
Frieze House Seoul to open in September inviting galleries
Korean artist Im Young-joo wins 2025 Frieze Seoul Artist Award
Coinciding with the fourth edition of Frieze Seoul in September, the international art fair will launch Frieze House Seoul, inviting leading galleries to hold exhibitions and events there during the four-day event.
The exhibition space will be located in Yaksu-dong, a neighborhood in Jung-gu, central Seoul, at a building renovated by Seoul-based architectural studio Samuso Hyoja. Frieze House Seoul follows the success of No. 9 Cork Street in London, according to Frieze on Wednesday.
'Frieze House Seoul marks a natural and exciting evolution of our presence in Korea. Seoul has become a focal point for the global art world, and this new space will allow us to foster deeper engagement with the city's vibrant art communities throughout the year,' said Kristell Chade, executive director of fairs at Frieze.
The space will consist of two main exhibition spaces across four floors, offering over 210 square meters of display space, and a landscaped garden. Galleries can apply for the inaugural season of Frieze House Seoul on the Frieze website.
Frieze Seoul 2025 will be held from Sept. 3 to 6, bringing together some 120 galleries from 30 countries at COEX in Gangnam-gu, southern Seoul.
Meanwhile, Frieze announced Korean artist Im Young-joo as the recipient of the Frieze Seoul Artist Award of the year. This year, works for the Frieze Artist Award in both Seoul and London respond to the theme of "Future Commons," with new multimedia works that explore ideas of community and shared experience.
'Her work, 'Calming Signal,' offers a profound exploration of collective behavior and societal rhythms, resonating deeply with our 2025 theme, 'Future Commons.' Im's innovative approach and compelling narrative exemplify the dynamic talent emerging from Korea's contemporary art scene,' said Patrick Lee, director of Frieze Seoul.
Im's winning commission, "Calming Signal," is a research-based, three-channel video installation set within a grid-like structure, which juxtaposes Earth's tilted axis with rotational cultural dances, linking gestures of imbalance to visual manifestations of an uncertain future.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Korea Herald
6 hours ago
- Korea Herald
Three theatrical worlds under one roof
This weekend, theatergoers have a rare opportunity to sample three vastly different stage productions — all playing under one roof at the Sejong Center for the Performing Arts in Seoul: one a time-tested classic with over three decades of history and two freshly premiered works that opened less than a month ago. Unfortunately, none of these productions offer subtitles or translation services, so fully appreciating the performances may be difficult without Korean fluency, particularly given their dialogue- and lyric-heavy nature. "Phantom" The musical "Phantom" by Maury Yeston and Arthur Kopit premiered in 1991, following the blockbuster success of Andrew Lloyd Webber's 'The Phantom of the Opera.' While both works draw inspiration from Gaston Leroux's classic novel, Webber's version became a global phenomenon, overshadowing 'Phantom.' Yet 'Phantom' offers a compelling and distinctive reimagining of the same story, shedding new light on the Phantom's inner world. It's well worth experiencing not only as a point of comparison but also as an example of how a familiar narrative can be transformed through a different artistic lens. In particular, the Korean production of "Phantom," presented by EMK Musical Company, has taken creative liberties to craft its own distinctive interpretation, earning widespread acclaim over the past decade. Now in its fifth and final run, the production returns with powerhouse vocalists Park Hyo-shin, Kai, and Jeon Dong-seok, who bring stirring intensity to the show's vocally and musically demanding score. EMK has confirmed that this season will mark the conclusion of this version. "Phantom" runs at the Sejong Grand Theater until Aug. 11, with no performances on Mondays. Tickets range from 70,000 won to 170,000 won ($51.50 to $125). "The First Great Show" Presented by the Seoul Metropolitan Musical Theatre, 'The First Great Show' is a whimsical and heartfelt homage to Korea's early musical theater. Set in the 1960s, when the idea of a 'musical' was just beginning to take root in Korea, the production follows director Yoo Deok‑han and producer Kim Young‑woong as they attempt to stage the nation's first-ever musical. This fresh, nostalgic production offers laughter and insight into Korea's theatrical origins. Running through June 15 at the Sejong M Theater, the show features a stellar creative team, including director Kim Dong‑yeon. Kim led the original Korean staging of 'Maybe Happy Ending,' which won six awards at the Tony Awards with its Broadway adaptation. Ticket prices range from 60,000 won to 80,000 won. "I'm Nowhere" At the Sejong S Theater, Seoul Metropolitan Theatre's new original, 'I'm Nowhere,' boldly confronts a haunting social reality: the lives of the forgotten. Written and directed by renowned theater-maker Ko Sun-woong, the play is inspired by a newspaper article on 195 unclaimed deaths — individuals who lived and died like ghosts, unnoticed by society. The story centers on a woman who escapes years of domestic violence, sheds her identity, and drifts through the margins of society, only to die alone and become a literal ghost. Through her posthumous gaze, the play explores what it means to be unseen in both life and death. For this play, Ko takes an inventive, meta-theatrical approach, where actors break the fourth wall and openly acknowledge the artifice of theater. The play runs until June 22 except on Mondays. Ticket prices range from 40,000 won to 50,000 won. gypark@


Korea Herald
8 hours ago
- Korea Herald
Interview: Dancing Mongryong, Russian dancer steps into Korea's most romantic role in 'Chunhayng'
