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"Jaws" turns 50! Test your knowledge of the classic Martha's Vineyard movie

"Jaws" turns 50! Test your knowledge of the classic Martha's Vineyard movie

CBS News7 hours ago

Friday marks the 50th anniversary of "Jaws." It remains one of the most beloved and rewatched movies of all time. But how good is your knowledge of the some of lore surrounding Steven Spielberg's 1975 masterpiece?
Read on and see how much you know about "Jaws."
What was the nickname given to the shark?
Spielberg named his mechanical shark "Bruce," after his attorney, Bruce Ramer.
Where did the title come from?
When author Peter Benchley's 1974 book was going to print, he needed to choose a title. He has juggled various titles - "Leviathan Rising," "Silent Fall" - before, at the last minute, choosing "Jaws." What did it mean? Benchley, himself, wasn't sure, he told his editor, but it was short.
What's the origin of the iconic movie poster?
The image of the rising shark came from the cover of the novel's paperback edition, illustrated by Roger Kastel. For his painting, Kastel went to the American Museum of Natural History to photograph a great white shark from a diorama that was laying on an easel.
What was the inspiration for Amity?
Though Spielberg shot "Jaws" on Martha's Vineyard, off Cape Cod, it was the neighboring island, Nantucket, that inspired Benchley's novel. He has spent time fishing there with his father. In the book, the fictional Amity is on the south shore of Long Island.
Who was first attached to direct "Jaws"?
Dick Richards was initially in line to direct the film, but producer Richard D. Zanuck said he lost the job after, in a meeting, repeatedly referring to the shark as a whale.
How old was Spielberg when he began the project?
26.
Who sought but was turned down the role of Brody?
Charlton Heston wanted to play the Amity Island police chief, but Spielberg instead cast Roy Scheider.
What's the name of Quint's boat?
The Orca. Not coincidentally, two years after the massive success of "Jaws," a 1977 ripoff about a killer whale was released titled "Orca."
What led to the shark often malfunctioning?
Salt water. The shark, built by special effects artist Bob Mattey, would get corroded by the salt water of the Atlantic Ocean, leaving it unusable for times - particularly early in the filmmaking. Spielberg pivoted and instead doesn't show the shark until well into the film, an approach that ultimately led to a far more suspenseful film. Spielberg once estimated that Bruce's mechanical delays added $175 million to the movie's box office.
How long into "Jaws" does the shark fully appear on screen?
It's not until one hour and 21 minutes into the movie that we really see the shark.
Was the movie's most iconic line scripted?
No, Schieder adlibbed "You're gonna need a bigger boat." Screenwriter Carl Gottlieb, though, has said the line had been percolating on set. The size of the barge carrying equipment and craft services was often slighted by the crew who felt producers weren't spending enough. Gottlieb told The Hollywood Reporter in 2016: "It became a catchphrase for any time anything went wrong - if lunch was late or the swells were rocking the camera, someone would say, 'You're gonna need a bigger boat.'"
What disaster was Quint a survivor of?
The sinking of the USS Indianapolis, the U.S. Navy cruiser torpedoed by a Japanese submarine during World War II. Quint's lengthy and memorably speech in the film wasn't in the novel but was, according to Spielberg, penned by the uncredited screenwriter John Milius. Spielberg wanted a backstory to why Quint hated sharks so much. Though debate has continued over the years over who wrote the monologue, everyone has agreed Shaw synthesized it, and deserves most of the credit for the scene's power.
Does Spielberg appear in "Jaws?"
The director isn't seen in the film but his voice is heard. During the finale of the film when Quint is readying the harpoon, it's Spielberg's voice on the radio. He says: "This is Amity point light-station to Orca. Orca, come in." Spielberg shows up in a couple other ways, too. A clarinetist in high school, he plays briefly on Williams' score. And Brody's dogs were Spielberg's cocker spaniels, Elmer and Zalman. (For his part, Benchley makes a cameo as a TV reporter during the July 4th beach scene.)
How far over schedule did "Jaws" run?
The production was scheduled for 55 days but took 159 days to complete. The budget also nearly tripled, to $9 million, plus $3 million more in post-production. Though "Jaws" become the prototype summer movie, it was originally expected to open around Christmastime the year before.
What was "Jaws" rated?
