Experience The New Punjabi Music Video Fire By Ninja
Get ready to be swept away by the latest punjabi song Fire beautifully sung by Ninja. This captivating track feature mesmerizing music given by Avvy Sra and beautiful lyrics penned by Happy Raikoti. Don't miss the chance to witness Ninja's performance in the captivating punjabi video song Fire. Dive into a world of excellence by exploring more punjabi songs music videos section of punjabi ETimes. Discover the incredible vocal talents of Ninja. Indulge in the latest punjabi video songs of 2024, groove to the soulful compositions by Avvy Sra, immerse in the punjabi Gana Fire video Songs.

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India.com
3 hours ago
- India.com
We Can See You Hania Aamir Fans Spot Pakistani Actress In Diljit Dosanjh BTS Photos From Sardaar Ji 3; Actor Clears The Air
New Delhi: Punjabi superstar Diljit Dosanjh recently stirred up buzz on social media after sharing behind-the-scenes photos from the set of his upcoming film Sardaar Ji 3. In the post captioned, 'Jaggi With Beautiful Chudels – SARDAAR JI 3 Releasing 27th June – Teaser Coming Soon', fans couldn't help but speculate about the presence of Pakistani actress Hania Aamir. The comments section was soon flooded with fans writing, 'We can see you @haniaheheofficial,' and 'His shirt @haniaheheofficial.' One curious fan even asked, 'Is @haniaheheofficial in the movie or not? That T-shirt is creating suspense!' Fueling the speculation was a seemingly hidden figure in the background of the photo wearing a shirt that fans thought resembled Hania Aamir's style. Take a Look At The Post: However, Diljit later took to his Instagram Stories to subtly debunk the rumours, revealing the actual design of the shirt. The online intrigue comes after the deadly Pahalgam terror attack, which claimed the lives of 26 Indian civilians. In the aftermath, cross-border relations between India and Pakistan have grown visibly tense, and public sentiment in India has turned increasingly cautious about the involvement of Pakistani artists in Indian entertainment projects. Reacting strongly to the political and public mood, Instagram has restricted access to several Pakistani celebrity profiles in India, including those of Mahira Khan, Fawad Khan, Hania Aamir, Atif Aslam, Ali Zafar, Sanam Saeed, Bilal Abbas, and Sajal Aly. Users attempting to view their profiles in India are met with a message that reads: 'Account not available in India. This is because we complied with a legal request to restrict this content.' Fans eagerly await the release as Sardaar Ji 3 is set to hit theatres on June 27.


Time of India
8 hours ago
- Time of India
Hania Aamir in Diljit Dosanjh's BTS photos from 'Sardaar Ji 3'? Here's what fans spotted
Punjabi superstar recently gave fans a glimpse of what's coming in his much-awaited film 'Sardaar Ji 3'. He shared behind-the-scenes photos from the sets on social media, getting everyone excited. Tired of too many ads? go ad free now But while the focus was on his co-star , fans were quick to notice something – or rather, someone–unexpected in the background. Diljit's caption on the photos said, 'Jaggi With Beautiful Chudels. Sardaar Ji 3 Releasing 27th June. Teaser Coming Soon" Is that Hania in the Background? Diljit didn't tag Hania Aamir or mention her name in his post, but that didn't stop fans from spotting what they believe are clues. In one of the photos, a woman who looks like Hania can be seen standing just behind Neeru Bajwa. Only part of her face is visible – her cropped hair and eyes – but fans who follow Hania closely think it's definitely her. Another photo showed a woman in a black saree holding Diljit close, which added more fuel to the fire. To make things even more mysterious, some fans pointed out that Diljit's black T-shirt seemed to have Hania's face printed on it. Here's how fans reacted The comments section of Diljit's post was flooded with curious fans trying to connect the dots. One user asked, 'Is @haniaheheofficial in the movie or not? That Tshirt is creating Suspense!' while another confidently wrote, 'We can see you @haniaheheofficial'. Another fan excitedly commented, 'Arre I think i spotted @haniaheheofficial 😍😍'. Theories kept pouring in, with one saying, 'Ye t shirt main @haniaheheofficial hai na? Pajji Kitna suspence main daal rhy ho', and another asking, 'Is it hanis on his shirt??'. Tired of too many ads? go ad free now Some even focused on the outfit, adding, 'The 'T shirt' 😳😂 @haniaheheofficial' and 'Black mei @haniaheheofficial'. There have been reports that Hania Aamir might have been replaced after the on April 22. After the attack, many people called for a boycott of Pakistani actors, which made things uncertain for her role. But so far, neither the makers nor Hania have said anything about whether she is still in the movie. The film is set to release on 27th June, and the teaser is coming soon. Triple Trouble? Diljit Dosanjh Unveils 'Sardaarji 3' With Spooky Swag


