
Outside Lands 2025 announces Dolores' lineup featuring Rebecca Black, local legends
Set to take over the Polo Field during the festival's 17th edition, from Aug. 8-10 in Golden Gate Park, Dolores' marks its second year with a lineup that promises a high-energy blend of DJs, live performances and drag artistry curated by local nightlife staples Fake and Gay, Oasis Arts and Polyglamorous.
Among the standouts joining Black over the weekend are DJs Father Figure and Chase Icon. Drag luminaries from Oasis, including D'Arcy Drollinger and Nicki Jizz, are also set to appear alongside collectives like Baloney & Friends and Reparations.
'Dolores' honors the extensive history of queer arts, events, and activism both in San Francisco and beyond,' organizers said. 'All are welcome at Dolores'!'
In the lead-up to the festival, Outside Lands will also host a pre-party at the Independent on June 28 dubbed Bay Area Pride Amplified! The event will feature Bay Area queer talent and drag performers including Emily Afton, Pillowprince and Aurris X Lilith.
This year's Outside Lands will be headlined by Tyler, the Creator (making up for his 2024 cancellation), Doja Cat and Hozier, alongside more than 100 acts, including Beck, Doechii, Anderson .Paak, Vampire Weekend and Ludacris.
Single-day tickets begin at $199, while three-day passes start at $465. All ticket options are available online at www.sfoutsidelands.com.
Among other returning experiences at Outside Lands this year are City Hall, an exclusive outdoor wedding venue where festivalgoers can legally marry or renew their vows, and SOMA, the festival's open-air house and techno stage. The latter will feature a fresh redesign by Studio RRD with creative direction from Iron Bloom and performances by top artists like Black Coffee, Claude VonStroke and Floating Points.
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Miami Herald
an hour ago
- Miami Herald
HBCU offers a full ride scholarship to ten-year old
Kendall Rae Johnson, a 10-year-old from Atlanta and Georgia's youngest certified farmer, has received a full scholarship to South Carolina State University (SC State)-one of the nation's top HBCUs. This milestone honors both her extraordinary journey in agriculture and the strong support HBCUs continue to offer young Black leaders. A Life-Changing HBCU Campus Visit Kendall Rae was touring 1890 land-grant HBCUs with her family when they visited South Carolina State in Orangeburg, SC. While exploring the school's 300-acre Research & Demonstration Farm, she was invited to meet SC State President Alexander Conyers. In a surprise moment, he offered her the 1890 Agriculture Innovation Scholarship, worth $83,598. The scholarship covers full tuition, fees, and room & board. President Conyers said he was inspired by her energy and focus. "We were blown away by Kendall Rae's focus and maturity. She speaks with passion about crop cycles, soil health, and even longhorn cattle. Her future is bright." From Backyard to Full-Fledged Farmer Kendall Rae started gardening with her great-grandmother at just 3 years old. By 6, she became Georgia's youngest certified farmer. Today, she manages about an acre of land and grows a wide variety of fruits and vegetables, including strawberries, tomatoes, apples, and okra. Her story has made headlines across the country and inspired other youth in agriculture. Leading With Heart and Purpose Kendall Rae is also the founder of Kendall Rae's Green Heart, a nonprofit that teaches kids about farming, sustainability, and entrepreneurship. She serves as a USDA National Urban Agriculture Youth Ambassador and uses her platform to raise awareness about food justice. Her father, Quentin Johnson, said she has inspired their whole family. "She pulled me into this. Now we're all growing together-literally." Big Dreams for a Bigger Impact Kendall Rae has no plans of slowing down. She says she wants to own at least 100 acres of farmland and raise longhorn cattle. She's especially excited about SC State's international agriculture programs, including a goat research initiative in The Gambia. Despite her age, she's already thinking about college life. During her visit to campus, she told staff, "I'll be back in 10 years to see all the new buildings." SC State is investing more than $250 million into new campus development-timed perfectly for the future freshman. The HBCU Difference This full-ride scholarship highlights the powerful role HBCUs play in supporting young Black innovators. Schools like South Carolina State invest early in youth who have the potential to lead industries and inspire change. President Conyers believes Kendall Rae's potential HBCU story is just beginning. "Kendall Rae Johnson is exactly the kind of student we want to support. She's a future leader-here at SC State and beyond." The post HBCU offers a full ride scholarship to ten-year old appeared first on HBCU Gameday. Copyright HBCU Gameday 2012-2025


Newsweek
3 hours ago
- Newsweek
Sydney Sweeney's 'Great Jeans' Illuminate the Dangerous Resurgence of Eugenics
