Chinese authorities warn comedians against provoking ‘gender opposition'
Zhejiang's publicity department chastised some comedy shows for simplifying gender issues into 'opposition between men and women'.
BEIJING - Chinese officials have warned comedians against stirring up gender discord, instructing those who invoke a battle of the sexes to criticise constructively rather than 'for the sake of being funny'.
The WeChat article posted over the weekend by the authorities in eastern Zhejiang province comes after a comedian detailed her abusive marriage in a performance that went viral on Chinese social media.
Women's rights are sensitive territory in China – over the last decade, authorities have cracked down on almost every form of independent feminist activism.
Zhejiang's publicity department chastised some comedy shows for becoming a 'battlefield' and simplifying gender issues into 'opposition between men and women'.
'Criticism is obviously fine, but it should be... constructive rather than revolve around gender opposition for the sake of being funny,' the July 20 WeChat article read.
The department also offered comedians tips on how to discuss gender in their sets.
'Instead of mocking 'blindly confident men' it is better to explore the social causes for this mentality,' it suggested.
Top stories
Swipe. Select. Stay informed.
Singapore Two found dead after fire in Toa Payoh flat
Singapore Singaporeans aged 21 to 59 can claim $600 SG60 vouchers from July 22
Singapore Singaporeans continue to hold world's most powerful passport in latest ranking
Singapore Singapore, Vietnam agree to step up defence ties, dialogue between leaders
Asia Malaysia govt's reform pledge tested as DAP chief bows over unresolved 2009 death of political aide
Singapore Woman evacuated from lift in Supreme Court building after falling glass triggers emergency halt
Singapore Prosecution says judge who acquitted duo of bribing ex-LTA official had copied defence arguments
Singapore Ports and planes: The 2 Singapore firms helping to keep the world moving
'Instead of blindly ridiculing 'materialistic women', it is better to reflect on how consumerism shapes gender roles.'
The warning did not name a specific comedian, but called out streaming platform iQiyi's 'The King Of Stand-up Comedy', and mentioned a newcomer dubbed an 'industry gem' online.
Earlier in July, the show broadcast a performance by Ms Fan Chunli – who goes by the stage name 'Fangzhuren' – an affable 50-year-old whose set revolved around her abusive marriage.
Members of the audience were moved to tears and many stood to applaud when she revealed she had left her ex-husband.
Clips of her set spread across the Chinese internet, earning the former sanitation worker from northern Shandong province legions of new fans.
'I hope Fangzhuren's ex-husband hears this and dies of anger,' reads the top-liked comment under a clip re-shared by the programme's official Weibo account.
'Just saying facts'
The Chinese arts scene has always been heavily censored by the ruling Communist Party, and the authorities have tightened that oversight in the past decade.
But the July 20 warning sparked some criticism online.
'Just saying the facts of what happened is provoking opposition between men and women?' one top-liked Weibo comment reads.
'Once something is discussed from a female perspective it is labelled gender opposition, isn't that too sensitive,' reads another.
Other women have faced backlash for joking about gender issues in the past.
In 2023, retail giant JD.com dropped its sponsorship of Ms Yang Li, a comedian known for asking why men 'look so mediocre yet still have so much self-confidence'.
Irked customers, mostly men, filled the company's social media with angry comments after Ms Yang appeared at a promotional event.
But in July, fans applauded Fangzhuren for telling her story.
'The environment changes people, and will prompt women's awakening,' she posted on Weibo.
