logo
Emma Raducanu reveals how she feels about Carlos Alcaraz dating rumours ahead of hotly anticipated Mixed Doubles pairing - and what she thought of bizarre Cam Norrie romance question

Emma Raducanu reveals how she feels about Carlos Alcaraz dating rumours ahead of hotly anticipated Mixed Doubles pairing - and what she thought of bizarre Cam Norrie romance question

Daily Mail​a day ago
Emma Raducanu has revealed her bemusement at scrutiny into her her dating life, following speculation linking her to Carlos Alcaraz and a bizarre question at Wimbledon.
Rumours of a potential romance with Alcaraz had been sparked earlier this summer when the pair had been confirmed as mixed doubles partners in a revamped competition at the US Open, which will begin next week.
The British star had then been spotted spotting Alcaraz at Queen's in June, with the grass-court tournament building up towards Wimbledon.
Alcaraz's confirmation as an ambassador of Evian, who a long-term partner of Raducanu, led to the British No 1 being asked about the rumours ahead of Wimbledon.
Raducanu had attempted to end the speculation by insisting that they were just 'good friends'.
Speaking ahead of the US Open, where Raducanu shot to fame by winning the 2021 event as a qualifier, she expressed her surprise at the desire to find out about her dating life.
The British star was the subject of romance rumours with Carlos Alcaraz over the summer
Rumours had intensified after Raducanu watched Alcaraz at Queen's after their mixed doubles pairing at the US Open had been announced
'I guess I'm like, it comes with the territory, people being so curious,' Raducanu told the Guardian.
'I think they're more curious about this news than any tennis results and tennis news.
'But I just keep myself to myself, my private life to one side.
'It's always funny when people try to find something out, but I try not to read into it so much.'
The scrutiny on Raducanu's dating life had reached a bizarre level when fellow British star Cameron Norrie had been asked about a possible romance between the pair during Wimbledon.
A journalist had asked Norrie: 'Aside from the fact that everyone here loves tennis, there are some rumors circulating about Emma Raducanu's relationship. May I ask if you're with her? Can we clear this up, please?'
The bemused star, who has a long-term partner, appeared shocked and replied 'Sorry?'
The journalist then said 'I'm trying to find out who Emma Raducanu is dating. It seems to be a topic among the men's draw. I was wondering if you're dating her?'
Norrie responded 'No, I'm not dating her. You can ask her', with the visibly frustrated star seen shaking his head following the question.
When broached about the question for the first time, Raducanu reportedly laughed before stating 'That was terrible, terrible'.
On the court, Raducanu has shown impressive form in the build-up to the US Open later this month.
She reached the semi-finals of the Canadian Open and this week suffered an agonising three set defeat to current women's world No 1 Aryna Sabalenka at the Cincinnati Open.
Her recent climb to 33rd in the world rankings could be enough to see Raducanu earn a seeding for the US Open women's singles event.
Raducanu, however, is currently due to first feature in the $1million mixed doubles competition alongside Alcaraz.
The 22-year-old had previously explained to Daily Mail Sport that her friendship with Alcaraz, a five-time Grand Slam champion, had stemmed from the pair growing up on tour together.
'He's so nice, very happy, amazing values and just a really positive light to be around,' said Raducanu.
'I've known him for years. Wimbledon 2021 was the first time I started getting to know him. He was always playing the day before me, I would see him win and then I would have motivation to win and get myself into that position too.
The British No 1 has shown impressive signs ahead of the US Open, where she triumphed in 2021
'It was really cool to go through that tournament together and then I kept going through the US Open, we were staying in touch for the whole time and, yeah, it's nice.
'We have a good relationship still. He's obviously overtaken me a lot, but it's nice that we have that from a while ago.
'I think, for all of us, we really value those connections we had from when we were young.
'When you become a bit more known or more successful, you find yourself reverting back people you knew from a young age because you're like, that's a real genuine connection.
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

How scary can theatre really be? My horror marathon in search of stage frights
How scary can theatre really be? My horror marathon in search of stage frights

