logo
Hurghada Festival honour crowns my journey, I choose roles that last: Ghada Adel

Hurghada Festival honour crowns my journey, I choose roles that last: Ghada Adel

After more than two decades in the spotlight, Egyptian star Ghada Adel remains one of the most versatile and influential actresses in Arab cinema and television. From comedy to romance and drama, her performances have captivated audiences across the region. On September 25, Adel will be honoured at the third Hurghada Youth Film Festival, receiving a lifetime achievement award for her artistic journey, her contributions to film and television, and her consistent support for emerging talent.
In this interview, Adel opens up about her feelings on the honour, her artistic philosophy, and her outlook on both career and personal life.
How did you react when you first heard about your honour at the Hurghada Youth Film Festival?
Honestly, I felt overwhelming pride and happiness. It's not just about receiving recognition from colleagues and audiences; it's also about the festival's spirit—dedicated to youth cinema, which I deeply believe represents the future of Egyptian and Arab film. And Hurghada itself is such a magical city; its atmosphere gives the festival an extra glow. For me, this award is not just a crowning moment, but also the beginning of a new chapter.
The festival highlighted your support for young directors and new talents, while you've also worked with some of the greatest filmmakers. How do you view these experiences?
Cinema thrives on renewal. That's why I always welcome collaborations with young directors and fresh actors who bring new energy and perspectives. At the same time, I consider myself fortunate to have worked with masters like the late Mohamed Khan, who was an entire school in himself. His human sensitivity and artistic depth shaped me profoundly. I also cherish my collaborations with Sherif Arafa in Abboud Ala El-Hodoud, Sandra Nashat in Mallaki Eskendereya, Magdy El-Hawary in El Watar and Ayal Habiba, Amr Arafa in Ibn El-Qunsul, Ahmed Khaled Mousa in Horoub Edterary, and Wael Ihsan in El-Basha Telmeez. Each partnership enriched my career in a unique way.
What preparations are you making for the award night?
I'm living a mix of excitement and gratitude. I've been receiving so many heartfelt messages from colleagues and friends. I'm preparing a speech that truly reflects the meaning of this moment. Even choosing a dress feels symbolic—I want my look to express exactly how I feel: joyful, proud, and grateful.
Recently, your renewed look drew both praise and criticism. How do you respond?
I'll be completely frank—I did undergo a facelift, but I didn't alter my features. My only goal was to restore how I looked 10 or 15 years ago, so I could feel comfortable in front of the camera again. I did it for myself, not to please others.
Do you remember your first award?
Yes, it came early in my career, and back then it felt like I was dreaming. Today, the feeling is different. This recognition comes after years of experiences—successes, mistakes, lessons. It carries a sense of responsibility as much as joy.
How do you balance personal life with the demands of your career?
It's never easy, but I've learned to set boundaries. I give my family the time they deserve, just as I give to art. My children and my closest friends are my anchor; they keep me grounded and inspired.
What was the most difficult moment in your career?
There were times when I lost passion, or when I made choices that weren't the best. But I've learned that every challenge is a lesson. Failure, in many ways, can open bigger doors than success.
How do you engage with your audience on social media?
I love staying connected, but I use it carefully. I focus on sharing positive moments and avoid unnecessary disputes or negativity.
What projects are you most excited about now?
I'm preparing for several new projects, including the second season of Watar Hassas series, which will take the story in an entirely fresh direction—I think it will surprise audiences. I'm also reviewing some film scripts, and I'll reveal more soon.
How did you feel about your role in last Ramadan's season?
I was thrilled to return with El-Maddah 5 alongside Hamada Helal. The series was a success, but what touched me most was the audience's excitement to see me again in Ramadan drama. That love means everything.
You've become more selective with your work. Why?
Because with time, you realise every role is either an addition or a subtraction from your legacy. I no longer choose projects just for exposure. I want roles that remain in people's memory. That often means turning down many offers, but when I say yes, I give it my all.
And cinema? Will we see you back on the big screen soon?
I hope so. Cinema will always be my first love, but it requires the right creative and production conditions. I'm currently considering several scripts, and I hope one of them comes to light soon.
What does such an honour mean for an artist's journey?
For me, it's not an endpoint but a milestone. It's recognition of your value, but also a reminder that audiences expect even more. My honour in Hurghada is both a crown on my journey and the start of a new phase where I set the bar higher for myself.
What's your message to young actors dreaming of success?
Be patient and always search for truth in your performance. Talent alone is never enough—you need discipline, persistence, and hard work. Remember, art is a long journey, not a quick race.
Finally, what do you want to say to your fans?
I want to say thank you, from the heart. Your love is the reason I keep going. I promise to give everything I can to create work worthy of your trust and affection.
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Lubna Abdel-Aziz.: An ageless muse - Culture - Al-Ahram Weekly
Lubna Abdel-Aziz.: An ageless muse - Culture - Al-Ahram Weekly