'When I said in the village I wanted a divorce, I was... unforgivable,' she wrote. 'On the outside, when I talk about my divorce, the audience applauds.' AFP

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


CNA
8 minutes ago
- CNA
Spotted a huge red ball in town? Here's why 195 of them have rolled out across Singapore with more to come
While most of us were fast asleep on Jul 12, a fleet of 100 lorries and 100 workers fanned out across the island from midnight. Their mission: To plant a lot of giant red balls all over Singapore, from neighbourhoods to schools and the civic district. The next morning, Singaporeans woke up to find these pops of red in their midst. Stamped with the SG60 logo and measuring between 1.5 and 5 metres across, they made schoolchildren stop in their tracks and office workers look up from their phones. For Adrian Tan, the chief executive officer of Adplanet Group, it was a thrill to watch the city react. 'I did not mention this campaign to any of my friends, but I'm happy to record about five or six sightings a day, where my friends go: Oh, I spotted this red ball. Have you seen it?' The balls are part of the United As One Red Dot campaign, which marks both SG60 and UOB's 90th anniversary. Of the 195 balls installed as of Tuesday (Jul 29), six are in the bank's corporate colour, blue, while the rest are red. By far the largest SG60 out-of-home (OOH) installation – industry-speak for advertisements placed in public spaces – the campaign was conceived by Adrian Tan together with Francis Tan, chief executive officer of Germs Digital, and Jayne Kwek, director of 3 Aces Advertising. 'Singapore is a beautiful island with so much greenery, and it's actually the perfect canvas for an art installation. The idea was to paint the island with giant red balls that signify our little red dot,' said Kwek. She would know a thing or two about OOH advertising. As the former CEO of Moove Media, the advertising arm of ComfortDelGro, she was the woman behind the herd of 'cows' that grazed all over Singapore in 2005. 'The cows did the same job in that it was creativity in its simplest form. We didn't have to make it too elaborate; the red balls were a symbol that Singaporeans can identify with.' 'IT WAS REALLY QUITE A JOURNEY' What's one object that can unify an entire country? That was the key question the trio wrestled with during the conceptualisation phase, said Francis Tan. The Merlion was the obvious national symbol, and the city skyline felt fitting in telling Singapore's transformation story. But in the end, the answer was far more obvious. 'The red dot symbolises how Singapore struggled to become what it is today. We wanted to flood the entire city with that reminder, similar to Yayoi Kusama's dotted pumpkins all around Japan,' he explained. The simplicity of the mnemonic belies the effort behind it. Designing a ball to withstand heat, rain and wind was no small feat. As the air inside expands and contracts with the weather, it has to be made of tri-layered PVC with a little elasticity. They also need weekly maintenance to keep them looking plump, and replacements are deployed within 24 hours if necessary. The bigger challenge was the red tape, starting with an engineering certification to prove the balls could be safely secured. The 5-metre blue ball outside UOB Centre, for instance, had to be anchored with a 2-tonne weight to prevent it from being blown into the Singapore River. Then came the arduous process of securing approvals. Because the balls were installed on both public and private land, the team had to obtain clearance from a long list of authorities, ranging from government agencies to mall operators. 'It was really quite a journey. Thankfully, our stakeholders were all very supportive because they wanted to see the red balls as part of the SG60 celebration,' said Kwek. Making sure the heartlands were not left out was just as important, added Adrian Tan, who wanted Singaporeans in every corner of the country to feel a sense of national pride when they saw them. 'This was by no means easy, but we took a bottom-up approach by speaking to many MPs. They were very encouraging and said, we love it. Let's go.' PAINTING THE TOWN RED These giant balls will remain on display across Singapore until Sep 14, and passers-by can join weekly contests by answering quiz questions or snapping Instagram-worthy photos. Since their debut, the giant balls have been a hit, especially with the little ones. Babies have been spotted reaching out from their strollers to poke them, while families get creative with forced-perspective photography. 'I think this campaign gave us the opportunity to show that Singaporeans can be fun and creative too,' said Kwek. Even office workers out on their lunch break can't resist stopping for a midday selfie. For Francis Tan, seeing people pose with the ball near Tampines Mall and Century Square – his old hangouts as a secondary school student – was a full-circle moment. 'I'm going there to see it this weekend and take a photo with my daughter. It's a place I grew up in, and I'd like to explore the area as I haven't been there in a while,' he said. Deploying the campaign has also taken him to heartlands in the north and west for the first time in years, renewing his appreciation for how much these neighbourhoods have evolved. 'I realised that heartlands are now very robust, from their wet markets to the shopping malls. So what can't we achieve?' The response has been so overwhelming that more balls are being added beyond the original 180. Kwek is working with the Singapore Land Authority to place one in the middle of a green field in Ghim Moh, while Adrian Tan, ever the ad-man, has bigger plans. 'I would like to see a giant red ball on top of a bus shelter in Orchard Road or Shenton Way, and LTA is talking to us about this possibility.'

