
Justin Bieber's Relentless Entourage, Adrien Brody's Dreadlock Fiasco, And 9 More Times Celebrities Were Rude, Offensive, Or Disrespectful On 'Saturday Night Live'
No matter your opinions on Saturday Night Live, it's pretty undeniable that having a fully live show every week is an impressive feat. And this is definitely due to the cast and crew's hectic but effective work schedule, with the whole thing being overseen by head producer Lorne Michaels, who has been running the show since its inception in 1975. But despite its magnitude and place in the culture, it definitely does not always go off without a hitch — and this is often due to the celebrity guests.
After last Saturday, when musical guest Morgan Wallen sparked a ton of backlash for walking offstage during the credits (very unusual for SNL), I thought it'd be worth looking back on some more stars who made waves for their behavior when on the show. So, I've rounded up 11 celebrity guests on SNL who were accused of being disrespectful, offensive, or just plain rude. Let's jump in!
1. Chevy Chase
Now, if you know anything about the Foul Play star and SNL cast alumnus Chevy Chase, this one's definitely not surprising, given a series of super controversial incidents that occurred while he was still a regular player, including when he said the n-word in a 1975 word association skit. Despite his contentious reputation, however, Chevy was invited back to host the show eight times. This resulted in even more shocking moments that would eventually lead to Lorne Michaels, SNL 's producer, never inviting the former Weekend Update anchor to return as host after the late '90s.
Chevy's first time hosting the show was in 1978, and the episode was reportedly preceded by a fistfight breaking out backstage between Chevy and cast member Bill Murray. On another occasion, he reportedly made some pretty disgusting homophobic comments to Terry Sweeney, the only openly gay cast member in 1985. However, the final incident was in 1997 when he slapped cast member Cheri Oteri on the back of the head during rehearsals. Will Ferrell, a cast member at the time, reported the incident to Lorne, and Chevy never returned to host again.
2. Paris Hilton
This one surprised the SNL crew at the time, as head writer at the time Tina Fey has said that they invited Paris on to host in 2005 because they thought 'maybe she'll be fun.' But according to Tina (who made some pretty offensive and transphobic remarks about Paris on The Howard Stern Show in 2006), Paris 'took herself super seriously,' refused to do sketches, and 'wouldn't come out of her dressing room.' And while Tina's comments about Paris's hair extensions do reek of early 2000s internalized misogyny, it sounds like Paris was definitely not the ideal host to work with.
3. Sinéad O'Connor
NBC
Sinéad is our first musical guest on the list. Her actions during her performance led to her reportedly being iced out by the host on the night, Tim Robbins. If you don't remember, the 1992 performance featured Sinéad changing the lyrics of Bob Marley's 'War' to protest against the Catholic Church's sexual abuse scandal. The Irish singer even ripped a photo of Pope John Paul II in half as part of her protest. The incident was condemned as offensive by many Catholic viewers, and Sinéad was never invited back.
4. Justin Bieber
Back in 2013, Justin was invited onto the show as both the host and the musical guest, but as recounted by Bill Hader, the star's time in rehearsals didn't go as planned. According to Bill, Justin had an entourage of people so big that it was almost impossible to collaborate with the star for sketches and rehearsals, which resulted in a less than stellar final episode, as deemed by many viewers.
5. Donald Trump
The current president's hosting experience was undoubtedly controversial, as he appeared on the show in 2015 after announcing his presidential campaign. Many cast and crew on the show expressed discontent with the decision to bring Trump onto the show during his heavily criticized campaign, due to his offensive comments about women, immigrants, and the LGBTQIA+ community. Former SNL writer Michael Schur stated that allowing Trump as a host was a 'critical error' on the show's part.
6. Shane Gillis
One of the more recent controversies on our list, comedian Shane Gillis was invited to host the show in February 2024. However, if you think back to 2019, you might remember that Shane was initially hired as a regular player on SNL 's cast. But before he could take the stage, he was terminated after a series of offensive jokes targeting women, minorities, and the LGBTQIA+ community resurfaced and led to outrage over his casting. He was then invited back to host the show in 2024, and again in 2025, and both times he hosted, his monologue definitely didn't shy away from a couple more controversial jokes.
