
Ricky Gervais clears up long-running rumor about The Office US
Speaking to The Independent for the 20th anniversary of the much-loved series, Gervais, who co-created the original British version with Stephen Merchant, spoke about transforming the Slough-based workplace mockumentary into a hit American comedy.
Launched in 2005, The Office US cast Steve Carell as Michael Scott, regional manager of the Dunder Mifflin Paper Company and the series equivalent of Gervais's David Brent.
It ran for nine wildly popular seasons; however, Carell exited at the tail end of season seven, saying he wanted to spend more time with his family.
'When they were recruiting for the new boss [eventually played by Will Ferrell], they said it'd be nice if I apply for the job [in character as Brent],' Gervais told The Independent.
Asked if there was talk of him replacing Carell after he left, Gervais responded: 'There was. I don't know if it ever got to NBC calling anyone or if it was more just press and the show's fan base.'
However, when he failed to appear in the US series, some suggested that he had auditioned and failed to get the part. 'That's fiction,' Gervais clarified.
Elsewhere in the interview, Gervais shed light on his decision to turn down the role of Michael Scott before Carell was cast.
'Before we cast, [producer] Ben [Silverman] called me and said 'Why don't you play Michael Scott?' I said, 'That is mental. It makes no sense at all.'
'Why would I do it? The reason The Office resonated was because it was made in England for English people. It's got to be made by Americans for Americans,' Gervais said.
Merchant also revealed who else was in the running to play Scott.
'Bob Odenkirk would've been brilliant,' he told The Independent. 'It's interesting. Initially, he didn't seem to have the immediate warmth that Carell [had], or certainly not then. Yet, when you've seen him in things like Better Call Saul, it's all there. It's hard to know.
'It would've been equally good but sometimes when you're casting, you can feel when it's the right person.'
Carell's performance ultimately earned him widespread acclaim — including six Emmy Award nominations.
The Office US was such a success that Gervais believes 'most Americans don't know about the English show.'
'There's our version and this brilliant cover version,' he said.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles

Leader Live
26 minutes ago
- Leader Live
Lenny Henry says TV industry ‘still struggling' to do black hair and make up
The comedian, 66, picked up the outstanding achievement award at the Edinburgh TV Festival on Wednesday and reflected on his career and experience starting out in the industry in the 1970s. 'It was hard, you know? I mean, they didn't have a light for me', he told the festival. 'I called it the negro light. I said, 'Break out the negro light' and they'd bring out this big-ass spotlight and point it at me.' Sir Lenny, who made his TV debut on British talent show New Faces in 1975, said someone who worked at the BBC 'started to realise that I needed different lighting to those guys'. 'Also there's the thing on (TV series) Three Of A Kind where all the wigs were for white people,' he said. 'So we had Michael Howard and Dave Allen's wigs, and they never had any wigs for me. 'I had to get some dreadlocks for a character. So they sent me to the London wig company, and they made some dreadlocks for me. 'And then a year later, they had more stuff for me to do, and they got nearer, closer to what they should be like. 'And so I sort of began a whole thing where they had to know how to make black hair, and they had to know how to do black make up.' He added: 'They're still struggling with it. People like (make up artists) Jan Sewell and Sally Sutton really knew how to do it, because they did it on my show. 'But before then, they never had to do it. 'I went to a black make up lady on The Fosters in 1976 and I thought, 'Oh, it's going to be like this. There's going to be people that do make up for us'. 'Once The Fosters was over I never saw her again.' Sir Lenny was born in Dudley, near Birmingham, in 1958, and shot to fame in 1975 when his stand-up comic routine won TV talent show New Faces. After his TV debut, Sir Lenny appeared on landmark black working-class comedy The Fosters, and comedy sketch show Three Of A Kind, before landing his own self-titled show in the mid-1980s. In 1985 he co-founded Comic Relief, and in 2015 he was knighted in the Queen's Birthday Honours for services to drama and charity. A year later he was presented with a special Bafta award in recognition of his outstanding contribution to television and in 2020 he helped to launch an independent body that examines representation in journalism, acting, film, television and radio in the UK called the Sir Lenny Henry Centre for Media Diversity. In February he received the Freedom of the City of London and in May he and filmmaker Richard Curtis accepted a philanthropy award recognising Comic Relief's efforts to address inequality and poverty.


