Ottawa-based organization's pre-budget submission takes aim at women's health funding
An Ottawa-based organization is urging the federal government to allocate millions of dollars in Budget 2025 to address gaps and misinformation in women's health, saying the money will advance women's health care across the country.
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The Society of Obstetricians and Gynaecologists of Canada (SOGC) is a national organization dedicated to advancing women's health and advocating for better health-care policies across the country.
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In its pre-budget submission, the organization outlined five key recommendations for government officials to consider while drafting Budget 2025, which is expected to drop in the fall.
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One of those recommendations is a $20 million investment to close data gaps in women's health by creating a National Women's Health Data Dashboard and improve data collection strategies.
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The SOGC says the dashboard, which should be a standardized and disaggregated database, will provide meaningful insights into key women's health indicators. This includes data on maternal mortality and morbidity, stillbirth and perinatal loss, menopause and endometriosis.
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This will help patients make informed decisions about their health and also allow health-care providers to provide more responsive, equitable and cost-effective care, the SOGC added.
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The organization also said the move will also have economic benefits because incomplete data leads to lost productivity and greater costs to the health-care system. Patients often have to foot hefty bills from unnecessary health-care costs.
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Currently, provinces and territories are responsible for collecting this data and practices may vary widely.
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'The federal government must take a leadership role in co-ordinating and standardizing this data collection, as approaches to health data collection across provinces and territories vary widely. Only national leadership can ensure consistency, comparability and the quality needed to build a reliable, actionable and nationally-focused database and dashboard,' the pre-budget submission read.
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'Without co-ordinated, federally driven health data infrastructure, Canada will continue to miss emerging health trends, fall short in reducing system costs and fail to support women whose pain and illness limit their ability to fully participate in the economy.'
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These microscopic shifts, invisible to the naked eye, can have deadly consequences: when cholesterol hardens from liquid to crystal, it damages blood vessels and contributes to heart disease and strokes. Gschmeissner's colourised SEM image transforms this biological process into something visually striking, part data, part artwork. With a career spanning over four decades, and more than 10,000 images published in scientific journals, stamp collections, fashion collaborations, and music albums, his work exemplifies how imaging can bridge science and culture. Steve Gschmeissner says, ' When I discovered that Wellcome had reintroduced the Marvels of Scientific and Medical Imaging category, I was delighted to enter such a prestigious competition. I was thrilled to be shortlisted, and winning first prize is undoubtedly one of the highlights of my 50-year career of trying to bring the wonders of the microscopic world to all.' This year's prize drew submissions from over 100 countries. The Top 25 entries featured over 30 individuals from 18 countries, spanning Bangladesh, Brazil, France, Germany, Greece, India, Italy, Myanmar, Peru, South Africa, Spain, Uganda, the UK, USA and beyond. The winners were selected by an international judging panel comprising leading voices from photography, science, health and journalism. The panel was chaired by Melanie Keen, Director of Wellcome Collection, and included Caroline Hunter, Picture Editor at The Guardian; Daniella Zalcman, Photographer and Founder of Women Photograph; Benjamin Ryan, Independent Science Journalist; Elizabeth Wathuti, Environmental and Climate Activist; Esmita Charani, Associate Professor at the University of Cape Town; Helen Fisher, Professor of Developmental Psychopathology at King's College London; Noah Green, Science Educator at the Beautiful Biology Initiative; and Mark Lythgoe, Director of the UCL Centre for Advanced Biomedical Imaging. Wellcome Photography Prize Exhibition Curated by Laurie Britton Newell and Ligaya Salazar, the Wellcome Photography Prize exhibition features images that reflect a wide spectrum of health experiences, from everyday routines to global challenges. Using techniques such as portraiture, cyanotypes, drone photography, and light and electron microscopy, the image makers show how health is lived, documented and