
How a 24-hour livestream of moose migrating became a Swedish TV sensation
Before Swedish slow TV hit 'The Great Moose Migration' began airing Tuesday, Ulla Malmgren stocked up on coffee and prepared meals so she doesn't miss a moment of the 20-day, 24-hour event.
'Sleep? Forget it. I don't sleep,' she said.
Malmgren, 62, isn't alone. The show, called ' Den stora älgvandringen ' in Swedish, and sometimes translated as 'The Great Elk Trek' in English, began in 2019 with nearly a million people watching. In 2024, the production hit 9 million viewers on SVT Play, the streaming platform for national broadcaster SVT.
The livestream kicked off a week ahead of schedule due to warm weather and early moose movement. Malmgren was ready.
From now until May 4, the livestream's remote cameras will capture dozens of moose as they swim across the Ångerman River, some 300 kilometers (187 miles) northwest of Stockholm, in the annual spring migration toward summer grazing pastures.
Not much happens for hours at a time, and fans say that's the beauty of it.
'I feel relaxed, but at the same time I'm like, 'Oh, there's a moose. Oh, what if there's a moose? I can't go to the toilet!'' said William Garp Liljefors, 20, who has collected more than 150 moose plush toys since 2020.
'The Great Moose Migration' is part of a trend that began in 2009 with Norwegian public broadcaster NRK's minute-by-minute airing of a seven-hour train trip across the southern part of the country.
The slow TV style of programming has spread, with productions in the United Kingdom, China and elsewhere. The central Dutch city of Utrecht, for example, installed a ' fish doorbell' on a river lock that lets livestream viewers alert authorities to fish being held up as they migrate to spawning grounds.
Annette Hill, a professor of media and communications at Jönköping University in Sweden, said slow TV has roots in reality television but lacks the staging and therefore feels more authentic for viewers. The productions allow the audience to relax and watch the journey unfold.
'It became, in a strange way, gripping because nothing catastrophic is happening, nothing spectacular is happening,' she said. 'But something very beautiful is happening in that minute-by-minute moment.'
As an expert and a fan of 'The Great Moose Migration,' Hill said the livestream helps her slow down her day by following the natural rhythms of spring.
'This is definitely a moment to have a calm, atmospheric setting in my own home, and I really appreciate it,' she said.
The calming effect extends to the crew, according to Johan Erhag, SVT's project manager for 'The Great Moose Migration.'
'Everyone who works with it goes down in their normal stress,' he said.
The moose have walked the route for thousands of years, making it easy for the crew to know where to lay some 20,000 meters (almost 12 miles) of cable and position 26 remote cameras and seven night cameras. A drone is also used.
The crew of up to 15 people works out of SVT's control room in Umeå, producing the show at a distance to avoid interfering with the migration.
SVT won't say how much the production costs, but Erhag said it's cheap when accounting for the 506 hours of footage aired last year.
Erhag said Swedes have always been fascinated by the roughly 300,000 moose roaming in their woods. The Scandinavian country's largest animal is known as 'King of the Forest.' A bull moose can reach 210 centimeters (6 feet 10 inches) at shoulder height and weigh 450 kilograms (992 pounds).
Despite their size, the herbivores are typically shy and solitary.
'We actually don't see it very often. You often see it when you're out driving maybe once or twice in your life,' Erhag said. 'I think that's one thing why it has been so, so popular. And then you bring in the nature to everyone's living room.'
Hanna Sandberg, 36, first began watching the show in 2019, though she didn't spot any moose. She tuned in the following year, finally saw some and got hooked.
'You can watch them and be a part of their natural habitat in a way that you could never be otherwise,' she said.
After hours of showing an empty forest, a camera captures footage of a moose approaching the riverbank. Suddenly, slow TV turns urgent.
The push alert hits SVT's app — 'Första älgarna i bild!' which translates to 'First moose on camera!' — as viewers worldwide tune in. The livestream's chat explodes as commenters type encouragement for the animal, now making its way into the water.
'I would actually like to be a little fly on the wall in every household that watches the moose migration. Because I think there is about a million people saying about the same thing: 'Go on! Yes, you can do it!'' Malmgren said.
Mega-fans like Malmgren, who is in a Facebook group of 76,000-plus viewers, are committed to watching as many hours as possible. Some viewers on Tuesday posted photos of their dogs and cats staring at their televisions, enthralled by the moose on the screen.
