
Mahesh Bhatt Says Daughter "Alia Is Self-Made, Unlike Laidback Ranbir Kapoor": "That's Why We Get To Hear..."
Mahesh Bhatt recently weighed in on the nepotism debate and said that his daughter and actor Alia Bhatt is "self-made."
What's Happening
Speaking about Alia Bhatt's journey in a conversation on The Himanshu Mehta show, Mahesh Bhatt said, "I didn't launch Alia Bhatt. Karan Johar launched her. I didn't know she had so much thirst for acting in her. She gave the audition herself. I just got to know they loved her work. I was shocked because I hadn't seen any such traits in her, even remotely. I'm very happy she's a self-made girl."
The filmmaker also shared that youngsters often approach him for photos, mainly because he is Alia Bhatt's father. He said, "Alia has astounded me. What is unique about her is that she has a taste for taking risks, and she's taken detours into diverse narratives."
He also spoke about how motherhood has changed Alia. The actress welcomed her daughter, Raha Kapoor, in 2022. "I see a new depth in her. With this young girl becoming a mother, there's a coming-of-age of a different kind, a different kind of maturity in her. I'm also looking forward to her new films, which would be coming out now," he said.
Mahesh Bhatt also shared Ranbir's thoughts on Alia. "He says, 'Alia is made of different stuff.' When I ask him, 'What do you mean?,' he says, 'Her ambition to do more and more and more is unbelievably astounding!' While he's a person who's very laid-back and comforted, and he just wants to do enough. She's a go-getter," he said.
Mahesh Bhatt On Nepotism
Addressing the larger conversation around nepotism, Mahesh Bhatt acknowledged that while actors like Alia and Ranbir are indeed talented, the topic remains relevant. "Nature is very fair. It's not important that the rose would bloom in only your garden. Nature spreads its jewels across the world. Nepotism is a reality, but it's also not. Just because my child is talented, that doesn't mean I disqualify them," he said.
He added, "But it's definitely easy for them. Because access is success. Talented people don't even get access for years. It's important to understand that the voice that's been raised against nepotism, there's a collective anger behind that. That's why we get to hear about that every other day."
Background
Since her debut in Karan Johar's 2012 film Student of the Year, Alia has earned praise for her performances in films like Imtiaz Ali's Highway (2014), Abhishek Chaubey's Udta Punjab (2016), Meghna Gulzar's Raazi (2018), and Sanjay Leela Bhansali's Gangubai Kathiawadi (2022).
Alia is set to star in Alpha, a spy thriller directed by Shiv Rawail and part of Aditya Chopra's YRF Spy Universe. Backed by Yash Raj Films, the movie is scheduled to release in cinemas on December 25.
She will also be seen in Sanjay Leela Bhansali's upcoming romantic drama Love & War next year, alongside her husband Ranbir Kapoor and Vicky Kaushal.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


News18
an hour ago
- News18
Ahaan Panday's Mom Giggles As Paps Call Her 'Krish Kapoor Ki Mummy', Asks 'Saiyaara Dekhi?'