Al-Ahram Weekly

time5 hours ago

  • Al-Ahram Weekly

Lubna Abdel-Aziz.: An ageless muse - Culture - Al-Ahram Weekly

The American University in Cairo (AUC) recently commemorated the 90th birthday of the iconic actress, Al-Ahram Weekly columnist, and former Miss AUC, Lubna Abdel-Aziz, with a special event held at the Ewart Memorial Hall on 8 August. Organised in partnership with the cultural series Arwah Fil Madina (Souls in the City), the talk was open to the public and offered a heartfelt tribute to Abdel-Aziz's personal and artistic journey. Arwah Fil Madina was launched over two years ago by Mahmoud Al-Tamimi through the cultural initiative 'Cairo Is My Address,' in collaboration with several cultural institutions, and is dedicated to preserving Egypt's national memory through storytelling and cultural heritage. Al-Tamimi, who presented the talk, explored the most significant phases of Abdel-Aziz's life and career, drawing connections between her films and the historical events that shaped Egyptian society during her era. The celebration also features a week-long photo exhibition at AUC's Legacy Gallery, showcasing posters from Abdel-Aziz's most celebrated films. A highlight was the unveiling of a statue by sculptor Hani Gamaleddin, portraying Hamis, the Pharaonic character Abdel-Aziz famously played in the film Bride of the Nile. With genuine humility, Abdel-Aziz expressed her joy and gratitude to her guests, saying, 'I am happy I turned 90.' Among those attending were close friends, art lovers and notable figures such as art critic Tarek Al-Shennawi, who praised Abdel-Aziz's spontaneous acting during the golden age of Egyptian cinema. Former health minister Amr Helmi also travelled from the North Coast to attend the event. Visual artist Farid Fadel, whose portrait of Abdel-Aziz was on display at the AUC exhibition, performed a Mexican song on stage called A Heavenly Sweetheart as an expression of his love for her. Al-Tamimi shared personal anecdotes, inviting Abdel-Aziz's brother, Ihab Abdel-Aziz, to recall their childhood memories, including the summer tradition of their father bringing home a collection of books that fostered her lifelong love of reading. Sculptor Gamaleddin spoke about how Abdel-Aziz's distinctive Pharaonic features, which inspired his creation of the Bride of the Nile bust. Film director Ali Idris, who worked closely with Abdel-Aziz on her film Geddo Habibi (My Beloved Grandpa) in 2012, reflected on their close professional and personal relationship. In 2021, Abdel-Aziz published her autobiography, Lubna: Story of a Free Woman, named after one of her most famous films, Ana Horra (I Am Free), co-written with Rose Al-Youssef journalist Heba Mohamed Ali, who was also present at the celebration. The evening concluded with remarks from Nadine, a longtime colleague at Abdel-Aziz's radio programme The Children's Corner with Aunt Lulu, which she has hosted for over 60 years. Nadine highlighted Abdel-Aziz's continued dedication to the show, inspired by children's literature and her late husband Ismail Barada, a musician who played piano alongside her on the programme before moving to the United States to complete his studies. Abdel-Aziz has been writing the weekly column Limelight for Al-Ahram Weekly since 2007, following her return to Egypt after many years in the US. Her earlier journalism career began while studying there, writing for Al-Ahram initially in English, with her articles translated into Arabic by her father, Hamed Abdel-Aziz, himself an Al-Ahram staff member. Al-Tamimi announced plans to publish a compilation of her Limelight translated into Arabic for the benefit of a wider Egyptian readership. Born in Cairo in 1935, Abdel-Aziz was educated at St Mary's School for Girls and later at the American University in Cairo. She earned a Fulbright scholarship to pursue a master's degree in drama at UCLA. Her artistic journey began at the age of ten, performing on the radio programme Children's Corner in Cairo. During her studies in the US, she worked as a correspondent for Al-Ahram and, on returning to Cairo, became a writer and editor for the newspaper. Her film debut came with The Empty Pillow, starring alongside Abdel-Halim Hafez, after which she starred in 15 Egyptian films. In addition to her film career, Abdel-Aziz enriched Egyptian radio with several programmes. She was married to producer Ramses Naguib then to Barada, with whom she had two daughters. Barada passed away after over 40 years of marriage. Abdel-Aziz's life and career continue to inspire generations. * A version of this article appears in print in the 21 August, 2025 edition of Al-Ahram Weekly Follow us on: Facebook Instagram Whatsapp Short link:

Cairo Opera opens submissions for Arab music and singing competitions - Music - Arts & Culture
Cairo Opera opens submissions for Arab music and singing competitions - Music - Arts & Culture

Al-Ahram Weekly

time5 hours ago

  • Al-Ahram Weekly

Cairo Opera opens submissions for Arab music and singing competitions - Music - Arts & Culture

