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From the Farm: A.R. Gurney's ‘Love Letters' play has a long and delicious history

From the Farm: A.R. Gurney's ‘Love Letters' play has a long and delicious history

Chicago Tribune14-02-2025
I have the honor (and fun) as part of the two-person cast to take part in a two-performance Valentine's Day weekend run of playwright A.R. Gurney's play 'Love Letters.' I'm starring opposite stage artist Cara Schmitt, and proceeds from the performances benefit the Northwest Indiana Symphony Orchestra and the Women's Association Northwest Indiana Symphony Society's Edith Root Scholarship.
Hosted at The Center for Visual and Performing Arts, 1040 Ridge Road in Munster, in addition to the 7:30 p.m. Valentine's Day Feb. 14 performance, the second opportunity for the curtain to rise is a 3 p.m. matinee on Sunday, Feb. 16, following the Sunday Champagne Brunch. Show tickets are $35 and available by calling 219-836-3255 or visit www.TheatreAtTheCenter.com.
After A.R. Gurney penned 'Love Letters,' he opted to cast himself to read the male character lead of Andrew Makepeace Ladd III opposite Holland Taylor as Melissa for a test-out performance at The New York Public Library before sending the play on stage in 1988 in New Haven, Connecticut with Joanna Gleason cast with John Rubinstein. The play opened off-Broadway in March 1989, with Rubinstein returning to the role opposite Kathleen Turner.
The 90-minute play reading details the relationship of childhood friends as Andrew Makepeace Ladd III and Melissa Gardner grow through their lifelong correspondence, starting with birthday party thank-you notes and summer camp postcards. Romantically attached, they continue to exchange letters through their college years and beyond, with life taking them in different directions. Eventually, the two reconnect, but only after each has followed very different paths in life.
Gurney died at age 86 in 2014, and the rights, permission and licensing for 'Love Letters' is controlled by Dramatists Play Service of New York City.
The last time I performed 'Love Letters' was in February 2022 opposite Jeannie Rapstad, directed by William Pullinsi in the ballroom of The Center for Visual and Performing Arts. Previously, I've been paired in performances of this play with my former editor Crista Zivanovic, Pillsbury Bake-Off Finalist Mary Beth Schultz and romance and mystery novelist Kate Collins.
The first time I ever saw a performance of 'Love Letters' was in the auditorium of Munster High School starring Hollywood Hoosier claim-to-fame Betsy Palmer. Palmer, who died at age 88 in May 2015, returned to Northwest Indiana in April 2005 to do a charity performance of 'Love Letters.' In 1991, Betsy was cast in a national tour of 'Love Letters' opposite actor Robert Reed, known to most for his role as the father on 'The Brady Bunch.' The tour was completed just six months before his death at age 59 in May 1992.
Of course, Palmer's early career success came from her trademark smile and pert personality in the spotlight from 1958 to 1967 as a witty panelist on the CBS game show 'I've Got a Secret,' sharing panel space alongside Jayne Meadows and Steve Allen before the couple married.
Besides Palmer, I interviewed Hollywood husband and wife Jayne and Steve a few times before their passing, Jayne at age 95 in 2015 and Allen at age 78 in 2000.
Just before his death, he joined wife Jayne 'on the road' starring in a touring production of 'Love Letters.' Many noted celebrity husband and wife pairings have also toured as popular name draws for 'Love Letters,' including Robert Wagner and Jill St. John, Charlton Heston and wife Lydia Clarke, and Shirley Jones and hubby Marty Ingels.
A number of Jayne Meadows' recipes have appeared in my published cookbooks. She was a gal who loved to cook and entertain. Her recipe file card for her specialty she called Chicken Marengo Royal Oaks includes that added narrative: 'This recipe is perfect to serve at brunch or luncheon with eggs, salad and hot rolls. I love to host informal buffet dinners for 20 to 30 guests, as well as patio barbecues in the summer.'
Columnist Philip Potempa has published four cookbooks and is the director of marketing at Theatre at the Center. He can be reached at pmpotempa@powershealth.org or mail your questions: From the Farm, PO Box 68, San Pierre, Ind. 46374.
Chicken Marengo Royal Oaks
Serves 6
1/2 cup seasoned breadcrumbs
1 teaspoon salt
1/2 teaspoon freshly ground black pepper
1 roasting chicken (3 pounds) disjointed
1/4 cup olive oil
1/2 cup butter or margarine
1 cup dry white wine
2 cups freshly peeled and quartered tomatoes
1 clove garlic (finely chopped)
1 cup sliced mushrooms
1/2 cup chopped parsley
Directions:
1. Heat oven to 350 degrees.
2. Take commercially seasoned breadcrumbs, pour into paper bag and shake chicken until well-coated while reserving remaining breadcrumbs.
3. In a large skillet, heat olive oil and butter, add the chicken and brown on all sides.
4. Remove chicken to a buttered casserole.
5. Add reserved crumbs to the oil remaining in the skillet and stir in the wine.
6. When the sauce is thickened and smooth, pour over the chicken, adding the garlic, tomatoes and mushrooms.
7. Cover the casserole and bake until chicken is tender, about 45 minutes.
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Column: Even in death, Aurora's beloved Christmas lady reflected a Hallmark life
Column: Even in death, Aurora's beloved Christmas lady reflected a Hallmark life

