
When Translation Betrays the Text: How Errors Create Entirely New Meanings
Throughout history, mistranslations have played a role in shaping significant events. One of the most infamous examples is the mistranslation of Japan's response during World War II. When the United States demanded Japan's unconditional surrender, the Japanese Prime Minister used the word 'Mokusatsu', which can mean either 'no comment' or 'contempt' in Japanese. When it was mistakenly translated into English as 'contempt,' the U.S. assumed Japan was rejecting negotiations, a misunderstanding that contributed to the decision to drop atomic bombs on 'Hiroshima and Nagasaki'.
Overly literal translations often produce unintended and, at times, absurd meanings. For example, directly translating the English phrase 'It's raining cats and dogs' into Arabic would make no sense, as the intended meaning is 'heavy rainfall,' not animals falling from the sky. Similarly, the phrase 'Lost in translation', when translated word-for-word into other languages, fails to capture its intended nuance, which refers to the inability to convey meaning accurately across linguistic boundaries. In business, mistranslations have led to branding disasters. A well-known example is Pepsi's slogan, 'Come Alive with the Pepsi Generation,' which was mistranslated into Chinese as 'Pepsi brings your ancestors back from the dead.' The unintended phrase caused confusion and amusement among Chinese consumers, demonstrating the importance of linguistic precision in marketing.
3. The Impact of Translation Errors on Literature and Film:
Translation errors can also significantly affect literature and cinema. A notable instance is the translation of Russian author Dostoevsky's works, where certain English translations altered complex philosophical ideas, making it difficult for readers to grasp his original intent. Additionally, film titles and dialogue have suffered from poor translations, altering the audience's perception of the movie. One famous case is 'Eternal Sunshine of the Spotless Mind,' whose title was translated differently across languages, sometimes making it seem like a lighthearted comedy rather than the deep, philosophical narrative intended by the filmmakers.
Translation has the power to shape and even transform cultural understanding. Words like 'Freedom' and 'Respect' may seem straightforward, but their translations carry varying connotations across societies. For instance, 'Freedom' is typically translated as 'حرية' in Arabic, yet in different political contexts, it can imply independence, personal liberty, or even rebellion. Likewise, 'Respect' is rendered as 'احترام,' but in some cultures, it encompasses not only politeness but also deep-seated obedience and social hierarchy.
In the realm of translation, there is a saying: 'Translation is a beautiful betrayal.' It reflects a paradox at the heart of the translator's craft, true fidelity to a text often requires sacrificing something in the process, whether it's cultural nuance, rhythm, or tone. Yet, when this so-called 'betrayal' is undertaken with intention and artistry, it can give rise to something wholly original.
A striking example lies in the Arabic translations of 'Saadi Youssef', particularly his renditions of Lorca's poetry. Rather than cling to literal meaning, Youssef used the full force of his poetic sensibility to breathe new life into Lorca's voice, reshaping it in a way that resonated with Arabic readers while preserving its soul. Likewise, 'Guy Deutscher's' English interpretations of Al-Mutanabbi demonstrate that straying from the original meter can be a brave and respectful choice in service of deeper meaning and poetic power.
Consider also 'The Little Prince', whose many translations differ subtly yet significantly. Each version reflects the translator's vision, sometimes enriching the text in ways the original never imagined—proof that a faithful betrayal can unlock new dimensions. Here, betrayal is not failure. It is creativity in motion, an act of interpretation that transforms the translator into a co-creator of art. Sometimes, to honor a voice, we must dare to reinvent it.
In brief, translation errors do not always result in failures; sometimes, they lead to new meanings and unexpected cultural insights. However, the art of translation demands more than linguistic accuracy, it requires sensitivity to context and a keen awareness of how words resonate across cultures. Whether in diplomacy, literature, business, or everyday communication, translators must not only convey words but also capture the essence and intention behind them.