7. Kanye West
NBC / NBCU Photo Bank/NBCUniversal via Getty Images
This one's hard to forget. Back in 2018, Ye made headlines after he was featured as the musical guest on the show and went on an unplanned pro-Trump rant while wearing a MAGA hat. The speech was cut off by the show's allocated run time, but host Adam Driver could be seen looking super uncomfortable in the background. Cast member Kenan Thompson later said that the moment felt like being 'held hostage,' as Kanye talked about his own plans to run for president in 2020.
8. Rage Against the Machine
In fairness, what did Lorne expect when he invited famously anti-establishment band Rage Against the Machine alongside host Steve Forbes in 1996, a notorious billionaire and former Republican presidential candidate? The band members were kicked out of the building after they attempted to hang upside-down American flags in protest, and then, after they had the flags removed, they threw the cloth fragments of ripped flags at Steve and his entourage. The band has not been invited back to the show since, but to many viewers their behavior seemed pretty par for the course.
9. Adrien Brody
NBC
Remember this one? Lorne certainly does. Back in 2003, Adrien infamously shocked the cast and crew with a surprise impression that came across as pretty crude, due to his dreadlock wig and speaking in attempted Jamaican Patois. The worst part? He decided to debut his new 'character' while he was introducing Jamaican singer Sean Paul. Yiiiiiikes.
10. Elon Musk
Well, duh. After Elon was invited to host in 2021, there was a notable controversy in which cast member Chloe Fineman revealed that he had made her 'burst into tears' due to his rude behavior toward her backstage. 'I was so excited, I came in, I asked if you had any questions,' Chloe explained, directing her comments at Elon. 'You stared at me like you were firing me from Tesla and were like: 'It's not funny.'' She went on to describe how Elon went through her draft line by line and told her how unfunny it was. Later, after Elon's super controversial salute, Chloe revealed that she did not regret calling him out on his actions at all.
11. Morgan Wallen
NBC / Will Heath/NBC via Getty Images
And finally, our most recent contender. On Saturday, the country singer made headlines after he was the episode's musical guest, but decided to forgo the usual hugs and pleasantries with the cast during the credits. He later posted an Instagram story that showed a jet, captioned 'Get me to God's country,' which stirred a LOT of discourse on social media. In a recent interview with Entertainment Weekly, cast member Kenan voiced his perspective on the incident, confirming that he 'definitely saw' Morgan skedaddle off set. 'I don't know what goes through people's minds when they decide to do stuff like that,' Kenan said. 'I don't know if he understood the assignment or not, or if he was really feeling a certain kind of way.' He called it a 'spike in the norm,' and then mused that Morgan 'seems like a complicated individual.' Which is a very forgiving way to put it, I think.
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Business of Fashion
an hour ago
- Business of Fashion
The Independents Acquires Culinary Studio We Are Ona
Fashion communications conglomerate The Independents has acquired culinary studio We Are Ona. Founded in Paris in 2019 by chef and Noma alumnus Luca Pronzato, We Are Ona produces immersive dinners, including for Chanel, Balenciaga, Coperni, Alaïa and Saint Laurent. After working together on various projects for clients over the past few years, joining forces felt inevitable, said Independents co-founder and chief executive Isabelle Chouvet. 'We started to collaborate a lot and then it was natural that we had to officialise this union,' said Chouvet. '[Pronzato] is the only one doing what he's doing. He is able to push the boundaries of innovation, he is the only one who has the network of talents. He has the vision and understands the client's needs.' We Are Ona collaborates with artists like Willo Perron, who has staged shows for Beyoncé and Drake; Carsten Höller, known for his interactive installations; and Michelin-starred chefs including Dalad Kambhu and Mory Sacko. Beyond producing events for brands, the firm hosts pop-ups open to the public, most recently a restaurant experience featuring a dramatic, 100-feet-long sculptural lighting installation in New York's WSA Building with fashion show producer Alexandre de Betak (whose Bureau Betak was acquired by The Independents in 2021) in May. The set of a We Are Ona-produced dinner for Balenciaga. (Courtesy) Being under The Independents' umbrella will help We Are Ona continue expansion in the US (where it opened an office earlier this year), the Middle East and Asia, said Pronzato. This marks The Independents' first acquisition in the culinary space; it comes as foodie culture reaches a new zenith, and as food becomes an increasingly important tool fashion brands use to engage their customers. When it comes to food, fashion brands are raising the stakes — looking for high-production events that double as marketing moments: 'It's not only dinner to have a dinner, it's dinner to create a brand moment,' said Pronzato. 'These experiences can create an emotional link. When you sit at the table, the experience is different than when you buy a bag.' The acquisition is The Independents' third this year, and part of an ongoing spree that began in 2023 when it set its sights on doubling in size. In April, The Independents bought design studio 2x4 and in May, Paris-based documentary production company Terminal 9 Studios. Now, the company has over 20 agencies in its ranks and counts over 1,200 employees in offices across cities including Barcelona, Beijing, London, Los Angeles, Milan, New York, Seoul, Shanghai and Paris. Group revenue totalled $800 million in 2024, according to the company. Learn more: Why Food Is Everywhere in Fashion Advertising As foodie culture peaks and the cost of living rises, food is popping up more than ever in fashion imagery.