Time of India
14 hours ago
- Time of India
How talented actors can escape the typecast trap: Bhagyashree, Vivek Oberoi, Anant Mahadevan and others decode casting cliches in Indian cinema
In a film industry that thrives on formula and familiarity, typecasting is a chronic issue that plagues even the most gifted of actors. A romantic lead remains the romantic lead, the comic sidekick continues to crack jokes, and the villain lurks in every dark corner of the script—no matter how much potential lies beneath. But as cinema evolves, so does the desire for transformation. The real question is: How can actors break free from the shackles of typecasting and reclaim creative agency? The Burden of Familiarity Bhagyashree , known for her iconic debut in Maine Pyar Kiya, captures the paradox perfectly. "While everyone is told to think out of the box, sometimes when the audience likes you in a certain way, you may not be accepted if you don't give them what they want," she tells ETimes. The industry's reliance on 'safe' casting stems from both fear and economics—producers bank on what has worked before, and audiences tend to associate actors with roles that made them household names. Yet, Bhagyashree notes that evolution is possible, referencing the diverse trajectories of actors like Rishi Kapoor and Sanjeev Kumar, and pointing to Ranveer Singh as a modern example of an actor unafraid to push boundaries. by Taboola by Taboola Sponsored Links Sponsored Links Promoted Links Promoted Links You May Like 5 Books Warren Buffett Wants You to Read In 2025 Blinkist: Warren Buffett's Reading List Undo Indeed, Ranveer's filmography—from Band Baaja Baaraat to Padmaavat, Gully Boy, and Jayeshbhai Jordaar—demonstrates a deliberate effort to avoid stagnation. Bhagyashree herself has chosen roles in Thalaivii, Radhe Shyam, and Sajni Shinde Ka Viral Video to reinvent her image. 'I could not possibly be playing romantic leads at this age. To be part of today's cinema, reinventing yourself is a must.' Casting Changes and Audience Imagination When asked whether typecasting is driven more by the industry's lack of imagination or audience expectations, Bhagyashree replied, "A little bit of both. Thankfully the casting directors have brought about significant changes... Otherwise it was a given to see a moustached police officer, plump saree clad mother." Her anecdote about Thalaivii, having to do a padded photoshoot to convince producers she could portray Kangana Ranaut's mother, reflects the depth of disbelief many actors face when attempting something unfamiliar. The Power of Deliberate Choice Vivek Oberoi has navigated the typecast trap through range and risk-taking: 'The key to escaping the typecast trap lies in making deliberate choices, embracing roles that challenge and surprise you.' From the soft-hearted Saathiya hero to the intense gangster in Company, the satirical Masti character, and the malevolent Kaal in Krrish 3, Vivek's filmography is an embodiment of evolution. He believes today's audience is more open-minded than ever before. 'They view cinema as a dynamic, layered art form... and if your craft is sincere, today's audience welcomes every avatar with open arms.' Breaking the 'Supporting Actor' Mold Veteran actor and director Anant Mahadevan shares a more cautious optimism. 'It even took a veteran like the late Pran more than a decade to break the mould of a villain and explore sympathetic roles.' Mahadevan's career took a turn after Khiladi, where his role as a killer risked locking him into villainous portrayals. But his decision to take on diverse parts—including a chilling child abuser in Yes Papa—helped reframe his screen image. 'Theatre has been a great mode of breaking away from this routine... one gets to perform everything from classic characters to deadpan humor.' 'Badman' Gulshan Grover Reveals His YouTube Dream, And It's Wickedly On-Brand Institutional Fear and the Internet Age Sohaila Kapur bluntly identifies the problem: 'There is a matrix and everybody sticks to it. The reason is fear of failure.' She blames production houses for playing it too safe, relying on outdated assumptions about audience preferences despite generational shifts and internet exposure. Her frustration points to a larger structural rigidity within the industry that resists innovation even when demanded. The Digital Lifeline—Or Is It? Bhagyashree sees promise in OTT platforms, citing how casting agencies are reshaping representation. Still, she waits for her own breakthrough moment. Rahul Bhat adds another layer to the conversation: 'Most people don't do the research to see an actor's full range and only remember the popular work, leading to the same roles being offered again and again.' Bhat's proposed solution includes refusing repetitive work, collaborating with bold storytellers, and creating original content—a roadmap followed by many indie and OTT actors trying to reset their brand. Self-Initiative and Image Management Rajesh Tailang sees typecasting as a result of inertia—both internal and external: 'If I want casting directors and filmmakers to see me differently, I have to change something in myself first.' T hat could mean physical transformation, workshops, or choosing short films and web shows that serve as calling cards. Tailang's own move from quiet character parts to layered roles in shows like Delhi Crime signals a deliberate shift. Social Media as a Tool of Reinvention For Payal Rohatgi , the escape lies in harnessing visibility through platforms like Instagram. 'I started making videos pertaining my house or my interaction with my husband... So that the visibility factor is maintained, the connection factor is maintained.' Her strategy of sharing candid, non-glamorous aspects of life helps challenge the industry's superficial notions of branding. Her global outreach—via her wrestler husband's international matches—also echoes her larger vision: 'Life is all about looking for opportunities and being positive, not playing a victim.' The Cynical Reality Of course, not every actor sees a way out. Shenaz Treasury puts it bluntly: 'There's no escape. Just be happy you're getting cast. I'm typecast as an influencer now.' Her dry humor underscores a resignation that still lingers among many who feel boxed in by their past work. From Trap to Transformation Escaping the typecast trap isn't easy. It demands courage, calculated choices, reinvention, and sometimes, rejection of lucrative roles. But as Bhagyashree, Vivek Oberoi, Anant Mahadevan, and others show us, the trap can be dismantled—not all at once, but piece by piece. Whether through theatre, indie films, social media, or the sheer force of performance, actors today are finding ways to surprise the world—and more importantly, themselves. Check out our list of the latest Hindi , English , Tamil , Telugu , Malayalam , and Kannada movies . Don't miss our picks for the best Hindi movies , best Tamil movies, and best Telugu films .