Merpire — Milk Pool
Armed with a natural gift for hooky indie-rock that's emotive, memorable and comfortable, her songs are often playful yet mature, capable of tension and tenderness, and very relatable.
Observe how she renders the simultaneous thrill and fear of a crush that develops into something serious in three unique ways across the album's opening triptych — easily some of the Melbourne/Naarm artist's strongest material to date.
'Leaving With You' instantly snares you with its grunge-laced, earwormy riff and killer chorus:
'I only stay in the hope of leaving with you I run away with the thought of it coming true'
Following that strong opener, 'Premonition' rewires similar feelings into sensual synths and gorgeously restrained atmosphere. 'When we hug/And f**k around/I get a premonition' , Merpire sings, twisting the expletive into a magically melismatic flourish.
She's called it her "horniest song" yet, but then along comes 'Bigger' and its saucy chorus regarding fingers in mouths and rebuffing of romantic advances "going south". The vivid lyrics are perfectly pitched against catchy melodies and full-band groove that's fun rather than merely flirtatious.
'Fishing' is a charismatic, crunchy ode to community, specifically the local music scene in which Merpire (real name Rhiannon Atkinson-Howatt) is firmly planted.
Her roots spread from co-founding successful COVID-era streaming series ISOL-AID, to being one half of indie-pop duo Wilson's Prom, and opening shows for the likes of Fanning Dempsey National Park, Magic Dirt, Ball Park Music, and more.
Milkpool takes a darker turn on the elegantly brooding 'Rosanna', which captures the fatalism of a disintegrating relationship with understated plucks and moody keyboards. ' No matter how good we get, I think we're in trouble' , Merpire laments, her vocals eventually digitally fractured against restless drums and wiry guitars.
Meanwhile, the introspective, acoustic 'Cinnamon' demonstrates her songwriting is just as effective when working with just a few key ingredients. Back-to-back, these tracks show how Merpire has developed from Simulation Ride .
She's now as confident leaning into bigger, more layered arrangements — alongside co-producer James Seymour — as she is paring back, such as the raw closer 'You Are Loved' where the scrapes of acoustic strings cuts as sharply as her yearning refrain of ' I am trying to remember I can be loved '.
Late album stand-out 'Internet' is a tender, piano-led number where the lovestruck singer punches questions into a search engine — both banal and profound. Between the song's blooming dynamics nestles a canny interrogation of how being online risks eroding meaningful connection: ' Wait … don't worry, my algorithm's working this one out.'
It's a great example of how the album smartly tows the line between serious and humorous. After all, Milkpool is named in honour of Merpire trusting her artistic instincts while wading into the unknown. And a classic joke from The Simpsons.
These 11 tracks possess immediate charm, but the more time you spend with them, the more their sincere takes on familiar subjects — love, lust, self-worth — reveal themselves to be unique.
Fans of Mitski and Japanese Breakfast will find plenty to love about Milkpool, which makes a convincing case for enshrining Merpire in a lineage of talented homegrown artists, from Courtney Barnett and Julia Jacklin to Angie McMahon and good friend Ruby Gill.
Milk Pool is out now. Catch Merpire at the following dates:
Friday August 15— Junk Bar: Turrbal Jagera Land, Brisbane
Saturday August 16 — Lazy Thinking: Gadigal Land, Sydney
Sunday August 17 — Smiths Alternative: Ngunnawal, Canberra
Thursday August 21 — Merri Creek Tavern: Wurundjeri Woi Wurrung, Melbourne (sold out)
Thurs August 28 — Merri Creek Tavern: Wurundjeri Woi Wurrung, Melbourne (sold out)
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