Chicago Tribune

time18 hours ago

  • Chicago Tribune

Column: Even in death, Aurora's beloved Christmas lady reflected a Hallmark life

Karen Bozarth was all about spreading goodwill toward men – and women and children. And not just at Christmas, her favorite holiday season, but throughout the entire year. Her last Facebook post, on July 25, in fact, was a happy reminder that Christmas was only five months away, part of her monthly countdown that was but a small indication of how much Aurora's 'Christmas Lady' loved that magical time of year. Karen, who had been battling heart issues, died in her Aurora home on Aug. 7 at age 61. But those who loved her – and there are many – take comfort in knowing she passed away enjoying one of her favorite activities: watching a Hallmark movie. While that last romantic storyline she was watching centered around Valentine's Day, Karen's favorites from this cable channel were its Christmas movies. Which makes sense as she and her husband of 31 years, Jim Bozarth, became well-known for their magnificent Christmas House, which WGN-TV featured last December. I first met Karen when I wrote a column about their holiday home in Orchard Valley subdivision, where every room was turned into a magical wonderland with 35 trees, 300 snowmen and hundreds of wreaths, figurines and yuletide mementoes. Then there was the basement, which contained 13 tables filled with a spectacular Department 56 Snow Village collection that included more than 400 buildings and over 1,000 accessories, with hundreds of moving parts, as well as a train circling the 56 separate villages. The Bozarths held an annual open house that allowed thousands of people over the years to enjoy this holiday wonderland. That's how I first met Karen, when someone told me about the display and I went to see it for myself. I certainly did not know Karen well. But it didn't matter. She was one of those people you can't forget because she exuded the kind of warmth and happiness that makes you feel as if you've known her for years. 'One of a kind' sounds so cliche, yet those words, which have been used frequently to describe Karen as the Facebook tributes began flowing, really do sum up who she was inside and out. 'There are some people who have sun inside them,' one Facebook post said. 'It's hard to explain. Their presence just brightens. It's not about their beautiful smiles. They have an internal being that sheds light and feels like sun. It's a calm energy, inner peace. But most importantly, it's not wanting anything in return. It's sun.' Other posts also talked about how special Karen was as a person. 'There will never be another like her.' 'If you knew her you loved her.' 'This woman was the light in everyone's life; the most lovely person you could ever meet.' 'She was one of God's angels put on this Earth to remind us there is still love and kindness in this world …' Karen had been battling serious health issues for a while, her husband told me, but it was a broken femur from a fall in June that forced her to take time off from a long career with Scholastic Inc. in St. Charles. She was not feeling well on Thursday but declined Jim's offer to make a trip to the emergency room, opting instead to watch a movie from her vast Hallmark channel DVD collection, where Christmas-themed narratives are the superstars. Sitting near his wife using his tablet, Jim noticed Karen had fallen asleep, only to discover a short time later she was unresponsive. As one Facebook post read: 'Heaven gained the most beautiful angel on Thursday night.' No one knows that more than 27-year-old Jordan Davis, who moved from Florida to Chicago in 2019 for job reasons and was introduced to Karen, a West Aurora High School classmate of her mom Amy who had reconnected via Facebook. 'When I first met her, I thought, is this fake? No one can be this nice. But the more I visited, the more time I spent with them, I knew it was all genuine,' she said, who now considers Karen her 'Illinois mom.' 'Over the years she has been a constant light in my life, an amazing resource,' Davis told me, adding that, unlike 'so many people you come across, there was no agenda, no hidden motive.' Christmas this year, of course, will be different for those who loved Karen. As will Davis' upcoming wedding, where she will walk down the aisle with a locket specially made for her by the woman who 'took me in' and 'loved you like you are her own.' The locket arrived on Thursday, Jim told me, but not before Karen got a chance to see how special it was. 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'Little House' Carter Family Actors Talk Final Season
'Little House' Carter Family Actors Talk Final Season

