LiveOne's (Nasdaq LVO) Splitmind Subsidiary Contributes to 15 BET and AMA Nominations for SZA and GloRilla
- *6x Platinum*: SZA's "SOS" album sells 6M+ units, with 100M+ streams on Billboard-topping singles, driving significant recurring revenues.
- SZA's 'Chill Baby' Co-Produced by Splitmind's Calvin Dickinson and Lil Yachty
- Splitmind's Steven Schaefferr Co-Produced GloRilla's 'Glo's Prayer'
LOS ANGELES, May 16, 2025 (GLOBE NEWSWIRE) -- LiveOne (Nasdaq: LVO), an award-winning, creator-first, music, entertainment, and technology platform, announced today that subsidiary Splitmind's production has contributed to a combined 15 BET and AMA nominations for SZA and GloRilla.
About LiveOneHeadquartered in Los Angeles, CA, LiveOne (Nasdaq: LVO) is an award-winning, creator-first, music, entertainment, and technology platform focused on delivering premium experiences and content worldwide through memberships and live and virtual events. LiveOne's subsidiaries include Slacker, PodcastOne (Nasdaq: PODC), PPVOne, CPS, LiveXLive, DayOne Music Publishing, Drumify and Splitmind. LiveOne is available on iOS, Android, Roku, Apple TV, Spotify, Samsung, Amazon Fire, Android TV, and through STIRR's OTT applications. For more information, visit liveone.com and follow us on Facebook, Instagram, TikTok, YouTube and X at @liveone. For more investor information, please visit ir.liveone.com.
Forward-Looking StatementsAll statements other than statements of historical facts contained in this press release are 'forward-looking statements,' which may often, but not always, be identified by the use of such words as 'may,' 'might,' 'will,' 'will likely result,' 'would,' 'should,' 'estimate,' 'plan,' 'project,' 'forecast,' 'intend,' 'expect,' 'anticipate,' 'believe,' 'seek,' 'continue,' 'target' or the negative of such terms or other similar expressions. These statements involve known and unknown risks, uncertainties and other factors, which may cause actual results, performance or achievements to differ materially from those expressed or implied by such statements, including: LiveOne's reliance on its largest OEM customer for a substantial percentage of its revenue; LiveOne's ability to consummate any proposed financing, acquisition, spin-out, special dividend, merger, distribution or transaction, the timing of the consummation of any such proposed event, including the risks that a condition to the consummation of any such event would not be satisfied within the expected timeframe or at all, or that the consummation of any proposed financing, acquisition, spin-out, merger, special dividend, distribution or transaction will not occur or whether any such event will enhance shareholder value; LiveOne's ability to continue as a going concern; LiveOne's ability to attract, maintain and increase the number of its users and paid members; LiveOne identifying, acquiring, securing and developing content; LiveOne's intent to repurchase shares of its and/or PodcastOne's common stock from time to time under LiveOne's announced stock repurchase program and the timing, price, and quantity of repurchases, if any, under the program; LiveOne's ability to maintain compliance with certain financial and other covenants; LiveOne successfully implementing its growth strategy, including relating to its technology platforms and applications; management's relationships with industry stakeholders; LiveOne's ability to extend and/or refinance its indebtedness and/or repay its indebtedness when due; uncertain and unfavorable outcomes in legal proceedings and/or LiveOne's ability to pay any amounts due in connection with any such legal proceedings; changes in economic conditions; competition; risks and uncertainties applicable to the businesses of LiveOne's subsidiaries; and other risks, uncertainties and factors including, but not limited to, those described in LiveOne's Annual Report on Form 10-K for the fiscal year ended March 31, 2024, filed with the U.S. Securities and Exchange Commission (the 'SEC') on July 1, 2024, Quarterly Report on Form 10-Q for the quarter ended December 31, 2024, filed with SEC on February 14, 2025, and in LiveOne's other filings and submissions with the SEC. These forward-looking statements speak only as of the date hereof, and LiveOne disclaims any obligation to update these statements, except as may be required by law. LiveOne intends that all forward-looking statements be subject to the safe-harbor provisions of the Private Securities Litigation Reform Act of 1995.