Straits Times
an hour ago
- Straits Times
New Demon Slayer movie breaks records in Japan
Find out what's new on ST website and app. The Demon Slayer film, released on July 18, has reached the 10-billion-yen mark after just eight days. TOKYO – The latest movie adaptation of hit manga and anime series Demon Slayer is breaking records in Japan, becoming the fastest film to gross 10 billion yen (S$86.7 million), an industry body said. The film was released on July 18 and reached the 10-billion-yen mark after eight days. The previous record-holder was the last installment of the series, which hit that figure after 10 days in 2020, Kogyo Tsushinsha, which tracks movie sales, said on July 28 . 'We thank each and every fan who came to movie theatres and theatre staff who are delivering this to the fans,' the movie's official X account said on July 28. Demon Slayer is originally a manga comic book series that has sold over 200 million copies worldwide, according to its publisher Shueisha. The work by artist Koyoharu Gotouge follows a combat adventure of boy hero Tanjiro Kamado who fights demons as he searches for a cure for his sister who has become one. The intense popularity of the series is rivalled only by global titles like Dragon Ball, Naruto, and One Piece, Kyodo News said. Top stories Swipe. Select. Stay informed. Singapore Terrorism threat in Singapore remains high, driven by events like Israeli-Palestinian conflict: ISD Singapore Online platforms have halved time it takes for Singaporeans to be self-radicalised: ISD Asia Extreme weather turns Beijing into rain trap; 30 killed, over 80,000 evacuated Asia Meeting between Cambodian-Thai militaries postponed, as acting Thai PM says border calm Singapore NDP 2025: Enhanced security measures to be put in place around the Padang Business SIA shares tumble after 59% first-quarter profit slide Singapore Motorcyclist hurt after car crashes into bollard next to Clementi coffee shop Sport World Cup winner Fabio Cannavaro among list of top names for Singapore football coach The original manga series appeared in the popular Weekly Shonen Jump magazine from 2016 to 2020. The film is set to hit Singapore cinemas on Aug 14. AFP

Straits Times
2 hours ago
- Straits Times
Beyonce's Cowboy Carter becomes highest-grossing country tour ever, earning over $514m
Find out what's new on ST website and app. Beyonce performs at her European Cowboy Carter tour in London on June 5. LOS ANGELES - American pop star Beyonce's Cowboy Carter tour is now the highest-grossing country tour of all time with over US$400 million (S$514 million) in revenue, concert organiser Live Nation said in a statement on July 28, citing a story from Billboard magazine. The Cuff It (2022) singer has also become the highest-grossing black artiste of all time and the highest-grossing R&B artiste of all time, Live Nation added. Additionally, the 43-year-old performer has made history as the first woman and American act to have two different tours earning over US$400 million with her Renaissance World Tour in 2023. Beyonce launched the Cowboy Carter tour in Los Angeles on April 28, rolling through Texas Hold 'Em (2024) and other country hits while sharing the stage with her two daughters - Blue Ivy, 13, and Rumi, eight. She also has a twin son Sir, eight, with her husband, American rapper Jay-Z, 55. Beyonce finished the record-breaking tour in Las Vegas on July 26 with special appearances from Jay-Z; her former R&B girl group, Destiny's Child; and American country singer Shaboozey. There were 32 sold-out stadium shows across North America, Britain and Europe that grossed over US$400 million, according to Live Nation. By contrast, American pop singer Taylor Swift earned over US$2 billion for her Eras tour that spanned from March 2023 to December 2024, becoming the highest-grossing tour ever. Throughout her tour, Beyonce has paid homage to black American contributions to country music, specifically honouring black performers, some of whom are featured in the Cowboy Carter album (2024). The 16 Carriages (2024) vocalist has spoken candidly about not feeling welcomed in the country genre despite her Texas roots, after she became the first black woman to win Best Country Album at the 2025 Grammy Awards in February. Her performance at the Country Music Association Awards in 2016 received notable backlash, including racist comments across social media from those saying her songs were not real country music. REUTERS