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Walk-in cooler fire causes smoke plume above France Pavilion at Disney World's Epcot park

Walk-in cooler fire causes smoke plume above France Pavilion at Disney World's Epcot park

Yahoo23-03-2025

ORLANDO, Fla. (AP) — A smoke plume that towered over Walt Disney World Resort on Saturday was caused by a walk-in cooler that caught fire, a representative from Disney said.
The blaze was quickly extinguished, and there were no injuries. Photos and video of the fire that were captured by park guests and others in the Orlando area circulated widely on social media.
The walk-in cooler behind the France Pavilion caught fire in a backstage area. The pavilion is part of the World Showcase at the resort's Epcot theme park.
The cause of the fire was not immediately known. The official said it was quickly put out by the Central Florida Tourism Oversight District fire department.
The pavilion reopened to theme park guests in the early evening.

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Marvel Won't Have to Turn Over ‘Highly Confidential' Documents About Development of Ryan Reynolds' Nicepool After Judge Tosses Justin Baldoni's Defamation Case
Marvel Won't Have to Turn Over ‘Highly Confidential' Documents About Development of Ryan Reynolds' Nicepool After Judge Tosses Justin Baldoni's Defamation Case

Yahoo

time35 minutes ago

  • Yahoo

Marvel Won't Have to Turn Over ‘Highly Confidential' Documents About Development of Ryan Reynolds' Nicepool After Judge Tosses Justin Baldoni's Defamation Case