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Yemenat
15-07-2025
- Yemenat
The Impact of the Digital Space on Yemeni Poetry
Abdulaziz Al-Zaraei would often sneak into his uncle's room, an Arabic language teacher, to browse through books and read works by Al-Bardoni and other treasures of Arabic literature and heritage. This ignited his curiosity and passion for knowledge. In his small village, 'Bani Al-Zaraei,' perched atop the towering Kusher mountains in the Hajour region of Hajjah, where clouds graze the peaks overlooking the lush plains of Tihama, he would wake up early each morning with a book in hand, immersing himself in the words and experiences of literary characters. Each book opened a window to new worlds, fueling his dream of becoming a recognized poet. As his talent grew, he began writing poetry while still in high school, expressing himself in his unique style. He ventured to Sana'a, where he earned first place at the university and received the Yemeni President's Prize in Poetry in 2009. His journey did not stop there; he soared higher, being crowned the 'Prince of Poets' in the fourth edition of Abu Dhabi Authority for Culture and Heritage competition in 2011, becoming the first Yemeni poet to receive this prestigious honor. Dr. Al-Zaraei has published five poetry collections: An Introduction to the Ignition of Clay, Splittings of Yemeni Agate, Wounding Passersby, Bitter Roses, and Hunters Assuring Their Prey. He has also authored two critical studies: Time in the Poetic Image: A Linguistic Study of Al-Bardoni's Poetry and The Poetic Discourse on Facebook. He is not only a creative writer and poet but also a researcher who opens new horizons through his book The Poetic Discourse on Facebook, which presents a digital linguistic approach to selected examples of Yemeni poets. He dedicates this work to creators in Yemen's remote villages, who seek internet signals atop mountains to share their creations. In his opening remarks, Dr. Al-Zaraei expresses gratitude to Professor Dr. Emad Abdullatif, a professor of rhetoric and discourse analysis at Qatar University, and to Professor Dr. Abdulrahman Al-Muhsini, a professor of rhetoric and criticism at King Khalid University in Saudi Arabia, for their generosity in reviewing the draft of this study and providing valuable feedback. He also thanks his wife, Ms. Hana Al-Rubou'i, a member of the linguistic proofreading department at the Supreme Court, for her efforts in the final proofreading of the manuscript. The book includes a comprehensive index of its content, followed by a presentation from Dr. Emad Abdullatif, who emphasizes the significance of this work within the context of Arabic literary studies. He notes that the book combines various methods from linguistics, semiotics, and discourse analysis, reflecting the depth of the author's critical vision. It also addresses new poetic phenomena, such as the use of images and video clips, and explores how readers interact with the texts. The book serves as a bridge between traditional and contemporary approaches, making it an important reference for future studies. It reveals poetry's ability to express creativity even in times of crisis, highlighting the aesthetics of art in the face of challenges and emphasizing poetry's role as a means of communication and expression of cultural identity in an era where digital media intertwines with daily life. Following this, Professor Dr. Abdulrahman bin Hassan Al-Muhsini offers an in-depth reading of the book, pointing out the significance of the digital space as a new platform for artistic expression and the role of technology in reshaping the relationship between poets and their readers. He highlights how poets have utilized Facebook as a means of direct communication, allowing for immediate interaction with their audience and transcending traditional boundaries, thereby making their texts more widespread and accessible. Al-Muhsini also reviews the critical issues raised by Al-Zaraei, such as the impact of the digital space on the form and content of poetic texts. Facebook has become not just a publishing platform but a space that influences writing style and topic selection, reflecting contemporary social and cultural changes. He emphasizes the importance of studying digital literature to understand the fundamental transformations in how poetry is approached and engaged with. He concludes by affirming that The Poetic Discourse on Facebook represents a significant contribution to expanding the horizons of literary criticism, encouraging reflection on the preservation of poetic texts amid digital changes, and advocating for the use of new tools to enhance creativity in the current era. In the introduction to the book, Dr. Al-Zaraei notes that social media, particularly Facebook, is one of the most prominent features of the information technology revolution in our digital age. It has diminished the role of traditional