Frank Lloyd Wright's Hollyhock House could close due to city budget cuts
The architectural landmark, perched atop Barnsdall Art Park in East Hollywood, is managed by the city's Department of Cultural Affairs, with two full-time staffers running tours on Thursdays, Fridays and Saturdays as well as handling the maintenance of the building, which is an early example of California Modernist architecture.
The mayor's proposed budget, which attempts to close a nearly $1-billion shortfall in part by laying off more than 1,600 city employees, eliminates one of those two staff positions and also cuts two vacant positions at Hollyhock House.
The Cultural Affairs Department had been interviewing candidates for the vacant positions and had made an offer for the job of arts manager. But after the mayor released her proposed budget, the department had to rescind the offer and pause other job interviews.
'A single full-time staffer would not be able to manage both the tour program and preservation, necessitating the suspension of public tours until additional full-time staff could be restored,' said Juan Garcia, a spokesperson for the department.
Amid the massive budget shortfall caused in large part by rising personnel costs, soaring legal payouts and a slowdown in the local economy, department heads have been testifying before the City Council's budget committee about how the mayor's proposed cuts would affect city services.
The Cultural Affairs Department would face 14 layoffs and the elimination of 10 vacant positions, out of 91 total positions. The cuts also could lead to the closure of the Lincoln Heights Youth Arts Center, said Daniel Tarica, the department's general manager.
Oil heiress Aline Barnsdall commissioned the Hollyhock House in 1918. She never lived in it, donating it to the city in 1927.
In 2019, it was designated a UNESCO World Heritage Site — the only man-made World Heritage Site on the West Coast.
The house was closed for more than two years during the COVID-19 pandemic, reopening in August 2022 after undergoing major renovations.
The monumental fireplace, which brings together the four classical elements of earth, air, fire and water, was restored, as were the art-glass balcony doors in the master bedroom.
Two Wright-designed sofa tables, which the architect had said he considered 'part of the house design itself,' were reinstalled.
The improvements also included a major restoration of the guest house.
The UNESCO designation required the house to have four full-time staffers, said Garcia, the spokesperson. The department has requested that the City Council restore the three positions in its final budget, which it must pass by June 1.
'The proposed staffing cuts will severely impact the management of Hollyhock House and subvert the baseline staffing commitments made by the City of Los Angeles as part of the site's 2019 World Heritage List inscription,' Garcia said.
The proposed cuts shocked preservationists.
'UNESCO World Heritage status is a great honor that needs to be nurtured, not lost by taking public access away,' said Kim Cooper, one of two people behind Esotouric's Secret Los Angeles, a tour company and preservationist blog. 'Hollyhock House is the only one of Wright's Los Angeles houses that people can tour, recently restored at great cost.'
Councilmember Hugo Soto-Martínez, who represents the area, said it's imperative to keep the house's UNESCO status in light of the upcoming Olympic Games and World Cup.
