Just for Laughs pillar Nick Brazao eyes ‘next generation of great standups'
Nick Brazao has all the necessary comedy bona fides for his role as head of programming and talent at Just for Laughs.
Prior to working in the JFL programming department 16 years ago, the Montrealer paid dues on the other side of the stage for 15 years as a much-sought-after standup on the local scene.
After leaving the stage, much of Brazao's time in programming was spent under the tutelage of one of the best comedy trackers in the business, Robbie Praw, who went on to head Netflix's live comedy division.
'I gave up the standup to get on to the production side, to get a closer connection to the world-class comedy scene, and that satisfies a lot of the reasoning I got into comedy in the first place,' Brazao, 44, says.
One of the few employees of the previous JFL regime still with the festival, Brazao helped put together talent for last year's last-minute inaugural event under the leadership of Sylvain Parent-Bédard, the JFL president and CEO who took over the fest a year ago amid much turmoil. But whereas Brazao had a few weeks to book talent last year, he's had nearly a year to put together anglo programming for this year's fest as well as others in Toronto, Vancouver, Bermuda and Sydney, plus travelling shows and one-nighters across this country.
'About 15 months ago, there was concern that Just for Laughs could disappear, but the opportunity to bring everything back has been so uplifting,' Brazao says. 'So many great memories have been made over the four decades the festival has been around. Now, we have the opportunity to make many more.'
Parent-Bédard doesn't mince words in crediting Brazao's contributions: 'Nick has been our organization's cornerstone.'
Brazao's programming goals have changed over time.
'One of our guiding principles is try to provide something, both international and local, for all comedy tastes, which are so very widespread,' notes Brazao. 'That applies to fans as well as to other comics and industry players.
'There have been so many great comics to come out of here and the challenge is always to find new voices. Just as I was blown away by Bill Burr nearly 20 years ago, I'm on the lookout for the next generation of great standups.'
On that note, Brazao offers eight picks he's sure will click with audiences:
1) Che Durena, host of the Nasty Show series, July 16-25, mostly at Club Soda: 'A viral Canadian comedy sensation with over eight million followers on social media platforms, he's done galas and shows with us over the years. But this year will be his first at the helm of one of our legacy events and he won't disappoint with his spin on nasty. The subject matter may have changed over the years, but he will let loose with the best of them.'
2) Asif Ali, host of the Culture Show, July 16-23, mostly at Club Soda: 'Coming off acclaimed performances in the streaming series Deli Boys and The Mandalorian, Ali, an L.A.-based comic, has been a hit on gala shows in past festivals. Like the Nasty Show, the plan is also to keep another of our most popular series, the ex-Ethnic Show, continuously evolving.'
3) Nick Mohammed, solo show Nick Mohammed is Mr. Swallow: Show-Pony, July 23-26 at Le Gesù: 'Best known for his role as a rival soccer manager in one of TV's most acclaimed series, Ted Lasso — for which he netted two Emmy nominations — this outstanding comedian/writer will be seen in an entirely different and hilarious light in a 75-minute revue. There will be roller skates, there will be musical numbers, and, above all, many laughs.'
4) Mary Beth Barone, solo show, July 26 at Club Soda: 'One of the stars and writers of the hit series Overcompensating and a repeat guest on Jimmy Fallon's late-night talk show, her first standup special, Thought Provoking, was just that. Currently on an extended and sold-out U.S./Canada tour, this American standup is on a roll, having headlined at the New York Comedy Fest, the Netflix Comedy Festival and the Edinburgh Fringe and is co-host of the podcast Ride with Benito Skinner. This will mark her first performance in Montreal, but definitely not her last.'
5) Stamptown, July 23-25 at Club Soda: 'A full-on fevered show hosted by the unforgettable Zach Zucker and featuring some of the most energetic, over-the-top comics from around the world, it is totally bananas, raunchy and chaotic; 90 minutes of pure spectacle and has sold out rooms everywhere it has played. Past shows have included the likes of Neil Patrick Harris, Richard Kind, Mae Martin, David Cross and Sarah Sherman.'
6) Rhys Darby, The Legend Returns, July 24 at MTelus: 'A legend indeed is this comic from New Zealand, who cracked up audiences big time in the Flight of the Conchords series. An unbelievable talent, he's so unique and such a delight. Every time he's done JFL, he's left audiences in stitches.'