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time21 hours ago

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'Little House' Carter Family Actors Talk Final Season

It's been over five decades since Little House on the Prairie first graced television screens, and the beloved drama still inspires generations. While fans usually associate the iconic little house with the Ingalls family, Season 9 introduced the Carters: Sarah, John, Jeb, and Jason. Continuing to celebrate 50 years of Little House, I sat down with Stan Ivar and Pamela Roylance — who played John and Sarah Carter — to talk about stepping into television history, favorite behind-the-scenes memories, and reuniting for the play Love Letters. BuzzFeed: You both entered the show in Season 9, when the Carter family moved into the Ingalls' house. What was that first day on set like, starting as new characters on an established show? Stan Ivar: Our first day was in Simi Valley, on location right in front of the little house. It was a scene with Pam and me facing each other, and then Michael Landon and Melissa Gilbert standing right alongside us. The four of us were standing in a tight circle, and it was when Charles was turning the house over to the Carter family. We're doing our lines, and I'm just not getting them out right; I keep flubbing them. Michael was directing, and he said, "Let's cut. Stan, why don't we go out behind the little house?" So we did, just he and I, out of earshot of everybody else, and he asked me, "What's wrong?" I said, "I'm just nervous. I mean, I'm here with Little Joe from Bonanza, and Half-Pint!" He said, "Look, don't worry. I'll make you a promise. I'll never let you look bad. So leave it up to me, and don't you worry about it. You just do what you do, and I'll tell you if I don't like it, okay?" He took the pressure off me completely. He was a great guy that way, and then we filmed the scene, and it was fine. You know, Michael was from New Jersey, and I'm from Brooklyn. Every now and then, my New York accent would come back. Sometimes when he was directing, and I had just filmed a scene, he would walk up behind me and whisper (in New York accent),"I hear New York!" Pamela Roylance: That first day was really beautiful because it was the four of us, and the whole cast and crew were very gracious and accepting of the new actors. For me, Little House was a dream come true. It was one of the shows that I wanted to do when I left my teaching job in Portland, Oregon. I remember standing in the little house and looking up at the loft for the first time. I was thinking, "I am the only woman on this entire planet who gets to be in these boots, in this prairie dress, and have this be my home for however long it lasts." I love Season 9. I love the edginess of it. We entered an iconic show with the gift of being series regulars. We got to live in the little house and be best friends with Laura and Almanzo. Michael really set it up so the audience would accept us. He gave us two adorable boys who were irresistible. He brought in Shannen Doherty to play Almanzo's niece. Michael put us in a position of being able to be utilized almost every episode that season. It didn't occur to me that people might not like us. It wasn't until recently, meeting fans and doing autograph signings, that I discovered not everybody liked the Carter family. I understand where they are coming from — as a fan, I wouldn't have liked seeing my favorite characters leave either. But I was so happy to be a part of it. The Carters had a few run-ins with my personal favorite character, Mrs. Oleson. Can you share what it was like working with Katherine MacGregor? Stan: Katherine was special. The first day I worked with her, it was on the soundstage, and I was in my dressing room getting ready. All of a sudden, there was a little knock on the door. She didn't wait for anybody to open it; she opened it herself. She peeked in, looked at me, and said, "So you're the new stud in town!" She was generous in a lot of ways. I'd never done a TV show before, but I had worked on stage and in some commercials. I remember our first scene was with Billy Barty [the episode "Little Lou"]. We had a scene together outside the Oleson's store. We were standing around, and during the filming, she looked at me. In the script, she didn't need to look at my character at that time. When it was all over, she said, "Do you know why I looked at you? I looked at you because then the camera has to come to you." She was a pistol, but she was fun to work with, a really, really great gal. Pamela: She was so intelligent and articulate. It was wonderful to just sit and visit with her off-camera when we weren't working. We enjoyed talking about the old days, talking about her husband, and talking about the actors that she had worked with. I remember when we did the scene in the newspaper office. She brought such wonderful energy. As Sarah Carter, you couldn't help but be intimidated by Harriet — you couldn't help but do a better job because of the talent she brought. Katherine and Richard [who portrayed Nels] would give gifts as Nels and Harriet at Christmas time. I still have the 'Nels and Harriet' platter that they gave me, and it's just lovely. I also remember driving in the lot one evening, and Katherine saw me leaving. She saw me in my Nissan Sentra, and she said, "Oh, we'll get you in a Mercedes in no time!" (Pamela laughs) She was kind-hearted, and I saw her years later and just really enjoyed laughing with her. She could seem scary as Harriet Oleson, and like you said, Stan, she was a pistol, but there was this heart under there that was easy to access. There were some incredible child actors