
First Kashmiri-Kannada film 'Harmukh' captivates audience in Srinagar
In a significant moment for regional cinema and cultural dialogue, the premiere of 'Harmukh', the first film blending Kashmiri and Kannada languages, was held at INOX cinema in Srinagar to an enthusiastic and packed audience.
The screening drew local filmmakers, artists, students, and cinema enthusiasts, signalling a renewed public interest in storytelling through cinema in Kashmir.
The film, named after the revered Harmukh mountain, aims to bridge linguistic and cultural divides through a narrative rooted in themes of identity, love, and resilience.
Set against the backdrop of Kashmir's scenic landscapes and informed by the narrative richness of Karnataka, 'Harmukh' presents a layered exploration of Kashmiriyat, the centuries-old legacy of communal harmony in the valley.
Attendees described the event as more than a film launch; many viewed it as a symbolic step toward cultural restoration in a region where cinema had largely faded over the past three decades.
Organisers of the event stressed that 'Harmukh' was not merely a cinematic release but a platform for dialogue between North and South Indian cultures.
The film also serves as an encouragement to the youth in Kashmir to pursue filmmaking as a meaningful form of self-expression.
Waseem Khan, a local attendee, emphasised the film's cultural significance, and said, "This is the second film this year in Kashmiri after a long cultural silence. A film combining Kannada and Kashmiri is a great initiative. I would tell people -- come and watch it. You won't be disappointed."
The audience responded warmly to the film's portrayal of Kashmiri traditions, its use of local actors, including Aya Sharif, and the commitment to showcasing cultural unity.

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


The Hindu
22 minutes ago
- The Hindu
‘Mysaa': First look from Rashmika Mandanna's upcoming film out
A new poster of Rashmika Mandanna's upcoming movie has been unveiled. In Mysaa, the actor is set to step into a never-before-seen warrior avatar. In a fierce first-look, Rashmika appears in a a blood-smeared face in the poster. With wild hair, and a sword clutched in hand, she features in an intense mode in the poster. Mysaa is reported to be Rashmika's first film as a solo lead in the pan-India genre. The movie is produced by Unformula Films and directed by Rawindra Pulle. 'I always try to give something exciting. And this is one of those,' Rashmika wrote on social media. The actor said it's a character she has never played before. 'It's fierce, intense and extremely raw,' she added. I always try to give you something new… something different… something exciting… And this… This is one of those..❤️ A character I've never played before… a world I've never stepped into… and a version of me that even I hadn't met till now.. It's fierce.. it's intense and… — Rashmika Mandanna (@iamRashmika) June 27, 2025 Mysaa is written and directed by Rawindra Pulle. Ajay and Anil Bayyapureddy have produced the movie. The film will be released in Telugu, Tamil, Hindi, Malayalam and Kannada. ALSO READ:Kannada star Ramya reacts to Rashmika Mandanna row: Stop trolling her Meanwhile, Rashmika was last seen in the social thriller Kuberaa. Directed by Sekhar Kammula, the movie stars Dhanush and Nagarjuna in prominent roles.


News18
25 minutes ago
- News18
Bengaluru Man's Post On How Speaking Local Language Changes Everything Is Viral
Last Updated: An entrepreneur revealed how people often assume he is from North Indian, partly due to his upbringing and skin tone. An entrepreneur shared a personal experience that struck a chord online. Raised in North India and speaking with a Hindi accent, Srijan R Shetty said people often assume he's a North Indian, partly due to his upbringing and skin tone. However, when he speaks Kannada, especially with a Mangalorean-style accent, the response from locals becomes noticeably warmer and more welcoming. His post on X (formerly Twitter) comes amid broader conversations about cultural connections and everyday interactions in Bengaluru. 'Every time, I start speaking in Kannada with a stranger, I'm met with eyes full of surprise and joy," Shetty said. He further wrote, 'The conversation is joyous, and there is always a question of how I manage to pick up Kannada. Once they realise I'm one of their own, it's funny about how my diction is a bit off, and maybe it's because I'm Mangalorean. They usually say this to not embarrass me because my diction isn't perfect," he added. He also explained that while there are political issues related to language and identity, most people in Bengaluru are welcoming. 'Yes, there's a narrative that some locals feel left out of the city's rapid growth," he acknowledged. 'But I've found that very few will force you to speak Kannada. On the contrary, even small efforts are met with kindness and inclusion," he said. Shetty added that Kannada has many regional versions, and some, especially those influenced by Konkani, can be difficult to follow. Still, he believes what matters most is the willingness to try. 'People recognise effort," he added. 'In my experience, if you try to speak the language, you're often treated like one of their own." He ended his post with a light-hearted line: 'P.S.: In my books, if you have supported RCB through their bad times, you are Bangalorean enough." Posted on June 26, the post has received over 9,000 views and has resonated with many users. A user commented, 'Totally relatable. I'm a Tulu-speaking Mangalorean, born in Dubai, lived in the US, and now settled in Bangalore. And yes, I'm a Shetty too." Another user said, 'In my city, if I speak in Kannada, people reply back in Hindi 50 per cent of the time. In Bangalore, people reply back in English for 10 per cent of the time. No surprise or no poor dialect, got the most fun dialect (UK). Just that peeps want to make you comfortable, so they switch languages." Few responded with playful comments, teasing Shetty: 'Nice try, Srijan from Delhi." Just like Srijan R Shetty's post on speaking Kannada struck a chord online, another story is winning hearts; a Tibetan man's heartfelt message about embracing the local language. Watch the video here: After drinking Kaveri water you speak Kannada automatically. This statement is not true for our fellow North Indians. #StopHindiImposition. — Dr Prisha Sargam (@PrishaSargam) June 14, 2025 In a vox pop-style video, the young man speaks fluent Kannada and talks about how deeply connected he feels to the language. His respect for Kannada and his smooth command over it have earned him a wave of appreciation from people across platforms.