7) Cat Cohen, July 23 at Le Studio TD: 'U.S.-based, but well known around the world for festival and TV appearances as well as her two Netflix specials. A comedian, actress and songwriter, she appears in Season 4 of Only Murders in the Building and in the Sirens series with Julianne Moore and stars opposite Elle Fanning in the film Sentimental Value. Her career got off to a roaring start in 2019 having won the coveted title of Best Newcomer at the Edinburgh Fringe Festival. Her show is music, comedy and incredibly entertaining.'
8) Andrea Jin, featured performer in the Culture Show, July 16-23, mostly at Club Soda: 'Originally from Shanghai, she grew up in Vancouver, and is now based in L.A. She has a huge following online and is a former New Face of Comedy. She'll also be doing a gala and our Roast Battle as well as an Off-JFL solo show July 25 at Café Cléopâtre. Sky is the limit here. Could well be the breakout star at this year's fest.'
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Vancouver Sun
an hour ago
- Vancouver Sun
Review: Blueridge festival honours 'Three Queens' with special concert
Reviews and recommendations are unbiased and products are independently selected. Postmedia may earn an affiliate commission from purchases made through links on this page. It hardly seems possible, but one of Vancouver's newer classical endeavours, the Blueridge Chamber Music Festival, is now in its fifteenth season of using innovative, quality music to enliven late summer. This year a quartet of concerts clearly defined the festival's mission: a program of works by Samuel Coleridge-Taylor, an almost forgotten star of the late Victorian era; a program of very demanding music by the dean of contemporary German composers, Helmut Lachenmann; and a program of new works by local composers Jordan Nobles, Jennifer Butler, and Mary Jane Coomber. Get top headlines and gossip from the world of celebrity and entertainment. By signing up you consent to receive the above newsletter from Postmedia Network Inc. A welcome email is on its way. If you don't see it, please check your junk folder. The next issue of Sun Spots will soon be in your inbox. Please try again Interested in more newsletters? Browse here. Particularly noteworthy was the Aug. 13 concert, held downtown in The Annex, dubbed 'Three Queens,' which focused on music of Violet Archer, Jean Coulthard, and Barbara Pentland, important Canadian women who died within a few weeks of each other in 2000. Blueridge commemorated the 25th anniversary of their passing with an unusually well-curated event, combining performances of Coulthard's three piano trios with Archer's final string quartet and Pentland's 1983 Piano Quintet. Although these exemplary works were written within a fifteen-year period by composers in late maturity, three very different and still underrated musical personalities were revealed. Coulthard's Lyric Trio launched the program, an elegant, often touching piece of great appeal. Two members of the Microcosmos String Quartet, violinist Andrea Siradze and cellist Zolton Roszy joined Coulthard specialist pianist Jocelyn Lai in a performance that was as fresh as it was charming. Lai gets the balance between lush lyricism, sparkling keyboard figurations, and formal rigour just right. To conclude the first half of the program, the same performers tackled Coulthard's one-movement Legend of the Snows, an evocative proposition created for a trio of young Canadian musicians, Desmond Hoebig, Gwen Hoebig, and Jon Kimura Parker, who all went on to have sterling careers. The second half began with another Coulthard trio, The Birds of Lansdowne, played by violinist Marc Destrubé, cellist Zoltan Rozsnyai, and pianist Jane Hayes. This is something of a sport in the extensive Coulthard catalogue, a work suggested by the avian paintings of J. Fenwick Lansdowne that weaves recorded birdsong through the musical textures. While ultimately a minor Coulthard, it demonstrates the concern for the environmental issues, which became an ongoing thread in her later compositions and certainly appeals to green-conscious listeners. Archer's Third String Quartet, heard in the first half of the concert, is an intense and ambitious proposition. Archer's early works often demonstrate her lineage as a student of Hindemith; her third quartet takes up where Bartók's celebrated series of quartets leaves off. The work has a certain austerity, pandering to neither players nor audience, but what a finely thought out work, and what a strong, committed performance by the Microcosmos. The program ended with one of Barbara Pentland's last works, her Piano Quartet, yet another work of outstanding quality. Pentland was one of the few women to participate in and learn from the famous Darmnstadt summer music sessions, and for about a quarter century her music reflected the then-potent influence of Anton Webern. By the 1980s as the serial ice age was melting into postmodernism, Pentland found a more relaxed, richer idiom, rife with exceptional textures. The quartet still counts as 'difficult' by many standards, but despite a certain loquaciousness it's always impressive, and was performed with integrity and high style by the Microcosmos with the third pianist of the evening, Manuel Laufer, an evening that defines the value and rewards of a festival setting. Concert three of this year's Blueridge festival is Lachenmann at 90, tonight, Aug. 14. The festival winds up Friday, Aug. 15, with Happy Blueridge Birthday. Both programs run at 7 p.m. at The Annex. Love concerts, but can't make it to the venue? Stream live shows and events from your couch with VEEPS, a music-first streaming service now operating in Canada. Click here for an introductory offer of 30% off. Explore upcoming concerts and the extensive archive of past performances.