The Guardian

time16 minutes ago

  • The Guardian

How scary can theatre really be? My horror marathon in search of stage frights

I am a wimp. When my friends used to gather to screech over horror movies after school, I would sit watching Countdown with one of their mums until it was over. I had to watch The Blair Witch Project with all the lights on and I never got through the opening scene of The Ring. But when it comes to horror on stage, I've rarely been fazed. Bar the odd jump scare, how scary can theatre really be? I set out to find out by watching a full day of horror shows at the Edinburgh fringe. I start off gently with Elysium, a winding eat-the-rich tale told through lilting song. The gated community of Elysium Court is designed to keep the riff-raff out, but the inhabitants should be more worried about what they're locking in. With the air of two friends casually making music in their garage, Milly Blue and Jessie Maryon Davies of Ghouls Aloud unpack the concept that exclusivity equals safety, watching from a distance as the containment crushes everyone in Elysium Court into the same make and model – or destroys them if they attempt to stand out. Blue's storytelling is sweet and unsettling, though occasionally veers off into tangents that don't serve the story. Davies laces tension through with moody piano, with Blue looping her voice in climbing harmonies above, as strange events begin to haunt Elysium's newest resident. Digging into the soil beneath the standard-issue astroturf that clamps down every garden in the Court, old monsters start to emerge. The darkness creeps in slowly and the script wants tightening, with some songs pausing the action rather than driving it on, but I decide I like my horror being sung to me. Maybe this was the problem all along. From the candy-pink satire of Elysium, the pitch-black Scatter: A Horror Play couldn't be a sharper shift. The room is so dark it's a struggle to even find your seat. This low lighting continues as Patrick McPherson's jaw-clenching show of hereditary haunting reserves any bright light for blinding flashes. Liberally smattered with jump scares, the show sometimes leans so heavily on Will Hayman's intense shadows and sharp, saturated filters that the design comes to feel like the main event rather than an anchor to sink us deeper into the story. McPherson plays Tom, a young man reluctantly recounting the trip he and his brother took to scatter their father's ashes in rural Wales. In the predictably traumatising process, they discover that their dad's end-of-life aggression, previously brushed off as delirium, was something far more sinister, his acts of violence actually a deeply troubled form of protection. Jonny Harvey's direction makes repeated use of the classic torch sweeping around a blackened room and heavy, breathless silences followed by piercing, sinew-shaking screams. These old tricks are effective. I sink into my seat every time the torch winds up. A traditional folk horror, Scatter takes itself seriously. You can't help wondering if the balance of tension would intensify if some lightness was buried anywhere in the text; McPherson's performance, though convincing, starts off dour and stays similarly severe throughout. The ending is rushed, but Scatter sets out to scare, and it succeeds. As we pick our way out of the theatre, my heart takes a moment to return to its regular pace. Later that afternoon, in another about-turn, Jed Mathre does a stellar job of making a whole room want to punch him in the face. Melanie Godsey's existential comedy, Sponsored By the Void, offers a queer awakening through the form of a supernatural visitor. Mathre plays the emotionally illiterate boyfriend to Leah (Kelly Karcher) who is so overburdened by his uselessness that she's close to bursting. When The Void (Jennifer Ewing) waltzes in, Leah is immediately felled by her hot dom energy and her demand that Leah does exactly what she wants. 'Do you eat?' Leah asks her, quivering. 'I devour,' The Void replies. Created by Seattle-based company The Co-Conspirators, this goofy, sultry sci-fi horror revels in Leah's uncompromising newfound confidence, with Kennedy looking on in horror and Leah's friend Val (Be Russell, funny to her bones) watching with delight as she rejects everything she has previously accepted without resistance. Subservience to men is the real horror here. Eschewing subtleness, the play asks direct questions of how a woman can get trapped into a role she never asked for, and how she can – with support of a sexy, suited-up otherworldly entity – break her way out of it. 'I just want you to know what you're getting into,' David Alnwick says as he pops his head around the door, checking we're not actually here for the musical cabaret going on upstairs, before leaping to the side of the stage to fiddle with the video setup. Where a handful of these horror shows use film to enhance the spookiness, Alnwick's The Dare Witch Project is the only one to rely on it. Soldiering through technical issues, our eager host talks us through the footage he supposedly found in an old VHS he got off eBay. The man in the recordings looks surprisingly like him, with his clothes and his voice, and a determination to complete a challenge inspired by the infamous found-footage movie The Blair Witch Project. While most of the tension from this Free Fringe show comes from the screen, as Alnwick presents these clips of the mysterious doppelganger recording himself in the woods, there is a singular, inspired physical magic trick used to beautifully creepy effect. The looping inevitability built into the show mounts tension as we wait, nervously, for what we know is coming, but it takes too long to get there to truly shake any nerves. I find myself wanting to be more scared than I am. Perhaps I'm becoming a horror convert after all. The last show of the evening is the least terrifying. Maria Teresa Creasey's toothless attempt at a vampiric comedy-horror, Degenerate, begins ominously, as the writer-performer lies face-down, bound and gagged, waiting for one of us to untie her. But that's the end of the innovation. Pitched as experimental, Creasey's babbling speech acts like a fly being swatted, scattily returning to a smattering of ideas but never settling long enough to offer a performance worth our time. Hazily buzzing around the notion of women being deemed irrelevant as they age, Creasey's character eventually flits towards the eternal youth of the vampire and lip-syncs to clips of scary movies. She wants to last for ever. I'm glad this performance does not. Elysium is at Gilded Balloon at Appleton Tower until 24 August; Scatter: A Horror Play is at Underbelly, Cowgate, until 24 August; Sponsored By the Void is at Greenside @ Riddles Court until 16 August; David Alnwick: The Dare Witch Project is at PBH's Free Fringe @ Voodoo Rooms until 24 August; Degenerate is at Pleasance Courtyard until 23 August