American Eagle came under fire recently for an ad campaign featuring actress Sydney Sweeney. In one ad, Sweeney fiddles with her jeans, saying, "Genes are passed down from parents to offspring, often determining traits like hair color, personality, and even eye color. My genes are blue." A male narrator finishes with, "Sydney Sweeney has great jeans." It's a play on homophones, but the wordplay reveals a more sinister element: Sweeney does not just have great American Eagle jeans, she has great American genes. Picking a blonde, blue-eyed, able-bodied all-American girl was not an accident. It was about showcasing what are "good genes," and thus what are "bad genes." It's a modern eugenics movement proudly re-emerging amid a welcoming political climate. A window display of actress Sydney Sweeney is seen on a window of an American Eagle store on Aug. 1, 2025, in New York City. A window display of actress Sydney Sweeney is seen on a window of an American Eagle store on Aug. 1, 2025, in New York City. Michael M. Santiago/Getty Images The American eugenics movement has historically promoted the superiority of Anglo-Saxon, able-bodied, wealthy people, leading to harmful policies from the Immigration Act of 1924 barring immigrants from Asia to a practice of unnecessary and undisclosed hysterectomies performed on Black women in the South so widespread it was coined the "Mississippi appendectomy." Eugenicists promoted anti-miscegenation laws and forced sterilization of those in prison and in poverty and of those with disabilities or mental illness. These practices have not died. In 2020, low-income immigrant women detained by ICE in Georgia were forcibly sterilized. As we hear rhetoric from the current administration about immigrants "poisoning the blood" of our country, it invites horrifying thoughts of what may be happening to immigrants currently being detained by ICE. Even more sinister, however, is a modern eugenics movement camouflaged by in vitro fertilization (IVF). IVF is increasingly popular, and rightfully so. Couples with fertility issues can conceive. Women can freeze eggs. Queer couples can have genetically related kids. IVF can also ostensibly prevent harm. IVF clinics might screen embryos for sickle cell disease, cystic fibrosis, BRCA1, and Down syndrome. Things get confusing and uncomfortable, however, when we try to define what harms are worth preventing. In a world where whiteness and conventional beauty are tightly coupled with success, couldn't selecting for these features be a way to minimize a child's future suffering? Most sperm donor companies have a height minimum of 5'9". Harvard graduate egg and sperm donors are highly sought after. While it's hard to fault parents for wanting the best for their children, as a geneticist, it is concerning to me how much stock people put into the inheritance of such complex and environmentally influenced traits. With biotech companies explicitly offering genetic testing, I am even more concerned. Last October, Helios Genomics offered to boost a couple's future child's IQ via genetic screening. Nucleus Genomics recently took this a shocking step further by announcing it is offering genetic testing for traits like eye color, hair color, height, BMI, and IQ. Companies perform these screens with polygenic risk scoring, which makes use of genetic mutations identified from large scale population studies to be associated with a complex trait like intelligence. But these findings are just that: associations. We barely understand the true, context-dependent function of all the genes and mutations associated with complex traits. The idea that a company could confidently boast a six-point increase in a trait as socially and environmentally modified as intelligence is naïve at best and deceptive at worst. It also plays directly into the ideals of eugenics: that all social disparities and ailments are genetically determined, and that there is one correct way to be. Amid devastating cuts to everything from Medicaid to education, it is curious that one of the few spaces the Trump administration has pledged to increase federal funding is in vitro fertilization. Is this a random act of kindness amid an onslaught of cruelties? Or is it one of several strategies for breeding a homogenous generation of nationalistic Americans—ones with "good genes" and predetermined allegiances to the regime (thanks to $1,000 savings accounts established in their name from birth)? In this modern era of eugenics, as immigrants are expelled while neo-Nazis spew hateful theories of "great replacement," it is no wonder American Eagle felt bold enough to declare that Sydney Sweeney has great genes. America must reject this renewed, government-endorsed eugenics. Scientists must think deeply about ramifications: Just because we can, or think we can, does not mean we should. IVF companies should be barred from making false promises about the heritability of traits like intelligence, BMI, and hair color. While fatal diseases like breast cancer are fair to select against, prospective parents should think twice about what is lost when selecting for subjective social norms. We all have great genes and we all deserve a society that embraces us, that makes us feel whole, and bold, and beautiful—like a pair of great jeans. Tania Fabo, MSc is an MD-PhD candidate in genetics at Stanford University, a Rhodes scholar, a Knight-Hennessy scholar, a Paul and Daisy Soros fellow, and a Public Voices fellow of The OpEd Project. Her PhD research focuses on the interaction between genetics and diet in colorectal cancer risk. The views expressed in this article are the writer's own.