The Province
an hour ago
- The Province
Review: Blueridge festival honours 'Three Queens' with special concert
The Aug. 13 concert focused on music by Violet Archer, Jean Coulthard, and Barbara Pentland, important Canadian women who died in 2000. The full cast of Wednesday's concert. Photo by Courtesy of Blueridge Chamber Mu Reviews and recommendations are unbiased and products are independently selected. Postmedia may earn an affiliate commission from purchases made through links on this page. Reviews and recommendations are unbiased and products are independently selected. Postmedia may earn an affiliate commission from purchases made through links on this page. This advertisement has not loaded yet, but your article continues below. THIS CONTENT IS RESERVED FOR SUBSCRIBERS ONLY Subscribe now to read the latest news in your city and across Canada. Exclusive articles by top sports columnists Patrick Johnston, Ben Kuzma, J.J. Abrams and others. Plus, Canucks Report, Sports and Headline News newsletters and events. Unlimited online access to The Province and 15 news sites with one account. The Province ePaper, an electronic replica of the print edition to view on any device, share and comment on. Daily puzzles and comics, including the New York Times Crossword. Support local journalism. SUBSCRIBE TO UNLOCK MORE ARTICLES Subscribe now to read the latest news in your city and across Canada. Exclusive articles by top sports columnists Patrick Johnston, Ben Kuzma, J.J. Abrams and others. Plus, Canucks Report, Sports and Headline News newsletters and events. Unlimited online access to The Province and 15 news sites with one account. The Province ePaper, an electronic replica of the print edition to view on any device, share and comment on. Daily puzzles and comics, including the New York Times Crossword. Support local journalism. REGISTER / SIGN IN TO UNLOCK MORE ARTICLES Create an account or sign in to continue with your reading experience. Access articles from across Canada with one account. Share your thoughts and join the conversation in the comments. Enjoy additional articles per month. Get email updates from your favourite authors. THIS ARTICLE IS FREE TO READ REGISTER TO UNLOCK. Create an account or sign in to continue with your reading experience. Access articles from across Canada with one account Share your thoughts and join the conversation in the comments Enjoy additional articles per month Get email updates from your favourite authors It hardly seems possible, but one of Vancouver's newer classical endeavours, the Blueridge Chamber Music Festival, is now in its fifteenth season of using innovative, quality music to enliven late summer. This year a quartet of concerts clearly defined the festival's mission: a program of works by Samuel Coleridge-Taylor, an almost forgotten star of the late Victorian era; a program of very demanding music by the dean of contemporary German composers, Helmut Lachenmann; and a program of new works by local composers Jordan Nobles, Jennifer Butler, and Mary Jane Coomber. Particularly noteworthy was the Aug. 13 concert, held downtown in The Annex, dubbed 'Three Queens,' which focused on music of Violet Archer, Jean Coulthard, and Barbara Pentland, important Canadian women who died within a few weeks of each other in 2000. Essential reading for hockey fans who eat, sleep, Canucks, repeat. By signing up you consent to receive the above newsletter from Postmedia Network Inc. Please try again This advertisement has not loaded yet, but your article continues below. Blueridge commemorated the 25th anniversary of their passing with an unusually well-curated event, combining performances of Coulthard's three piano trios with Archer's final string quartet and Pentland's 1983 Piano Quintet. Although these exemplary works were written within a fifteen-year period by composers in late maturity, three very different and still underrated musical personalities were revealed. Coulthard's Lyric Trio launched the program, an elegant, often touching piece of great appeal. Two members of the Microcosmos String Quartet, violinist Andrea Siradze and cellist Zolton Roszy joined Coulthard specialist pianist Jocelyn Lai in a performance that was as fresh as it was charming. Lai gets the balance between lush lyricism, sparkling keyboard figurations, and formal rigour just right. To conclude the first half of the program, the same performers tackled Coulthard's one-movement Legend of the Snows, an evocative proposition created for a trio of young Canadian musicians, Desmond Hoebig, Gwen Hoebig, and Jon Kimura Parker, who all went on to have sterling careers. This advertisement