in Season 9. David Friedman and Lindsay Kennedy played Jason and Jeb Carter, and Shannen Doherty portrayed Jenny Wilder. What was it like working with them? Pamela: Those three kids were amazing. I didn't get to work with Shannen as much as I did with the boys, but they all really seemed to enjoy each other and get along. It was amazing having the little Carter family, especially for me, the only female around these three male energies. They were hysterically funny and always cracking jokes. Stan had those boys laughing all the time. I don't ever remember us having a difficult time together; it was a joy to be there. I remember doing the scene in "The Last Summer" where I go up to the loft, and Jason is exhausted after working for Ruthy [portrayed by Vera Miles]. In the scene, I reached out and touched his cheek. I just remember the love I felt and how special it was to have that moment with him. It was such genuine love from Pamela to David, not just Sarah Carter to Jason Carter. Stan: Yeah, definitely. They were great kids, and now they're great men. The scene I really remember was with Lindsay, when John and Jeb talk about swimming. I remember when I read the script at home, I said, "My gosh, I hope I don't have to go in the water and show this kid how to swim!" I graduated from the New York State Maritime College, and I went to sea on container ships before I started acting professionally. Even though I sailed all around, I don't know how to swim! When we did that scene, I knew I was going to get phone calls left and right from classmates of mine from the Academy. (Stan laughs) There were never any rough spots; the four of us fit together as a family. We really enjoyed working together. Shannen was great as well. I didn't work that much with her on Little House, but I did do a Beverly Hills, 90210 episode years later, where I saw Shannen again. Stan, I want to hear your thoughts about the episode "Alden's Dilemma," where John and Almanzo have quite an adventure in California. Stan: It was fun! I enjoyed that episode a lot, because we went to San Francisco. It was the first time in Little House that I had been away from Walnut Grove, so it really was cool. With the bath scene, we got to work with Professor Toru Tanaka [professional wrestler], and it was a fun scene to do. I have a tattoo of an anchor on my left shoulder, so they had to cover it for that scene. We got to work with a lot of extras in the Grange convention that John and Almanzo attended. Pamela, I would love to hear about "The Last Summer," where you got to work with the legendary Vera Miles. That episode always makes me cry! Pamela: It's a beautiful episode. When I discovered I got to have two scenes with Vera Miles, I can't even tell you how honored and excited I was. When I first met her, it was in the dressing room, and she was so sweet. She had watched the episode "Sins of the Fathers" that had just aired, and she said, "You really got me last night." I probably floated 10 feet off the floor! Later, we are filming the scene where Sarah goes to Ruthy and apologizes. I'm sitting on the couch with her, and she reaches out and puts her hand on top of mine. It was so tender and touching. In that moment, I immediately logged that as something I was going to cherish for the rest of my life. We proceed to do the scene, and all of a sudden, [director] Maury Dexter calls cut. He says, "I'm hearing the same voice coming out of both of you. I can't tell the difference between your register and your pitch. Let's pick up the energy." I offered to fix it, and he turns to Vera and says, "No, no, let's let the pro do it!" I was humbled, but in the most beautiful way. Afterwards, Vera sent me the most beautiful card, which I still have. As you open it up, there's this delicate lace, and it's handwritten. It's one of the things I still cherish to this day. Finally, you are both reuniting to star in the play Love Letters, directed by Little House casting director Susan McCray. How has it been to reunite? Susan McCray / Via Susan McCray Stan: We haven't seen each other a lot over the years, but we have stayed friends. We have a bond. Pam said it to me a long time ago — we really bonded when we had to interview for NBC. They weren't sure about us newcomers coming onto Little House. Michael called us each at home and said, "You have to go over and do the interview again for the bigwigs at NBC. But I don't care what they say, because I want you, so don't worry." We just clicked, and we always supported each other. It was comfortable working with Pam, and the four of us together as the Carter family. Still to this day, it's comfortable. You know, I don't have a sister; I know Pamela has a brother, and I've met her brother. I love her, and the same with the boys. It's never changed. Pamela: I will second that. We really bonded during the audition process. Stan was just wonderful and made me feel so comfortable. When we did that NBC audition, Stan was the one who said, "Meet me in the park across from the studio, and we'll just rehearse the scene and relax," and that's exactly what we did. There was always this wonderful chemistry between the two of us. It's been wonderful to be able to stay friends and keep in touch, however frequently or infrequently. We always pick up where we left off, and Stan is always loving and kind and generous and funny. Here we are decades later, and we're doing this play where these people meet as children, and then their lives are intertwined. We're the same way; we always come back to each other, and we have that bond. I think that's why Susan saw this was going to work, because it was our real life, and here we are now stepping into it.

