logo
John Cena's Farewell Tour Has Been a Total Flop

John Cena's Farewell Tour Has Been a Total Flop

Yahoo21-05-2025

John Cena's heel turn felt like a transformative moment in the wrestling business. The eternal baby face, embarking on his farewell tour, took a dramatic creative leap during the twilight of his career. It unlocked a myriad of stories to explore and was supposed to allow Cena to do his most interesting character work since the "Summer of Punk" in 2013.
The initial presentation at Elimination Chamber was edgy and Hollywood. Cena was possessed with a rage of violence, with The Rock, a generational movie star, calling the shots. Travis Scott's involvement was a bit odd, but he's a global hip-hop mogul, and to a certain generation, his presence provided an immediate aura.
Advertisement
Since that night in Toronto, it's all been downhill. But why? How has WWE botched this run, and how can they salvage it?
John CenaGetty Images
Let's get one thing out of the way: The Rock's absence has unquestionably been a detriment to this angle, but with some witty writing, the company could've minimized that.
Cena could've articulated his motives and portrayed The Rock as some overlord operating in the shadows, who could pop up anytime he saw fit. That increases the desire to see "The Great One," but doesn't create confusion when he doesn't appear.
From his opening promo, Cena's material has felt expired by a decade. Since the "Open Challenge" era in 2015, when he showed a willingness to put young talent over, Cena has garnered monster crowd reactions.
He slowly transitioned into the "living legend" who was putting on bangers in the ring and was finally embraced by fans. This idea that he's holding a grudge from back when Obama was in office is a bit hard to rationalize.
Advertisement
From the jump, he's cut the "you people" style of promo, mixed in with some comedic one-liners. By constantly raising his voice and having the same inflections before the barb that's supposed to generate heat, he becomes a parody of himself.
Almost all of Cena's mic time hasn't ended with him lying flat on his face. Every week before their subsequent matches, Cody Rhodes and Randy Orton have decimated Cena, even when the latter has tried to gain the upper hand with a cheap shot. Yet the bell rings for the bouts, and Cena becomes a formidable threat.
The finish to those affairs has featured five total ref bumps and interference from Scott and R-Truth. Cena has won and retained the Undisputed WWE Championship thanks to a rapper and a 51-year-old jobber. This is somehow not a 2K career mode.
The Needed Fix
John CenaGetty Images
Cena has to immediately ditch the bullying-the-audience approach—he needs more depth as a performer. If the plan is to turn him face before he hangs it up, he has to lean more into his personal insecurities and the state of the locker room.
Advertisement
He should be paranoid about his successor and how he's concerned about the landscape of WWE once he officially retires. Cena should question if anyone can "fill his shoes," which opens the door to teasing his final opponent the rest of the year.
There's likely to be a multi-man match with Scott in the fray at some point, so explain the complexities of that relationship. If The Rock is busy, fill in the gaps of how he facilitated the partnership and why Scott is a valuable asset outside of the squared circle.
Travis Scott & John CenaGetty Images
The inevitable programs with AJ Styles and CM Punk will likely be a step up in quality thanks to past chemistry. Punk, in particular, can evoke a more passionate Cena on the stick, and hopefully, the pair can exchange words beyond potty humor and the art of being a father.
Advertisement
If the final chapter is another duel with Rhodes, that's fine, but it can't be telegraphed by creative. The climax of this story should come on the final date in Boston. Cena should be determined to leave his hometown as the "Last Real World Champion" and try to avoid a rematch with "The American Nightmare."
There are endless roads (no pun intended) to explore, but this current one is littered with potholes and debris. This Cena story must rediscover the plot before it's too late.
Related: WWE Insider Predicts Huge Rock and John Cena Summerslam News
Related: What's Next for Cody Rhodes? An Update on His Creative Direction

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

David E. Kelley says new ending for ‘Presumed Innocent' on Apple TV+ ‘wasn't mandatory'
David E. Kelley says new ending for ‘Presumed Innocent' on Apple TV+ ‘wasn't mandatory'

Yahoo

timean hour ago

  • Yahoo

David E. Kelley says new ending for ‘Presumed Innocent' on Apple TV+ ‘wasn't mandatory'