Geek Girl Authority
5 hours ago
- Geek Girl Authority
THE LIBRARIANS: THE NEXT CHAPTER Recap: (S01E04) And the Thief of Love
Our intrepid Librarians team has dealt with monsters, witches, and ghosts so far. So, of course, they need to deal with a god next. Specifically, in The Librarians: The Next Chapter Season 1 Episode 4, 'And the Thief of Love,' their mission is to contain the magic of Cupid's arrows when someone starts using them to rob banks and steal dry-cleaning. RELATED: Catch up with our recap of the last episode of The Librarians: The Next Chapter , 'And the Ghost Train' The mention of love steers us to Vikram's (Callum McGowan) lost love, Anya, who we know was engaged to Gregor (Adnan Haskovic) of hammer fame. Vikram's close personal acquaintance with Cupid (Celyn Jones) won't stop the mischievous deity from telling tales to the team. How much will his gossip reveal? Photograph by Aleksandar Letic The Librarians: The Next Chapter, 'And the Thief of Love' At the Paris Credit Alliance, a woman in blue jeans and a brown suede jacket carries a large briefcase in through the front doors. She secures the doors, opens the case, and pulls out a bow with a quiver of arrows. Notching the arrow, she announces that it is a robbery. When a man approaches her, trying to talk her into putting the arrow down, she shoots him. The arrow disintegrates into red glitter. It regenerates in the quiver. A woman security officer approaches. The archer shoots her. When that arrow disintegrates as well, the two bank employees begin kissing passionately as all the bank customers run away screaming. The archer hits a few more targets. Each time a pair is hit, they start kissing. With chaos rampant, the archer walks to a nearby counter, reaches over to open a box, and removes a large gold key. The bank tellers hide and watch as she takes it to the giant vault door on the far side of the lobby, ignoring all the kissing couples. RELATED: Olivia Morris Shares How The Librarians: The Next Chapter Hooked Her From Page One In the Annex, Mrs. Astolat (Caroline Loncq) interrupts Vikram's manic dance break to point out the pendulum's frantic activity. Noting that the magical activity is in Paris, Vikram offers up the information that Anya was a Parisian. Before leaving with the team, Charlie (Jessica Green) confirms with Mrs. Astolat that Anya is buried in Paris. Mrs. Astolat warns her that Vikram can't find out since he still harbors hope that he'll be reunited with Anya. Paris At the Paris Credit Alliance, the team questions the bank's employees who are still acting like infatuated lovers. In reviewing the surveillance video, they learn the archer stole the contents of one safety deposit box. They discuss the case as they stroll through Paris. Vikram spots the Eiffel Tower. He does not approve. The Librarians: The Next Chapter – Photograph by Aleksandar Letic To solve their dilemma, Vikram believes they should look for Cupid. However, when they find him, Cupid is aged, depressed, and drunk. He declares that Love is dead in the 21st century. The team debates the benefits of modern dating apps with Lysa (Olivia Morris) and Connor (Bluey Robinson) pro-apps and Cupid and Charlie anti. They get a little off-track when Cupid spills the tea that Anya was engaged to Gregor. He reveals that Vikram asked him to make Gregor fall in love with someone else. RELATED: Read our Leverage: Redemption recaps They ask Cupid how to track down the archer. He says he's retired, that he buried his arrows a long time ago. Of course, he literally buried them (with his bow) and now can't remember where. Shot Through the Heart Returning to the Annex, Vikram explains that the bow will corrupt a mortal wielder and leak magic residue everywhere they go. Connor tracks the pendulum's seemingly random movements and narrows down their search to the place the pendulum points to the most often. They find a building in the 14th arrondissement . Connor doesn't consider it breaking in because they're Librarians. Vikram argues that they aren't, that The Library has to grant that title. Connor looks chastened by this. In a storage room, they find a rack of dry cleaning and several crates of wine. The archer is hiding behind some boxes. Vikram senses her presence just before she jumps out with an arrow notched. Vikram dodges her shots and confronts her. She runs away, and he follows. Outside, she shoots him in the back. Turning to face her, he falls deeply in love with her. She runs again, leaving him standing there with a besotted look on his face. RELATED: TV Review: Leverage: Redemption Season 3 The team returns to Cupid's haunt. He reasons that the archer isn't committing random