Cate Blanchett Doesn't Know If Her ‘Squid Game' Cameo Will Lead to More (But She'd Like it to)
Cate Blanchett Doesn't Know If Her ‘Squid Game' Cameo Will Lead to More (But She'd Like it to)

Gizmodo

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Cate Blanchett Doesn't Know If Her ‘Squid Game' Cameo Will Lead to More (But She'd Like it to)

That shocking finale coda of Hwang Dong-hyuk's Squid Game series left many curious about what it meant for the American spin-off Netflix has in the works. When the Front Man (Lee Byung-hun) pauses next to an alley in downtown Los Angeles, you witness, along with him, the Squid Game recruitment ritual being administered by a new face: Cate Blanchett, wearing a suit and offering up the Ddakji slaps. It's hard to believe the Academy Award-winning actress was only recruited for a one-off cameo right after she claimed to be retired. In an interview with Variety, Blanchett discussed how the guest role came to be and what it might mean for her future in the franchise. 'Because it's such a cult series and they were shooting in L.A. of all places, everyone was on a need-to-know basis,' she said of the 'out of the blue offer' that stipulated she bring her own suit. 'I got a couple of storyboards. I had to [learn to] play the game very quickly. I had to practice and practice. I knew there were four or five setups that they were going to do, and I knew what they needed from every shot, and then I was given the sides. But it was one of the more mysterious jobs.' Blanchett explained that while her role was a feature on the series finale, she'd consider returning. 'I am wildly open to anything,' she shared with the trade, 'and in a world that is so beautifully, magically created like that, for sure. They're amazing world-builders, and that series has been eaten alive. I don't think there's a corner of the globe that it hasn't touched in some way.' What's so playfully suspicious about her answers is that Netflix has enlisted David Fincher for his take on the American Squid Game spin-off. And he happens to be a filmmaker Blanchett worked with on The Curious Case of Benjamin Button, so what gives? Nothing, apparently, just coincidence. The actress affirmed to Variety, 'I mean, I'd love to work with David again. It's been ages. But no, I don't know anything more than you do. I'm not being coy. I really don't.' Want more io9 news? Check out when to expect the latest Marvel, Star Wars, and Star Trek releases, what's next for the DC Universe on film and TV, and everything you need to know about the future of Doctor Who.

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