The Cairo Opera House has opened submissions for three competitions for Arabic music and singing. These competitions will be held on the sidelines of the upcoming 33rd Arab Music Festival and Conference, slated for October. The annual competition aims to support young talents and promote Arab musical creativity, with a particular focus on reviving musical heritage, according to a statement released on Wednesday. Musicians and singers can apply to two Ratiba El-Hefny competitions and the Arab Takht Ensemble Competition. Ratiba El-Hefny Competitions for Arab Singing Named after the late world-renowned Egyptian soprano and academic Ratiba El-Hefny, these competitions are divided into two age categories: one for contestants aged 17 to 45, and another for children aged 6 to 16. To apply, contestants must submit a video of no more than three minutes, along with a small registration fee. The video must feature a performance of one song by Umm Kulthum and one song of the contestant's choice. In the youth category, the winners will receive a monetary award amounting to EGP 50,000 for the first place, EGP 40,000 for second, and EGP 30,000 for third. In the children category, winners will be awarded EGP 35,000 for first place, EGP 30,000 for second, and EGP 25,000 for third place. Ratiba El-Hefny (1931-2013) was an academic and host of memorable television and radio programmes that focused on music over several decades. She chaired the Cairo Opera from its inception in 1988 until 1990, overseeing the formation of new companies such as the National Arab Music Ensemble and the Cairo Opera House Children's Choir. In the early 1990s, she launched The Arab Music and Singing Competition. Arab Takht Ensemble Competition This competition invites ensembles consisting of five to seven musicians performing Arabic music. They are required to perform one piece in a traditional Arabic musical form (Samai or Longa) and another piece of their own choice. Video and symbolic registration fees should be submitted before the deadline. The winning ensemble will be awarded EGP 70,000. Notes to applicants The deadline for registration to participate in the competitions is 30 September. Follow this link to apply. For inquiries and details, contact via email: [email protected] or phone: +20 2 27390144 / 27390132 Cairo Opera House will provide full accommodation and internal transportation for international finalists; however, the participants are responsible for the cost of their arrival in Cairo. Follow us on: Facebook Instagram Whatsapp Short link:

TikTok to livestream Grand Egyptian Museum opening - Tourism
TikTok to livestream Grand Egyptian Museum opening - Tourism

Al-Ahram Weekly

time11 hours ago

  • Al-Ahram Weekly

TikTok to livestream Grand Egyptian Museum opening - Tourism

Egypt has signed an agreement with TikTok, naming the global platform the official digital partner for the opening ceremony of the Grand Egyptian Museum (GEM), slated for 1 November. The partnership was signed by United Media Services (UMS)—a campaign partner of Egypt's Ministry of Tourism and Antiquities—and the global video-sharing platform on Thursday. In a statement, UMS said the partnership is designed to showcase Egypt's cultural heritage to a global audience through a series of innovative digital initiatives. It added that the step underscores Egypt's growing emphasis on using digital platforms to promote cultural tourism and enhance its global profile. In addition to the live broadcast, the collaboration will include interactive experiences such as Night at the Museum, which will see international content creators explore the GEM outside official working times, guided by experts, and share their tours with millions of followers in real time. Other features include a customized GEM-themed filter, virtual gifts inspired by ancient Egyptian artefacts, and a CapCut template encouraging users to create content that presents Egypt's story in a modern, engaging format. The statement noted that the initiatives aim to blend heritage with technology, ensuring the museum's opening resonates with younger, digitally native audiences across the globe. Tarek Makhlouf, Managing Director of UMS, described the agreement as part of the company's broader effort to strengthen Egypt's cultural visibility on the world stage. Egypt was recently ranked first globally for having the 'Richest History,' according to the 2025 US News Survey. Largest Archaeological Museum The Grand Egyptian Museum (GEM), located near the Giza Pyramids, is the largest archaeological museum in the world dedicated to a single civilization. Spanning nearly 500,000 square metres, it is designed as Egypt's flagship cultural landmark for the 21st century and a global hub for heritage, education, and tourism. The museum will showcase over 100,000 artefacts spanning from prehistoric times to the Greco-Roman period. At its heart lies the complete collection of Tutankhamun's treasures—more than 5,000 items—presented together for the first time since their discovery in 1922. Visitors will also encounter monumental statues, royal mummies, and objects that illustrate Egypt's rich contributions to science, art, and daily life across the ages, all anchored by the striking 3,200-year-old colossal statue of Ramses II that dominates the museum's central atrium. The GEM is expected to welcome between 5 million visitors annually, once fully operational, reinforcing Egypt's position as a premier global cultural destination. As part of a broader development plan for the Giza Plateau, the project is complemented by upgraded infrastructure and enhanced visitor services to create a seamless cultural and tourism experience. Positioned as a "gift from Egypt to the world," the museum embodies the country's commitment to preserving its heritage while embracing digital innovation and fostering international cultural diplomacy. Follow us on: Facebook Instagram Whatsapp Short link:

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store