Glasgow Times
an hour ago
- Glasgow Times
Lenny Henry says TV industry ‘still struggling' to do black hair and make up
The comedian, 66, picked up the outstanding achievement award at the Edinburgh TV Festival on Wednesday and reflected on his career and experience starting out in the industry in the 1970s. 'It was hard, you know? I mean, they didn't have a light for me', he told the festival. Sir Lenny Henry made his TV debut in 1975 'I called it the negro light. I said, 'Break out the negro light' and they'd bring out this big-ass spotlight and point it at me.' Sir Lenny, who made his TV debut on British talent show New Faces in 1975, said someone who worked at the BBC 'started to realise that I needed different lighting to those guys'. 'Also there's the thing on (TV series) Three Of A Kind where all the wigs were for white people,' he said. 'So we had Michael Howard and Dave Allen's wigs, and they never had any wigs for me. 'I had to get some dreadlocks for a character. So they sent me to the London wig company, and they made some dreadlocks for me. 'And then a year later, they had more stuff for me to do, and they got nearer, closer to what they should be like. 'And so I sort of began a whole thing where they had to know how to make black hair, and they had to know how to do black make up.' He added: 'They're still struggling with it. People like (make up artists) Jan Sewell and Sally Sutton really knew how to do it, because they did it on my show. 'But before then, they never had to do it. 'I went to a black make up lady on The Fosters in 1976 and I thought, 'Oh, it's going to be like this. There's going to be people that do make up for us'. 'Once The Fosters was over I never saw her again.' Sir Lenny was born in Dudley, near Birmingham, in 1958, and shot to fame in 1975 when his stand-up comic routine won TV talent show New Faces. After his TV debut, Sir Lenny appeared on landmark black working-class comedy The Fosters, and comedy sketch show Three Of A Kind, before landing his own self-titled show in the mid-1980s. In 1985 he co-founded Comic Relief, and in 2015 he was knighted in the Queen's Birthday Honours for services to drama and charity. A year later he was presented with a special Bafta award in recognition of his outstanding contribution to television and in 2020 he helped to launch an independent body that examines representation in journalism, acting, film, television and radio in the UK called the Sir Lenny Henry Centre for Media Diversity. In February he received the Freedom of the City of London and in May he and filmmaker Richard Curtis accepted a philanthropy award recognising Comic Relief's efforts to address inequality and poverty.

Rhyl Journal
an hour ago
- Rhyl Journal
‘They are turning him into a hero': Kneecap solidarity gig held in Dublin
Kneecap flags and logos hung from the windows in Connolly Books, which dubs itself Ireland's oldest radical bookshop, in solidarity with O hAnnaidh, Kneecap, and the people of Palestine. Pro-Palestine supporters criticised the decision by British authorities to bring a charge against the performer instead of focusing on the Israeli government's actions against the Palestinian people. O hAnnaidh, 27, who performs under the stage name Mo Chara, is accused of displaying a flag in support of Hezbollah at a gig in November last year. Hundreds of Kneecap supporters greeted O hAnnaidh as he arrived at Westminster Magistrates' Court in London on Wednesday morning, alongside fellow Kneecap rappers Naoise O Caireallain and JJ O Dochartaigh. During the hearing, his defence team argued the case should be thrown out, citing a technical error in the way the charge against him was brought. The case has been adjourned until September 26, when the judge will rule on whether he has the jurisdiction to try the case. At the protest session at Connolly Books on Wednesday afternoon, several artists played Irish traditional music in solidarity with the rappers and Palestine. Musician Ru O'Shea, who performed at the demonstration, said charging O hAnnaidh had turned him into 'a hero'. 'I think it's been a huge misstep by the powers that be to go after him in the first place,' he told the PA news agency. 'I reckon that they don't have a thing on him, and I think they are turning him into a hero, and I think we need a hero. 'What's happening in Palestine right now, it's gotten to such an extreme that it's waking a lot of people up, including the British who might not have ever seen it otherwise and stayed in that bubble forever.' O'Shea's friend John Feehan said: 'I think people are maybe starting to look up a little bit in Britain, and I think things like what's happening with Kneecap is a catalyst for people to be like 'Oh, wait a minute, what's actually happening here?'. So I hope there's momentum, but I really don't know.' Dubliner Aoife Powell, 19, said she came out to protest because she is 'angry' at the decision to charge an artist rather than focus on what is happening to the people of Gaza. 'I'm here because it just worries me that the fact that governments are focused on artists expressing themselves rather than the actual problem, which is obviously the genocide in Gaza,' she told PA. 'It's a little bit disheartening to see there's so much pressure being put on these artists to stop saying what they truly think and to stop standing on the right side of history. 'I feel like it's a distraction from what's actually happening. 'When a government tries to silence people, they should learn that they can never silence people. I feel like the public would get more angry at that.' Sean O'Grady is from Coleraine in Northern Ireland but has lived in Dublin for almost 70 years. 'I'm delighted with them (Kneecap), that they've done what they're doing, and they're getting plenty of publicity. 'The British government are crazy, I mean, what are they at? 'They're supplying a lot of the bombs, and a lot of the arms and ammunition to Israel to do what they're doing. So they should be ashamed of themselves instead of bringing in these people (to court) for stupid reasons. 'It's getting good publicity over there for the cause of the Palestinians.' Dubliner Dermot Nolan said he attended his first Palestine protest in 1967, and while he remembers horrific events such as the Vietnam War, the scale of death and injuries in Gaza is the worst he has ever lived through. 'I'm here because it's important to for two reasons – first of all, to show our intolerance of the genocide and slaughter that's being carried out by the US, Nato and Israel. 'The second reason is the question of civil rights. We're protesting about the indictment of a member of the Irish group Kneecap. 'It is a sign of creeping authoritarianism which is happening in all the western countries and most clearly in Britain.'