books while opening new avenues for artistic creativity. Facebook has become an interactive space that allows for the formation of new poetic discourses, transcending traditional forms to reflect contemporary cultural and social transformations. The research explores the grammatical and semantic changes in Arabic poetry, questioning whether a poet's page can be considered a cohesive poetic discourse and examining the role of comments in reshaping texts. It focuses on the accounts of young Yemeni poets, taking into account the social and political contexts in Yemen. The significance of this research lies in its examination of digital literature as a growing phenomenon, necessitating a critique that aligns with this transformation. In the current circumstances, Facebook has become the primary platform for literary publication, requiring creative and digital skills from poets. Therefore, enhancing collaboration between critics and programmers is essential to develop the necessary skills for navigating these platforms. This study is among the first to highlight the phenomenon of Facebook poetry in Yemen, emphasizing the importance of examining digital tools and their impact on literary content and how messages reach their audiences within this complex context. The book consists of 254 pages and was published by the Arab Foundation for Studies and Publishing in Lebanon in 2022. It encompasses six main chapters that reflect the depth of research into Facebook's poetic discourse. In the first chapter, the researcher presents a comprehensive theoretical approach, supported by a historical background that sheds light on the contexts contributing to the formation of this discourse, providing a conceptual framework for understanding the phenomenon. In the second chapter, the researcher dedicates efforts to studying the syntactic level, addressing the linguistic and grammatical structure of poetic texts on Facebook. He examines how sentences are organized and the use of linguistic constructions that express the identities and experiences of the poets. The third chapter delves into the semantic level of the discourse, exploring the meanings and concepts embedded in poetic texts and how they interact with the surrounding cultural and social contexts. The researcher discusses how these texts reflect community interests and interactions. In the fourth chapter, the researcher moves to the pragmatic level, analyzing audience interaction with poetic discourse on Facebook. He discusses how comments and shares influence the creation of meaning, highlighting the importance of this interaction in shaping the understanding of texts. The fifth chapter addresses the rhetorical and artistic level, pointing out the rhetorical devices and artistic techniques used in the texts and how they enhance the beauty of the discourse. The researcher explores the relationship between form and content, showing how rhetoric draws the audience's attention. Finally, in the sixth chapter, the researcher discusses the digital level, clarifying the impact of the digital space on the production and distribution of poetry. He explores how digital technologies contribute to changing writing styles and communication methods between poets and their audiences, opening new avenues for poetic creativity in the age of globalization. The book presents a radical shift in digital literature, offering added value that contributes to a new understanding of poetic discourse in the digital age. It focuses on various issues such as the digital compound and digital metaphor, reflecting the deep interconnection between linguistic performance and the digital space. These issues are not merely research topics but embody the essence of digital work and its anticipated outcomes, qualifying them to be new research avenues in the field of digital literary studies. Al-Zaraei employs a comprehensive methodology to examine the impact of Facebook as a medium for sharing poetry in Yemen, highlighting the significance of this medium in the context of declining traditional means of poetry dissemination. This book reflects the author's ability to integrate diverse analytical procedures derived from linguistics, semiotics, and poetics, enabling him to explore what could be termed 'Facebooking poetry'—the process of adapting poetry to fit Facebook's characteristics, thus opening new avenues for understanding poetic phenomena in this space. The poetic phenomena examined within the context of Facebook include themes, language, rhythm, and the distribution of verses, as well as linguistic structures and their references to reality. The book also provides in-depth analyses of the poem's impact on its readers and their responses, reflecting a deep familiarity with the subject. Al-Zaraei's ability to integrate traditional and contemporary approaches in studying Arabic poetry reflects his accumulated expertise and profound understanding of the