LiveOne Press Contact:press@liveone.com
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Inside Nike's all-women half-marathon in L.A.: the good, the bad and the surprising
After running — or more like barely surviving — my first half-marathon about a decade ago in Las Vegas, I had no desire to participate in a long-distance run ever again. That was until I learned that Nike was hosting the Nike After Dark tour, a women's race series designed to celebrate women and encourage them to get into the sport. The L.A. half-marathon — the tour's only stop in the U.S. — was slated to include a concert with Grammy-winning rapper Doechii at the end of the 13.1 mile race. Given that Nike has built a reputation for curating cool, culture-forward experiences, I figured this would be the perfect way for me to get out of my years-long retirement from running. Plus, several of my friends were participating so it was bound to be a good time. Advertisement Read more: 18 inspiring L.A. run clubs to kickstart your running era After training for several weeks at parks and tracks around L.A., I hit the pavement alongside nearly 15,000 participants — 43% of whom were first-time half-marathoners — on Saturday evening at SoFi Stadium in Inglewood. The event sparked a lot of online chatter — not all positive — with some runners calling the race disorganized and a marketing event catered to influencers. As for me, I experienced several highs during the energetic event, but also some moments of frustration and confusion. Here's how the night went down, from the starting line (and the journey in getting there) to the high-octane concert finale. Pre-race: Getting to the starting line was a marathon in itself Knowing that thousands of people were expected to participate in the event, I opted to get to the SoFi Stadium about an hour and a half early to avoid traffic. In hindsight, I should've arrived even earlier. Several streets were blocked off due to the race, but once I found the parking lot, it was easy for me to find a spot — much easier than it was at the recent Kendrick Lamar and SZA concert a few weeks prior. (While registration for the race started at $150, parking was thankfully free for those who secured a spot ahead of time.) After experiencing long lines and a delayed start time, runners gather in their assigned corrals to prepare for the 13.1-mile race. (Luke Johnson / Los Angeles Times) I followed a herd of people toward the entrance where we went through a security checkpoint, then a bag check line, which took about 30 minutes to get through. Afterward, I rushed outside to find my friends and waited in yet another line — this time for the porta-potties — which took about 40 minutes. The starting line, at last By this time, there were only about 10 minutes until race time and I still needed to stretch, so my group ran over to the starting corrals. The race was initially scheduled to begin at 6:30 p.m., but an emcee announced that it was being pushed back to 6:45 p.m. This made me nervous because the concert was set for 9:30 p.m., so this meant that I'd have less than three hours to finish if I wanted to catch the show. Advertisement In the weeks leading up to the marathon, some participants took to social media to voice their concerns about Nike changing its course time from four hours — as it stated on the registration form — to three hours. In one Threads post, a runner said: "If the whole purpose of this event was to reclaim running by giving women a space to feel safe running at night, then why wouldn't you be inclusive to runners of all paces?" In response to the feedback, Nike ultimately set the course time to three hours and 17 minutes, allowing for an average mile of 15 minutes per mile, according to a Nike spokesperson. The brand added a shorter course option, which was nine miles, so participants could still cross the finish line, receive a medal (a silver necklace with a giant Nike swoosh) and enjoy the concert. Despite the confusion, people were amped. "I'm at this phase in my life where I really want to prove to myself that I can do hard things," said Ayanna Fox, 29, of Chino Hills, on why she wanted to participate. Misty Garcia, 17, a Venice High School student, said: 'I felt like this race in particular was so interesting because it was going to be mostly women and it's about women empowerment, so I love it.' Advertisement As Charli xcx's "360" played over the speakers, Nike trainers along with Olympic gymnast Jordan Chiles and Olympic hurdler Anna Cockrell, hyped up the crowd as each corral took off. This was the point when my nerves started to kick in because I was eager to get started. About 7:05 p.m., a burst of smoke popped. I was finally off and running. Host Elisa Hernandez, from left, Diljeet Taylor, Anna Cockrell and Jordan Chiles at the Nike After Dark Tour in L.A. (Luke Johnson / Los Angeles Times) Miles 1-7: The excitement of activations, DJs and cheering fans The first seven miles were the most exhilarating for me. I felt strong and confident about my pace. And for my legs, this stretch was smooth sailing. Hundreds of people were cheering from