
Uniqueness of unicorns
Death of a Unicorn, directed by Alex Scharfman and starring Jenna Ortega and Paul Rudd, features something you don't hear about every day: Killer unicorns.
As per DW, the film, which released in the United States on March 28, is a story about human greed, poking fun at the ultra wealthy in the context of humans hunting down unicorns they discover on a remote ranch in Canada. The creatures are said to have magical healing properties. As the chase begins, gory chaos ensues.
From medieval tapestries to sculptures by Salvador Dali, the film is the latest cultural product to harness the centuries-old symbolism of the mythical one-horned creature.
Sage-like origins
Ancient depictions of the mythical creature date back to the Bronze Age. A bovine animal with one long horn was commonly featured on seals used by the Indus Valley civilisation starting around 2600 BC.
Some historians have suggested that the seal might have been influenced by Rishyasringa, a sage in Hindu and Buddhist mythology who is described as having deer horns and is associated with fertility.
The Greek historian Ctesias, who lived during the 5th century BC, described a single-horned "Monokeros" - an animal he said was found in India, and was similar in size to a horse with a white body, purple head and blue eyes.
It was said that anyone who drank from its horn would be cured from epilepsy or poison. Scholars have since decided Ctesias was probably referring to a rhinoceros.
A magical creature
Legends from around the world tell of the unicorn's magical powers, including purifying water with its horn. This has led to the beast being associated with immortality.
Rumours of the unicorn's healing properties proved to be so compelling that during the Renaissance, its mythical horn was highly sought after by rulers around the world who were willing to pay a hefty sum for one.
But these were likely tusks from a narwhal, or toothed whale, passing as a unicorn horn. Even the English Queen Elizabeth I, who ruled from 1533 to 1603, was gifted an elaborately decorated tusk from an explorer in her court.
Similar to the myth that eating ground pearls could cure illness, "unicorn horns" could supposedly bring water to boil or detoxify a drink if dipped into a cup, which was useful in preventing any attempts at poisoning. Kings and queens thereby drank from goblets lined with "unicorn horn."
It wasn't until the 16th century that Ambroise Pare, a leading medical authority at the time, questioned the properties attributed to the unicorn horn in his Discourse on the Mummy and the Unicorn (1582). Notably didn't refute the idea that unicorns exist in the first place. By the 17th century, the cat was out of the bag that these precious unicorn horns were in fact narwhal tusks.
Immortalised in art
Among the most iconic unicorn-bearing artworks are the seven Unicorn Tapestries (1495-1505) currently on view at The Met Cloisters in New York City.
The luxuriously woven works depict scenes associated with a hunt for an elusive unicorn. On them, we see a group of hunters chasing the animal, appearing to kill it before it then reappears unharmed and chained to a tree.
Art historians have posited that the red marks on the chained unicorn do not represent blood, but rather pomegranate juice dripping from the tree above; pomegranate being a symbol of marriage and fertility.
The unicorn was also associated with themes of Christianity in artwork throughout the ages.
Around 1500, another seminal work of the western art cannon was woven: The Lady and the Unicorn tapestries. The six tapestries feature a royally dressed woman surrounded by various animals, with one creature prominently displayed among all: a regal unicorn.
Each of the five depicts a sense - touch, taste, hearing, smell and sight - while the sixth is the most mysterious. It is accompanied by the words "À mon seul désir" (To my only desire), and has inspired a number of theories. Is the woman renouncing earthly pleasures?
These works are currently on display in the Cluny Museum in Paris and will travel to the Barberini Museum in Potsdam for a unicorn-themed exhibition in October 2025.
Symbol of love
Later in art history, Spanish surrealist artist Salvador Dali used the symbolism of the unicorn to represent love. In the 1977 sculpture The Unicorn, he features the creature boring a heart-shaped hole in a wall with a figure of a woman on the ground. He said it symbolised his love for this wife Gala and wrote in his autobiography that he envisioned her riding the creature.
Contemporary artists such as England's Damien Hirst and Rebecca Horn, who was a German visual artist, also prominently featured unicorns in their works.