circumstances surrounding poetry composition and its motivations. He does not limit himself to an overview of the texts and their authors but goes beyond that to study the non-discursive factors influencing the text. Thanks to its cohesive methodology, the book can serve as an important starting point for researchers in this field, offering a valuable lesson on how to incorporate audience rhetoric into the traditional analysis of Arabic poetry. In the face of a challenging Arab reality, this book becomes a platform for exploring beauty and creativity from the depths of suffering, marking it as a significant contribution to contemporary literary studies. Al-Zaraei's key ideas manifest in these texts through a series of axes that reflect the depth of his vision. He emphasizes the importance of interaction between poets and their audiences on social media platforms, noting how this interaction shapes meanings and rewrites texts. He also points to the transformations in poetic structure, where changes in syntax and grammar reflect the digital age's impact on writing styles. He views Facebook poetic texts as a mirror reflecting cultural and social contexts, making poetry an effective tool for expressing current issues and collective feelings. He also discusses the role of rhetorical and artistic techniques in enriching the texts, illustrating how these elements enhance the aesthetic quality of poetic discourse. Additionally, he examines the impact of digital technologies on poetry production and distribution, clarifying how communication methods between poets and their audiences have changed in the age of digital globalization. He presents a new vision of poetry as an interactive and evolving art form that adapts to modern contexts and utilizes the digital space as a new platform for expression and creativity. These ideas converge to form a comprehensive perspective on the role of poetry in the digital age and the influence of social media on its forms and content. Al-Zaraei's emotional and sensitive approach to the issues that concern poets and the audience on social media is evident. He expresses a deep sense of the transformations poetry undergoes in the digital age, where individual emotions intertwine with collective experiences, reflecting a tension between tradition and modernity. He also conveys a sense of nostalgia for the traditional aspects of poetry, where it was viewed as a means of pure artistic expression. However, he realistically embraces the changes brought about by social media, demonstrating an ability to adapt to the new realities of the time. This duality between nostalgia and acceptance reflects complex psychological emotions, ranging from passion and creativity on one hand to anxiety about losing authenticity on the other. The influence of environment and time is evident in Dr. Abdulaziz Al-Zaraei's writings on 'The Poetic Discourse on Facebook,' through his deep engagement with the social and cultural contexts surrounding poets. Al-Zaraei draws from his personal experience and critical perspective to present a comprehensive study that reflects the reality of Facebook poetry, highlighting how young poets interact with contemporary changes. The environment in which Al-Zaraei lives, including the political and social conditions in Yemen, forms an important backdrop for his studies, reflecting the influence of these contexts on poetic texts. Through the digital space, poetry transforms into an expressive tool reflecting people's concerns and experiences. Additionally, time, as a significant factor, is evident in his analysis of the nature of Facebook poetry, where it interacts with current events and responds to them. The external environment, including technological developments, contributes to reshaping poetic styles and methods of interaction between poets and their audiences. Through his study, Al-Zaraei underscores the importance of communication and interaction, creating new texts characterized by renewal and modernity. Moreover, Al-Zaraei employs technical terms related to the digital space, such as 'social platforms' and 'digital communication,' illustrating how technology contributes to shaping literary texts. Through this diverse lexicon, he manages to provide a rich study that clearly and deeply expresses the reality of Facebook poetry, contributing to understanding poetic transformations in the modern era. He also clearly connects reality and metaphor in his writing, reflecting the depth of his analysis of poetic discourse on Facebook. Al-Zaraei discusses how Facebook poetry combines direct expressions of reality (truth) with the use of poetic imagery and figurative language, enhancing the beauty of the texts. Furthermore, the book features a smooth and precise language that facilitates readers' understanding of the presented ideas. Al-Zaraei avoids excessive complexity, making his study accessible to researchers and poetry enthusiasts alike.


