General Hospital spoilers: Can Carly stop Lulu before Dante learns the truth?
Emma and Josslyn lock horns over a key role
Emma Scorpio-Drake is fuming after discovering Josslyn Jacks secured the research assistant position she had hoped for. Feeling blindsided, Emma confides in Anna Devane and pins the blame on Josslyn, accusing her of playing dirty. Though Anna urges caution and warns Emma not to jump to conclusions, Emma is set on proving Josslyn wronged her. Josslyn, however, stays focused on her WSB duties and is determined to prevent Emma from interfering with her mission.
Jason's dilemma and Sonny's risky play
Jason Morgan finds himself at a crossroads when Tracy Quartermaine offers him a proposition—help her locate her great-grandson, and the deal could benefit Sonny Corinthos. Jason considers the implications while Sonny tries to convince Laura Collins about working with Jenz Sidwell, a man he clearly distrusts but may need to work with to sell his piers.
Secrets mount between Curtis and Portia
At the same time, Jordan Ashford pushes Curtis Ashford to speak openly, especially about his concerns involving Portia Robinson and her connection to Drew Cain. Curtis senses Portia is keeping something from him. Meanwhile, Portia, trying to maintain control, subtly nudges Curtis to patch things up with Drew while steering attention away from herself. Trina Robinson also begins to doubt Kai Taylor's recovery, noticing cracks beneath his positive front.
Lulu's revelation could shake everything
Lulu Spencer reveals a potential bombshell to Carly Spencer—she suspects that Giovanni 'Gio' Palmieri may actually be the child of Brook Lynn Quartermaine and Dante Falconeri. Carly is quick to react, knowing this news could create chaos. She tries to stop Lulu from taking it to Dante, but Lulu might not hold back much longer.
As suspicions rise and secrets unravel, General Hospital sets up a tense Tuesday in Port Charles. Expect drama, decisions, and emotional explosions.
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The Hindu
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Social activist Aruna Roy on Jane Austen's enduring appeal
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The most important among them is her literary acclaim — the first woman novelist, master of irony, stylist of repute, one who is popular with changing times, and so on. Even F.R. Leavis, the 20th century's self-appointed arbiter of literary excellence, approved of her. He admired her as a hard-core rationalist who examined relationships through the lens of money and privilege, or the lack of them. The inner worlds of women Austen's delicacy of language and sentiment, and ironical observation of the folly of people who bumble through life created memorable characters such as Mrs. Bennett and Miss Bates. She observed their oddities with humour and sympathy, without moral commentary. Emma is an anti-heroine; her actions contradict her professed intentions. Austen's irony is delicate, her perception keen, but Emma's never judged by her creator. Another narrative about Austen is the issue of her popularity. Pride and Prejudice has caught the popular imagination over centuries, continents and classes. You could say that it remains more popular with women. Why not? Austen was the first novelist (a feminist without the polemic) to talk of the world of women living in the restrictive and narrow confines of domesticity and marital ambition, without justifying or offering excuses. Men in Austen's universe Austen has had male supporters such as Leavis, E.M. Forster and Auden. Yet, many men do not read her because she doesn't pay obeisance to patriarchy, by inclusion or defiance. She wrote only of the male world she knew. Meticulous in her character portrayals, she shaped them from her observations. Darcy was objectively observed, and given limited space. But, in films and imitative fiction, Darcy's character gets more room. In popular imagination, his character has captured the iconic space of a romantic hero. Could she have been a part of the male universe she depicted? How could a sensibility like hers make no comment on the revolutionary happenings across the Channel? In Persuasion, the French Revolution and shadows of war touch the life of the protagonist, Anne Elliott. But she remains within the sheltered world of Bath. Meanwhile, on film Pride And Prejudice, like her other novels, has lent itself extraordinarily well to theatre and film. Every couple of years, a new interpretation comes out. Celebrated actor Laurence Olivier played Darcy in 1940. The 1995 BBC adaptation of Pride and Prejudice, scripted by Andrew Davies, is a six-part television drama with 55-minute episodes. This format allowed the subtleties of Austen's language and irony to come alive more fully. Bridget Jones Diary, a contemporary interpretation, explores Bridget's fear of spinsterhood and her romantic aspirations with Mark Darcy. For many Indians, Bollywood films represent the ideal of romance and aspiration, setting the bar for popular cultural expression. 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Marriage at the centre Austen even made her way into Rajasthani village politics, when I had to meet a politician who had an ill repute with women. I was young and apprehensive, but Austen came to my rescue. In my imagination, I transformed him into another Mr. Collins (from Pride and Prejudice), and the meeting took place without incident. The fundamental relationship between man and woman remains a central concern of most great literary fiction. Pride and Prejudice captured this in its famous opening, 'It is a truth universally acknowledged that a single man in possession of a good fortune, must be in want of a wife.' Marriage plays a central role in peoples' lives, even in 21st century India. That's one of the reasons why the novel continues to resonate with readers. Austen is read, appreciated and celebrated 250 years after her birth. It's a testament to her storytelling, style, sense of humour, irony, and to the craft of a great writer. 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Pink Villa
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General Hospital Spoilers, July 11 Episode: Will Dante Reveal Rocco's Stolen Embryo Secret?
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General Hospital spoilers: Trina discovers Kai's shocking betrayal—will their relationship survive the fallout?
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