Adults rocks: This share-house comedy is one for the age(s)
Adults ★★★★
At its most basic, Adults is a share-house comedy. But like the best of this admittedly niche genre, it uses that basic premise to say something much more sweeping about the time in which it emerges.
The Odd Couple had something to say about the divorce epidemic of the 1960s, and the sometimes comical efforts of grown men suddenly having to find their way in the world without women to prop them up.
The Young Ones captured the post-punk anger and early '80s austerity that was the flipside of class mobility in Thatcher's Britain. Friends had much to say about being young, single and aspirational in 1990s New York. And Girls was about the near-impossibility of making a go of life in Manhattan without the aid of a trust fund (though, really, it was about sex, drugs, career, gender, mental health, self-esteem … there was a lot of meat on them thar sitcom bones).
Loading
Which brings us to Adults, which has distinct echoes of the above – Girls and Friends, especially – but with a huge dollop of identity politics and cancel culture tossed into the mix. It doesn't skewer its twenty-something characters, but it does poke fun at their foibles and performative posturing even as it empathises with them.
It throws down a marker in its first moments, as Issa (Amita Rao) responds to the affront of a creepy middle-aged guy masturbating on the subway by doing it right back at him. Her friends are appalled, but outwardly supportive. 'She's doing this for your daughters,' one of them yells to shocked onlookers. 'I think.'
Later in the same episode, Samir (Malik Elassal) begins to fret he might be one of those men who doesn't even realise he's crossed a line in terms of unwanted sexual behaviour. So he starts checking in with exes, revelling in their reassurance he did nothing wrong, and then recoiling in horror as they remember that, actually, they were really too drunk that one time to consent, so on second thoughts maybe he is a predator after all…
Again, though, the friends are there for comfort.

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Canberra Times
13 hours ago
- Canberra Times
Aniston 'stalker' found mentally incompetent for trial
Aniston became one of television's biggest stars in her 10 years on Friends from 1994 until 2004. She won an Emmy Award for best lead actress in a comedy for the role, and she has been nominated for nine more. She currently stars in The Morning Show on Apple TV+.

The Age
2 days ago
- The Age
Adults rocks: This share-house comedy is one for the age(s)
Adults ★★★★ At its most basic, Adults is a share-house comedy. But like the best of this admittedly niche genre, it uses that basic premise to say something much more sweeping about the time in which it emerges. The Odd Couple had something to say about the divorce epidemic of the 1960s, and the sometimes comical efforts of grown men suddenly having to find their way in the world without women to prop them up. The Young Ones captured the post-punk anger and early '80s austerity that was the flipside of class mobility in Thatcher's Britain. Friends had much to say about being young, single and aspirational in 1990s New York. And Girls was about the near-impossibility of making a go of life in Manhattan without the aid of a trust fund (though, really, it was about sex, drugs, career, gender, mental health, self-esteem … there was a lot of meat on them thar sitcom bones). Loading Which brings us to Adults, which has distinct echoes of the above – Girls and Friends, especially – but with a huge dollop of identity politics and cancel culture tossed into the mix. It doesn't skewer its twenty-something characters, but it does poke fun at their foibles and performative posturing even as it empathises with them. It throws down a marker in its first moments, as Issa (Amita Rao) responds to the affront of a creepy middle-aged guy masturbating on the subway by doing it right back at him. Her friends are appalled, but outwardly supportive. 'She's doing this for your daughters,' one of them yells to shocked onlookers. 'I think.' Later in the same episode, Samir (Malik Elassal) begins to fret he might be one of those men who doesn't even realise he's crossed a line in terms of unwanted sexual behaviour. So he starts checking in with exes, revelling in their reassurance he did nothing wrong, and then recoiling in horror as they remember that, actually, they were really too drunk that one time to consent, so on second thoughts maybe he is a predator after all… Again, though, the friends are there for comfort.

Sydney Morning Herald
2 days ago
- Sydney Morning Herald
Adults rocks: This share-house comedy is one for the age(s)
Adults ★★★★ At its most basic, Adults is a share-house comedy. But like the best of this admittedly niche genre, it uses that basic premise to say something much more sweeping about the time in which it emerges. The Odd Couple had something to say about the divorce epidemic of the 1960s, and the sometimes comical efforts of grown men suddenly having to find their way in the world without women to prop them up. The Young Ones captured the post-punk anger and early '80s austerity that was the flipside of class mobility in Thatcher's Britain. Friends had much to say about being young, single and aspirational in 1990s New York. And Girls was about the near-impossibility of making a go of life in Manhattan without the aid of a trust fund (though, really, it was about sex, drugs, career, gender, mental health, self-esteem … there was a lot of meat on them thar sitcom bones). Loading Which brings us to Adults, which has distinct echoes of the above – Girls and Friends, especially – but with a huge dollop of identity politics and cancel culture tossed into the mix. It doesn't skewer its twenty-something characters, but it does poke fun at their foibles and performative posturing even as it empathises with them. It throws down a marker in its first moments, as Issa (Amita Rao) responds to the affront of a creepy middle-aged guy masturbating on the subway by doing it right back at him. Her friends are appalled, but outwardly supportive. 'She's doing this for your daughters,' one of them yells to shocked onlookers. 'I think.' Later in the same episode, Samir (Malik Elassal) begins to fret he might be one of those men who doesn't even realise he's crossed a line in terms of unwanted sexual behaviour. So he starts checking in with exes, revelling in their reassurance he did nothing wrong, and then recoiling in horror as they remember that, actually, they were really too drunk that one time to consent, so on second thoughts maybe he is a predator after all… Again, though, the friends are there for comfort.