Yemenat
01-07-2025
- Yemenat
Mark Zuckerberg (The New Devil of Poetry) in the Age of Social Media
In his book (The Whispers of an Alien Soul): The Transformations of Prose Poetry from the Pages of 'Poetry Magazine' to the Realms of Facebook, published by Dar Anaween Books in Cairo in 2023, Yemeni poet and critic Alwan Mahdi Al-Jilani dedicates a chapter to the study of Facebook prose poetry as a 'mental jolt.' This chapter, part of the fourth section (pages 125 to 143), offers an unprecedented exploration compared to other studies that have examined Facebook prose poetry as a new poetic phenomenon, revealing the profound impact of Facebook on our lives and perceptions. The study compares classical Arabic poetry (such as the elegies of ruins) with modern Facebook prose poetry, highlighting the incentives for poetic expression in ancient heritage versus those on the Facebook platform. Beyond historical and cultural approaches to poetry, the study focuses on analyzing the content and themes explored in these poems, as well as how the social and psychological transformations brought about by social media platforms are reflected in these texts. This study reveals a deep awareness of the shifts that have occurred in the Arab poetic landscape over the past two decades, transformations largely driven by social media. Several key variables addressed in the study include: First: The study highlights how Facebook alters our perception of time by recycling old content in new contexts, leading to a simultaneous feeling of presence and absence. This challenges the linear nature of time that poetry has traditionally adhered to. Second: Facebook has transformed into a new space for poetic expression where poets attempt to capture fleeting digital moments and immortalize them, akin to ancient poets who depicted the ephemeral scenes of the desert. Al-Jilani considers this condition a sign of profound substitutions, describing it as a 'mark of an existential pain that afflicts the poet.' This pain resembles the sorrow of the pre-Islamic poet standing among the remnants of the departed, contemplating the swift disappearance of their traces, erased by the winds. On Facebook, posts and images appear quickly, garner interaction swiftly, and then vanish just as easily, retreating into the depths of the page behind a deluge of new posts (The Whispers of an Alien Soul, p. 139). Third: Mark Zuckerberg, the founder of Facebook, has become a poetic catalyst or muse for a new generation of Arabic prose poets, particularly those who publish their poems directly on the platform. Their works exhibit distinctive characteristics, prompting Al-Jilani to label them as Facebook prose poetry. This transformation of Zuckerberg into a poetic muse represents an intriguing phenomenon in contemporary Arabic poetry. Al-Jilani observes that Zuckerberg has replaced traditional poetic stimuli in Arab culture; where poets once addressed ruins, traveling companions, or the night, they now engage with Zuckerberg as a symbol of the virtual realm. Furthermore, Al-Jilani views him as an inspiration and motivator for writing, akin to the 'devil of poetry' in ancient Arab culture or to Apollo, the god of poetry in Greek mythology. With Great Surprise Al-Jilani presents numerous Facebook poetic texts illustrating how the direct question from Facebook ('What are you thinking?') has become a primary catalyst for poetic expression. A poet may face their Facebook page feeling an intellectual void, then navigate through other pages, merging into the blue space until stimuli arise, igniting a desire to write. This process resembles a conversation with a beloved or receiving inspiration. Finally, they confront the larger question, 'What are you thinking?' which sparks their poetic voice. Al-Jilani equates this inquiry with the traditional question 'What did he say?' that once motivated oral poets in regions like Tihama, asserting that this parallel indicates that the change is not a complete break from the past but rather an intersection with it—a contemporary reproduction of the conventions and traditions of the imagined interlocutor in Arabic poetry. Al-Jilani's study addresses a critical point raised by critic Waleed Al-Khashab regarding the uniqueness of this phenomenon in Arabic culture. There is a tendency towards personification and characterization, often laced with irony, depicting the Facebook platform as a game controlled by a single figure—Mark Zuckerberg—who seems to monitor every detail published and is frequently mentioned in various forms in comments, or even addressed personally in Arabic. Al-Jilani questions whether the phenomenon of Mark Zuckerberg transforming into a poetic muse for the new generation of Arabic prose poets is exclusive to these poets or if it has a parallel in European languages and others. He acknowledges that verifying the uniqueness of this phenomenon in European languages requires extensive investigation. Nonetheless, he emphasizes its significant presence in Arab culture and its immense relevance in our daily interactions with this virtual space. The crucial point here is the vast space that Mark Zuckerberg occupies as an imagined interlocutor or catalyst for expression, which reinterprets the traditions of ancient Arabic poetic discourse in a contemporary manner. Fourth: The expansion of Facebook's role in new prose poetry is incessant, with appropriations and substitutions far exceeding our estimations. The platform now fulfills roles that various entities once performed. For instance, Facebook acts as the narrator that conveyed the poet's verses and news during the pre-Islamic and early Islamic periods. The Facebook wall resembles