Can a Pop Song Violate Children's Rights?

Yahoo

14-04-2025

The song "+57," from the Colombian musicians Karol G, J Balvin, and several others, violates the rights of children, a Colombian court has ruled. The Associated Press reports that the court has ordered the artists "to refrain from publishing music that violates the rights of children and teenagers."
How can a song violate someone's rights, let alone the rights of multiple people? Unless we're talking about copyrights, it makes little sense. And no, the court isn't saying that kids of Colombia have a collective copyright claim to "+57."
The issue is lyrics in the song that could be read as sexualizing a teen girl. The court claims these lyrics represent a violation of children's rights.
"Sexualizing minors reduces them to becoming objects of desire, and exposes them to risks that can affect their development," the 14-page ruling says.
"+57" is about someone who goes out partying after telling her boyfriend she is going to sleep. The contested lyrics—sung in Spanish—call someone "a hot mama since she was 14" and say "although that baby has an owner, she goes out whenever she wants," according to a Billboard translation of the lyrics.
Some Columbians argue that the backlash against the song represents class bias, moral panic, and a distaste for reggaeton music, according to a New York Times piece last fall on the controversy. It's hard to look at those lyrics and not get the feeling they're right.
These are not graphic lyrics. The outrage over them isn't about preventing a patently offensive and obscene depiction from reaching people's ears, or stopping some pedophilic exploiters from airing fantasies.
These are lyrics that tell a narrative about a particular fictional character. It is a story, albeit a pretty light one—most of the song is just about drinking and dancing and partying behind the boyfriend's back. The character is clearly meant to be young, though nothing indicates she's still under age 18. Nor is there reason to believe that the song's creators are celebrating the idea of her having been a "mamacita" from a young age.
In any event, declaring these lyrics a rights violation obviously won't stop any actual sexual harm against children. All it does is stop people from singing about it.
It's hard to imagine who might be helped at all by a ruling against lyrics like these. But it's easy to see how the situation is an affront to artistic freedom—and how it could curb people's ability to speak out against the sexualization of minors and sexual exploitation.
For what it's worth, the musicians changed the lyrics last fall to "since she was 18," and Karol G, known as a champion for women's causes, apologized but also said people were taking the lyrics out of context and in the wrong way.
The idea that song lyrics sexualizing minors should be criminal seems far removed from U.S. conceptions of free speech and artistic freedom. But is it?
A number of Republican-controlled states and GOP lawmakers have been trying to toughen rules against performances, books, and other artworks that they deem "harmful to minors." The particulars of these efforts differ slightly, but at the heart of all of them is an effort to go beyond just restricting and criminalizing things that could be considered "obscene" (itself an imperfect and subjective standard, despite the Miller test) and instead creating even more broad and subjective rules.
These efforts are steeped in the language of protecting "children" from sexualization, but often fail to distinguish between age groups (as if what's inappropriate for a 6-year-old is necessarily inappropriate for a 16-year-old as well) and take a highly conservative view of what is OK even for older kids. They also tend to come down hard on LGBTQ content.
State proposals to limit material "harmful to minors" often hinge on the idea that it will be developmentally dangerous for young people to encounter said material, not that the mere existence of such material violates their rights. But it doesn't seem like a huge leap from some of these efforts to declaring sexual song lyrics—or stories, or anything else—a rights violation.
Would the First Amendment allow this? It shouldn't, of course.
But even if Colombian-style efforts in the U.S. would eventually get struck down, they could still do damage. After all, the effect of all these "harmful to minors" measures we're currently seeing isn't limited to banning existing works of art. Even vague and unenforced rules can have a chilling effect, making institutions more reticent in what they feature in the first place. They can also create new avenues for government coercion, allowing the authorities to threaten action on "harm to minors" grounds in order to get groups to do what they want more broadly.
The idea that a pop song can violate children's rights in the way the Colombian courts suggest is silly. But the idea that panic about pop songs could cause violations of free speech rights seems all too clear.
• Meta goes to court today over antitrust claims. The New York Times reports:
On Monday, the Federal Trade Commission will face off with Meta in court over claims that the social media giant snuffed out nascent competitors when it bought Instagram and WhatsApp. And on April 21, the Justice Department will argue that a federal judge should force Google to sell its Chrome web browser to limit the power of its search monopoly.
Both cases, which helped set into motion a new era of antitrust scrutiny, were filed during President Trump's first term in office. They were advanced by the Biden administration, which also filed monopoly lawsuits against Amazon, Apple and Google's ad technology business.
Investors in Silicon Valley and on Wall Street hoped that Mr. Trump might show technology companies more deference during his second term, as he promised to deregulate industries. Some legal experts think the administration could still take a lighter hand on blocking mergers and setting proactive regulations for tech.
But so far, Mr. Trump's appointees have promised to continue much of the scrutiny of the biggest tech companies, despite the industry's hopes.
See also: "Silicon Valley's gamble on Trump isn't paying off."
• "A recently created Department of Homeland Security task force is using data analytic tools to scour the social media histories of the estimated 1.5 million foreign students studying in the United States for potential grounds to revoke their visas," reports NBC. "The data analytic tools now being used to scour social media were enhanced during the Biden administration, a former Biden administration DHS official said."
• Space miso!
• "Michigan has now officially decriminalized surrogacy contracts, becoming the last state in the country to do so," ABC 12 News reports.
• Economist Emily Oster talks with Yascha Mounk about kids and screens (as part of a longer conversation about parenting):
Oster: The data that people bring to bear on questions like the impact of screen time on the development of two-year-olds is really bad. It is far worse in terms of the correlation versus causation problem, than the breastfeeding evidence. In some ways, it should be very easy for people to understand this. Take one example: studies comparing kids under one who watch more than four hours of screens a day to those who watch none. Then they look at developmental measures—say, test scores—when those kids are five or six. But if you ask someone to imagine a household where a one-year-old is watching four to six hours of TV a day, and another where the one-year-old watches none—do you think those households are otherwise similar? I think it's hard to imagine they would be. And in fact, the data shows they're not. But they're not just different in obvious ways—they differ in all kinds of ways, many of which we can't measure. So maybe those kids are different for reasons unrelated to screen time. It's very hard to say, definitively, that screens are the cause. When I talk to parents about this, I try to frame it as: screens aren't inherently bad or inherently good. Screens are really just something that displaces other activities. So rather than treating them like a boogeyman, it helps to think in terms of opportunity cost. It's probably better for your kid to be reading a book, spending time with family, or sleeping—activities we know have clear benefits. Screens are more neutral. The question is: what are they replacing? But that doesn't mean that you shouldn't do any screens. If they have an hour of screen time while you're cooking dinner so that they can then be ready to have that nice family dinner and be in a good place, that's fine. And there isn't anything in the data that would say that it's not. I think this is an area where it helps to structure the choice, set boundaries, and avoid having screens everywhere all the time. But at the same time, it is not helpful to assume that any amount of screen time is terrible, because that is just not supported by the data.
The post Can a Pop Song Violate Children's Rights? appeared first on Reason.com.