Igor Kontarev becomes 4th foreigner to perform as Mongryong in Universal Ballet's 'The Love of Chunhyang' In ballet, there is Prince Siegfried in 'Swan Lake,' Romeo in 'Romeo and Juliet' and, in Universal Ballet's repertoire, there is Mongryong in 'The Love of Chunhyang.' This weekend, Russian-born ballerino Igor Kontarev will step into one of Korea's most beloved folkloric roles, as the company brings its signature reinterpretation of the classic tale. The production returns to the stage for the first time in three years, with the soloist making history as only the fourth foreign dancer to take on the role. 'I was really surprised, first of all, because I'm a foreigner, and not many foreigners do this,' Kontarev said in an interview with The Korea Herald on Tuesday. 'I know it's a really big responsibility to do this kind of role which is so important for Korean culture and for Korean audiences.' Premiered in 2007, 'The Love of Chunhyang' brings the beloved folktale of Chunhyang, the daughter of a courtesan, and Mongryong, the son of a local aristocrat, into ballet set to Tchaikovsky's music. It is choreographed by Universal Ballet's artistic director Liu Bingxian, who is also known for 'Sim Chung' and 'Korean Emotion.' Having been with the company for nearly a decade, Kontarev was already familiar with the story. But preparing to step into Mongryong's shoes meant delving deeper into its cultural nuances. He said it was interesting to observe how the choreography reflected family dynamics across different social classes. 'The difference between Mongryong with his father and Chunhyang with her mother stood out to me. Mongryong is more calm with his father, always faces him, shows respect and bows with courtesy — which I think he was taught from a very young age. And Chunhyang feels more free with her mother.' Taking on the role has also meant intensive rehearsals and hours in the studio. A key part of the process, Kontarev said, was adapting to the unique stylistic features of Korean folk aesthetics embedded in the choreography. 'One of the biggest advantages was to learn firsthand from the choreographer Liu himself. And I'm really thankful for Hyang-gee (who plays Chunghyang). They gave me time to take in the different style,' he said. The ballet features three pas de deux between Chunhyang and Mongryong — each one mapping the couple's emotional journey, from the tender thrill of their first night together to the heartbreak of separation and, finally, their highly emotional reunion. Kontarev said the final duet was his favorite. 'It starts from the moment when Chunhyang drops into Mongryong's arms and he doesn't understand what happened to her. He first feels guilt, sorrow because this happened because of him,' he said. 'This is the highest emotional moment in the piece with all different emotions: joy and happiness and everything here. Even in practice, the emotion sometimes goes over your body, over your muscles.' What he can say for certain is that he cannot wait to meet the audience on stage. That, he says, is when the real art begins. 'When you touch the stage, when you see the audience, you understand what the art of ballet truly is,' he said. 'It's not just hard physical work — it then becomes art the moment you meet the audience, with the lights, the set, everything. You have to be inside the story.' So, he's leaving it to the audience to decide how he did. 'We are dancers but and actors, too. Sometimes, we have to show something we haven't felt yet,' he said. 'But the more I dance, the more deeply I understand the character. So let the audience see that, and let them be the judge.' 'The Love of Chunhyang' runs from Friday to Sunday at the Seoul Arts Center. Kontarev performs at 2 p.m. on Saturday alongside principal dancer Hong Hyang-gee. The production will travel to Daegu for performances on June 20 and 21.


Korea Herald
11 hours ago
- Korea Herald
Korea Herald organizes golf tournament in support of Hangeul promotion
The Korea Herald, South Korea's leading English-language daily, hosted a charity golf tournament Wednesday to celebrate its 72nd year and reaffirm its dedication to promoting Hangeul, the Korean alphabet. Held at Serenity Country Club in Cheongju, North Chungcheong Province, the event drew approximately 300 participants, including Sejong City Mayor Choi Min-ho, prominent business leaders, artists and professional golfers. Corporate sponsors included Yes24 and some 20 additional firms. The tournament, organized in a shotgun format, featured 60 teams. Kim Jong-cheon, the head of Mariee de el Wedding Convention, won first place, while Kim Chang-ryong, former Commissioner General of the Korean National Police Agency, placed second. The golf tournament was followed by a banquet. At the dinner event, tenor Yang Seung-ho and soprano Kim Jung-ah performed, as well as musical actor Lim Tae-kyung. Various prizes and raffle events were also offered to the golf tournament participants. Following the dinner, a charity auction showcased donated works by contemporary sculptors Kwon Chi-gyu, Kim Kyung-min, Lee Wal-chong, 5311 and MeME. A portion of event proceeds, including the auction, will go to support the expansion and enrichment of Sup Sogui Hosu, the world's first Korean language village, located within the Concordia Language Villages in Minnesota, United States. Founded in 1999, the village offers immersive, 24-hour Korean language education. The event also included the announcement of the 2025 Hangeul Run, scheduled for Hangeul Day on Oct. 9. Co-hosted by Herald Media Group and Sejong City, the marathon is expected to draw 10,000 participants. Courses will span symbolic distances of 10.9 kilometers — representing Hangeul Day — and 5.15 kilometers, in honor of King Sejong's birthday on May 15. 'We will create conditions for future generations around the world to communicate and form strong bonds through Hangeul,' said Herald Corp. Chairman Jung Won-ju during the event, adding, 'I hope today's event goes beyond being just a sports competition and becomes a gathering where we unite in pursuit of a greater goal.' 'Hangeul is not just a simple writing system, but a 'language of hope' that connects people and communities,' said Choi Jin-young, CEO and publisher of Herald Media Group. 'We will do our part as a seed in opening the future of a great Korea,' said Choi.