the Kaaba's wall during the era of pre-Islamic odes. Additionally, Facebook replaces traditional publishing mediums (newspapers and magazines) and the poetry reading halls, literary seminars, and poetry festivals. With just the press of a publish button, a poet's page becomes an exhibition hall for their poetry, with a virtual audience ready for immediate interaction. As for Al-Jilani's question regarding whether this phenomenon is exclusive to Arab poets, the answer appears quite challenging. From my knowledge of English literature, I can assert that there are numerous poems and critical articles in English addressing Facebook as a social and cultural phenomenon, but their themes differ significantly. These works often focus on Facebook addiction, its impact on individuals and relationships, and feelings of loneliness despite having many virtual friends. They also explore Facebook's influence on users' sense of identity and self-image and raise concerns regarding data collection and usage. For example, notable poems such as 'The Facebook Sonnet' by Sherman Alexie and works by poet Brian Bilston personify Facebook and discuss its psychological and social impacts. I have also encountered some poetic texts or articles directly addressing Mark Zuckerberg; however, these addresses are typically critical or protest-oriented, especially concerning issues like privacy violations or the platform's societal impact (e.g., the poem 'Dear Mr. Mark Zuckerberg… Do Not Give Away Our Data'). There are also humorous poems or light-hearted comments mentioning him as a public figure, but they do not regard him as a 'poetic muse' or 'demon inspiring expression.' Additionally, some articles discuss the role of poetry or the arts in inspiring business leaders, indicating that tech leaders speak about poetry's influence on their innovations. However, those discussions do not suggest that poets in European languages are addressing tech CEOs (including Zuckerberg) as 'gods of poetry' or 'inspiring demons' of poetic expression. The tendency to personify and directly address Mark Zuckerberg as a 'demon of poetry' or 'beloved' (as mentioned in Tihama context) may be a phenomenon unique to Arabic poetic culture, or at least more pronounced and rooted in its cultural context compared to that of European languages. We can affirm that the relationship between the poet, the platform, and its founder in those languages appears different; it is less inclined toward mythologizing or spiritualizing.


Saba Yemen
29-06-2025
- Saba Yemen
Yemen participates in international poetry festival in support of Gaza with recorded speech by Culture & Tourism Minister
Yemen participates in international poetry festival in support of Gaza with recorded speech by Culture & Tourism Minister Facebook Facebook Whatsapp Whatsapp Telegram Telegram Email Email Print Print [Sun, 29 Jun 2025 21:20:04 +0300]Sana'a - Saba:Yemen participated in the International Poetry Festival in Support of Gaza, organized by the World Poets Movement under the leadership of its president, the renowned global poet Eduardo Rondón, on June 28-29 in event saw the participation of 170 poets representing 110 countries involvement in the festival's opening ceremony featured a recorded speech by the Minister of Culture and Tourism, Dr. Ali Al-Yafai, which was translated into English and his address, Al-Yafai praised the efforts of the organizing committee and the participating poets, emphasizing that this is the true role of intellectuals in upholding humanitarian stated that the Yemeni people have stood firmly with the Palestinian people since the very beginning, both politically and through massive popular demonstrations held weekly. He highlighted that Yemeni intellectuals have also made their voices heard through poems, anthems, and artistic works supporting Minister expressed his honor in participating in the global poetry festival, stressing that what is happening in Gaza is an unprecedented genocide in history."While we may hear in myths or historians' imaginations about past atrocities against groups of people in possibly fictional eras, today we witness daily the burning of an entire people," he said, condemning the unjustifiable and shameful global silence surrounding these added, "Though Yemen shares in the blockade and suffering with the Palestinian people, we strive to offer even a small part of our solidarity and support to this oppressed nation." He noted that Yemenis raise their voices loudly in weekly protests across all cities, with Yemeni intellectuals playing a prominent role in these Minister pointed out that Yemen's Ministry of Culture and Tourism has organized—and continues to hold—numerous cultural, artistic, and literary events, as well as publications, in solidarity with Palestine and in rejection of Israeli crimes. He affirmed that true intellectuals are those who belong first to humanity and second to their nation, with their words, art, and voices reflecting their people's his recorded message, Al-Yafai asserted that pens, colors, and melodies bleed alongside the free blood shed and the victims who fall every moment under brutal aggression. "If one does not share their pain or strive to break the siege and shameful silence, their work is nothing but a fleeting, chaotic, and false outburst."He saluted the free voices taking a stand against the Zionist atrocities in Gaza and all of Palestine, calling on cultural institutions and entities to fulfill their duties in continuously supporting the Palestinian cause. He urged them to reject all forms of military and political aggression until Palestinians attain their right to a dignified life and reclaim their occupied land.