logo
Blues Hall of Famer Mavis Staples, Grammy-winner Jason Isbell in lineup for 50th Winnipeg Folk Festival

Blues Hall of Famer Mavis Staples, Grammy-winner Jason Isbell in lineup for 50th Winnipeg Folk Festival

CBC07-03-2025
The Winnipeg Folk Festival has released the lineup of artists taking over the stage in its 50th edition, featuring Grammy Award-winning talent, a hall of farmer and some nostalgic Canadian favourites.
From homegrown to international performers, 68 artists are performing at Birds Hill Provincial Park this summer, bringing a wide range of music genres from gospel, funk and R&B to country, rock and several variations of folk.
Among the big names on this year's list is music legend Mavis Staples — a member of the Rock and Roll Hall of Fame, Blues Hall of Fame, and Gospel Music Hall of Fame — who will perform for her first time at the festival.
Gillian Welch and David Rawlings are also making their debut on a Birds Hill park stage this year.
Returning to the summer event is Grammy award-winning musician and activist Ani DiFranco, who made her first appearance there in 1992.
Six-time Grammy winner, singer-songwriter Jason Isbell is also coming back for his first appearance since 2015, alongside the 400 Unit band.
Quebec singer-songwriter Allison Russell, a Grammy-award winner, is also among the headliners, along with the Australian jazz band The Cat Empire.
Among Manitoba's homegrown talent is nostalgic music icon and children's entertainer Fred Penner, Grammy-nominated Winnipeg band The Duhks, and pop singer-songwriter Begonia.
The festival will also feature Indigenous artists, including Métis singer-songwriter Ruby Waters, who is returning to the festival since her first appearance in 2022, and Anishinaabe singer-songwriter Leonard Sumner, from Little Saskatchewan First Nation.
Bringing their talent from outside of Canada are Los Bitchos, an English band pulling together Latin rhythms with Turkish psych rock, metal and disco, Ukraine's Maryna Krut, an artist of the plucked-string bandura instrument, and Ye Vagabonds, an Irish folk duo — all making their first appearances.
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Album review: Grammy-winning Montrealer Kaytranada drops surprise album geared for the dance floor
Album review: Grammy-winning Montrealer Kaytranada drops surprise album geared for the dance floor

Montreal Gazette

time2 hours ago

  • Montreal Gazette

Album review: Grammy-winning Montrealer Kaytranada drops surprise album geared for the dance floor