has not loaded yet, but your article continues below. Coulthard expert Jocelyn Lia. Photo by Courtesy of Blueridge Chamber Mu The second half began with another Coulthard trio, The Birds of Lansdowne, played by violinist Marc Destrubé, cellist Zoltan Rozsnyai, and pianist Jane Hayes. This is something of a sport in the extensive Coulthard catalogue, a work suggested by the avian paintings of J. Fenwick Lansdowne that weaves recorded birdsong through the musical textures. While ultimately a minor Coulthard, it demonstrates the concern for the environmental issues, which became an ongoing thread in her later compositions and certainly appeals to green-conscious listeners. Archer's Third String Quartet, heard in the first half of the concert, is an intense and ambitious proposition. Archer's early works often demonstrate her lineage as a student of Hindemith; her third quartet takes up where Bartók's celebrated series of quartets leaves off. The work has a certain austerity, pandering to neither players nor audience, but what a finely thought out work, and what a strong, committed performance by the Microcosmos. This advertisement has not loaded yet, but your article continues below. The program ended with one of Barbara Pentland's last works, her Piano Quartet, yet another work of outstanding quality. Pentland was one of the few women to participate in and learn from the famous Darmnstadt summer music sessions, and for about a quarter century her music reflected the then-potent influence of Anton Webern. By the 1980s as the serial ice age was melting into postmodernism, Pentland found a more relaxed, richer idiom, rife with exceptional textures. The quartet still counts as 'difficult' by many standards, but despite a certain loquaciousness it's always impressive, and was performed with integrity and high style by the Microcosmos with the third pianist of the evening, Manuel Laufer, an evening that defines the value and rewards of a festival setting. This advertisement has not loaded yet, but your article continues below. Concert three of this year's Blueridge festival is Lachenmann at 90, tonight, Aug. 14. The festival winds up Friday, Aug. 15, with Happy Blueridge Birthday. Both programs run at 7 p.m. at The Annex. Read More Love concerts, but can't make it to the venue? Stream live shows and events from your couch with VEEPS, a music-first streaming service now operating in Canada. Click here for an introductory offer of 30% off. Explore upcoming concerts and the extensive archive of past performances. Vancouver Whitecaps Local News Homes Vancouver Whitecaps News


Toronto Sun
2 hours ago
- Toronto Sun
VUONG: Not one more tax dollar to TIFF until they find their moral compass
A Toronto resident takes a picture of the TIFF logo during the 2022 Toronto International Film Festival, Thursday, Sept. 8, 2022, Photo by Chris Pizzello / THE ASSOCIATEDPRESS TIFF can't seem to get its story straight. Usually, this is a sign that someone is not telling the truth. This advertisement has not loaded yet, but your article continues below. THIS CONTENT IS RESERVED FOR SUBSCRIBERS ONLY Subscribe now to read the latest news in your city and across Canada. Unlimited online access to articles from across Canada with one account. Get exclusive access to the Toronto Sun ePaper, an electronic replica of the print edition that you can share, download and comment on. Enjoy insights and behind-the-scenes analysis from our award-winning journalists. Support local journalists and the next generation of journalists. Daily puzzles including the New York Times Crossword. SUBSCRIBE TO UNLOCK MORE ARTICLES Subscribe now to read the latest news in your city and across Canada. Unlimited online access to articles from across Canada with one account. Get exclusive access to the Toronto Sun ePaper, an electronic replica of the print edition that you can share, download and comment on. Enjoy insights and behind-the-scenes analysis from our award-winning journalists. Support local journalists and the next generation of journalists. Daily puzzles including the New York Times Crossword. REGISTER / SIGN IN TO UNLOCK MORE ARTICLES Create an account or sign in to continue with your reading experience. Access articles from across Canada with one account. Share your thoughts and join the conversation in the comments. Enjoy additional articles per month. Get email updates from your favourite authors. THIS ARTICLE IS FREE TO READ REGISTER TO UNLOCK. Create an account or sign in to continue with your reading experience. Access articles from across Canada with one account Share your thoughts and join the conversation in the