David E. Kelley adapted Scott Turow's bestseller Presumed Innocent as an eight-episode series for Apple TV+ last year. Between the book and the 1990 movie adaptation, the original revelation of the murderer might no longer be a surprise. So, Kelley chose a different character to be the killer in his season finale. 'It wasn't mandatory,' Kelley told Gold Derby on the red carpet at Apple TV+'s FYC space at the Hollywood Athletic Club. 'I was open to the idea that it could still be the same killer but we kind of let the story speak to us. As it was unfolding, we settled on the route we took.' More from GoldDerby Sharon Horgan, Anne-Marie Duff, Fiona Shaw, and every 'Bad Sisters' Emmy acting submission How David Bowie inspired Eddie Redmayne's 'Day of the Jackal' transformations D'Arcy Carden on her 'dream come true' joining 'The Handmaid's Tale' and Phoebe's 'different Aunt energy' Jake Gyllenhaal plays Rusty Sabich, a lawyer accused of slaying his colleague, Caroline Polhemus (Renate Reinsve), with whom he was having an affair. Rusty's nemesis, Tommy Molto (Peter Sarsgaard), prosecutes Rusty despite a clear conflict of interest. Though the killer is only revealed to Rusty's family, Sarsgaard suspects the ending still validates Tommy's suspicions. Apple TV+ 'I think Tommy always knew who was involved and he was correct about that,' Sarsgaard said, without giving away the spoiler. 'He wasn't incorrect [about] the person he suspected who was covering something.' Now that all eight episodes are available to stream, it's well-known the show ends differently. Other updates Kelley made to Turow's 1987 debut novel included combining characters and incorporating 2024 elements like DNA evidence and cellphone technology. 'I think what was more important is that we declared ourselves out of the gate that we were going to take departures from the underlying material,' Kelley said. 'So at least the viewer would not feel comfortable that they knew the outcome.' Bill Camp plays Rusty's lawyer, Raymond Horgan, who is so troubled by the case that he has nightmares about Rusty committing the murder. Though Raymond is unaware of the final revelation, Camp said the damage is done regardless of who did it. 'I think he'd find it heartbreaking,' Camp said. 'The darkness that everyone's living in now, not knowing who that murderer is except for that family, I think it would be heartbreaking for everyone to find out.' Finding out the new identity of the killer in Episode 8 reminded Sarsgaard of another mystery show he appeared in. In Season 3 of The Killing, Sarsgaard recalled his costar being devastated to find out he was the killer. This moment drove home for Sarsgaard the nature of episodic television with ongoing writers' rooms. 'We got the final episode, he came up to my trailer really upset,' Sarsgaard said. 'He said, 'Oh, it's me. I'm the killer.' I thought, 'F--k.' Movies is just all preparation from the beginning.' Apple TV+ Kelley acknowledged that he was asking a lot of his lead actor. Viewers would judge Rusty for cheating on his wife, Barbara (Ruth Negga), and possibly suspect him of murder — yet he remains the protagonist of the series. 'He had a heavy lift in this series,' Kelley said of Gyllenhaal. 'A writer can put that on the page all he wants but it's up to the actor to inhabit those qualities to make the audience care. So I think viewers were condemning Rusty on a lot of fronts but rooting for him just the same.' Episodic directors said the series benefited from Gyllenhaal and Sarsgaard's real-life relationship. They are brothers-in-law, as Sarsgaard is married to Jake's sister, Maggie Gyllenhaal. Greg Yaitanes directed Episodes 3-7, culminating in the scene where Tommy cross-examines Rusty. 'They can practice,' Yaitanes said. 'They were roommates as well so they were staying with each other so they just worked at that scene. There was this added intangible benefit of their trust and closeness that they got into every scene.' Anne Sewitsky directed the first two episodes and the final one. She also benefited from Sarsgaard and Gyllenhaal's familial friendship in her episodes. 'There was kind of a shortcut or shorthand into the way we played with those scenes,' Sewitsky said. 'They like to throw things around. I love that so we were doing a lot of improv and we were adding a lot of stuff.' Best of GoldDerby Samantha Hanratty on Misty stepping 'into her own' in 'Yellowjackets' Season 3: 'She is a lot more useful than I think a lot of people give her credit for' How Madeline Brewer gets the power back in the final seasons of 'You' and 'The Handmaid's Tale' 'I fully expected to be killed off!' Helen Mirren on her twin roles in '1923' and 'MobLand' Click here to read the full article.