Deanne Panday smiled wide as paparazzi called her 'Krish Kapoor ki mummy' post Saiyaara's success. Her reply? 'Picture dekhi ya nahi?' Ahaan Panday's debut film Saiyaara continues to make waves at the box office, and it seems like the actor's mother, Deanne Panday, is soaking in every bit of the celebratory spotlight. In a heartwarming video doing the rounds on social media, Deanne was spotted at a public event where she was greeted by paparazzi in a rather cheeky manner. As she posed for the shutterbugs, one pap called out to her saying, 'Arey, Krish Kapoor ki mummy," while referring to Ahaan's character in Saiyaara. The wellness expert and celebrity mom couldn't help but burst into laughter. Her candid reaction, paired with a warm smile, won over netizens. In a brief yet adorable exchange, Deanne responded to the media with a playful query of her own: 'Picture dekhi ya nahi?" referring to Saiyaara's recent theatrical release. View this post on Instagram A post shared by Voompla (@voompla) Saiyaara has officially crossed Rs 250 crore net in India and over Rs 300 crore worldwide—making it one of the biggest sleeper hits of 2025. The film is now eyeing the Rs 275 crore mark domestically by the end of its second week. Directed by Mohit Suri and produced by Yash Raj Films, Saiyaara has been lauded for its emotional storytelling, fresh casting, and soul-stirring soundtrack. It marks Ahaan Panday's acting debut and has also given a massive career boost to actress Aneet Padda. The film also stars Rajesh Kumar, Varun Badola, Alam Khan, Sid Makkar, and Shaan Groverr in supporting roles. According to a report by The Times of India, the makers have closed a deal with Netflix for the OTT release of Saiyaara. However, given its continued box office success, the film's digital debut has now been pushed closer to Diwali. This move is expected to give the film an extended shelf life and cater to festive viewers at home. Released on July 18, 2025, Saiyaara is loosely inspired by the 2004 Korean romantic drama A Moment to Remember. The film follows Krish Kapoor, a disillusioned musician who crosses paths with the introspective poet Vaani Batra. Together, they navigate love, loss, and healing in a story that has struck an emotional chord with audiences. First Published: July 29, 2025, 20:56 IST Disclaimer: Comments reflect users' views, not News18's. Please keep discussions respectful and constructive. Abusive, defamatory, or illegal comments will be removed. News18 may disable any comment at its discretion. By posting, you agree to our Terms of Use and Privacy Policy.


Mint
3 hours ago
- Mint
Saiyaara Box Office Collection Day 12: Ahaan Panday, Aneet Padda's film hits ₹400 crore milestone worldwide
Saiyaara Box Office Collection Day 12: Mohit Suri's newest Bollywood film, starring newcomers Ahaan Panday and Aneet Padda, is setting box office records and remains a strong performer after twelve days of release. The film has crossed the ₹ 260 crore mark in India and reportedly minted over ₹ 400 crore worldwide. Saiyaara earned an estimated ₹ 5.59 crore India net on Tuesday at the box office, according to trade industry tracker Sacnilk. Saiyaara minted ₹ 256.5 crore after the first eleven days of release. The Ahaan Pandey starrer film opened to ₹ 21.5 crore. On Monday, Day 11, the film earned ₹ 9.25 crore. The total collection of Saiyaara now stands at ₹ 262.09 crore. According to trade analyst Taran Adarsh, Saiyaara has crossed ₹ 400 crore worldwide. In a post on social media platform X, Adarsh wrote, 'SAIYAARA' CROSSES ₹ 400 CR *GBOC* WORLDWIDE... Who would've thought #Saiyaara would breach the ₹ 400 cr mark [Gross BOC] even before its release?... A true game-changer, the film has taken the industry by surprise with its phenomenal performance across the globe.' In a previous post on X, Adarsh stated, ' ₹ 300 CR? ₹ 400 CR? OR EVEN MORE? – 'SAIYAARA' IS ON A RECORD-BREAKING RUN… Saiyaara is changing the rules of the box office game… At this point, it's impossible to predict the final figure." Saiyaara is a romantic musical drama film directed by Mohit Suri. Produced by Yash Raj Films, it features debutants Ahaan Panday and Aneet Padda along with Geeta Agarwal, Rajesh Kumar, and Varun Badola. The film is loosely inspired by the 2004 Korean movie A Moment To Remember. IMDb describes plot of Saiyaara as, 'Vaani (Aneet Padda) and Krish (Ahaan Pandey) will have to navigate life, their problems, their insecurities to hopefully realise that only love can be the answer to everything.'