'I was late to school because I saw moose and my teacher was like, 'What, you saw moose in the city?' And I was like, 'No, it's on the TV,'' Garp Liljefors said ahead of Tuesday's showing.
Malmgren said friends and family have learned not to bother her when the moose are on the move.
'When someone asks me, 'What are you doing? Oh, never mind, it's the great migration,'' she said. 'They know.'
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Forbes
27 minutes ago
- Forbes
Bad Company Was Just Inducted Into The RRHOF. Paul Rodgers' Thoughts
English musician Paul Rodgers, of Bad Company, at Madison Square Garden, New York, NY, June 29, 1979. Also visible is band member Simon Kirke on drums. (Photo by) Paul Rodgers has a distinctive voice. Many classic rockers remember him from the 1970 hit, "All Right Now," by Free. He also sang for Queen after Freddie Mercury died, and fronted the super-group, The Firm, with Led Zeppelin guitarist Jimmy Page. But it is Rodgers' work with Bad Company that recently earned him a place in the Rock & Roll Hall Of Fame. We spoke with the 75-year-old last month about his RRHOF accolade and other things music, including his work with Adopt The Arts, a program designed to give students a real-world music experience beyond the classroom. Despite having had a number of strokes - the first of which was in 2016 - Rodgers still performs and was quite animated during our interview. His longtime wife, Cynthia Kereluk, was also on the phone call. Following are edited excerpts from a longer conversation. This is Part 1 of a multi-part interview series with Rodgers. Jim Clash: Were you surprised when you finally made it to the RRHOF? Paul Rodgers: Surprised? I don't know. The fans had been wanting it for a long time. We're very philosophical about it. We said, "Well, whatever." As long as we were making good music was the important thing. It's good timing for Bad Company, though, because [guitarist] Mick [Ralphs] is still with us, although he can't physically be there [at the induction ceremony]. Believe it or not, there's a "tribute to Bad Company" album coming out. It hasn't been released yet - it will be in the Fall - but it has lots of great musicians covering our songs. UNSPECIFIED - JOHN PEEL, JOHN PEEL RADIO ONE DISC JOCKEY, NOVEMBER 1, 1998 (Photo by Andrew Buurman/Redferns) Clash: Let's go back. Do you remember the first time you heard yourself on the radio? Rodgers: It was "All Right Now," I think, and I still get a thrill when I hear it played. I believe I was at my sister Tina's house. John Peel, a BBC DJ at the time, had a radio show [Peel Sessions], and we went in and recorded three or four songs for it. One was, "Walk In My Shadows," one I co-wrote. I did know the songs were going to be on the radio, though, so it wasn't really a surprise. Clash: I've always been curious about the band's name and your first hit - both are called Bad Company. Which came first, the band name or the tune? Rodgers: I started to write the song at my cottage in England. It's a real western kind of thing, but written in the heart of the English countryside. But there we are [laughs]. A number of things happened at the same time. [Drummer] Simon [Kirke] came round to help me with the lyrics. At the same moment, I called Mick and said to him, "Bad Company," and he said, "That's it, the name of the band!" I said "Well, that's actually a song," to which he replied, "No, no, we have to call the band Bad Company." And that's what we did. So really, the song came first. Ginger Baker (left) and Eric Clapton of sixties rock supergroup Cream, at a reunion concert, Royal Albert Hall, London, 5th May 2005. (Photo by Graham Wiltshire/) Clash: What are your thoughts on the super-group Cream and, in particular, drummer Ginger Baker. They were a little ahead of your time. Rodgers: I remember seeing Cream in Northeast England, just outside of Middlesbrough. They hadn't exploded on the scene yet, and were just grooving. I was 14, and stood right in front of the stage while Ginger did his solo. Fantastic! I also saw [Eric] Clapton lean over and say, "Get on with it, man' [laughs]. Clash: You are part of Adopt The Arts, a music program for kids. You helped some music students, The Changels honor choir, record one of your songs, "Rock & Roll Fantasy." Why pick that particular organization to devote your time to? Rodgers: It was a joy to help and become involved with kids. It was almost impossible to refuse. Some are from economically challenged families, and I can identify with that. We weren't very well off growing up. It was a bit of a struggle. It only takes a word or two to inspire people, especially with music. It's such a rewarding experience spiritually. In fact, you can actually make a living at it [laughs]. I gave them each a $20 bill after we finished recording, and their faces lit up. I told them they were now professional musicians because they had been paid [laughs]. (MANDATORY CREDIT) UNITED STATES - JANUARY 01: USA Photo of ROCK 'N' ROLL HALL OF FAME (Photo by Ebet Roberts/Redferns) Clash: Can you give me a funny anecdote from one of your tours? Rodgers: There are so many. You put me on the spot [laughs]. This is more a beautiful thing than a funny one. We were playing in Spain to a really fantastic crowd. There were four girls standing at the front of the stage so into the music. I tried to make eye contact with them, and just could not do it. Afterwards, I walked out to the crowd outside, and these girls were there. It turns out that they were blind! I spoke to them, held their hands and hugged them. All of the people around clapped, as they obviously knew that the girls were blind. It was beautiful.