researched around the world. Many of the works respond to Wellcome's core focus areas, mental health, climate and health, infectious disease and discovery research. Together, they reveal how these issues overlap and take shape in different cultural and geographic contexts. The result is a layered and often unexpected portrait of health today, told through voices and perspectives that are frequently overlooked. ARTICLE CONTINUES BELOW ARTICLE CONTINUES BELOW Among this year's highlights are Marks of Majesty: Vanessa by Julia Comita and Stephanie Francis, a portrait honouring the life and choices of a person impacted by breast cancer who opted for aesthetic flat closure, challenging assumptions around gender, illness and identity. Beautiful Disaster by Alexandru Radu Popescu shows a lake of toxic mining waste in Romania that continues to expand each year, an image of both striking beauty and environmental damage. Resilience Artist by Pyaephyo Thetpaing captures a craftsman in Myanmar who creates lacquerware using his foot, offering a broader reflection on health, disability and the role of cultural tradition in healing. In the scientific imaging category, Ice and Fire Chronics by Ingrid Augusto, Kildare Rocha de Miranda and Vânia da Silva Vieira shows the structure of the parasite that causes Chagas disease, which affects millions across the Americas. Blooming Barrier by Lucy Holland presents goblet cells inside the gut of a child with Hirschsprung's disease, offering insight into how cell structures influence lifelong digestive health. From Butterflies to Humans by Amaia Alcalde Anton reveals the brain of a butterfly mid-metamorphosis, part of a study into neurogenesis with implications for human brain development. In addition to the Top 25 entries, the exhibition also features Things We Left Unseen, a youth-led photography project developed by Cape Town-based public health organisation Eh!woza. Created in collaboration with young people in the township of Khayelitsha, the project explores health, stigma, and daily life through the eyes of a generation growing up with high HIV and TB burdens, but also with hope and agency. The exhibition is hosted at the Francis Crick Institute, reflecting a shared commitment to making science more visible through culture. Ali Bailey, Director of Communications and Public Engagement at the Francis Crick Institute, said: ' We are delighted to host the top images from the Wellcome Photography Prize, showcasing the power of visual storytelling in health and science. The images explore a number of themes that resonate with Crick research, from the health effects of air pollution to neurogenesis. We hope visitors will be moved by the stories behind these incredible photos and also inspired by how beautiful science can be.' Notes to Editors: Media Contacts Sophie Balfour-Lynn Sutton Sophiebl@ Mary-Kate Findon Wellcome mediaoffice@ Winners' Biographies Sujata Setia (Storytelling Series) Sujata Setia is an Indian-born, UK-based artist who's socially engaged, research-led practice combines photography with traditional artistic interventions to explore subaltern histories, cultural imperialism, and the politics of representation. With a background in journalism and a Master's in International Relations from King's College London, her work draws on academic research and community collaboration to centre marginalised voices, particularly through a feminist lens. ARTICLE CONTINUES BELOW ARTICLE CONTINUES BELOW Her acclaimed series Changing the Conversation marked a shift away from her earlier portraiture, interrogating the cultural and political construction of beauty. In 2024, she was awarded the Culture King's Grant to develop a lens-based, interdisciplinary project exploring the role of workplace structures for embroidery women artisans in Kashmir. She also recently received the Centre for British Photography Realisation Grant to further expand the scope of A Thousand Cuts, a powerful body of work amplifying the voices of survivors of gender-based abuse. Setia's work has received major international recognition, including the Sony World Photography Award (Creative category, 2024), LensCulture Critics' Choice Award (2024), Prix Pictet nomination (2023), BJP Female in Focus (2022), and Photographer of the Year at the Tokyo International Foto Awards (2021). Her photography has been exhibited widely—from Somerset House in London to Times Square in New York—and featured in leading publications including The Guardian, CNN, BBC, and Forbes. Beyond her visual practice, Setia contributes to education and advocacy through teaching ethical storytelling and photography at EFTI in Madrid, and through collaborations with organisations such as SHEWISE and WERESTART in the UK. Her work consistently seeks to reshape public narratives around identity, power, and care through interdisciplinary, justice-focused art. Mithail Afrige Chowdhury (Striking Solo Photography) Mithail Afrige Chowdhury is a documentary and street photographer based in Dhaka, Bangladesh. Raised in the city of Khulna, his photography is deeply rooted in the lives of ordinary people. 