logo
Meet Local Artist Jared Farouki

Meet Local Artist Jared Farouki

Yahoo20-03-2025
Today in our Artist Spotlight: Jared Farouki
Jeremy Rabe and Maddie Conklin visit with artist Jared Farouki about his upcoming art events.
Be sure to check out all of his events at the Creamery Arts Center.
Under the Influence, True Blue Art for Advocacy, and the Annual Art Auction.
Want to stay up to date and involved with Unscripted? Follow us on Facebook, Instagram, TikTok or click below!
Copyright 2025 Nexstar Media, Inc. All rights reserved. This material may not be published, broadcast, rewritten, or redistributed.
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Alex Katz knows when to shut up. This stunning painting proves it.
Alex Katz knows when to shut up. This stunning painting proves it.

Washington Post

time8 hours ago

  • Washington Post

Alex Katz knows when to shut up. This stunning painting proves it.

Great Works, In Focus • #196 Alex Katz knows when to shut up. This stunning painting proves it. In deceptively simple paintings, Katz squeezes more flavor and subtlety out of color than all but a handful of modern masters. Expand the image Click to zoom in Column by Sebastian Smee August 21, 2025 at 11:05 a.m. EDT 5 minutes ago 3 min Alex Katz, who turned 98 last month, paints paeans to summer. There's much more to his repertoire, of course. But anyone who has kept track of Katz's production over the past seven decades will struggle to disassociate his work from long, glittering afternoons in coastal Maine. Zinging color and painterly dash have always been Katz's strong suits. 'Good Afternoon,' a 1974 painting that hangs in the Nelson-Atkins Museum of Art in Kansas City, Missouri, builds on a harmony of blue and green that's as eye-flushing and fresh as on the good afternoon when Katz put down his brushes, having concluded (earlier than most painters, you suspect) that it was finished. Story continues below advertisement Advertisement Borrowing from the idioms of movie close-ups and fashion illustration, Katz squeezes more flavor and subtlety out of color than all but a handful of modern masters. The water here is a uniform field, utterly unruffled, taking up most of the picture. Its drenching turquoise sits on the color spectrum between the blue stripes of the paddler's T-shirt and the stretched green band of distant hills and tufted trees. The way Katz differentiates the reflection of things from the things themselves here is brilliant: He slightly darkens the hue of the canoe's reflection, and then, with a cartoonist's efficiency, simply interrupts the outlines of the reflected boat, oar, arm and hat with a few small, horizontal tears. Katz first took to painting outside in the landscape during a spell at Maine's Skowhegan School of Painting and Sculpture in the late 1940s. He liked to paint briskly. He didn't fuss over things. 'It was a kick, it was a real blast,' he remembered. 'It was like feeling lust for the first time.' In 1954, he and two fellow painters took a summer place in Lincolnville, on the coast. 'Being able to see the Maine light,' he explained, 'helped me separate myself from European painting and find my own eyes.' There's something almost Nabokovian — and never sentimental — in the way Katz distills fleeting visuals into abiding, revivified memory sensations. If pleasure were less a feeling than an empirical entity — something palpable that could be pointed at, conserved, perhaps even measured — Katz would be its loyal keeper. Story continues below advertisement Advertisement His work makes me think about the question of finish and how, exactly, it relates to the creative ordeal of beginning. In an era of visual onslaught, and maximum, digitally enabled elaboration, his eye for distillation often points to a refusal even to begin to describe phenomena — like waves or ripples, for instance — that most other artists wouldn't think to omit. This restraint can give his work the charismatic power of an orator who steps to the lectern, then declines to speak. In fact, I often imagine his loaded brush hovering an inch from the canvas, contemplating whether to mark in a few wavelets around the oar, then quietly, silently withdrawing.