Entertainment And Life By Montreal Gazette Kaytranada knows how to throw a party. In his opening slot for The Weeknd's two packed concerts at Parc Jean-Drapeau in July, the Montrealer got people moving with an up-tempo set featuring many of his own hits. Far from the reserved DJ-producer, he danced up a storm behind the consoles, occasionally grabbing the mic to hype the crowd. In October, he embarks on a co-headlining arena tour with French electro duo Justice, which sadly won't be stopping in our city. But first he's back with a late-summer surprise: Ain't No Damn Way!, a new album of instrumental jams geared for the dance floor, released a week and change before his 33rd birthday. 'Letting y'all know that this album is strictly for workouts, dancing and studying and for my people that love beats,' he said in an Instagram story this week. It's the follow-up to his Grammy-nominated 2024 album Timeless and double-Grammy-winning 2019 release Bubba. His debut 99% won the 2016 Polaris Music Prize for best Canadian album. Along the way, Kaytranada, born Louis Kevin Celestin in Port-au-Prince, Haiti, and raised on Montreal's South Shore, has opened for Madonna, remixed Janet Jackson and Mariah Carey and collaborated with Kali Uchis, Pharrell Williams, Anderson .Paak, Snoop Dogg, Childish Gambino, H.E.R., and Pink Pantheress, among others. There are no guests on Ain't No Damn Way!, just Kaytranada doing his thing: pulling together disparate influences to craft singular grooves that stimulate the senses and move bodies in mysterious ways. That's not to say he doesn't have company. The quintessential crate-digger, he borrows textures from an impressive array of sources that showcase both his musical curiosity and intuitive ability to weave bits and pieces into a unified and never overworked whole. First single Space Invader pops with an old-school hip-hop beat and samples Kelis's Neptunes-produced 2001 track Young, Fresh N' New, turning the rejuvenated result into a soulful, scintillating club jam that feels like a lost Michael Jackson recording crossed with a '90s house track. Championship, next, borrows from 1970s German electronic music pioneers Tangerine Dream to mystical effect. Home grabs a head-bobbing beat from drummer Alex Sowinski of Toronto's Badbadnotgood, while the entrancing Things incorporates echoes of a hook from '80s Nigerian Afro-boogie artist Steve Monite over bongos and synth loops. The twinkling Good Luck is based on a staggered breakbeat by drummer Karriem Riggins, who has worked with Chicago rapper Common and the late, great producer and Kaytranada inspiration J Dilla (who is sampled on the salvational Don't Worry Babe / I Got You Babe). The dreamy interlude lasts a mere 1:47, making it the shortest of 12 songs on an album that clocks in just under the 35-minute mark. Shine Your Light For We matches Barry White instrumental snippets — not that you would know, without reading the credits — with soulful vocals from Wu-Tang Clan rapper Cappadonna's inspirational 1998 jam Black Boy. And closing track Do It! (Again!) (feat. TLC), grabs from the R&B trio's 1994 song Let's Do It Again while giving it the Kaytranada makeover — i.e. turning it into another bumping, gently percolating club jam, the title inviting us to do as we're told and put this addictive album on repeat. A decade into his recording career proper, Kaytranada shows no signs of relenting, and no lack of inspiration. The guy has so many ideas, he has to keep putting out new music. While he has been flirting with mainstream status for a while — his Spotify page shows several tracks with over 100 million streams — it's only a matter of time before he breaks through for real. Until then, it's a treat to watch Kaytranada continue to build his rock-solid reputation as one of the most tasteful and inventive producers around, with an infectious and instantly identifiable sound.

Sarah Nurse says PWHL Barbie can inspire next generation of female athletes
Sarah Nurse says PWHL Barbie can inspire next generation of female athletes

Winnipeg Free Press

time2 hours ago

  • Winnipeg Free Press

Sarah Nurse says PWHL Barbie can inspire next generation of female athletes

Sarah Nurse will start her first season with the still-unnamed Vancouver franchise in the Professional Women's Hockey League this fall — but she's already made her mark off the ice with a Barbie doll in her likeness. The Canadian forward, MVP at the 2022 Olympic women's hockey tournament, was one of two players featured in a recent collaboration between the PWHL, Tim Hortons and Mattel. Nurse and Montréal Victoire star Marie-Philip Poulin each have dolls dressed in PWHL gear, part of a project celebrating women's achievements in the sport. Nurse says it's a 'big privilege' to show the younger generation that women can be professional hockey players. 'There are so many women who are older than me, who never got the chance to play hockey or never had a hockey-playing Barbie doll to play with when they were younger,' she said. 'And so, I've really seen this Barbie be able to touch different generations of women.' Nurse has been part of a Barbie project before — she and Poulin were featured five years ago as Olympic players in a Hockey Canada partnership with Tim Hortons and Mattel. That campaign recognized their influence in helping open doors for women in the sport. 'They were such a huge success the first round, they had to bring them back again,' Nurse said. This latest edition, she said, is an opportunity to show girls that playing professional hockey can be an actual, tangible goal. Nurse and Poulin first saw their dolls during a joint shoot for the Barbie campaign, 'where even the Barbies had their own hair, makeup and wardrobe stylists.' 'I think it was really cool just to be in that environment. And then obviously to see these Barbies that are inspired by us is, it was really special,' she said. The off-ice highlight comes ahead of a new chapter in her playing career. Wednesdays What's next in arts, life and pop culture. Nurse spent the league's first two seasons with the Toronto Sceptres before signing with Vancouver in June after being left unprotected in the expansion draft, as the league expands to eight clubs with new West Coast franchises in B.C. and Seattle. Nurse joins a roster that includes Olympic teammates Emerance Maschmeyer and Claire Thompson. PWHL Vancouver will open its inaugural season in November at the Pacific Coliseum. It's another landmark in a high-profile career that has seen Nurse become the first female cover athlete for EA Sports' NHL video game in 2023 and help negotiate the PWHL's first collective bargaining agreement. This report by The Canadian Press was first published Aug. 15, 2025.