Watch the first 6 minutes of ‘Wednesday' Season 2, from Netflix Tudum 2025
Watch the first 6 minutes of ‘Wednesday' Season 2, from Netflix Tudum 2025

Yahoo

timean hour ago

  • Yahoo

Watch the first 6 minutes of ‘Wednesday' Season 2, from Netflix Tudum 2025

Get ready for the internet to break. Netflix closed out its Tudum 2025 live event on Saturday by releasing the first six minutes of Season 2, Episode 1 from its biggest show ever, Wednesday. More from GoldDerby David E. Kelley on the secret of his prolific career: 'Don't ever assume you're smarter than the audience' 'I'm glad I'm still alive': Jon Hamm and John Slattery on 'Mad Men,' 10 years later 'King of the Hill' cast and creators on revival: 'Bobby's got a little bit of fame and a little bit of swagger' In the long-awaited clip (watch above), goth teenager Wednesday Addams, played by Emmy and Golden Globe nominee Jenna Ortega, recounts her "eventful summer" as she is tied up in a doll-obsessed serial killer's (Haley Joel Osment) basement. We then see the series of unfortunate events that led her there. The Wednesday presentation at Tudum included two performances by Lady Gaga, including her version of the Wednesday Dance. Gaga is joining the ensemble for the new season. The show's main cast is rounded out by Catherine Zeta-Jones (Morticia Addams), Luis Guzmán (Gomez Addams), Isaac Ordonez (Pugsley Addams), Luyanda Unati Lewis-Nyawo (Ritchie Santiago), Emma Myers (Enid Sinclair), Joy Sunday (Bianca Barclay), Victor Dorobantu (Thing), Hunter Doohan (Tyler Galpin), and Fred Armisen (Uncle Fester). New cast members for Season 2 include Steve Buscemi (Principal Barry Dort), Joanna Lumley (Grandmama), Billie Piper (Capri), and Thandiwe Newton (Dr. Fairburn), plus the following in undisclosed roles: Evie Templeton, Owen Painter, Noah Taylor, Christopher Lloyd, Frances O'Connor, Heather Matarazzo, and Joonas Suotamo. Season 1 of Wednesday nabbed 12 nominations at the 2023 Emmys, including Best Comedy Series, and won these four trophies: Best Contemporary Costumes, Best Contemporary Makeup, Best Main Title Theme Music, and Best Production Design. Tim Burton was nominated for directing the pilot, and Ortega was up for acting. Fans have been waiting almost three years for the second season to drop and, unfortunately, they'll have to wait a bit longer. As reported in April, Episodes 1 through 4 will premiere on Aug. 6, while Episodes 5 through 8 will debut on Sept. 3 — both notably Wednesdays. That means Season 2 of the horror-comedy won't be eligible until the 2026 Emmys. The first season of Wednesday remains Netflix's most popular series ever, with a whopping 252 million views. (For comparison's sake, the No. 2 and No. 3 shows — Stranger Things 4 and Adolescence — both have 140 million views.) Watch the Season 2 trailer: Season 2 picks up after the events of Season 1, with Wednesday returning to Nevermore Academy (after the aforementioned "eventful summer") for the new school year, this time alongside her younger brother, Pugsley. Additionally, Wednesday's parents, Morticia and Gomez, will have an increased presence on campus this year, which will no doubt frustrate their moody teenagers. "Your family at school is the worst thing possible, isn't it?" director-executive producer Burton recently said. "I never wanted my parents to come to school. Wednesday is an even more extreme version of that. Poor Pugsley. He's kind of an outcast among outcasts, so I feel for him. He comes into Nevermore for the first time, so we get to see his experience at school. Everybody has their own specialty power, and he's new to his own. He's just exploring his newfound teenage powers." "Nothing is what it seems in Season 2," creator Miles Millar added. "Wednesday goes into this season thinking she knows Nevermore. It's the first time she's returned to a school willingly. But as soon as she gets back, nothing happens that she's expecting. She thinks she's going to be in control, that she knows where all the bodies are buried, and she doesn't." SIGN UP for Gold Derby's free newsletter with latest predictions Best of GoldDerby 'I cried a lot': Rob Delaney on the heart and humor in FX's 'Dying for Sex' — and Neighbor Guy's kick in the 'zone' TV directors roundtable: 'American Primeval,' 'The Lord of the Rings: The Rings of Power,' 'Paradise' 'Paradise' directors John Requa and Glenn Ficarra on the 'chaos' of crafting 'the world coming to an end' Click here to read the full article.