American 1990s kids will remember the colourful rainbow unicorn found on Lisa Frank brand school supplies. The hit animated TV series, My Little Pony: Friendship Is Magic (2010-2019), a makeover of the 1980s My Little Pony franchise, also contributed to the revival of unicorns.
Whether hunted in richly woven tapestries of the Middle Ages or starring in films like Death of a Unicorn, the allure of this mythical beast is unlikely to fade anytime soon.

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Express Tribune
04-08-2025
- Express Tribune
Will Pahalgam be a B-town boon?
Director Vivek Agnihotri said Indian viewers want films on this year's military operation. Photo: AFP Indian filmmakers are locking up the rights to film titles that can profit from the patriotism fanned by a four-day conflict with Pakistan, which killed more than 70 people, reports AFP. The nuclear-armed rivals exchanged artillery, drone and air strikes in May, after India blamed Pakistan for an armed attack on tourists in Indian-administered Kashmir. The fighting came to an end when US President Donald Trump announced a surprise ceasefire. Now, some Bollywood filmmakers see an opportunity to cash in on the battle. India tagged its military action against Pakistan Operation Sindoor, the Hindi word for vermilion, which married Hindu women wear on their foreheads. The name was seen as a symbol of Delhi's determination to avenge those widowed in the April 22 attack in Kashmir's Pahalgam, which sparked the hostilities. Film studios have registered a slew of titles evoking the operation, including: Mission Sindoor, Sindoor: The Revenge, The Pahalgam Terror, and Sindoor Operation. "It's a story which needs to be told," said director Vivek Agnihotri. "If it was Hollywood, they would have made 10 films on this subject. People want to know what happened behind the scenes," he told AFP. Agnihotri struck box office success with his 2022 release, The Kashmir Files, based on the mass flight of Hindus from Kashmir in the 1990s. Coloured narratives The ruling right-wing Bharatiya Janata Party gave that film a glowing endorsement, despite accusations that it aimed to stir up hatred against India's minority Muslims. Since Hindu nationalist Prime Minister Narendra Modi took office in 2014, some critics say Bollywood is increasingly promoting his government's ideology. Raja Sen, a film critic and screenwriter, said filmmakers felt emboldened by an amenable government. "We tried to wage a war and then we quietened down when Mr Trump asked us to. So what is the valour here?" Sen told AFP of the Pakistan clashes. Anil Sharma, known for directing rabble-rousing movies, criticised the apparent rush to make films related to the Pahalgam attack. "This is herd mentality... these are seasonal filmmakers, they have their constraints," he said. "I don't wait for an incident to happen and then make a film based on that. A subject should evoke feelings and only then cinema happens," said Sharma. Sharma's historical action flick Gadar: Ek Prem Katha (2001) and its sequel Gadar 2 (2023), both featuring Sunny Deol in lead roles, were big hits. In Bollywood, filmmakers often seek to time releases for national holidays like Independence Day, which are associated with heightened patriotic fervour. Fighter, featuring big stars Hrithik Roshan and Deepika Padukone, was released on the eve of India's Republic Day on January 25 last year. Anti-Muslim bias Though not a factual retelling, it drew heavily from India's 2019 airstrike on Pakistan's Balakot. The film received mixed-to-positive reviews but raked in $28 million in India, making it the fourth highest-grossing Hindi film of that year. This year, Chhaava, a drama based on the life of Sambhaji Maharaj, a ruler of the Maratha Empire, became the highest-grossing film so far this year. It also generated significant criticism for fuelling anti-Muslim bias. "This is at a time when cinema is aggressively painting Muslim kings and leaders in violent light," said Sen. "This is where those who are telling the stories need to be responsible about which stories they choose to tell." Sen said filmmakers were reluctant to choose topics that are "against the establishment". "If the public is flooded with dozens of films that are all trying to serve an agenda, without the other side allowed to make itself heard, then that propaganda and misinformation enters the public psyche," he said. Acclaimed director Rakeysh Omprakash Mehra said true patriotism is promoting peace and harmony through the medium of cinema. Mehra's socio-political drama Rang De Basanti (2006) won the National Film Award for Best Popular Film and was chosen as India's official entry for the Golden Globe Awards and the Academy Awards in the Best Foreign Language Film category. "How we can arrive at peace and build a better society? How we can learn to love our neighbours?" he asked. "How we can arrive at peace and build a better society? How we can learn to love our neighbours?" he asked. "For me that is patriotism."