The introduction of the character Nicepool in Marvel's 2024 hit 'Deadpool & Wolverine' might mark the most scrutinized four minutes of screen time in recent memory. On Monday, Judge Lewis Liman threw out Justin Baldoni's defamation case against Blake Lively and Ryan Reynolds. That means Marvel won't have to turn over what it calls 'proprietary and highly confidential' documents and communications about the development of Reynolds' Nicepool character. While Judge Liman threw out Baldoni's defamation case, he is allowing the director to file an amended complaint by June 23 regarding interference with contracts. But the Nicepool subpoena was tied to the defamation claims, which are now dead. More from Variety Justin Baldoni to 'March Forward' With Blake Lively Legal Battle After $400 Million Defamation Suit Thrown Out: Facts Are 'on Our Side' Judge Throws Out Justin Baldoni's $400 Million Defamation Suit Against Blake Lively Ryan Reynolds and Colin Hanks' Documentary 'John Candy: I Like Me' to Open Toronto Film Festival's 50th Edition The move follows months of back and forth on the matter between attorneys for Baldoni and the studio, which was trying to quash the director's efforts to obtain the material in his ongoing legal battle with Lively. On Jan. 7, Baldoni's lawyer Bryan Freedman sent a litigation hold letter to Marvel president Kevin Feige and Disney CEO Bob Iger, instructing the studio to preserve all relevant documents and data with regards to Baldoni. That letter came one week before the 'It Ends With Us' director filed a civil extortion, defamation and invasion of privacy lawsuit against Lively and Reynolds for $400 million, claiming that the married power couple sought to 'destroy' him with false harassment claims and an alleged smear campaign. Marvel was subpoenaed on Feb. 14. Disney declined comment. Baldoni's attorneys have argued that Reynolds was intentionally mocking and bullying Baldoni in a four-minute scene in Marvel's 'Deadpool & Wolverine,' which was released by Disney in July. On screen, Reynolds played 'Nicepool,' a misogynistic alternate version of the titular protagonist Deadpool, and served up such lines as 'Where in God's name is the intimacy coordinator?!' while complimenting Ladypool for 'snapping back' into shape after giving birth. Those lines echo elements of Lively's lawsuit against Baldoni and two of his publicists, in which she claims she was the victim of sexual harassment on the set of 'It Ends With Us' and a subsequent smear campaign for speaking up about alleged mistreatment. Lively, who appears in the same scene as Ladypool, accused Baldoni of sexually harassing and fat-shaming her postpartum body on the set of 'It Ends With Us.' When Deadpool points out Nicepool's sexism in the scene, the latter replies, 'It's OK, I identify as a feminist.' (During the development, production and marketing of 'It Ends With Us,' a drama about domestic violence, Baldoni often touted his credentials as a feminist and ally to women.) On April 2, the studio's attorney Adam Levin at Mitchell Silberberg & Knupp wrote to Freedman, asking him to withdraw the subpoena because disclosure of the documents 'is likely to substantially harm Marvel' and 'irrelevant to the claims asserted in this case.' Levin added, 'The requested documents are particularly sensitive because they relate to the development of a character in an ongoing movie franchise. Marvel has built the success of the MCU in large part by interconnecting storylines, plots, and characters across its titles, including 'crossover' events and sequels. Whether and how such elements will appear in upcoming, unreleased projects is the subject of much public interest, and this information is closely guarded by Marvel.' The Marvel attorney asked Freedman to agree to defer the return date of the subpoena 'until after the Court decides Reynolds' pending motion to dismiss.' On April 25, Marvel attorney Jacob Albertson wrote to Judge Liman to request that the court quash the Baldoni subpoena. Albertson made similar arguments as Levin previously made and added that producing any documents and communications concerning Baldoni would prove to be 'unduly burdensome.' He added, 'The Wayfarer Parties certainly have other, less burdensome means through which they can obtain relevant information (if any exists) from the parties in the action, such as a request for admission or a party deposition.' Three days later, Baldoni's lawyers Mitchell Schuster and Kevin Fritz of Meister Seelig & Fein shot back with a letter to Judge Liman. 'Marvel does not explain how the Subpoena is unduly burdensome, especially given the Wayfarer Parties' agreement to narrow the scope thereof, and Marvel does not claim it will incur significant expense to locate and produce the documents,' the letter stated. (Freedman's initial litigation hold letter was far more broad and asked the studio to preserve communications concerning Tim Miller, who directed the first 'Deadpool' movie but did not return for the sequel or 'Deadpool & Wolverine.' Miller and Reynolds are known to have clashed.) 'The suggestion by Marvel that the Wayfarer Parties should obtain documents and information concerning 'Nicepool' from the parties hereto (including from Ryan Reynolds himself) is insincere because Marvel also seeks a protective order 'prohibiting the disclosure of Marvel's confidential documents by any party or other nonparty in this action,'' Schuster and Fritz added. The attorneys argued that the subpoena only seeks documents concerning one character — 'Nicepool' — who appears in one already released movie. They note that Nicepool does not appear in any other entry in Marvel's film franchise and will not appear in any future outings given that he was killed off in 'Deadpool & Wolverine.' The letter also took issue with Marvel's move to stall pending a determination of Reynolds' motion to dismiss. 'Reynolds himself has neither sought nor obtained a stay of discovery in connection with his dismissal motion,' the letter stated. 'Additionally … there are not substantial grounds for dismissal of the claims against him. And in the unlikely event claims against Reynolds are dismissed with prejudice, the information sought in the Subpoenas remains relevant as to the suit against Lively, as the Wayfarer Parties contend Reynolds was acting as an agent of Lively.' Baldoni's battle with Marvel is merely a subplot in a much larger war between the director and his 'It Ends With Us' star. There are currently multiple lawsuits that involve 'It Ends With Us' parties, the most recent one being filed by Baldoni's Wayfarer Studios against his former publicist Stephanie Jones, who he alleges 'maliciously' leaked text messages that sparked the entire saga. At the center of the sprawling back and forth, Baldoni is suing and being sued by Lively over what happened on the set of and in the run-up to the release of the 2024 domestic violence drama. Lively's lawyers celebrated Judge Liman's decision on Monday. 'As we have said from day one, this '$400 million' lawsuit was a sham, and the court saw right through it,' Lively's lawyers said on June 9 after the dismissal. 'We look forward to the next round, which is seeking attorneys' fees, treble damages and punitive damages against Baldoni […] and the other Wayfarer Parties who perpetrated this abusive litigation.' Baldoni's attorneys vowed to keep fighting, noting 'Ms. Lively and her team's predictable declaration of victory is false, so let us be clear about the latest ruling.' Baldoni's lawyer Bryan Freedman added in a statement to Variety: 'While the court dismissed the defamation related claims, the court has invited us to amend four out of the seven claims against Ms. Lively, which will showcase additional evidence and refined allegations. This case is about false accusations of sexual harassment and retaliation and a nonexistent smear campaign, which Ms. Lively's own team conveniently describes as 'untraceable' because they cannot prove what never happened.' There has been much discussion about why the development of Nicepool was relevant in a legal drama that stems from a different movie ('It Ends With Us') that was produced and distributed by a different studio (Sony). But Baldoni's lawyers say the breadcrumbs were left in plain sight. In the end credits of 'Deadpool & Wolverine,' the actor who plays Nicepool is listed as 'Gordon Reynolds' and not Ryan Reynolds. Lively subsequently thanked Gordon Reynolds in the end credits of 'It Ends With Us,' drawing a throughline to Nicepool. Lively herself has used similar language that mirrors lines in 'Deadpool & Wolverine.' In a July 22 Instagram post that tagged @deadpoolmovie and @itendswithusmovie, Lively wrote 'about Nice men who use feminism as a tool.' For its part, Marvel previously noted the intense media scrutiny in the case as grounds to quash the subpoena. That interest began long before the parties began suing one another, with seemingly innocuous observations from fans about members of the cast of 'It Ends With Us' unfollowing Baldoni on social media last summer ahead of the film's release. And it continues with recent reports that Travis Kelce has unfollowed Reynolds on Instagram. Kelce's girlfriend, Taylor Swift, appears to be keeping her distance from the drama even though her name has surfaced repeatedly in coverage of the case given her friendship with Lively during the production of 'It Ends With Us.' Best of Variety 'Harry Potter' TV Show Cast Guide: Who's Who in Hogwarts? 25 Hollywood Legends Who Deserve an Honorary Oscar New Movies Out Now in Theaters: What to See This Week