Boston Globe
an hour ago
- Boston Globe
He launched modern conservatism, but what do we really know about William F. Buckley?
The sixth of 10 children born to a self-made Texan oilman and his wife, a New Orleans patrician and ardent Anglophobe, Buckley spent his early years abroad until the clan settled into a Connecticut estate, Great Elm, tended to by a retinue of servants. He later claimed he spoke Spanish and French before English; his trademark lockjaws blended Romance inflections with a Southern drawl inherited from his parents, and elocution lessons. Get Starting Point A guide through the most important stories of the morning, delivered Monday through Friday. Enter Email Sign Up Related : Throughout the Roaring Twenties William F. Buckley Sr, or Will, raked in a fortune on Wall Street, diversifying his portfolio wisely; the family navigated the Depression in suburban comfort. A skinny, sickly boy with a passion for music, Bill stood out with his gift for gab and yen for combative debate. The Buckleys were adamant isolationists, anti-New Deal, scorning financial regulations and programs for the poor. Bill followed his older brothers to Millbrook, a boarding school, then a stint in the military at the tail end of World War II, which entrenched his commitment to caste. At Yale he soared as scholar and impresario, a quick study. 'Those who got to know Buckley noticed the disjunction between Buckley the ideologue and Buckley the friend,' Tanenhaus notes. 'He was unsparing in debate, harsh, even malicious, but during those contests 'he got rid of all his aggressions, said a classmate. And what was left over, among friends, was very mellow.'' Advertisement From these opening chapters the narrative flows briskly: Tanenhaus streamlines decades of research and interviews, punctuated by episodes such as Bill's courtship of Vancouver heiress Pat Taylor: taller (in heels), wealthier, and more right-wing than her husband, the Anglican queen to his Catholic king. The author's account of their extravagant wedding carries a whiff of the society columnist, dutifully chronicling the soirées that bookended the ceremony. Their son Christopher, born in 1952, rounded out the family. Journalism beckoned: in 1955 Buckley debuted the National Review, a weekly free-markets doppelganger to the Communist-adjacent Partisan Review and forum for exchanges on government, economics, foreign policy, and what the founder envisioned as the voice for a proper hierarchy. As befits a former editor of the New York Times Book Review, Tanenhaus meticulously depicts the high tide of postwar print reportage, writers poised for celebrity, ready for their close-ups — Buckley protégés like The lavish set pieces are all there, familiar yet graced with fresh insights: Buckley's espousal of Related : Advertisement The Kennedy administration offered novel assaults on liberalism. The reactionary Buckleys mirrored the progressive Massachusetts dynasty — Wall Street tycoons as patriarchs, a rough-and-tumble household, heated discourse on global events — but with conflicting views on public service. (Bill was just four days younger than Robert F. Kennedy, a champion of racial equality.) When the Republican center of gravity migrated toward the Sun Belt, Buckley embraced Barry Goldwater, sensing the Arizona maverick was shifting the Overton Window. Those Great Elm affectations did not always fit amid a party whose emerging power brokers tried to connect with middle- and working-class white voters. As Tanenhaus writes, 'Bill Buckley had been a great figure. But that time had passed. A new ideological battle was forming — rather, a new cultural battle' among the ranks of the GOP, the genteel National Review 'outmoded,' 'Blue Bloods' receding before 'Blue Collars.' Yet this realignment presented unexpected opportunities for the ruling caste, 'through pro-business policies of deregulation and reduced corporate taxes.' Advertisement Tanenhaus's Buckley is less an ironclad ideologue than a professional contrarian, performative to his core. His beliefs evolved; after the Six-Day War he walked back overt antisemitism, for instance, and fervidly advocated for Israel. Clear-eyed about its protagonist's merits and moral defects, 'Buckley' is, of course, a biography not just of a prominent influencer but also of a potent movement, fomented in both National Journal and Bill's long-running PBS show, Firing Line, a precursor to podcasts . He remained vigorous until his death in 2008, and if alive today would no doubt opine fulsomely on divisive issues, as Tanenhaus links the Cold War's disinformation campaigns with social media, Buckley's brand of blacklists and censorship with the current pall over prestigious institutions such as Yale, Harvard, and Columbia. Related : At his best Buckley was an audacious provocateur, a shock to a complacent system; yet his story is incomplete without the rancor he spread like gospel. Tanenhaus is fair to this complicated pundit — more than fair — and the payoff is worth it. 'Buckley' is a milestone contribution to our understanding of the American Century. BUCKLEY: The Life and the Revolution That Changed America By Sam Tanenhaus Random House, 1,040 pages, $40 Hamilton Cain is a book critic and the author of a memoir, 'This Boy's Faith: Notes from a Southern Baptist Upbringing.'