Refinery29
4 hours ago
- Refinery29
'I'm Not Afraid Any More.' Joy Sunday On Wednesday & Growth Between Seasons
Joy Sunday glides into the lobby of The Whitby Hotel in New York City's midtown donning a caramel corset and flouncy Emilio Pucci mini skirt. Sunday's presence and her features are strikingly captivating, but she doesn't need the striped blazer or greenish-blue contacts she wears to suit up for her role as Bianca Barclay on Netflix's Wednesday to turn heads in real life. It's clear that Sunday's confidence gives life to Bianca, the siren with the power to mesmerize and persuade even the most strong-willed. Bianca is Sunday's first role as a main character in a TV series. And with the show being Netflix's most watched English language original series ever, she hit the ground running. Now going into a new season — the first four episodes premiere today, Wednesday, August 6 — Sunday assures you, me, and everyone else watching that she isn't stopping. At all. 'I'm being very strategic about how I'm moving forward, because I'm not losing this platform,' the 28-year-old New York native said matter of factly. 'I'm taking it to the end, and I want to take others with me. It's not a threat, but it's a promise.' ' I'm taking it to the end, and I want to take others with me. It's not a threat, but it's a promise. joy sunday on acting beyond 'wednesday' ' In Season 1, we're introduced to Bianca as a popular student at Nevermore Academy who has control over her powers, despite the mistrust she faces from others, including her ex. When Wednesday (Jenna Ortega) shows up, they share a brief rivalry before Bianca joins her investigation into the mayor's death. Season 2 goes deeper into Bianca's vulnerability, Sunday explained. Bianca's past comes back to haunt her and she begins reckoning with her relationship with her mother, a siren who uses her powers to scam and wants her daughter to follow suit. 'In Season 2, she's trying to hide herself and conceal what's going on in the background, and so she's really having to come to terms with what she really didn't want to do in Season 1,' Sunday said. 'Now she's being forced to [be a] more compassionate individual. Because that's something that she judged her mom, Gabrielle (Gracy Goldman), for so heavily in Season 1, and that now she finds herself in the same position.' Addressing motherhood wounds plays a huge part in Season 2 overall. Viewers will see most of the main characters' relationships with their moms, for better or worse. As Bianca navigates her own challenges at school, she's now faced with the task of protecting Gabrielle, a theme the teen experienced in their relationship growing up. Sunday said she appreciates the duo's redemptive arc and the opportunity to find healing for them. ' Young Black women are forced to mature faster than anyone else is to understand their relationship to the world... I think that's why it's so special to get to see Bianca need help and to eventually learn to ask for it. joy sunday ' Despite this being a fantastical world, Sunday believes that forgiveness is important to see. Especially for Black girls who often have to mature faster than others. 'Young Black women are forced to mature faster than anyone else is to understand their relationship to the world and to the family, how the world sees them and how they see themselves,' Sunday passionately stated. 'I think that's why it's so special to get to see Bianca need help and to eventually learn to ask for it. And it's also nice to see people come to her aid without her asking for it, and to see people advocate for her as well.' Though Bianca's confidence may have wavered a bit since the first season, Sunday's has only grown. Three years ago when Wednesday first premiered, Sunday was still new to doing press runs and red carpets. 'I almost felt like I needed to play a role or to fit in terms of how I was presenting myself,' she admitted. That feeling has faded as she's gotten her reps in for projects like Rise (2023) and Under The Influencer (2024). But with the writers and actors strike in 2023 and a shaky Hollywood economy, Sunday admits that work hasn't been as steady. Thankfully, becoming a global ambassador for Lancome has helped sustain her and her family. 'It's been a journey of working my way back to this feeling of confidence and this feeling of, I've got some shit to do,' she explained. 'I've been through trials and tribulations, but I think it's really an important part of the actor's journey to share that it's not always going to be the 'hurry up.' Sometimes it's going to be the 'wait.'' This isn't looking like a 'wait' season for Sunday, however. In February, Deadline announced that the actor would be joining the HBO limited series DTF St. Louis. And ahead of its Season 2 premiere, Netflix renewed Wednesday for a third season. Going forward, Sunday is prepared to show the industry more of what she's made of. She's eyeing more fantasy and supernatural roles and some action. (She's specifically manifesting Interview With the Vampire and Ghost Dog 2.) In this era, Sunday knows she's more than good. 'I feel empowered to say I am that much more extensive of an artist, and I'm not afraid to show that,' she said. 'In Season 1, I was kind of afraid of having to fit in the boxes. I wanted to make sure that everything would go well, but I'm not afraid any more. I'm excited.'