'We're exploring all options through the budget process to save our dedicated Hollyhock House staff and preserve its protected status,' he said in a statement.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


USA Today
12 hours ago
- USA Today
'Bargain Block' is coming back to HGTV
"Bargain Block" host Keith Bynum was all smiles in a recent social media post, showing off a joyful hand between himself, his on-air (and real-life) partner, Evan Thomas, and their costar, Shea Hicks-Whitfield. "I haven't been as excited about the future as I have the last few weeks," Bynum wrote in the Aug. 11 Instagram post. "Life has an amazing way of guiding you exactly where you need to go. The more you fight it, the harder things get. Hope you all have an amazing week!" For fans of the HGTV home renovation series set in Detroit, Bynum's post comes on the heels of both good and bad news. HGTV canceled multiple shows this summer. Here's what we know. The good news is that "Bargain Block" will return at 8 p.m. ET Aug. 20, with the first of four new episodes that conclude Season 4. The bad news? "Bargain Block," the series that turns ailing and abandoned houses in Motor City into eye-catching starter homes, wasn't renewed for a fifth season. Viewers, understandably, are bummed. "I miss the 3 of you. My family and I have basically stopped watching HGTV. All our favourite shows have been cancelled. Keep pushing through," one fan wrote in the comment section of Bynum's post this week. Hicks-Whitfield, the real estate expert on the series, understands why some people are feeling sad. "I am, too, because I believe it is a really good show, and it highlights really great things happening in our city," she said in a phone interview with the Detroit Free Press, part of the USA TODAY Network. HGTV to turn Barbie's Dreamhouse into real-life home in new series hosted by Ashley Graham According to Hicks-Whitfield, the past four seasons have been an exciting, often emotional journey. "A lot of those first few homes, I literally shed tears," she says. "I'm from the city of Detroit and I've seen a lot of these dilapidated homes sit for many years. To see the renovations that (Bynum and Thomas) complete, especially homes that have been sitting for 10 or 15 years, in neighborhoods … to have them come in and completely revive homes has been so rewarding, especially being able to sell these homes to first-time buyers." When "Bargain Block" debuted in 2021 in the midst of the COVID-19 pandemic, it drew more than 20 million viewers. Bynum and Thomas renovated houses that were bought for as little as $1,000 and sold for 100 times that amount. Fans didn't just tune in to see the before-and-after look of the homes, though. They found comfort during the pandemic from the positive nature of the projects and the friendship between Hicks-Whitfield and Bynum and Thomas. She says people often mention that "Bargain Block" helped get them through that tough period, "just seeing our camaraderie or us being silly on TV and laughing, and that's how we are." The fourth season of "Bargain Block," which premiered in September, unveiled a location twist. At midseason, the focus shifted away from Detroit to a five-episode spin-off called "Bargain Block: New Orleans" that aired in the same time slot. On June 17, Bynum revealed on Instagram Stories that the show had been canceled and that the decision had been made in February. Days later, he posted on Instagram that the previous six months had been "a pretty wild journey" and called television "a fickle world" with "a lot of great people but it's also full of some of the worst people I've ever encountered." "Our entire business and lives have been put through the ringer at the hands of a giant corporation, yet we persist lol," he wrote at the time. "Though you may not be seeing us for much longer on HGTV, we're excited that we've built such an amazing base of followers and we're very excited about the future." Asked why the show wasn't renewed, Hicks-Whitfield says she doesn't know. "We don't really have much of an inside scoop of the why," she admits. Before the cancellation, she says that she, Bynum and Thomas were "excited with the prospect" of Season 5. "It seems to me in my 48 years of life and a TV watcher all my days, that in the past … quite a few really good shows get canceled,' she muses. When contacted by the Free Press, HGTV would confirm via email only that "the final four episodes of Bargain Block Season 4 will premiere on Wednesday, Aug. 20, at 8 p.m. ET/PT."


Chicago Tribune
20 hours ago
- Chicago Tribune
Column: Nominations for Jeff Awards bittersweet as Paramount in Aurora faces financial challenges