Express Tribune
04-08-2025
- Express Tribune
Remembering HC Andersen
Hans Christian Andersen was a dreamer who migrated between the worlds of fantasy and reality while becoming one of the world's best-known fairy tale authors, reports DW. He died in Copenhagen on August 4, 1875 but his stories live on — in children's rooms, on theatre stages and movie screens. His sagas often feature characters who've been rejected by society. They are tales of human weakness, of anguish and longing, but also beauty. The writer's children's stories are his greatest legacy, and the Hans Christian Andersen Award is the highest international recognition given to an author and illustrator of children's books. Here are five reasons why Andersen remains relevant 150 years after his death. 1. From childhood struggles to feted artist Born on April 2, 1805, Andersen grew up in humble circumstances in Odense, a town in southern Denmark. His father was a cobbler, his mother a laundress and alcoholic. His aunt ran a brothel. During Andersen's childhood, his family's struggled to put food on the table, and he attended a local school for impoverished children. It was there that he discovered his love for books and the theater and began to write his first stories. At the age of 14, he went to Copenhagen and met the director of the Royal Danish Theatre, who took Andersen under his wing and nurtured his talent. By the time the writer turned 30, the whole of Europe was captivated by his poems, plays, two novels and the first volume of Fairy Tales Told for Children. But recognition eluded him back home in Denmark, where critics derided his fairy tales as "harmful" and "irresponsible." Nonetheless, Andersen's mythical tales underpinned his global fame and Denmark ultimately celebrated his talent as he received patronage and travel grants from the Danish king. 2. Protests against injustice Look behind the fairy tale sheen of Andersen's stories and you'll often find subtle satire or veiled criticism of power, vanity and social injustice. The Emperor's New Clothes is a parable about vanity and the fear of contradicting authority — a theme that's more relevant than ever in the social media age. Few children's tales are as poignant as the story of the little girl trying to sell matches on a freezing cold New Year's Eve. The next day she's found on the street, frozen to death and nameless. Andersen didn't just write The Little Match Girl to make us feel something. It's also intended as a social critique, a silent protest against indifference to poverty and child suffering. The Ugly Duckling, often interpreted as autobiographical, relates the success story of a humiliated outsider, the life of a misunderstood chick that, despite numerous setbacks, finally fulfills its dream and transforms into a beautiful swan. As Hans Christian Andersen once said: "It doesn't matter if you're born in a duck yard, so long as you're hatched from a swan's egg!" The Little Mermaid is a metaphor for the longing for another world and the willingness to sacrifice one's self for love. The main protagonist in this story falls in love with a prince and sacrifices her voice to be with him as a human being. But he marries someone else. In the end, she dissolves into the sea and becomes a "daughter of the air," granted the opportunity to earn an immortal soul through good deeds. The stories tune into emotions familiar to people regardless of where in the world they are: the search for love and identity, the hope of recognition, the power of personal transformation. And the fact that life doesn't always give us happy endings. These messages are timeless. 3. A life marked by fear and eccentricity Andersen was a colourful character, highly sensitive and at the same time full of idiosyncrasies. He suffered from paranoia, mood swings and hypochondria. He was afraid of dogs and robberies. When he received a bad review, he would roll around on the floor in a rage. When travelling, he always carried a rope with him so that he could abseil out of burning hotels in an emergency. Andersen also suffered from a pronounced fear of being buried alive, also known as taphephobia. Fearing that he might be mistaken for dead when he slept, he left notes on his bedside table with the words: "I only appear to be dead." What was originally planned as a brief visit to the home of Charles Dickens in London became a five-week-long stay — much to the chagrin of the British writer, who was more than relieved when his eccentric guest finally left. On a mirror in the guest room, Dickens noted: "Hans Andersen slept in this room for five weeks - which seemed to the family ages!" 4. Message for young and old Andersen didn't write to entertain children with stories about beautiful princesses and noble knights. His stories of animals and magical creatures contain complex narratives with multiple layers of themes and emotions such as longing, loss, death and identity. These fairy tales often contain a moral message. As well as evil being punished, goodness, kindness and compassion are also rewarded. The author strived to positively reinforce these values and ethics throughout his stories. 5. Globe-spanning legacy The works of Andersen have been translated into more than 150 languages, and motifs from his stories can still be found in theater, music, ballet, comics and films. Disney made his fairy tales world-famous: Films like The Little Mermaid is based on the Dane's story of the same name, while the wildly successful Frozen franchise was inspired by The Snow Queen. His characters have become global icons — from the mermaid statue in Copenhagen to the monument dedicated to him in New York's Central Park. Now, 150 years after Andersen's death, his stories live on because they're more than just fairy tales: they hold up a mirror to human fallibility — and transformation.