'Since then, I have always tried to understand people's lives—their pain, joy, and the complexities shaped by social, economic, political, and environmental changes.' He began photography in 2015 and chose to document what he knew best: life around him. His work has captured the Rohingya refugee crisis, the effects of climate change on Bangladesh (an ongoing project), major festivals, urban water crises, slum fires, and the Covid-19 pandemic. Mithail has won numerous international photography awards, including the Life Press Photo Award (Ukraine), Xposure International Photography Competition (UAE), Compass Photo Competition by the University of Oxford (UK), and contests in China. His work has been featured in The Guardian, The Daily Sun, The Times of India, Global Photography, and publications from the University of Oxford, ASCE, and Saturday Magazine. ARTICLE CONTINUES BELOW ARTICLE CONTINUES BELOW Steve Gschmeissner (The Marvels of Medical and Scientific Imaging) Steve Gschmeissner is a UK-based photographer and electron microscopy specialist whose career spans over four decades in scientific imaging. After earning a degree in Zoology, he spent 25 years at the Royal College of Surgeons, eventually leading the electron microscopy services, followed by 15 years leading the EM unit at Cancer Research UK. In 2002, Gschmeissner retired early to dedicate himself to freelance photography, specialising in Scanning Electron Microscopy (SEM). Over the past two decades, he has built an archive of more than 10,000 images, widely published across scientific, medical, and popular media. His work has featured in everything from textbooks and advertising to art, fashion, and music, appearing on album covers for Peter Gabriel, artworks by Damien Hirst, on US Postal Service stamps, and as visual inspiration for an Iris van Herpen's fashion collection. In 2021, he was awarded the Lennart Nilsson Award for his lifelong contribution to microscopy. His images continue to bridge the worlds of science and visual culture, offering new ways of seeing the invisible. Full list of Finalists - Top 25 Entries Striking solo photography Searching for Life – Sandipani Chattopadhyay (India) Urban Travel – Mithail Afrige Chowdhury (Bangladesh) Marks of Majesty: Vanessa – Julia Comita & Stephanie Francis (USA) Musa – Marijn Fidder (Uganda/Netherlands) The Light Will Come – Dora Grivopoulou (Greece) Cricket is My Emotion – Ziaul Huque (Bangladesh) Pie-by-Sam – Reatile Moalusi (South Africa) Beautiful Disaster – Alexandru Radu Popescu (Romania) Resilience Artist – Pyaephyo Thetpaing (Myanmar) Stereo EEG Self-Portrait – Muir Vidler (UK) Transparent Curtains – Oded Wagenstein (Israel) Self, Five Years On – Georgie Wileman (UK) A storytelling series The Loss Mother's Stone – Nancy Borowick (US Virgin Islands) A Dream to Cure Water – Ciril Jazbec (UK) Nemo's Garden – Giacomo d'Orlando (Italy) A Thousand Cuts – Sujata Setia (UK) I Spend 150 Hours Alone Each Week – Madeleine Waller (Australia/UK) The marvels of scientific and medical imaging From Butterflies to Humans – Amaia Alcalde Anton (UK) Ice and Fire Chronics: The Chagas Disease Invader – Ingrid Augusto, Kildare Rocha de Miranda & Vânia da Silva Vieira (Brazil) Cholesterol in the Liver – Steve Gschmeissner (UK) Blooming Barrier – Lucy Holland (UK) Submarine Fever – Jander Matos & Joaquim Nascimento (Brazil) Organoids – Oliver Meckes & Nicole Ottawa, Eye of Science (Germany) I've Got You, Under My Skin: Microplastics in Mammalian Tissue – P. Stephen Patrick & Olumide Ogunlade (UK) Brixton Road, Lambeth – Marina Vitaglione (France/UK) Exhibition Details Wellcome Photography Prize 2025 exhibition is curated by Laurie Britton Newell and Ligaya Salazar At the Francis Crick Institute, 1 Midland Road, London, NW1 1AT 17 July – 18 October 2025 Open Wednesdays to Saturdays, 10am-4pm (Wednesdays until 8pm) Admission free About Wellcome Wellcome supports science to solve the urgent health challenges facing everyone. We support discovery research into life, health and wellbeing, and we're taking on three worldwide health challenges: mental health, infectious disease and climate and health. ARTICLE CONTINUES BELOW ARTICLE CONTINUES BELOW Follow the prize: Instagram: @wellcomephotoprize Wellcome Photography Prize 2025 | Wellcome About the Francis Crick Institute We are delighted that the Crick are hosting this year's Wellcome Photography Prize exhibition. The Francis Crick Institute is a biomedical discovery institute with the mission of understanding the fundamental biology underlying health and disease. Its work helps improve our understanding of why disease develops which promotes discoveries into new ways to prevent, diagnose and treat disease. An independent organisation, its founding partners are the Medical Research Council (MRC), Cancer Research UK, Wellcome, UCL (University College London), Imperial College London and King's College London. The Crick was formed in 2015, and in 2016 it moved into a brand new state-of-the-art building in central London which brings together 1500 scientists and support staff working collaboratively across disciplines, making it the biggest biomedical research facility under a single roof in Europe. A photo accompanying this announcement is available at