the sidelines and holding up signs with statements like "You run better than our government," "Hot girls run half marathons" and "Hurry up so we can drink." Drivers along the freeway were honking for us. DJs played upbeat house and hip-hop music. USC's band performed. Between the six- and seven-mile marker, we ran through a tunnel that was filled with flashing red lights and bubble machines. The energy was electric. Supporters cheer and hold signs as runners embark on the Nike After Dark half marathon in L.A. Several brands including Flamingo, Honey Stinger (which gave out free energy gels and snacks) and Beats by Dre had activations along the course. There was even a recovery station with couches, restroom trailers and snacks. Advertisement Read more: I walked 27.4 miles across L.A. in one day on Washington Boulevard. Here's what it taught me Miles 8-10: The pain sets in Just before Mile 8, my headphones died and that's when the hills started to get to me. I felt like I was running up and down a sharp roller coaster. Without music, I was forced to talk myself through the final stretch. But it was in these trenches that I noticed several sweet moments of community care: a volunteer passing out Bengay cream, a group of friends holding up a woman as she limped, runners shouting out their home countries and waving their flags in the wake of the ICE raids that were happening in our city at this very moment. It was a beautiful reminder of how much better we are as people when we support one another. Supporters record and cheer as runners embark on the Nike women's half-marathon at the SoFi Stadium in Inglewood. (Luke Johnson / Los Angeles Times) Around Mile 10, I spotted Chris Bennett, Nike's running global head coach, giving out high-fives and encouraging people to push forward. (He even ran with the last bunch of runners and helped them across the finish line.) (Clockwise from the top left) 1. Taylor Contarino waits in her assigned corral before the Nike After Dark half-marathon. 2. People gather in their assigned corrals. 3. Cassandra Grossman ties her shoes in her assigned corral before the Nike After Dark half-marathon. 4. Runners start the Nike After Dark half-marathon at SoFi Stadium. 5. A large group of runners move through the first turn for the Nike After Dark half-marathon. The final mile — or was it? As I neared the end, I felt bamboozled because there were at least two massive archways that looked like the finish line, but actually weren't. I still had a ways to go. I could've cried tears of joy when I finally reached the end. I clocked in at three hours and three minutes, which I was pleased with because my only goals were to finish, have fun and make it to the concert. The winner was Sofia Camacho, a drag artist and Nike run coach based in New York, who clocked in at one hour, 15 minutes and 25 seconds. Hundreds of supporters line the course as runners embark on the Nike After Dark Tour in Los Angeles. (Luke Johnson / Los Angeles Times) After grabbing my medal, I walked as fast as my sore limbs would allow back inside the stadium. The trek felt tortuous because we had to climb up multiple sets of stairs, then journey down a walkway that was roughly 10 levels that felt never-ending until we reached the bottom where the stage was. Some people gave up on watching the show simply because they didn't have the energy to make it down. The grand finale: Doechii brings the energy By the time I got there, I was disappointed to see that Doechii was already on her final two songs of her 30-minute set, but the energy was so high that I quickly forgot and just enjoyed the moment while I could. The show ended just before 10:40 p.m. while some folks were still running including one of my friends who missed the show and wasn't able to get a pair of Barbie pink Nike slides and socks they were passing out. The night ends and yet the trek continues After the show, we were instructed to exit the stadium — thankfully there was an escalator — but I still had to muster up the energy to go back to the entrance at the other side of the stadium so I could retrieve my belongings from the bag check area. My legs were finished by the time I got to my car. Advertisement Aside from some logistical issues and long wait times, I enjoyed participating in the Nike After Dark Tour. The course was challenging but doable, and running alongside thousands of women and allies of various ages and backgrounds at night felt empowering. Runners received a ton of freebies, particularly at the bib pickup at the Grove, which included a dri-fit T-shirt and makeup from Milk. As someone who typically avoids cardio in my workout sessions, this race has inspired me to continue hitting the pavement and exploring this beautiful city on foot. And who knows, I just might sign up for another race. Runners take off for the women's half-marathon, which started at SoFi Stadium in Inglewood. (Luke Johnson / Los Angeles Times) Sign up for The Wild newsletter to get weekly insider tips on the best of our beaches, trails, parks, deserts, forests and mountains. This story originally appeared in Los Angeles Times.