Though it caused some controversy, the Motion Picture Association of America gave "Jaws" a "PG" rating. At the time, there was no PG-13 rating. (That only began in 1984, with "Indiana Jones and the Temple of Doom," after a handful of other Spielberg productions, including "Raiders of the Lost Ark" and "Gremlins" led to the new category.) Jack Valenti, then-president of the MPAA, defended the rating by arguing that "'Jaws' involved nature's violence, rather than man's violence against man," Valenti said. "This is the same kind of violence as in 'Hansel and Gretel.' Children might imitate other kinds of violence, but not the kind seen in 'Jaws.'"
The movie's poster carried the warning: "MAY BE TOO INTENSE FOR YOUNGER CHILDREN."
What did "Jaws" lose best picture to at the Academy Awards?
"Jaws" was nominated for four Oscars and won three: best sound, best editing and best score for John Williams. The competition for best picture, though, was fierce. The nominees, alongside "Jaws," where "Dog Day Afternoon," "Barry Lyndon," "One Flew Over the Cuckoo's Nest" and "Nashville." The winner was "One Flew Over the Cuckoo's Nest."

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Celebrating 50 Years of 'Jaws': A Cinematic Milestone That Redefined Fear
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On June 20, 1975, a mechanical shark named Bruce and a haunting two-note score unleashed terror on audiences worldwide, forever changing cinema. Jaws, directed by a then-28-year-old Steven Spielberg, celebrates its 50th anniversary , marking half a century as a cultural juggernaut and the blueprint for the modern blockbuster. This article honors the film's monumental accolades, its transformative impact on the thriller and horror genres, and its enduring influence on filmmakers and audiences alike. Jaws was a critical and commercial titan upon release, earning over $470 million worldwide against a $9 million budget, making it the highest-grossing film of its time until Star Wars surpassed it in 1977. Its critical acclaim matched its box-office dominance, securing three Academy Awards in 1976: Best Film Editing (Verna Fields), Best Original Score (John Williams), and Best Sound. 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The film's success proved that high-concept, mass-appeal movies could dominate the box office, paving the way for franchises like Star Wars, Jurassic Park, and the Marvel Cinematic Universe. Within the thriller and horror genres, Jaws redefined how suspense was crafted. Spielberg's decision to show the shark sparingly, due to mechanical failures during production, heightened tension and forced audiences to rely on their imaginations—a technique now synonymous with effective horror. John Williams' minimalist, pulse-pounding score became a character in itself, its duh-dun motif evoking primal dread. This less-is-more approach influenced countless filmmakers, from Ridley Scott in Alien (1979), which used sparse visuals to build terror, to John Carpenter's Halloween (1978), where a simple piano riff amplified suspense. The film's character-driven storytelling also set it apart. The trio of Chief Brody (Roy Scheider), oceanographer Hooper (Richard Dreyfuss), and shark hunter Quint (Robert Shaw) grounded the horror in human conflict and camaraderie. Their dynamic inspired ensemble-driven thrillers like The Thing (1982) and Predator (1987), where interpersonal tension amplifies external threats. Influence on the Creature Feature and Beyond Jaws birthed the modern creature feature, spawning a wave of 'nature strikes back' films. The late 1970s and 1980s saw a flood of imitators, from Orca (1977) and Piranha (1978) to Alligator (1980), each attempting to replicate Jaws' formula of a predatory beast terrorizing humans. While few matched its artistry, these films cemented the subgenre's popularity. Even today, low-budget shark thrillers like The Shallows (2016) and 47 Meters Down (2017) owe their existence to Jaws, as does the tongue-in-cheek absurdity of Sharknado (2013). Beyond creature features, Jaws influenced aquatic horror and survival thrillers. 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Move over Helen of Troy. Fifty years ago, Jeffrey Kramer became the face that launched a trio of shark hunters on that famously not-big-enough boat, the Orca. Released on June 20, 1975, Steven Spielberg's Jaws holds bragging rights as Hollywood's first contemporary summer blockbuster, generating massive box-office returns and waves of movie-based merchandise. And Kramer can boast to being the first actor in the four film Jaws-verse to react to the gruesome remains of a shark attack victim. More from GoldDerby Ryan Murphy and the JFK Jr.