could see the potential for spinoffs and potentially some fun toys or books," she said.

Lethbridge Polytechnic receives $1.75-million grant
Lethbridge Polytechnic receives $1.75-million grant

CTV News

time13 hours ago

  • CTV News

Lethbridge Polytechnic receives $1.75-million grant

Lethbridge Polytechnic has received $1.75 million in grant funding from the Natural Sciences and Engineering Research Council of Canada. Lethbridge Polytechnic has received $1.75 million in grant funding. The money comes from the Natural Sciences and Engineering Research Council of Canada. The grant will cover a five-year period. It will go to the polytechnic's Centre for Applied Research, Innovation and Entrepreneurship. The funding will help to grow the Integrated Agriculture Technology Centre. The centre supports agricultural producers in southern Alberta through applied research, consultation and problem-solving. 'The money is intended to go where industry needs the research to go. So, it helps us support industry with what's emerging for them and what's the priorities for them,' said Andrew Dunlop, associate vice-president of research. 'That's pivotal for what we do. It's really the difference between not being able to provide any services for the industry and actually progressing into the next five years and really addressing industry challenges and needs,' said Alexis Buzzee, Integrated Agriculture Technology Centre business manager. This is the second time the polytechnic has received this particular grant.

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