petty crimes. She's targeting someone specific. Cupid advises that they just give up. Lysa offers to leave him alone if he helps them contain the arrows' magic. He wagers on his dart skills, hoping to get them to leave him alone that way. Connor takes the bet. Cupid passes out and loses the bet. God of Love At the Annex, Mrs. Astolat wakes Cupid up with a bucket of water. Charlie notes that Mrs. Astolat and Cupid have a history as well. While she and Mrs. Astolat try to sober him up, a challenging task as he has an infinite number of flasks stashed in seemingly bottomless pockets, Lysa and Connor try to figure out the archer's target while Vikram behaves strangely even for him. Connor identifies the logo on cufflinks he took from the storage space as the symbol for the Travelers Paris, an exclusive gentleman's club established in 1903. Looking up the member list, they find Guy Leroy (Jadran Malkovich). The wine in the storage space is Chateaux Leroy vintage, and his initials and crest are on the dry-cleaning garment bags. His assets are tied up in the Paris Credit Alliance. RELATED: On Location: The Belgrade Fortress on The Librarians: The Next Chapter Vikram, Lysa, and Vikram meet with Guy Leroy, a wealthy hedge fund manager who treats his assistant terribly. He mentions his last assistant was a disappointment whom he fired recently. Vikram asks if he has a photo of her. Guy shows them a picture of the archer. Her name is Marie (Jasmine Blackborow). He doesn't believe her capable of targeting his assets. Vikram becomes incensed at what he deems Guy's gross underestimation of Marie. Connor and Lysa run interference, but Guy gets uncomfortable. Noting the time, he mentions that he's expected at the Paris Museum, where he is donating a priceless Faberge egg to the collection. Man With a Mission Left alone, Vikram declares his hatred for 'pompous, self-important, egocentric men who look down at the brilliant women working beside them.' Lysa's delighted to hear this. Then he describes the punishments he plans for Guy, and her delight fades. The Librarians: The Next Chapter – Photograph by Aleksandar Letic At the Annex, Cupid digs into a massive feast. He and Charlie discuss their respective roles and responsibilities. Cupid tells her that none of it matters. The world's a mess, and neither a god of love nor a Librarian is going to fix it. Especially not Vikram, he notes, since he's obviously been shot by one of his arrows. Charlie runs off with this news. Vikram, Lysa, and Connor follow Guy to the museum. They wait outside for Marie to show up. Vikram spots her but doesn't alert the others. He proposes they split up. While they watch the front, he'll watch the back. He finds Marie and warns her against going inside. Offering his assistance, he promises they'll get her revenge on Guy. RELATED: Read our The Lazarus Project recaps Charlie finds Lysa and Connor just as Vikram and Marie escape on a moped. Charlie explains that Vikram was hit by an arrow and has been working against them the whole time. Outsmarting the Librarian Charlie, Lysa, and Connor report back to the Annex and Mrs. Astolat. She insists that they fix the situation. On the streets of Paris, Marie tells Vikram why she's targeting Guy. He promised to mentor her, but instead, he tried to kiss her. When she rejected him, he fired her and made sure no one else would hire her. She plans to use Cupid's arrows to show him how love can truly be weaponized. In the Annex, Connor looks up the Faberge Egg Guy showed them. Marie plans to steal it from the museum when Guy's in attendance, so he knows it was her. Charlie cautions that with Vikram at her side, Marie's use of magic will increase significantly. Connor points out they won't be able to succeed without Cupid. RELATED: Dean Devlin Dishes on The Librarians: The Next Chapter 's Magical Homecoming Outside the museum, Vikram explains that Marie can use the arrows to enslave every person in the museum and command them to bring her all the art and artifacts in the museum. They'll shoot an arrow into the air conditioning system. Once everyone has breathed in the magical effects, Vikram will play a video of her promising her love in return for their obedience. The Librarians: The Next Chapter – Photograph by Aleksandar Letic Cupid, now sober and angry, refuses to help the team save Vikram. He accuses Lysa, Connor, and Charlie of being too scared of love to take a chance on it. Besides, without his arrows, he can't do anything. Mrs. Astolat, taking a break from her knitting, proposes that they make replacement arrows that he can charge with the essence of true love. Cupid argues that if true love still existed, anyone hit by his