-Carolyn Bessette controversy, explained: Why 'American Love Story' Instagram post got so much hate Everything to know about 'The Pitt' Season 2 'The Daily Show' leads Best Talk Series Emmy odds amid outrage over the low number of available slots As Amity Island's Deputy Leonard "Jeff" Hendricks (more on those two names later), the actor is first on the scene the morning after the titular great white sinks its jaws into its first piece of human prey, a nude night swimmer named Chrissie. While Hendricks' boss — water-avoidant police chief Martin Brody (Roy Scheider) — approaches, Kramer's horrified face dominates the foreground, his hand at his mouth in shock and his eyes wide with terror. That expression single-handedly establishes the stakes of the movie — and telegraphs the thrills and jump scares to come. "Hendricks is the audiences' eyes and ears," Kramer, now 79, confirms to Gold Derby. "He reacts with the same revulsion viewers had in the theater. And none of us have swam in the ocean the same way since!" Kramer credits Spielberg and the Jaws crew with giving him something revolting to react to in that moment. A bloody severed arm — of the artificial variety, mind you—was buried in the sand as real crabs clambered all over it. "It was pretty horrific," recalls Kramer, who grew up visiting the beaches that wrap around Martha's Vineyard, the Massachusetts island retreat where the problem-plagued production was filmed over the course of five very long months. Of course, Kramer had another good reason for feeling queasy. His crucial reaction shot was filmed on the very first day of his very first major studio production. "There were a lot of firsts happening," he says with a hearty laugh. "I was so nervous, I probably could have thrown up for real!" Derek Storm/Everett Collection Kramer's all-too-human response is one of the many grounded grace notes that makes Jaws an endlessly rewatchable character study in addition to being an eminently re-playable thrill machine. Five decades on, Kramer — who still wears his Amity Police cap every day, including during this interview — says that his association with Jaws reaps more valuable rewards than the $10,000 fee that Quint (Robert Shaw) received for piloting the Orca out to open water with Brody and Matt Hooper (Richard Dreyfuss) in tow. "I got stopped by a cop in Sherman Oaks once for running a stop sign," he recalls. "I apologized, and he said, 'Why are you wearing that hat?' I told him, 'Oh, I played the deputy in Jaws.' He let me go and said: 'I love that movie — don't run that stop sign again.'" To celebrate the golden anniversary of Spielberg's classic shark tale, Kramer shared five stories from the sets of Jaws and its 1978 sequel, Jaws 2. Consider this your essential summer beach reading. Talk about your temperamental movie stars. Due respect to the trio of Scheider, Shaw, and Dreyfuss, but Jaws' main attraction was a mechanical shark named Bruce — and he famously didn't like performing on command. Bruce's various breakdowns and no-shows have long since become the stuff of Hollywood legend, and Kramer can attest to their veracity. Universal Pictures/Everett Collection "The first time I ever saw the shark, it was supposed to surface, but instead it just sank," he remembers. "Sometimes they'd be rolling three cameras, and there wouldn't be a foot of film that they could use." The upshot of Bruce's unreliability is that Kramer ended up with more screen time. "They needed to keep shooting something,' he laughs. 'So, my part blessedly got a little bigger." Meanwhile, watching Spielberg roll with the shark's various punches gave him an early crash course in set management — a lesson Kramer took with him later in life when he moved behind the camera as a producer on such shows as The Practice and Chicago Hope. "I always found him to be a kind, decent and talented man," Kramer says of the two-time Oscar winner. "There was so much on his shoulders, but he knew what he wanted, and he let you get there — but also helped you along the way." As an example of how Spielberg would allow the actors find their own way through a scene, Kramer points to a moment early on in Jaws where Brody and Hendricks are busying themselves as a battalion of fisherman descend on Amity in the hopes of being shark slayers. While Hendricks stands on the dock observing the action, Brody is inside a shack speaking hurriedly into the phone. As he hangs up, he throws a handful of debris at the window to catch his deputy's attention and motions for him to come inside. Universal Pictures/Everett Collection Kramer says that bit of business was improvised by Schieder on the day of filming. "It was a better entry into the scene than just having me walk through the door," he explains. "It also adds to the characters a little bit. Hendricks is such a happy guy, and he loves the island, so he's a little suspicious of all the outsiders showing up." Some of those outsiders do eventually catch a shark — though it's not the one that's responsible for all the mayhem. A tiger shark is hoisted on the dock as Amity's tourist-minded mayor, Larry Vaughn (Murray Hamilton), prematurely declares the crisis over. Kramer says that the body of a real tiger shark was used for that