‘It's in my contract that I have great clothes, funny lines, and a lover': Christine Baranski on her surging career in her 70s
‘It's in my contract that I have great clothes, funny lines, and a lover': Christine Baranski on her surging career in her 70s

Yahoo

timean hour ago

  • Yahoo

‘It's in my contract that I have great clothes, funny lines, and a lover': Christine Baranski on her surging career in her 70s

It's hard to think of two more different characters on television right now than the unapologetically uptight Agnes van Rhijn on The Gilded Age and the unapologetically outspoken Victoria on Nine Perfect Strangers. And the woman playing them both couldn't be happier about it. More from GoldDerby 'One of the things that made it so special was that it wasn't for everyone': 'The Leftovers' EPs and cast on the show's legacy David E. Kelley on the secret of his prolific career: 'Don't ever assume you're smarter than the audience' 'I'm glad I'm still alive': Jon Hamm and John Slattery on 'Mad Men,' 10 years later Christine Baranski has made a career out of scene-stealing performances, from Cybill to The Good Wife, and was recently recognized by the ATX TV Festival with its annual Achievement in TV eXcellence Award. Baranski trained at Juilliard with the dream of being a great theater actor, but then found a mid-life renaissance when she was offered the role of Cybill Shepherd's martini-swilling, sharp-tonuged best friend in Cybill, which earned her an Emmy Award for Best Supporting Actress in the first season. 'Nobody really starts a Hollywood career in their 40s, but I did,' she said. That then launched her into a 13-year run as the formidable Diane Lockhart on The Good Fight and The Good Wife. 'How did I get so lucky that my first writer that when I took the jump into television was Chuck Lorre?' marveled Baranski, who also credited Robert and Michelle King (The Good Fight, The Good Wife) and Julian Fellowes (The Gilded Age) for giving her great material to work with. 'You're looking at one very, very lucky dame.' SEEChristine Baranski ('The Good Fight') feels 'genuine sense of pride' about 'dangerous,' 'emotional' series finale [Exclusive Video Interview] Baranski praised Lorre for giving Maryann witty one-liners unlike she'd ever seen before on television. 'I knew how to deliver those lines because I had done Neil Simon, I had done Tom Stoppard. I'd done Terrence McNally,' she said.' I knew how to do that one-liner thing, but I'd never read a pilot where I thought, 'You know, it's going to be commensurate with theater writing.'' And then the role of Diane arrived. 'I said to the Kings many times, 'Let's avoid the stereotypes about women. Let's avoid the stereotype that just because she's the head of a law firm and she doesn't have children and she's not married, can we just avoid like playing her like she's an unhappy bitch?'' said Baranski. 'I'm proud of the fact that Diane Lockhart was something of a breakthrough. OK, she gets dressed for work, she looks fabulous, and at the end of the day she can drink scotch with the guys and go toe to toe with the men. She's not angry at men. She likes men.' Wearing Diane's high heels impacted Baranski personally as well. 'I always felt like I aspired to be Diane Lockhart,' she said. 'It was a learning curve for me. I was glad to play that character for 13 years because I think I was learning how to be a woman in power.' As for the infamous slap at the end of The Good Wife, she said she avoids social media, 'so I guess there was a big reaction,' she acknowledged. Her concern, though, was more with the performance. 'I didn't want to hurt Julianna [Margulies], for one thing,' she said. 'In terms of the acting moment, I think Alicia had lost her moral compass, and how she manipulated my husband and me, it was ruthless and horrible. For me, the slap was just, 'Wake up.' So it was easy for me. It wasn't a bitch slap.' The end of The Good Fight actually overlapped with the launch of The Gilded Age — a deal Baranski actually had to step in and negotiate for herself, with a letter sent to the head of CBS at the time asking to be allowed to do both, even though she was locked into a contract with CBS. An exception was made — although she was told to be discreet at the time — and then COVID wreaked havoc with the shooting schedule so the productions coincided. 'That was really, really challenging, but you know, I call it a champagne problem.' Signing on for Nine Perfect Strangers was a far easier deal to make — she agreed without even seeing a script, once she knew it was shooting in Europe and costarring Nicole Kidman. 'I've been making the joke in press that it seems like it's in my contract that I have great clothes, funny lines, and a lover — otherwise, I don't show up,' she quipped. And now in her 70s, with her choice of roles, she admits she's changed her mind about television. 'Television can open our minds and our hearts,' she said. 'The theater's great if you can afford a theater ticket and get to a play, but you turn on your screen in your living room and the world can open up and your consciousness can open up if it's good writing, and there's so much good writing now.' Best of GoldDerby 'I cried a lot': Rob Delaney on the heart and humor in FX's 'Dying for Sex' — and Neighbor Guy's kick in the 'zone' TV directors roundtable: 'American Primeval,' 'The Lord of the Rings: The Rings of Power,' 'Paradise' 'Paradise' directors John Requa and Glenn Ficarra on the 'chaos' of crafting 'the world coming to an end' Click here to read the full article.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into the world of global news and events? Download our app today from your preferred app store and start exploring.
app-storeplay-store