arrows would shake off the spell in favor of the true stuff. The Power of Love Back in Paris, Charlie, Lysa, and Connor consider how they could charge up arrows with enough love to make them work. They need a powerful source of intense love energy. Connor points out that the Eiffel Tower is the biggest, most iconic symbol of true love in the city. In order to harness the love energy, Connor has to climb the tower and set a rocket that they'll launch into the incoming storm cloud, which will draw lightning through the tower and into the arrows rigged at its base. The love that saturates the tower from the millions of visitors will imbue the electricity with the power they need. RELATED: Read our Doctor Who recaps While Connor climbs the tower, Vikram and Marie lie in wait on a rooftop near the museum. After he successfully sets up the rocket, Lysa launches it, and energy fills the tower. From their rooftop, Vikram realizes the team is up to something and goes to investigate. At the base of the tower, Charlie picks up one lone arrow from the bundle. The surge of power incinerated the others. Vikram arrives, vowing to stop them from using the arrow. Charlie challenges him to take it from her. Breaking the Spell Charlie leads Vikram into a nearby cemetery. He attacks her, demanding that she leave him and Marie to live happily ever after. Charlie reminds him that as his Guardian, everything she does is to protect him. Spinning away, she leaves him facing a gravestone that reads, 'Anya Besson, 1820-1897, Aimer c'est vivre. ' [Translation: 'to live is to love'] The Librarians: The Next Chapter – Photograph by Aleksandar Letic Seeing Anya's gravestone breaks the arrow's spell. Charlie apologizes. Vikram crawls up to the gravestone and lays a hand on it, tearing up as he speaks to Anya, sorry for letting her down. Cupid, cleaned up in a white suit, touches his shoulder. He asks Vikram if love is worth all this pain. Vikram tells him he wouldn't trade the pain he feels for anything. His love for Anya is real because it broke the arrow's spell. Furthermore, this proves that his love for her was real when they were together. 'This pain exists,' he says, 'because she exists.' This inspires Cupid. RELATED: 5 Great Books About Libraries and Librarians On the rooftop, Marie tires of waiting and shoots an arrow at the crowd below. Cupid grabs the arrow mid-flight. He shoots his single-charged arrow into the sky. Marie tries to shoot him with her arrows, but he knocks them away as he explains who he is and why she cannot harm him with them. His arrow falls back to earth and strikes Marie. The bow and quiver disappear and reappear on Cupid. Marie faints, but he catches her. Love Hurts In the aftermath, Marie comes to her senses, wishing there was something she could do to make up for the harm she did. Cupid assures her that his arrow cured her and anyone she hit with arrows during her crime spree. Vikram asks if Cupid is back in business. Cupid admits that he is. Connor asks Marie what she stole from Guy's safety deposit box. She pulls out an envelope that contains proof that Guy has been stealing from his company. She admits she still wants him to suffer for what he did to her. Cupid states that karma gets everyone eventually. The team returns to the Annex. Vikram thanks Charlie for helping him break the spell. He also takes a moment to thank Connor and Lysa for cleaning up his mess. Again. As they walk away, Mrs. Astolat enters and congratulates Charlie on her successful Guardianship. Charlie apologizes for breaking her rule about showing Vikram the grave, but Mrs. Astolat replies that in this instance, rules were meant to be broken. RELATED: Read our recaps of The Librarians: The Next Chapter In Guy's offices, tax agents are taking his files. As the head investigator questions him, Cupid hits him with an arrow. When she tells him the truth will make her happy, he spills everything about his embezzling. He also confesses that the Faberge Egg is a fake. Cupid winks at the camera. New episodes of The Librarians: The Next Chapter air on TNT on Mondays at 9 pm ET. New TV Shows This Week (June 8 – 14) Diana lives in Vancouver, BC, Canada, where she invests her time and energy in teaching, writing, parenting, and indulging her love of all Trek and a myriad of other fandoms. She is a lifelong fan of smart sci-fi and fantasy media, an upstanding citizen of the United Federation of Planets, and a supporter of AFC Richmond 'til she dies. Her guilty pleasures include female-led procedurals, old-school sitcoms, and Bluey. She teaches, knits, and dreams big. You can also find her writing at The Televixen, Women at Warp, TV Fanatic, and TV Goodness.