MOVIES: A US-Canada hybrid and three gems with horse handlers, a tragic pop star and unusual education
MOVIES: A US-Canada hybrid and three gems with horse handlers, a tragic pop star and unusual education

National Observer

time5 hours ago

  • National Observer

MOVIES: A US-Canada hybrid and three gems with horse handlers, a tragic pop star and unusual education

It's getting to be festival time again. VIFF in Vancouver is soon to announce its schedule for this year. TIFF in Toronto has been releasing bits of it for some time and this week revealed it all. There are almost 300 features including new work by Sarah Polley, Richard Linklater, Guillermo del Toro (Frankenstein) and get this, Jude Law as Vladimir Putin in The Wizard of the Kremlin. Baz Luhrman has a follow to his huge hit Elvis with 'EPiC: Elvis Presley in Concert' made up of concert clips, rare film and memories. TIFF will open with a documentary on John Candy and close with Peak Everything a Canadian black comedy that played well at Cannes. TIFF has also stirred up and then backed off its first controversy. It canceled a film about events after the Hamas attack on Israel. Reason given: copyright issues over some footage belonging to Hamas. Security and expected protest seem more likely. 'Censorship' was alleged. TIFF worked out whatever the problems were and yesterday re-invited the film. It is by Canadian director, Barry Avrich. The new movies this week are mostly "in select cinemas" or not previewed here (Nobody 2) but do include three well worth going to see and a caustic view of America. East of Wall: 4 stars It's Never Over Jeff Buckley: 3 ½ Folktales: 3 ½ Americana: 2 ½ EAST OF WALL: Looking for a truly unique film? Try this. It's just as moving as the last film I praised with those words, The Rider, back seven years ago. And it is similar in several ways. Also set in South Dakota, on a horse ranch and feeling almost like a documentary. It's that real. Only slightly fictionalized, the events really happened to the people we see in the film. Writer-director Kate Beecroft found them when she went looking for stories that don't just repeat other movies. She got to know Tabatha Zimiga and her daughter Porshia Zimiga on a ranch near the town of Wall and got them to, in effect, play themselves in the movie, along with other non-professionals plus a couple of actors, Scoot McNairy and Jennifer Ehle, in key secondary roles). Tabatha, with multiple tattoos and half her head shaven, is rebellious and tenacious. She's an ace horse handler. She can tell when the animal has had the bridle on too long ('she can diagnose a horse in two minutes') and how to assure a buyer that it won't kick. She sells horses on Tik Tok (a modern touch) and tutors riders at auctions to put on a show to stir the bidders. She has also taken in stray youths to live on her ranch and is struggling to keep it going while keeping them in line. McNairy arrives as a potential buyer (with a few strings attached to his offer) and Tabatha has to decide on it. And keep some tragic memories under control. It's a powerful story of resilience. And, real. (In theaters) 4 out of 5 IT'S NEVER OVER: JEFF BUCKLEY: I'm glad to finally learn about him through this documentary. I've seen references to him many times and read that his version of Leonard Cohen's song Hallelujah is the key interpretation. It was a big hit in Europe, not that much in North America and that may explain my lack of familiarity. Now I know that David Bowie said his one album is the best that he had ever heard and that another industry type called him 'one of the greatest singers of all time.' You get a lot of performances in this film to decide yourself. They are very emotional and with his huge vocal range, powerful. And you get his story. He had a bit of an imposter syndrome possibly because he was distant from, and felt rejected by his father, the singer Tim Buckley. He wasn't even mentioned in his dad's obituary. He was raised by his single mother. She's in the film talking about him as well as two women who had romantic relationship with, former band members and musical stars Ben Harper and Aimee Mann. She