Manchester City squad too big and ‘not healthy', warns Pep Guardiola
Manchester City squad too big and ‘not healthy', warns Pep Guardiola

The Guardian

time21 minutes ago

  • The Guardian

Manchester City squad too big and ‘not healthy', warns Pep Guardiola

Pep Guardiola said he was delighted with his new signings' immediate impact in Manchester City's 4-0 rout of Wolves but insisted his squad is too big and at risk of being unhealthy. The summer arrivals Tijjani Reijnders and Rayan Cherki both scored in the victory at Molineux, where goalkeeper Ederson and midfielder Savinho were absent amid doubts over their long-term futures. The City manager said the club's hierarchy must 'find a solution' before the transfer window closes next month. The injured City pair Rodri and Phil Foden were in the stands, while Guardiola also cited Mateo Kovacic and Josko Gvardiol, who are both nearing returns to match fitness. Ederson has been linked with a move to Galatasaray while Savinho is of interest to Tottenham. Rico Lewis, who is wanted by Nottingham Forest, started at full-back in a sign he could stay at City. Asked if he was happy with his squad after the victory at Wolves, Guardiola replied: 'Too many people. It's not about Eddy [Ederson], today [there] was [no] Rodri, Phil, Kovacic, Savinho and Josko. On the bench we had Nathan [Aké] and Gündo [Ilkay Gündogan]. I like a deep squad to compete in all competitions but I don't want to leave players at home. It's not healthy. You cannot create a good vibe or atmosphere to compete. 'The club has known [about] it since last season but the situation is what it is. In the next two weeks, people will talk with players and agents to find a solution. We have to reduce the squad because it will be difficult to sustain the vibe of the team.' Wolves paid tribute to Diogo Jota in their first competitive game since the death of their former player and his brother, André Silva. 'Jota and his brother are in our minds and were in our hearts before, during and after the game,' said the Wolves head coach, their Portuguese compatriot Vítor Pereira. 'They are still with us and we tried to do our best to honour them as players, people, because of their families. We will keep him in our hearts for the future and he will be with us for ever.' Jota's parents and his wife, Rute Cardoso, were in attendance, along with his former teammate Rúben Neves and Portugal's manager, Roberto Martinez.

Man arrested after Bournemouth player reports racial abuse at Liverpool match
Man arrested after Bournemouth player reports racial abuse at Liverpool match

The Guardian

time26 minutes ago

  • The Guardian

Man arrested after Bournemouth player reports racial abuse at Liverpool match

A 47-year-old man has been arrested after a Bournemouth player reported being racially abused during his team's match against Liverpool on Friday, police have said. A second arrest over racist abuse was made at a separate game on Saturday at the University of Bradford Stadium, Bradford City AFC said. The man from Liverpool was arrested on Saturday on suspicion of a racially aggravated public order offence and has been taken into custody to be interviewed, Merseyside police said. During Friday's fixture, Bournemouth's Antoine Semenyo reported being racially abused by a spectator, prompting the match referee, Anthony Taylor, to stop play in the 29th minute during the first Premier League fixture of the season. A 47-year-old man was ejected from the stadium. Ch Insp Kev Chatterton, the match commander for the Liverpool v Bournemouth game, previously said: 'Merseyside police will not tolerate hate crime of any form. 'We take incidents like this very seriously, and in cases like this we will be proactively seeking football banning orders, with the club, against those responsible.' He added: 'There is no place for racism and it is vital that anyone who witnesses such an offence reports it to stewards, or the police immediately, so we can take the necessary action like we did this evening. 'As with all matches, we work very closely with both Liverpool and Everton FC to ensure the safety of the public, and the players.' A spokesperson for Liverpool FC said: 'Liverpool Football Club is aware of an allegation of racist abuse made during our Premier League game against Bournemouth. 'We condemn racism and discrimination in all forms; it has no place in society, or football.' The match referee, Anthony Taylor, spoke with the managers Arne Slot and Andoni Iraola after Semenyo reported being abused. On Saturday, Bradford City AFC said West Yorkshire police had made an arrest during a game at the University of Bradford Stadium. The club said: 'Bradford City AFC is aware of an allegation of racist abuse from an individual in the away section towards one of our players during today's Sky Bet League One game against Luton Town. 'Bradford City AFC strongly condemns racism and discrimination in all forms. We have a zero tolerance policy to such unacceptable behaviour.' In an interview, Bradford's manager, Graham Alexander, said there was no place in football for racism, adding: 'We saw it last night at the Liverpool game – it has to be zero tolerance. There's no excuse for it, at all.'

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store