India Today
4 hours ago
- India Today
Sarzameen reduces Indian Army to a prop and that's its biggest failure
When a film chooses to tell a story set against the backdrop of the Indian Army, expectations are naturally high. Audiences look forward to patriotism, action, and stories that show the courage and sacrifices of soldiers. Films like 'Shershaah' and 'Raazi' have raised the bar, with human emotion and gripping narratives rooted in real military and intelligence contexts. Unfortunately, 'Sarzameen', which promises to be an action thriller, delivers very little of the war and almost none of the drama that honours the Indian Kayoze Irani-directorial is less a tribute to the armed forces and more an emotionally fragmented family drama. The plot follows Vijay Menon (played by Prithviraj Sukumaran), a high-ranking Army officer determined to eradicate terrorism from Kashmir, even if it means losing his son, Harman (Ibrahim Ali Khan), in the process. But instead of presenting a layered exploration of national duty versus personal grief, the film dissolves into an undercooked tale of a strained father-son relationship, with the Army merely acting as a backdrop. View this post on Instagram A post shared by JioHotstar (@jiohotstar)The disconnected military context Despite branding itself as an action thriller, 'Sarzameen' barely shows the surface of Army life or operational warfare. Viewers expecting combat sequences, strategic missions, political undercurrents, or interdepartmental dynamics will find none of that here. There is little insight into the life of a soldier, no camaraderie among officers, and no exploration of the Indian Army's role in conflict zones. Vijay Menon, despite his rank, operates in isolation, chasing terrorists and confronting personal demons of the most confusing scenes in the film is when Harman gets kidnapped from a wedding - very easily. There's no Army security, no safety arrangements, no backup, nothing. What's stranger is that Vijay Menon, a senior Army officer, runs after the kidnappers alone, looking more like a helpless father than a powerful officer with full support and resources. The scene not only feels unrealistic but also shows the Indian Army in a careless and unprofessional light, which is far from the truth. An emotional core that lacks substanceThe emotional conflict at the centre of the film, Vijay Menon's coldness toward his sensitive, stammering son, is not inherently weak. Many war dramas and action thrillers, including '1917', 'Saving Private Ryan', and India's own 'Border', show personal stories along with the bigger war story. But 'Sarzameen' stays too focused on just the father-son issue. Harman's journey, from a boy who just wanted his father's approval to someone who stands against the country, feels unclear and overdramatic. His reasons are not well explained, and his change doesn't touch the heart the way it (played by Kajol), the mother, is the only emotional support in the film. But sadly, even her role is limited to the same kind of emotional scenes and crying moments. This is very different from the strong and inspiring characters people usually expect from this with 'Shershaah', where even the love story served to highlight Vikram Batra's courage and conviction as a soldier. The romance was a complement to the narrative. Similarly, 'Raazi' thrived not just on Alia Bhatt's performance but on its suspenseful depiction of espionage during wartime, showing the character's bravery within a tightly-wound political the Sidharth Malhotra-starrer, even the love story in that film made Vikram Batra's bravery stand out more. The romance added to the main story, it didn't distract from it. Similarly, 'Raazi' was not just about Alia Bhatt's strong acting, but also about how well the film showed her character's courage during a tense wartime mission. Both films had solid stories that balanced emotion with action. 'Sarzameen' lacks all of that. There's no music that lingers, no standout performances that elevate weak writing, and no strong supporting cast to build a world around the protagonists. For a film set in a region as politically volatile and emotionally charged as Kashmir, the storytelling remains curiously Indian Army has been portrayed on screen with dignity, complexity, and power in several successful films. 'Sarzameen' had a great chance to show the emotional pain between generations, the sense of duty towards the nation, and the bond within a military family. But the film wasted that chance by hardly showing anything about the Army or its real of honouring the uniform, the film reduces the soldier's journey to a fractured fatherhood story with questionable realism. The Army becomes a symbolic device rather than an active the name of showing the Indian Army, it ends up being just a weak family drama, missing the strength, respect, and discipline that truly represent our soldiers.- EndsTrending Reel