Los Angeles Times
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After running — or more like barely surviving — my first half-marathon about a decade ago in Las Vegas, I had no desire to participate in a long-distance run ever again. That was until I learned that Nike was hosting the Nike After Dark tour, a women's race series designed to celebrate women and encourage them to get into the sport. The L.A. half-marathon — the tour's only stop in the U.S. — was slated to include a concert with Grammy-winning rapper Doechii at the end of the 13.1 mile race. Given that Nike has built a reputation for curating cool, culture-forward experiences, I figured this would be the perfect way for me to get out of my years-long retirement from running. Plus, several of my friends were participating so it was bound to be a good time. After training for several weeks at parks and tracks around L.A., I hit the pavement alongside nearly 15,000 participants — 43% of whom were first-time half-marathoners — on Saturday evening at SoFi Stadium in Inglewood. The event sparked a lot of online chatter — not all positive — with some runners calling the race disorganized and a marketing event catered to influencers. As for me, I experienced several highs during the energetic event, but also some moments of frustration and confusion. Here's how the night went down, from the starting line (and the journey in getting there) to the high-octane concert finale. Knowing that thousands of people were expected to participate in the event, I opted to get to the SoFi Stadium about an hour and a half early to avoid traffic. In hindsight, I should've arrived even earlier. Several streets were blocked off due to the race, but once I found the parking lot, it was easy for me to find a spot — much easier than it was at the recent Kendrick Lamar and SZA concert a few weeks prior. (While registration for the race started at $150, parking was thankfully free for those who secured a spot ahead of time.) I followed a herd of people toward the entrance where we went through a security checkpoint, then a bag check line, which took about 30 minutes to get through. Afterward, I rushed outside to find my friends and waited in yet another line — this time for the porta-potties — which took about 40 minutes. By this time, there were only about 10 minutes until race time and I still needed to stretch, so my group ran over to the starting corrals. The race was initially scheduled to begin at 6:30 p.m., but an emcee announced that it was being pushed back to 6:45 p.m. This made me nervous because the concert was set for 9:30 p.m., so this meant that I'd have less than three hours to finish if I wanted to catch the show. In the weeks leading up to the marathon, some participants took to social media to voice their concerns about Nike changing its course time from four hours — as it stated on the registration form — to three hours. In one Threads post, a runner said: 'If the whole purpose of this event was to reclaim running by giving women a space to feel safe running at night, then why wouldn't you be inclusive to runners of all paces?' In response to the feedback, Nike ultimately set the course time to three hours and 17 minutes, allowing for an average mile of 15 minutes per mile, according to a Nike spokesperson. The brand added a shorter course option, which was nine miles, so participants could still cross the finish line, receive a medal (a silver necklace with a giant Nike swoosh) and enjoy the concert. Despite the confusion, people were amped. 'I'm at this phase in my life where I really want to prove to myself that I can do hard things,' said Ayanna Fox, 29, of Chino Hills, on why she wanted to participate. Misty Garcia, 17, a Venice High School student, said: 'I felt like this race in particular was so interesting because it was going to be mostly women and it's about women empowerment, so I love it.' As Charli xcx's '360' played over the speakers, Nike trainers along with Olympic gymnast Jordan Chiles and Olympic hurdler Anna Cockrell, hyped up the crowd as each corral took off. This was the point when my nerves started to kick in because I was eager to get started. About 7:05 p.m., a burst of smoke popped. I was finally off and running. The first seven miles were the most exhilarating for me. I felt strong and confident about my pace. And for my legs, this stretch was smooth sailing. Hundreds of people were cheering from the sidelines and holding up signs with statements like 'You run better than our government,' 'Hot girls run half marathons' and 'Hurry up so we can drink.' Drivers along the freeway were honking for us. DJs played upbeat house and hip-hop music. USC's band performed. Between the six- and seven-mile marker, we ran through a tunnel that was filled with flashing red lights