Yahoo
5 hours ago
- Yahoo
Ruthless Ending of ‘The Penguin' Makes a Potential Season 2 'More Difficult,' Says Colin Farrell
A frigid environment is befitting of a television show titled The Penguin, but the chilly conditions of its set had no bearing on the story being told. It was simply the manner in which series lead Colin Farrell preserved the three hours' worth of prosthetic makeup needed to transform him into Oswald 'The Penguin' Cobb. 'I was totally encased as Oz, and it was incredibly hot underneath all the prosthetics,' recalls Farrell. More from The Hollywood Reporter Hollywood Flashback: The Moment 'SNL' Started Sweeping the Guest Acting Awards Inside Cynthia Erivo's Tonys Afterparty: "I Think We Should All Dance Now" 'Hamilton' Original Cast Reunites for Tony Awards Medley - Watch Between the 2 pounds of silicone rubber fastened to his head and a 30-pound bodysuit, the Irish actor was constantly overheating while playing his ambitious Gotham City gangster. There was even a stretch in the winter of 2023 where the eight-episode HBO series' New York City-area soundstage had the air conditioning cranked full blast, prompting the crew to don winter attire indoors. Eventually, the team set up a camping tent nicknamed 'the Igloo' for Farrell to cool off in between setups and takes. 'We had three industrial air conditioners funnel freezing cold air into it,' he says of the situation, adding, 'It wasn't fair that the crew had to [previously] wear fucking snow-goose expedition coats and scarves.' Farrell's iteration of the storied baddie originated in Matt Reeves' The Batman (2022), which kick-started its own 'Elseworlds' crime saga, without any connection to the shared DC universe that DC Studios co-CEOs James Gunn and Peter Safran have since rebooted. Reeves, as well as the feature script he co-authored with Peter Craig, provided prosthetic designer Mike Marino with the basic parameters for the appearance of Oz (played by Farrell), one that became a rougher-around-the-edges take on Tony Soprano, but with the underlying desperation of Fredo Corleone, and some birdlike features to honor Oz's unwelcome moniker. Marino and a half dozen of his fellow artists transformed Farrell roughly 90 times over the course of The Penguin, three times the amount of sessions they'd completed on The Batman. And despite headlines to the contrary, Marino insists that the leading man reveled in the 150- to 200-step makeup process that often began at 2 a.m. 'There are a couple of interviews where Colin said, 'Oh my God, I hated it,' but he's just bullshitting. He loved it. We had so much fun doing it, and he's the perfect person to wear makeup,' states Marino, something Farrell reaffirms. 'It was a beautiful time, to be honest. I've never felt such little total ownership over a character as I do over Oz, because of the village that came together to bring him to life.' Knowing Farrell was keen to dive deeper into his Batman supporting character, HBO Max put the spinoff series into development during the pandemic-era streaming boom. Showrunner Lauren LeFranc was tasked by executive producer Reeves to create a bridge to the upcoming The Batman Part II and turn one of the most recognizable villains from Batman's rogues gallery into a relatively sympathetic protagonist (until he isn't). That meant introducing the audience to Oz's minuscule inner circle, composed first and foremost of his dementia-stricken mother, Francis Cobb (Deirdre O'Connell). 'The key to any character I write is finding empathy, and that really started with Oz's mother. It made a lot of sense to me that he would have a very complicated relationship with her,' says LeFranc. 'He's desperate for acceptance from the masses, but predominantly, he's striving to find acceptance and love from his mother.' LeFranc also established his season-long sidekick, Victor 'Vic' Aguilar (Rhenzy Feliz), after Vic and four other teenagers attempt to steal the rims off Oz's plum Maserati. Vic, who lost his family a week earlier when the Riddler (Paul Dano) bombed Gotham City's seawall, attempts to explain himself, but his stutter interferes. Oz, having his own disability, appears to feel some degree of compassion for the 17-year-old orphan. 