scene, flown in directly from Florida, due to the absence of that particular species from Massachusetts waters. "They flew it up in a box filled with ice and every night after shooting they'd put it back in the box," he says now. "After three days, it smelled so bad! But we still had to smile and pretend that it didn't." Speaking of funky smells, Kramer recalls a particularly fragrant night out with Hamilton during the production of Jaws 2. As with the first film, the sequel wound up being a much longer shoot than anticipated… like nine months longer. Universal Pictures/Everett Collection Fortunately, Kramer and Hamilton had become fast friends during their first extended go-around on the Vineyard and knew how to put all that extra time on the island to good use — namely, lots of late nights at local watering holes. After one of those last-call lost evenings, the duo made their way back to their hotel when Hamilton decided to stop and pet a stray cat that had crossed their path. There was just one problem — that nighttime critter wasn't a cat. "It was a skunk!" Kramer exclaims, cringing at the sense memory. "Murray got full-on skunked! When we got to the hotel, he refused to go to his room and ended up sleeping on the couch in the lobby. By the next morning, that place was almost uninhabitable." Despite the olfactory offense, Kramer has nothing but fond memories of Hamilton, who passed away in 1986. "We shared a dressing room, and Murray used to keep a bottle of gin in my boot,' he says wistfully. 'Those movies took so long to shoot that you tended to make lifelong friends." You're not crazy: Deputy Hendricks really does go by Leonard or "Lenny" in the first Jaws. But in a key scene in Jaws 2, Brody calls him Jeff — a Scheider flub that ended up in the finished film. Universal Pictures/Everett Collection It's not unlike the infamous moment in Star Wars: A New Hope when a post-trench run Luke Skywalker triumphantly climbs out of his X-Wing and bellows, "Carrie!" — as in Carrie Fisher — instead of "Leia." (For the record, Mark Hamill has strenuously declared himself innoncent in the name-blame game.) "Roy called me Jeff in the scene and how it ended up staying in there, I'll never know," Kramer sighs. "It's such an oversight; I never imagined that they'd leave it in." The blatant flub might be indictive of Scheider's general disinterest in being part of Jaws 2. Kramer says that the actor was contractually obligated to headline the sequel, for which neither Spielberg nor Dreyfuss returned. Scheider fulfilled his contract, but his mind was clearly on other things — like soaking in the beach rays. "Roy got so tan in the movie, he had to be color-corrected in the final mix," Kramer says, chuckling. "He loved the sun — he sat out there all the time with a reflector and a G-string." (Scheider died in 2008 at age 75.) For a hot minute, it looked like Scheider was going to lose a deputy going into Jaws 2 as well. Kramer recalls that he turned down the movie after original director, John D. Hancock, created a partner for Hendricks who got all of the best lines. "But then Hancock got fired, and they brought in Jeannot Szwarc," Kramer explains. "Jeannot said, 'What happened to the deputy who was in the first movie? I liked him.' They brought me back and I was so grateful." During the course of Jaws 2, Hendricks becomes Amity's police chief after Brody is stripped of that title courtesy of his shark obsession. And even though the ex-chief ultimately saves the island again, Kramer believes that Brody let his deputy keep the badge. "I think Brody said, 'Get me off of this island!'" laughs Kramer. "'If I'm going to live here, I'm just going to go to the beach — I don't want to deal with sharks anymore.'" Universal Pictures/Everett Collection It's worth noting that 1987's Jaws: The Revenge revealed that Brody died of a heart attack in between movies. Kramer says he wasn't asked back for that notoriously awful fourth and final installment and wouldn't have wanted to return anyway. "Even I knew when to stop," he jokes. But that doesn't mean he's stopped thinking about his alter ego. Kramer says that he believes Hendricks remains a devoted Amity islander to this day, starting a family and maybe even taking his own adult kid on as the department's newest deputy. (In 2018, Hendricks starred in his own independent comic book that took the character in a more fantastical direction.) Not for nothing, but a Chief Hendricks cameo would be ideal fodder for an all-new Jaws sequel or reboot, although Kramer doesn't expect either to happen anytime soon. "Jaws will never get remade," he vows. "Nowadays they just want these kinds of movies to be bigger and it takes you out of any essence of reality." "Steven captured the fear of the primordial and the depths of the unknown, and inspired a generation of filmmakers," Kramer continues. "As time goes by, you appreciate Jaws more and more." 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