comments Enjoy additional articles per month Get email updates from your favourite authors Don't have an account? Create Account On Aug. 12, Hollywood news site Deadline broke the news that TIFF uninvited Canadian filmmaker Barry Avrich from screening his documentary, The Road Between Us: The Ultimate Rescue . This heroic story, which was first covered by 60 Minutes , is one that should inspire anyone who cares about family, duty, and the triumph of good over evil. It follows retired soldier and Israeli veteran Noam Tibon who set out to rescue his two granddaughters on Oct. 7, 2023 and saved, along the way, survivors of the Nova music festival massacre and helped wounded soldiers. In response to Deadline, a TIFF spokesperson claimed 'conditions that were requested when the film was initially invited, were not met, including legal clearance of all footage.' Your noon-hour look at what's happening in Toronto and beyond. By signing up you consent to receive the above newsletter from Postmedia Network Inc. Please try again This advertisement has not loaded yet, but your article continues below. Sorry, whose clearance? The film includes self-recorded footage from designated terror group Hamas, is that who TIFF is worried about? Terrorists? Never mind the fact that the footage should fall under 'fair dealing' or that it has already been used in other films and art installations, including the Nova exhibition that just wrapped up in Toronto in June. Does TIFF recognize who they are siding with? Hamas has been on Canada's terror list since 2002 and, on Oct. 7, 2023, they murdered over 1,200 innocent people, including eight Canadians. Following the justified Canadian and international outrage, TIFF CEO Cameron Bailey issued a statement on Aug. 13 to try and shift the narrative with a new story regarding alleged 'claims that the film was rejected due to censorship are unequivocally false.' This is called a Red Herring. 'Sure the economy is bad, but the real issue is crime (please stop talking about our economic record)!' This advertisement has not loaded yet, but your article continues below. Contrast this with TIFF's response last year following their announcement on Sept. 10, 2024 to screen Russian propaganda film, Russians at War , that was protested by Ukrainian Canadians for whitewashing their soldiers' actions in Ukraine: Sept. 11 — TIFF released a statement defending the film and affirming their commitment to artistic expression and free speech Sept. 12 — TIFF pauses screenings of the film Sept. 17 — TIFF resumes screenings of Russians at War and is shown outside of the official festival dates to accommodate for the pause One can't help but notice the stark difference in how TIFF conducted itself in response to these two films. They stood up for one and found a way to screen it, even going outside of last year's festival dates, and cut another on not only the flimsiest of reasons but also the most morally repugnant. This advertisement has not loaded yet, but your article continues below. So what is the real reason for TIFF uninviting a Canadian filmmaker from screening his documentary about an Israeli grandfather saving his family and rescuing countless other innocent civilians? Is it inherent antisemitism within their ranks as some people have alleged? If they're worried about safety, bowing to the hateful mob all but guarantees disruptions. If this is a matter of art and freedom of expression, then the consistent response would have been for TIFF to defend and screen both films. Read More If not, just what are our tax dollars, from all levels of government, funding? If it's not art and it is not supporting Canadian filmmakers like Barry Avrich, then what is the return on investment? As of right now, the ROI is trending negative with TIFF's actions being mocked on the New York Post 's Aug. 14 front-page cover. This advertisement has not loaded yet, but your article continues below. They have caused Toronto and Canada immeasurable reputational damage as its decision appearing to side with a designated terrorist group is ridiculed around the world. Until TIFF finds their moral compass again or, at a bare minimum, can provide films centered on democracies with the same treatment as they do those from authoritarian regimes, not a single taxpayer dollar should fund the festival. — Kevin Vuong is a proud Torontonian, entrepreneur, and military reserve officer. He was previously the Member of Parliament for Toronto's Spadina-Fort York community, which is where the Toronto International Film Festival is headquartered. RECOMMENDED VIDEO Sunshine Girls Toronto & GTA Sunshine Girls World Columnists