Yahoo
an hour ago
- Yahoo
8 Hidden Gem Towns in Europe Where You Can Live for $3K a Month or Less
If you're looking to live affordably in Europe, you may have to venture slightly off the beaten path. There are many hidden gem towns throughout the continent that bring plenty of charm, while also possessing all the infrastructure needed to live a comfortable life — with a cost of living that's lower than many places in the U.S. Explore More: Read Next: A new International Living report identified a few of the lesser-known European towns where expats can live well for less than $3,000 a month. Enjoy the French Riviera lifestyle in this area located between Nice and Monaco. The highly walkable town boasts plenty of cultural activities, from concerts to art exhibitions and a thriving cafe culture. Rent starts at around $1,500, so a couple can live comfortably here for about $3,000 a month. Find Out: Another area along the Côte d'Azur, Toulon is a sunny port town that offers waterfront living, amazing weather and plenty of gourmet food options. Two-bedroom apartments rent for as little as $950, and a couple can live quite well for $2,800 a month. This quiet coastal town in northern Portugal is ideal for those looking for a more laidback lifestyle. Esposende is highly walkable and has plenty of history, and there are many outdoor activities available to keep you busy, from horseback riding to playing a round of golf. Rent for a two-bedroom ranges from $872 to $1,090 per month, so you can live comfortably for under $3,000. Boasting a mix of historic and contemporary culture, Guimarães has a little something for everyone. Its town center is a UNESCO heritage site, but it's also home to modern cafés, restaurants and boutiques. Located just 40 minutes from Porto, Guimarães is an idyllic place to live on a budget — a couple can live comfortably for just $1,800 a month. Located in northern Portugal, Santo Tirso is best known for its 10th-century monastery and public gardens. Although English isn't widely spoken, you can feel right at home here if you're looking for a more serene, nature-filled place to live. Furnished one-bedroom apartments rent for around $925 a month. This walkable city provides ample green spaces and a lively cultural scene. It's also easy to get to Porto and Lisbon from Famalicão thanks to its strong transportation infrastructure. You can buy a one-bedroom for as little as $179,000, or if you prefer a rental, you can find a spacious four-bedroom rental for around $1,500 a month. Litochoro, a village with a population of 7,000, is located between the Aegean Sea and Mount Olympus. It's a great place to live for those who love to hike and are seeking a mild climate. Two-bedroom rentals cost around $270 to $380 per month, and you can get a meal at a local taverna for just $11 to $16. Located in the center of Italy, this city is actually older than Rome. Its historic center is a great sight to be seen, as it's made entirely from travertine stone. There's no shortage of things to do within Ascoli Piceno, but if you want to get away, it's a short distance from both Adriatic beaches and the Apennine Mountains. You can rent a two-bedroom apartment in the city center for $650 to $1,200 per month and live comfortably from around $2,000 a month total. More From GOBankingRates Mark Cuban Says Trump's Executive Order To Lower Medication Costs Has a 'Real Shot' -- Here's Why Here's the Minimum Salary Required To Be Considered Upper Class in 2025 This article originally appeared on 8 Hidden Gem Towns in Europe Where You Can Live for $3K a Month or Less