described his voice as having 'a boundary-less, liquid quality.' We learn he was influenced by artists from many genres: Nina Simone, Judy Garland, Edith Piaf, Pakistani singer Nusrat Fateh Ali Khan and Led Zeppelin. And that constant touring after his album became a hit wore him out. A chance to rest, though, led to tragedy, an early death (drowning) at age 30. Director Amy Berg gets across a strong sense of loss over what his career might have been. The film was a favorite at Sundance. (in theaters) 3½ out of 5 FOLKTALES: Right now, as many go to summer camps, this film is particularly apropos. It gets across the feeling of camaraderie, of learning, of exploration and growth. A bit effusive, yeah, but that was part of my reaction to this documentary about an educational tradition in Norway. Students are allowed time off from school to attend a camp north of the Arctic circle where they train sled dogs and ride the deep snow trails to show what they've achieved. Doesn't sound like a normal education but comments are made like 'a dog can unlock something inside a person'. The principal welcomes the students with the message to 'try to find a new version of yourself.' One student says he was bored by school and needed something different. Another talked about overcoming anxiety. The whole program is designed for students seeking independence and we see them develop from wary and even aloof to spontaneous and accomplished. They bond with the dogs and the other campers. They trade their stories (one says he's 'nice' but 'annoying') and in their vision of the future even the pessimists see things getting better. One narrates the film with the story of the god Odin and the three fates 'that weave our destinies out of yarn.' It gives a fable quality to this film about young people testing themselves and learning from handling the dogs. 'Take chances.' 'Chase a better version of yourself.' That's the optimism and message in this film by Heidi Ewing and Rachel Grady who have been Oscar nominated for previous work. (Theaters in Toronto, Victoria, Vancouver, now; and London, Ottawa, Toronto again soon) 3 ½ out of 5 AMERICANA: There are good intentions and good ideas in this film but I don't think they're particularly well-presented. They look at the American west with a critical eye, trashing the old myths and arguing that they haven't survived at all in today's west. Good to consider alright, especially the clear-eyed view the film has of how the native tribes were treated back then. It even mentions the word genocide and shows a definite second-class attitude among the whites towards them even today. But most of those whites in here are so low-class it's not clear whether we should be seeing this as a comedy and how serious the film is meant to be. And, of course, the guns are quick to come out and shoot at anything. And by anybody. Of course that might be a comment on modern America too, made by the writer-director Tony Tost. He's got an intellectual background, which may explain why his script mentions Franz Fanon and Karl Marx and the religion created by the Lakota Indians. In the film robbers steal a valuable Lakota relic, called the ghost shirt, from a collector to sell for big money. Before the leader can get it sold he's bashed on the head by his angry girlfriend (played by the singer Halsey) and dies. Then various people are after it, including a band of indigenous activists who cite the American Indian Movement and The Black Panthers as inspiration, the collectibles dealer (Simon Rex) and his violent employee (Eric Dane) and a boy who says he's the reincarnation of Chief Sitting Bull. From the Also a chubby lovelorn guy played by Paul Walter Hauser and the waitress/country-singer-wanna-be that he teams up with (Sydney Sweeney, you know the woman in the ad with great jeans). Crowded cast; it thins out when the shooting starts leaving me to wonder about better ways to present such a thesis about modern America. This one is engrossing but awfully scattered. Made in the USA but produced by Bron Studios of Burnaby. B.C. (In theaters) 2 ½ out of 5

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store