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In photos: St. Patrick's Day brings boisterous parades and celebrations around the world

In photos: St. Patrick's Day brings boisterous parades and celebrations around the world

Globe and Mail17-03-2025

St. Patrick's Day, the annual celebration of all things Irish, is being marked in cities around the world on Monday with boisterous parades and celebrations.
Revellers during the annual St Patrick's Day parade in Dublin, Ireland. PAUL FAITH/AFP/Getty Images
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Members of Bowling Green State University's Falcon Marching Band take part in the St. Patrick's Day parade in Dublin, Ireland. Clodagh Kilcoyne/Reuters
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Britain's Kate, the Princess of Wales, pats the Irish Guards' Mascot dog Turlough Mor at Wellington Barracks in London. Kirsty Wigglesworth/The Associated Press
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Medals and a traditional sprig of shamrock on the uniform of an Irish guard during the St Patrick's Day Parade in London. ADRIAN DENNIS/AFP/Getty Images
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People enjoy St Patrick's Day at the famous The Quiet Man Irish Pub in the Melbourne suburb of Flemington, Australia. WILLIAM WEST/AFP/Getty Images
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Lord Mayor of Belfast Micky Murray takes part in the St Patrick's Day Parade in Belfast. Liam McBurney/The Associated Press
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People participate in Montreal's Saint Patrick's Day Parade in Montreal, Canada, on March 16, 2025. ANDREJ IVANOV/AFP/Getty Images
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A reveller wearing a costume gestures in front of members of the Irish Army, ahead of the St. Patrick's Day parade in Dublin. Clodagh Kilcoyne/Reuters
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Prime Minister Mark Carney greets people as he attends the 200th St. Patrick's Day Parade in Montreal March 16, 2025. Peter McCabe/Reuters
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People participate in Montreal's Saint Patrick's Day Parade in Montreal, Canada, on March 16, 2025. ANDREJ IVANOV/AFP/Getty Images
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Revellers gesture from a window as they watch the St. Patrick's Day parade in Dublin, Ireland. Clodagh Kilcoyne/Reuters
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Revellers dressed in costumes pose for pictures ahead of the St. Patrick's Day parade in Dublin, Ireland. Clodagh Kilcoyne/Reuters
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Members of street performance group Macnas take part in the St. Patrick's Day parade in Dublin, Ireland. Clodagh Kilcoyne/Reuters
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Children watch the St. Patrick's Day parade in Dublin, Ireland March 17, 2025. REUTERS/Clodagh Kilcoyne Clodagh Kilcoyne/Reuters
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Marching band members gather ahead of the St. Patrick's Day parade in Dublin, Ireland. Clodagh Kilcoyne/Reuters
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Participants attend Dublin's St Patrick's Day Parade in Ireland.16 of 18
A reveller poses ahead of the St. Patrick's Day parade in Dublin, Ireland. Clodagh Kilcoyne/Reuters
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Revellers pose for a photograph during the annual St Patrick's Day parade in Dublin. PAUL FAITH/AFP/Getty Images
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Japan's Oscar-winning anime house Studio Ghibli turns 40 this month
Japan's Oscar-winning anime house Studio Ghibli turns 40 this month

Canada Standard

timea day ago

  • Canada Standard

Japan's Oscar-winning anime house Studio Ghibli turns 40 this month

The two-time Oscar winning Japanese Studio Ghibli that has won fans of different generations with complex plots and hand-drawn animation turns 40 this month. With animations like "Spirited Away" and "The Boy and the Heron", theanime house has become a cultural phenomenon since Miyazaki and the late Isao Takahata established it in 1985. Japan's Studio Ghibli turns 40 this month with two Oscars and legions of fans young and old won over by its complex plots and fantastical hand-drawn animation. But the future is uncertain, with latest hit "The Boy and the Heron" likely -- but not certainly -- the final feature from celebrated co-founder Hayao Miyazaki, now 84. The studio behind the Oscar-winning "Spirited Away" has become a cultural phenomenon since Miyazaki and the late Isao Takahata established it in 1985. 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Whiff of death Before Ghibli, most cartoons in Japan -- known as anime -- were made for children. But Miyazaki and Takahata, both from "the generation that knew war", included darker elements that appeal to adults, Miyazaki's son Goro told AFP. "It's not all sweet -- there's also a bitterness and things like that which are beautifully intertwined in the work," he said, describing a "whiff of death" in the films. For younger people who grew up in peacetime, "it is impossible to create something with the same sense, approach and attitude", Goro said. Even "My Neighbor Totoro", with its cuddly forest creatures, is in some ways a "scary" movie that explores the fear of losing a sick mother, he explained. Susan Napier, a professor at Tufts University in the United States and author of "Miyazakiworld: A Life in Art", agrees. "In Ghibli, you have ambiguity, complexity and also a willingness to see that the darkness and light often go together" unlike good-versus-evil US cartoons, she said. The post-apocalyptic "Nausicaa of the Valley of the Wind" -- considered the first Ghibli film despite its release in 1984 -- has no obvious villain, for example. The movie featuring an independent princess curious about giant insects and a poisonous forest felt "so fresh" and a change from "a passive woman... having to be rescued", Napier said. Natural world Studio Ghibli films also depict a universe where humans connect deeply with nature and the spirit world. A case in point was 1997's "Princess Mononoke", distributed internationally byDisney. The tale of a girl raised by a wolf goddess in a forest threatened by humans is "a masterpiece -- but a hard movie", Napier said. It's a "serious, dark and violent" film appreciated more by adults, which "was not what US audiences had anticipated with a movie about a princess". Ghibli films "have an environmentalist and animistic side, which I think is very appropriate for the contemporary world with climate change", she added. Miyuki Yonemura, a professor at Japan's Senshu University who studies cultural theories on animation, said watching Ghibli movies is like reading literature. "That's why some children watch Totoro 40 times," she said, adding that audiences "discover something new every time". French connection Miyazaki and Takahata -- who died in 2018 -- could create imaginative worlds because of their openness to other cultures, Yonemura said. Foreign influences included writer Antoine de Saint-Exupery and animator Paul Grimault, both French, and Canadian artist Frederic Back, who won an Oscar for his animation "The Man Who Planted Trees". Takahata studying French literature at university "was a big factor", Yonemura said. "Both Miyazaki and Takahata read a lot," she said. "That's a big reason why they excel at writing scripts and creating stories." Miyazaki has said he was inspired by several books for "Nausicaa", including the 12th-century Japanese tale "The Lady who Loved Insects", and Greek mythology. Studio Ghibli will not be the same after Miyazaki stops creating animation, "unless similar talent emerges", Yonemura said. Miyazaki is "a fantastic artist with such a visual imagination" while both he and Takahata were "politically progressive", Napier said. "The more I study, the more I realise this was a unique cultural moment," she said. "It's so widely loved that I think it will carry on," said Ghibli fan Divall. "As long as it doesn't lose its beauty, as long as it carries on the amount of effort, care and love," she said. Originally published on France24

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