'I hadn't gotten to see a lot of vulnerable characters like Victor in a crime drama or a genre comic book show. I'm half-Mexican, and I wanted a character that came from a loving half-Mexican, half-Dominican family,' LeFranc shares. Oz then recognizes an opportunity to audition Vic as a jack-of-all-trades amid his bid to grab power following the Riddler's murder of Gotham's most notorious crime lord (and Oz's boss), Carmine Falcone (John Turturro), in The Batman. His first assignment is to help Oz move the body of Carmine's son, Alberto Falcone (Michael Zegen), whom Oz rashly murdered after the heir apparent to the Falcone crime family mocked Oz's desire to be remembered like a neighborhood mobster from his youth. The crew's department heads had their own unique challenge in both re-creating and expanding the Gotham City of Reeves' Liverpool-shot Batman feature on a TV schedule and budget in New York City. Fortunately, there was synergy between the productions, starting with Reeves and the film's DP Greig Fraser, who provided Craig Zobel, director of Penguin episodes one through three, with tech specs for camera gear, lenses and lighting. Production designer Kalina Ivanov and visual effects supervisor Johnny Han also received assets from their Batman counterparts to help reconstruct sets like the Iceberg Lounge using VFX. Han went through all the dailies for The Batman and found shots of the Oz-run nightclub to use as plates, as in an image that can be used to replace a greenscreen backdrop. 'Dan Lemmon, a VFX supervisor on The Batman, also gave me a mini-backstory on every visual effects shot from the movie. It was such a nice handing of the torch,' says Han. The Batman (Robert Pattinson) oversees Gotham from above, and so Reeves and LeFranc decided that the Penguin would attempt to rule the underworld from below. 'They wanted to make The French Connection, which immediately grounded the project under bridges, overpasses and elevated subway tracks,' Ivanov says. 'We also went for very unusual geography, so we stayed away from Manhattan as much as we could.' If Oz was going to serve as a temporary protagonist, then the limited series needed a primary antagonist who could admirably go toe to toe with him, and that's where Cristin Milioti's Sofia Falcone enters the equation. Growing up in New Jersey, Milioti played make-believe as Batman villains in her backyard, so she immediately became enamored with the role of Sofia and understood the high bar that's been set by Gotham, New Jersey's many colorful villains. 'I've wanted to play a Batman villain my whole life,' says Milioti. 'There was a constant pressure — that was also very self-inflicted — to do it justice.' Sofia spent the last decade in Arkham Asylum after confronting her father, Carmine (portrayed by Mark Strong on The Penguin), about his complicity in her mother's staged suicide. Her then-driver, Oz, had already blown the whistle to the mob boss about his daughter's interactions with a member of the press, and so Carmine framed his daughter for the reporter's corresponding death and several other of his serial killings as 'The Hangman.' Tragically, the charitable woman who entered Arkham against her will left as someone else due to unnecessary electroshock therapy and generally inhumane circumstances. Upon release, one of her first orders of business was to slaughter the extended Falcone mob who aided Carmine's wrongful conviction of her. 'One of the worst feelings in the world is the feeling of being disposable, and that's what happens to Sofia on such a massive level,' says Milioti. 'I hoped that the audience would be on her side when she blossoms into this full villain because you really understand why she does what she does.' Helen Shaver — who directed Sofia's origin story and present-day takeover of her father's crime ring in the John McCutcheon-penned fourth episode 'Cent'Anni' — says the filming of the rather harrowing chapter was the polar opposite of what one might expect. 'The opportunity to make that terrible betrayal by Oz and Carmine the bedrock from which this iconic character grows was very joyful,' Shaver shares. 'As great as the Penguin is, Sofia makes him a greater character.' To make matters worse for Sofia, the one person who refuses to turn their back on her, her brother, Alberto, disappears. Despite initially suspecting that Oz was involved, his subsequent death is pinned on the rival Maroni family, courtesy of Oz and Victor's machinations, in the series premiere. Moments before her grisly discovery of Alberto's body, Sofia tortures an unclothed Oz, which tested Marino's team to the nth degree, significantly upping the already three-hour prosthetic application time. 'The daytime is the hardest difficulty for a prosthetic. Any flaws can be seen in daylight,' recalls Marino. 