Paula Deen reveals she nearly died ‘of a broken heart' in rare TV appearance after scandal
Paula Deen reveals she nearly died ‘of a broken heart' in rare TV appearance after scandal

New York Post

time9 hours ago

  • New York Post

Paula Deen reveals she nearly died ‘of a broken heart' in rare TV appearance after scandal

Paula Deen is ready to share her story. The former Food Network star, 78, appeared on 'Fox and Friends' Wednesday to discuss some of the lowest points in her life, including her agoraphobia battle and her 2013 racism scandal that tarnished her career, ahead of her documentary that comes out next month. 'Let me tell you something, Steve. I thought I was going to die of a broken heart,' she told host Steve Doocy at her Savannah, Georgia home. 'And I said I couldn't let myself fall back into that terrible [agoraphobia].' Advertisement 7 Paula Deen on 'Fox and Friends' on August 20. FOX News 7 Steve Doocy interviewing Paula Deen for Fox. FOX News 'But I had, like, 5 and a half, 6 million people come in on my Facebook and put their arms around me,' Deen added. 'And without y'all, I would not have survived.' Advertisement The celebrity chef explained that she self-diagnosed herself with agoraphobia — an anxiety disorder characterized by a fear of situations where escape might be difficult — after she watched an episode of 'The Phil Donahue Show.' 7 Paula Deen appears on 'Today' in 2013. NBCU Photo Bank/NBCUniversal via Getty Images 'I considered what I would call a functioning sometimes-agoraphobic,' she shared. 'You're so afraid someone's going to hurt you.' 'I had lost my daddy when he was just 40. He was the star of my life,' Deen went on. 'And then my mother, my best friend, I lost her at 44, four years later. I had a 16-year-old brother to try to finish raising and I had two babies under 3.' Advertisement But after dealing with agoraphobia for 20 years, Deen eventually had an epiphany that helped her overcome the anxiety. 7 Paula Deen attends Hallmark's 'Home and Family' at Universal Studios Hollywood in 2017. Getty Images 'The Serenity Prayer went through my head, and I said, 'Girl, you are so stupid. That's what you're supposed to be asking God for, to be able to accept the serenity to accept the things you couldn't change, the courage to change the things that you could, and dear lord, please give me the sense to know the difference between those two things,'' she said. 7 Paula Deen at the 2011 Tournament of Roses in Pasadena, California. Getty Images Advertisement Deen has barely been on television since the scandal that occurred 12 years ago. The Food Network canceled Deen's show in 2013 amid fallout from a lawsuit by a former employee. A transcript of Deen answering questions under oath in a legal deposition became public, which revealed she had used the N-word. Deen's career has not been the same since the scandal. Earlier this month, she announced the closure of her Savannah restaurant The Lady & Sons that launched her into fame. 7 Paula Deen during her Thanksgiving special in 2005. 7 Paula Deen attends the EVINE Live launch event in New York in 2015. Andy Kropa /Invision/AP The cookbook author will be discussing her racism controversy and more in her upcoming documentary 'Canceled: The Paula Deen Story,' which premieres at the Toronto Film Festival in September. Directed by Billy Corben, the film 'explores what it means when we build up celebrities and then tear them down,' according to TIFF's website. 'You may think you know the story of Paula Deen, but Corben uncovers perspectives and gradations that complicate anyone's hot take,' the description adds.

The Makers of ‘BoJack Horseman' Take Family Matters by the Reins
The Makers of ‘BoJack Horseman' Take Family Matters by the Reins

New York Times

time14 hours ago

  • New York Times

The Makers of ‘BoJack Horseman' Take Family Matters by the Reins

On a recent visit to the Hammer Museum in Los Angeles, Raphael Bob-Waksberg, the creator and showrunner of the Netflix animated series 'BoJack Horseman,' was staring quizzically at a glass-and-concrete art piece titled 'Slab Foundation With Glass Opening #2.' 'I'm interested in the art in the glass part of it, but I find the rest of it a little opaque,' he told the cartoonist and former 'BoJack' production designer Lisa Hanawalt, who was hanging out with him that day. 'I want to touch this so bad,' she said. 'Well, just go outside and touch the sidewalk,' Bob-Waksberg replied. 'I touched a Monet once,' she answered. 'It looked so touchable that I just walked up and went, boop. And everyone was like, 'Nooo!'' 'I don't regret it,' she continued. 'It was worth it just to feel how chunky it was.' Longtime collaborators, though still in their early 40s, their latest effort is 'Long Story Short,' a Netflix animated series about the Schwoopers, a dysfunctional family of five living in Northern California. Premiering on Friday, the series is Bob-Waksberg's first solo creation since 'BoJack,' with original art by Hanawalt, the show's supervising producer. The voice cast features several 'BoJack' alumni, including Lisa Edelstein ('House') as the family matriarch and Abbi Jacobson ('Broad City') as Shira Schwooper, the middle sibling. Want all of The Times? Subscribe.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store