Express Tribune
24-07-2025
- Express Tribune
Why did Adolf Hitler love Richard Wagner's music?
Productions of Wagner's opera Die Meistersinger von Nürnberg divide audiences. Should emphasis be placed on the opera's comical elements, or is it to be seen as more of a serious play about German virtues with antisemitic undertones? As per DW, in this year's new production at the Bayreuth Festival, director Matthias Davids aims to highlight the opera's comical side. Nevertheless, the fact that the Nazis included the piece in their Reich Party Congresses continues to cast a shadow over the production. Richard Wagner was Adolf Hitler's favourite composer, long before coming to power in 1933. The dictator saw Wagner as a kindred spirit who had inspired the masses in the 19th century with the powerful sounds of his operas. Hitler later exploited this for his propaganda. Craving art and music Hitler, who wanted to study art, placed as much importance on large-scale musical productions as he did on state-sponsored architectural projects. "Hitler did indeed attach great importance to art," says art historian Wolfgang Brauneis, who has studied artists of the Nazi era. "You can see this even well into the ravages of war, when he was still personally selecting the color of mosaic tiles for large construction sites." It was no different in Nuremberg, where Hitler's National Socialist German Workers' Party (NSDAP) held its party rallies. He personally selected the singers and conductors for the production of Richard Wagner's opera "Die Meistersinger von Nürnberg," which was performed on the eve of the Reich Party Rallies. When Hitler came to power in 1933, Wagner had already been dead for 50 years. With his concept of a Gesamtkunstwerk, or total work of art, the composer had revolutionised the world of opera. He envisioned a symbiosis of text, music, directing, stage design and architecture, all according to the vision of a single person. Richard Wagner designed an opera house on the green hill in Bayreuth specifically for his operas. He was the first to have the orchestra play from a pit in front of the stage while the audience sat in complete darkness, with only the stage illuminated. This inspired Hitler. From 1935 onwards, the dictator staged his Nuremberg rallies like a big stage spectacle with a special lighting design and huge mass gatherings. The entire city became a backdrop, with flags raised along the streets for the Nazis to march along. In the final scene of Die Meistersinger von Nürnberg, which is about the preservation of German art, set designer Benno von Arent used the long rows of flags in front of the city's medieval half-timbered houses as a backdrop for the stage. Quintessential German opera The opera is about a singing contest for the love of a woman. Bakers, tailors, goldsmiths and other master craftsmen go head-to-head. The town scribe Beckmesser carefully makes sure everyone follows the rules. Master craftsman Hans Sachs, a respected singer and shoemaker, urges everyone to honor the old masters and preserve German art. This is one reason Die Meistersinger von Nürnberg is often described as Wagner's most German opera. Jewish Australian director Barrie Kosky agrees. He feels, however, that antisemitism also plays a role. In 2017, he staged Die Meistersinger in Bayreuth as a "witch hunt against a Jewish singer," whom he associates with the character of Beckmesser. "I am not dealing with Jewish culture. I'm dealing with the parody of antisemitism," Kosky explains in the DW film Why Hitler adored Wagner. Whether Jewish characters are portrayed and caricatured in what way in Wagner's operas remains a matter of debate among Wagner scholars to this day. Wagner himself reportedly never commented on the issue. However, the composer was an avowed antisemite. He wrote a pamphlet entitled Judaism in Music, in which he vilified music by Jewish composers and claimed that they were only capable of copying others.