'Colin was wearing this totally naked suit that's covered in hair and scars, and he was sweating in a burning hot greenhouse while tied up to a chair. It was the most challenging day.' Oz's opening chess move involving Alberto began an all-out war for control of Gotham's drug market with ever-changing alliances. Sofia eventually receives confirmation that Oz murdered her brother, and based on a tip from Oz's lover, Eve (Carmen Ejogo), she abducts Francis for leverage. Oz had previously pretended his mother was dead in order to protect her from the type of blowback that comes with his affiliations. With the help of Sofia's Arkham ally Dr. Rush (Theo Rossi), she gleans through Francis that Oz was responsible for the deaths of his older and younger brothers, Jack and Benny, in 1988. Oz is then forced to face the truth or else Sofia will maim his mother, but he still wouldn't come clean, leading Francis to stab him in the gut and forsake him before suffering a catastrophic stroke. 'Sofia understands that the gravest injury you can administer to someone is mental because you can't escape that,' says Milioti. Frustrated by his brothers' insensitivity to his clubfoot during a fateful game of hide-and-seek, Young Oz's lack of impulse control factored into his decision to trap Jack and Benny in a water overflow tunnel. This is the same impulsivity that led him to murder Alberto Falcone three-plus decades later. Farrell knows Young Oz is responsible for the demise of his brothers, but he offers him some benefit of the doubt, at least until he allows hours to go by without sounding the alarm to his mother. 'I'm not excusing him, don't get me wrong, but he wasn't an architectural fucking engineer when he was 10,' says Farrell. 'I don't think he necessarily knew that, in closing one sewer gate, it was going to be hermetically sealed and the water was going to rise twenty feet, killing his brothers.' Reeling from his mother's newly persistent vegetative state and how Sofia exposed his Achilles' heel through her, Oz decides that family of any kind is only going to hold him back from achieving true kingpin status. Thus, in the series' most gut-wrenching moment, he strangles Victor to death just after the young man expressed gratitude for their found family. 'He's always been this man. We've just been a little bit forgiving of him,' says LeFranc. 'When Oz kills Victor, it's like he's ripping his own heart out, and it's appalling. There's no justification for it. I hope that it leaves the audience to question why we ever trusted a man like this.' Farrell, despite being 'nowhere close' to starting prep work, will next reprise his character in the long-gestating The Batman Part II. He also notes it would be hard to reposition Oz as a protagonist in a potential Penguin season two after ruthlessly murdering the pure-hearted Victor and contributing to his own mother's unresponsiveness. 'I certainly think it makes [a second season] more difficult. [Killing Vic] is a very hard thing to claw back from,' says Farrell. 'It's not impossible, but it's a tougher hill to climb.' As for the physical impact the show had on him, one of the somewhat overlooked details in Farrell's performance is his Penguin-like waddle because of Oz's clubbed right foot. Farrell had to wear a supportive leg brace for full effect. 'I wasn't as smart as I could have been, which is not the first time I've said that in relation to work or life,' jokes Farrell. 'I did have some issues with my hips for a while, and my pelvis was a bit out of line, but I sorted it out afterward.' In an era where the limited series is cheekily referred to as the new pilot, Milioti is excited about her character's still-undetermined future, whether that's a Penguin season two, The Batman Part II or a Sofia-led series that explores a relationship with her recently revealed half-sister, Selina Kyle (The Batman's Zoë Kravitz). In the concluding moments of the finale, Sofia receives a letter from Selina, providing her with a glimmer of hope after Oz finagled her readmittance to Arkham. 'I would love to continue to play Sofia in any way,' says Milioti. 'I would also love to see Sofia and Selina team up and wreak complete and utter havoc on Gotham. I don't think we've ever seen that in the Batman universe.' A version of this story first appeared in a June stand-alone issue of The Hollywood Reporter magazine. To receive the magazine, click here to subscribe. 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