‘Materialists' review: Dakota Johnson goes from ‘Madame Web' to meh matchmaker
‘Materialists' review: Dakota Johnson goes from ‘Madame Web' to meh matchmaker

New York Post

timean hour ago

  • New York Post

‘Materialists' review: Dakota Johnson goes from ‘Madame Web' to meh matchmaker

movie review MATERIALISTS Running time: 116 minutes. Rated R (language and brief sexual material). In theaters. Watching the new, unromantic, non-comedy 'Materialists' can feel like going on a shaky first date. There's something… off. Advertisement Is it 'Past Lives' writer-director Celine Song's love-triangle script, which is unnatural and stilted even by the standard of rom-coms such as 'Maid in Manhattan' or 'Two Weeks Notice?' Or is it star Dakota Johnson's stainless-steel 'tude as New York matchmaker Lucy? The always cool actress is auditioning to play the Terminator here. If you answered 'all of the above,' you're correct. Advertisement Yet our unease is partly by design. Song isn't so much trying to join the romantic comedy canon as she is firing a cannonball directly at it. 'Materialists' doesn't make you laugh or smile. Of this particular movie experience, Nicole Kidman might say, 'We come to this place to ponder, analyze and wince.' I flipped from being intrigued by the mysterious characters and tantalized by the luxury real estate to sitting there perplexed by the weird plot escalations that, while meant to drag rom-coms down to earth, drag viewers out of the film instead. On rare occasions, I was entertained. 4 Dakota Johnson and Pedro Pascal star in 'Materialists.' AP Advertisement At the start, the pieces are familiar to anybody who's seen 'The Wedding Planner' or 'The Wedding Singer.' There's Lucy, a love-averse young professional who's obsessed with her job in the relationship biz. Her sole criterion for her own future husband is that he be rich. Then — hello! — she meets a millionaire named Harry (Pedro Pascal) at a wedding at the Lotte Palace, and he sweeps her off her feet with his confidence and metal credit cards. Uh oh. At the same fete, she also reunites with a poor but hot former flame named John (Chris Evans). Whoever will she pick?! Advertisement 4 Lucy (Johnson) meets Harry (Pascal) at a wedding, and they start dating. AP The first half goes down as easily as a glass of 1990s bubbly, but there is an undercurrent of darkness. Song throws in cutting, albeit overwritten, observations about modern courtship — a k a you better have looks and money. Lucy adamantly insists, 'It's math,' and compares her job to working at the morgue. She finds matches for clients that 'check most of our boxes': Income, height, age, race, BMI. When Lucy hears about a surgery in which men get their leg bones broken to add six inches of height, she thinks it's a fabulous idea. Her matchmaking process is freakily clinical. It's practically the DMV — the Department of Marriage Vows. And the exercise mirrors the app-centric way people search for significant others nowadays. How depressing. 4 Lucy, a matchmaker, is an off-putting character, by design. AP Indeed, the men and women she works with are uniformly sad, vapid and shallow. There's not a single person in this movie you'll want to spend more than two minutes with. What we assume, of course, is that Lucy will learn that love is an intangible thing — a spark, not arithmetic. Advertisement That sort of happens. While one message is that people are more than numbers, the takeaway is far from upbeat or celebratory. What the statistics actually conceal are ugly, nasty qualities in people. Mostly that they're liars and creeps. Lucy herself is unpleasant-to-odious, again on purpose. The movie acknowledges that she's awful, and we're not meant to like her much at all. But off-putting characters must be more engaging than she is to justify the spotlight. 4 She's torn between Harry and John (Chris Evans). AP 'Materialists' lost me halfway through, admittedly, when it became more ambitious. A traumatic turning point is realistic and jarring; however, the film can't recover from it either. Advertisement Although I admired Song's aims to subvert a glossy Hollywood staple, I longed for the way her 'Past Lives' so simply and poignantly explored our 'what if?'s. Next to that, 'Materialists' is blunt and narratively messy. You can sense Song trying very hard to reach her ultimately unsatisfying and not-so-insightful end destination. En route, the acting is, frankly, ghoulish. Good for Johnson for breaking free from the embarrassing comic-book confines of 'Madame Web.' She still reads lines in a dreamy haze as if there is a crystal ball in front of her. And there's not much chemistry with Pascal or Evans, both of whom are fine, if a smidge somnambulic. Sadly, the follow-up from the director of 'Past Lives' had me dreaming about her past projects.

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