There's something to be said about the timing of the news coming out of the Paramount this week. A total of 26 nominations for Chicago's prestigious Equity Joseph Jefferson Awards went to Aurora's downtown theater, besting any venue in Chicago, including the Goodman and Court theaters, which came in with 21 each. Paramount venues picked up those two-dozen-plus nominations for six shows, with 'Cats' earning 10, followed by the holiday regional premiere of 'Frozen' garnering eight. The announcement came as a much-needed shot in the arm for the Paramount, which laid off 17 of its staff and cancelled the highly acclaimed BOLD Series because of possible reductions in discussed financial support from the city of Aurora. The mood was dark last week. Understandably. No one was jumping up and down, including the mayor, who is convinced the city's debt must be addressed aggressively, and that too much money was going to the Aurora Civic Center Authority, which oversees the downtown theater and its other performance venues, including Stolp Island and Copley theaters. 'Surreal' and 'devastating' were a couple of the words used by staff who were impacted most by the staff cuts and cancellation of the BOLD Series. And residents reacted, as well. At Tuesday's City Council meeting, multiple aldermen made it a point of letting the mayor know many constituents were not happy. 'Upset is an understatement,' said Jonathan Nunez, who represents the 4th Ward. And, as is always the case, particularly when social media is involved, there's lots of information and misinformation flying around. Suddenly, headlines and online chatter about Aurora, which has enjoyed plenty of positive news over the years, thanks in large part to the success of the Paramount, were not so sunny. But Laesch did what he could to offset the negative by putting out a YouTube video of him strolling along the riverwalk in Aurora, stopping at the box office and letting viewers know he was purchasing tickets to the Broadway Series at the Paramount. The mayor also focused on the 'growing relationship' between the city and Paramount, and offered suggestions on ways to raise revenue for ACCA, such as adjusting ticket prices, cross promotions with restaurants and more corporate sponsorships and outings. He repeated that need for a strong working relationship at Tuesday's City Council meeting, where multiple council members expressed concerns about the city possibly drastically reducing discussed financial support to the Paramount. Why not provide 'a soft landing to assist them,' asked 6th Ward Ald. Mike Saville. If Aurora doesn't offer the quantity and quality of shows as in the past, warned Patty Smith, who represents the 8th Ward, 'the cuts are going to come back at us.' But Laesch remained adamant, noting the unpopular but tough position he stepped into as mayor, declaring 'we don't have the money to hand out,' and that the only solution is to 'work together to move forward.' Later, Ald. Ted Mesiacos, 3rd Ward, who sits on the City Council Finance Committee, expressed frustration that he and other aldermen were not brought into discussions between the mayor and the Paramount that led to the drastic announcement that the BOLD Series was being cancelled. No one on the council has seen the city's projected budget numbers — the City Council will receive a financial update on Aug. 26 – nor has anyone from ACCA talked to the council about the challenges the Paramount is facing and what it needs to get through them, he said. Calling for discernment and patience, Mesiacos insisted 'we need numbers from both sides' so that conversations can continue. 'Once we get concrete data, we will look at it,' he said. 'I only wish we would have had it before the decision was made to cut the BOLD Series. I would have loved to figure out how to save it.' Referring to the Paramount's impact in Aurora, Mesiacos continued, 'We have a V-8 engine. If you take out a piston, it's not going to work as well.' The fact two shows from the Copley Theatre's BOLD series – 'Peter and the Starcatcher' and 'The 25th Annual Putnam County Spelling Bee' – received Jeff nods had to have been bittersweet for many. But the good news is that the Broadway Series, which has made the Paramount the number one subscription theater in the country, will continue, although it only stands to reason there will be changes in the way some of the shows will be presented. Two of its shows which brought in the most nominations were certainly grand spectacles that came with a higher price tag. But as one Paramount fan from Normal, Illinois, noted in an email I received this week, the quality of these downtown Aurora shows, including Stolp Island Theatre's 'Million Dollar Quartet,' which got three Jeff nominations, rival anything he and his family have seen on New York or London stages. Which is why they are willing to drive more than two hours to this city, where, as he pointed out, they spend money staying in Aurora hotels and eating at Aurora restaurants. That Aurora did so well against the best theaters in Chicago can't help but add at least a little fuel to the fiery emotions swirling around the Paramount right now. More than anything, however, these nominations have helped with morale at a time when it was very much needed, said Paramount CEO Tim Rater. 'It gives recognition to the creative artists for all the efforts' they put toward their craft, he added. 'We really are lucky to work with people who are so talented.'