India Today
41 minutes ago
- India Today
Kannappa review: Prabhas shines in a legendary tale that misses its soul
The tale of Kannappa, an ardent devotee of Lord Shiva who offered his eyes to the Lord out of devotion, is a familiar story to most South Indians. A major reason for this familiarity is the evergreen classic films like the 1938 Tamil film Kannappa Nayanar, the 1954 Kannada film starring Dr Rajkumar, Bedara Kannappa - which was also released in Telugu as Kalahasti Mahatyam, the 1976 Telugu film starring Krishnam Raju, Bhakta Kannappa, and the 1988 Kannada film starring Shiva Rajkumar, Shiva Mecchida actor Vishnu Manchu, in an attempt to reintroduce the story of this iconic devotee to the modern audience, has invested his heart, soul, and money - along with his father and veteran Telugu actor Mohan Babu. From extensive shoots in live locations to an ensemble cast of well-known actors, including cameos by Prabhas, Mohanlal, Akshay Kumar, and Kajal Aggarwal, the film has been buzzing with updates ever since its announcement. But from a creative standpoint, does the film reflect the effort invested? Does it live up to its predecessors? Let's find out!Thinnadu (Vishnu Manchu) is a fierce warrior who sees no divinity in idols - only stone. A staunch non-believer, he dismisses rituals and ridicules the customs of his tribe. However, in the celestial realm of Kailasa, Lord Shiva (Akshay Kumar) and Goddess Parvathi (Kajal Aggarwal) closely observe Thinnadu's every move. Shiva, having foreseen Thinnadu's destiny, knows that this sceptic is fated to become one of his most devoted Thinnadu, the son of the tribal chief (Sarathkumar), is exiled from his community for instigating fights and creating rifts among neighbouring tribes, after falling in love with Nemali (Preity Mukundan), the princess of a neighbouring tribe - someone who was promised to another. The region is home to five distinct tribes, and at the heart of their land lies the sacred 'Vayulinga' - an object of immense spiritual significance. Its divine energy soon attracts a dark force intent on desecration. As evil looms over the tribes, the stakes rise: their culture, unity, and survival hang in the threat does the Vayulinga face? How will Thinnadu rise to protect his people? What journey led him from atheism to absolute devotion? And who plays a role in bringing him closer to Lord Shiva? The answers to these questions make up the plot of the film. The music in the film, specifically the devotional songs, deserves the first mention. It might seem unconventional for a review to begin with the songs, but for the experience the devotional tracks offer, they certainly deserve to be highlighted first. The songs Shiva Shiva Shankara and Om Namah Shivay exude power through their composition. The background score also contributes significantly to the narrative. Composer Stephen Devassy, along with singers like Vijay Prakash and Shankar Mahadevan, Manchu, as Thinnadu, the atheist warrior, delivers an underwhelming performance except in the action sequences. While the character and the situations he faces demand a variety of expressions - since the tone of the scenes constantly shifts - Vishnu seemingly struggles to keep up and deliver the versatility in the last 50 minutes, when Thinnadu's character undergoes a transformation and becomes an ardent devotee of Lord Shiva, Vishnu's natural innocence adds depth to the role. While his romantic scenes with Preity Mukundan feel like a poorly placed distraction, the chemistry he shares with the Aasa Kooda actor is falters when it comes to direction, screenplay, and execution. Director Mukesh Kumar Singh, known for several mythological TV serials, brings the same melodramatic and slightly outdated touch to the film. The story and screenplay, written by Vishnu Manchu himself, add a fictional arc to the devotional tale we all know. Although the arc has interesting ideas, it suffers from poor execution in both writing and from Vishnu Manchu, Kannappa features an ensemble cast that includes veterans like Mohan Babu, Sarathkumar, Brahmanandam, Devaraj, Madhoo, and Mukesh Rishi, along with familiar faces such as Preity Mukundan, Brahmaji, and Aishwarya Bhaskaran. Preity Mukundan, as the female lead, delivers an impressive performance - bringing beauty, elegance, charm, and strong screen presence to her character. The rest of the cast performs well Akshay Kumar, and Kajal Aggarwal appear in extended cameo roles, while Mohanlal makes a brief appearance in an intriguing segment. Prabhas makes the most impact as Rudra, with the story's momentum picking up considerably after his entry in the second half. Akshay Kumar and Kajal Aggarwal, however, are presented in an old-school TV serial format, rendering their appearances slightly cinematography by Sheldon Chau, especially during the scenic sequences shot in New Zealand, is beautiful. However, the rendered VFX work in patch scenes is noticeably inconsistent in quality. The most disappointing technical aspect of the film is the editing. While the film could have been crisper, for viewers with a pet peeve for poor transitions, this might be a tough has its fair share of drawbacks, but from a devotional perspective, it manages to tap into the right emotions by the end. The climax offers a theatrical experience that is worth watching - if one has the patience to wait for it.- EndsWATCH: IN THIS STORY#Prabhas#Akshay Kumar