Chicago Tribune
a day ago
- Chicago Tribune
Donna Vickroy: Tribute to the tribute troubadours who help us stay forever young
Bravo! An evening of 'almost' Linda Ronstadt, 'practically' Warren Zevon and 'as good as' Jackson Browne had me on my feet, singing, dancing, fist-bumping the memory of my 20-year-old self. 'Desert Rock Show: A Tribute to the Laurel Canyon Music Scene' at The Lyric Theater in Blue Island featured the work of more than a dozen top-tier artists performed by the tribute band Soundtracks of a Generation. The evening was a musical explosion of nostalgia, all for about what it had cost us to park a few months earlier at a concert by the 'real' Four Tops. Don't get me wrong, the Four Tops, who were joined by The Temptations, put on a great show, a veritable time travel back to my mom's Motown record-spinning days. There's something very special about seeing your musical heroes in the flesh. But at more than $300 for a pair of tickets, it was not the kind of event one can spring for every weekend. Plus, we had to travel almost an hour both ways, wait in line to drop $50 on parking and be understanding when the 80-year-old performers needed to be seated on stage. Of course, as fellow aging Boomers, we're a forgiving lot. Which may be why tribute shows have become a growing trend. They give us the heart-pounding bass, the emotionally-charged lyrics, the incredible guitar riffs and, perhaps most of all, the sensation of being 25 or even 50 again. At the Lyric, which offers a steady flow of tribute music in addition to other kinds of entertainment, we can roll into the free parking lot 10 minutes before showtime, be escorted to our seats, signal for our preordered dinner to be delivered, select a cocktail and then jam to some of our favorite music — performed by the next best thing, which often enough sounds like the real thing. Is it compromising on authenticity? We prefer to call it getting all the feels of our favorite music when all of us were at our best. It's not just affordability driving the growing popularity of tribute bands. It's convenience, atmosphere and the acceptance that while music may be larger than life, its superstars are only human. Tribute artists keep us all forever young. Pat Disabato, live events manager for the Lyric, said tapping into feelings is exactly what the Lyric is all about. 'What helps us stand out from the crowd is our unique spot. We offer a 1930s-'40s cabaret feel, with servers and a state-of-the-art sound system. The look is cool. The service is fantastic,' he said. The Lyric books both national tribute acts as well as original acts, he said. 'All of that plays into a good experience. There's nothing else quite like it. The acts are good. There's free parking and our price point is good.' It is not just Boomers selling the place out, he said. It's also teens and families and young couples who, after feeling closed off from the world during COVID, just want to get out and clap along. Tribute musicians are not a new thing. Just ask Elvis and Beatles fans. Today, some of the most popular tribute bands pay homage to Pink Floyd, Queen, Grateful Dead and Bon Jovi, according to but the pool is growing. 'There's never been a better time to be a musician,' said Ron Onesti, founder of Onesti Entertainment, which provides live entertainment at Arcada Theatre in St. Charles and Des Plaines Theatre in Des Plaines. And there's never been a better time to be a fan of live music. 'People hunger for it these days,' Onesti said. The challenge for venues, he added, is in differentiating yourself from a growing field of locales, which vary in atmosphere as much as they vary in price. Like the Lyric, the Arcada and Des Plaines venues are iconic theaters that exude atmosphere. 'We strive for quality, value and ambience,' Onesti said. 'The responsibility is heightened to make these events more experiential because expectations are different,' he said. 'Lighting has to be different, there needs a lot more multimedia, such as videos of the band and psychedelic backgrounds. We're doing more lasers. It's more experiential and it's more festival style,' meaning the music of two or three groups is presented in the same show. Even with growing demand, Onesti said, competition is fierce, especially when towns such as Elk Grove Village, Addison, Hillside and Tinley Park are offering concerts in the park for free. Disabato said, within a few miles of the Lyric are several venues competing for the same audience, from Gaelic Park in Oak Forest and CD&ME in Frankfort to City Winery in Chicago. The Lyric pulls in acts from across the country, including a Jimmy Buffett/Neil Diamond performer from Las Vegas, a Stevie Ray Vaughn act from Texas and a Motown group from Ohio. Tribute acts, Disabato said, are not necessarily cheap. Some command $4,000 to $6,000 a show, he said. Popularity, Onesti added, crosses all genres. 'Country is huge. Rock is huge, Disco is becoming huge.' Bands playing original music are also finding their niche, he said. 'Open the papers any weekend and there are a hundred options to see live music.' The biggest winners in the battle of the bands are the fans, of course, who for a brief moment in time, get to relive their glory days.