and bubble machines. The energy was electric. Several brands including Flamingo, Honey Stinger (which gave out free energy gels and snacks) and Beats by Dre had activations along the course. There was even a recovery station with couches, restroom trailers and snacks. Just before Mile 8, my headphones died and that's when the hills started to get to me. I felt like I was running up and down a sharp roller coaster. Without music, I was forced to talk myself through the final stretch. But it was in these trenches that I noticed several sweet moments of community care: a volunteer passing out Bengay cream, a group of friends holding up a woman as she limped, runners shouting out their home countries and waving their flags in the wake of the ICE raids that were happening in our city at this very moment. It was a beautiful reminder of how much better we are as people when we support one another. Around Mile 10, I spotted Chris Bennett, Nike's running global head coach, giving out high-fives and encouraging people to push forward. (He even ran with the last bunch of runners and helped them across the finish line.) As I neared the end, I felt bamboozled because there were at least two massive archways that looked like the finish line, but actually weren't. I still had a ways to go. I could've cried tears of joy when I finally reached the end. I clocked in at three hours and three minutes, which I was pleased with because my only goals were to finish, have fun and make it to the concert. The winner was Sofia Camacho, a drag artist and Nike run coach based in New York, who clocked in at one hour, 15 minutes and 25 seconds. After grabbing my medal, I walked as fast as my sore limbs would allow back inside the stadium. The trek felt tortuous because we had to climb up multiple sets of stairs, then journey down a walkway that was roughly 10 levels that felt never-ending until we reached the bottom where the stage was. Some people gave up on watching the show simply because they didn't have the energy to make it down. By the time I got there, I was disappointed to see that Doechii was already on her final two songs of her 30-minute set, but the energy was so high that I quickly forgot and just enjoyed the moment while I could. The show ended just before 10:40 p.m. while some folks were still running including one of my friends who missed the show and wasn't able to get a pair of Barbie pink Nike slides and socks they were passing out. After the show, we were instructed to exit the stadium — thankfully there was an escalator — but I still had to muster up the energy to go back to the entrance at the other side of the stadium so I could retrieve my belongings from the bag check area. My legs were finished by the time I got to my car. Aside from some logistical issues and long wait times, I enjoyed participating in the Nike After Dark Tour. The course was challenging but doable, and running alongside thousands of women and allies of various ages and backgrounds at night felt empowering. Runners received a ton of freebies, particularly at the bib pickup at the Grove, which included a dri-fit T-shirt and makeup from Milk. As someone who typically avoids cardio in my workout sessions, this race has inspired me to continue hitting the pavement and exploring this beautiful city on foot. And who knows, I just might sign up for another race.
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7 hours ago
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Cloonee Postpones L.A. Shows Amid ICE Raids: ‘I Will Not Throw a Party Whilst the Latino People Who Have Supported Me in This City Are Hurting'
As protests continue in Los Angeles following sweeping ICE raids, electronic producer Cloonee has postponed a pair of shows meant to happen in the city this weekend. 'For the past four years now, I have called this city my home,' the British artist wrote Tuesday (June 10) in a statement posted to social media. 'Like the city, my fans are diverse and it breaks my heart to see what the Latino community is going through right now. More from Billboard Doechii Calls Out ICE Raids & President Trump at 2025 BET Awards: 'People Are Being Swept Up & Torn From Their Families' Leon Thomas' 'Mutt' Snatches Third Radio Crown of 2025 The Alchemist Could've Been on Lil Wayne's 'Tha Carter VI': 'I Was Just Overthinking It' 'I have therefore decided that the right, responsible and only decision is to postpone this weekend's events,' he continues. 'Our time together is meant to be one of celebration, and now is not the time for celebrating.' Read the complete statement below. These shows were scheduled to happen June 13-14 at City Market in downtown Los Angeles, an area of town that's seen myriad raids by ICE amid federal immigration efforts. Cloonee's shows are now scheduled to happen July 11-12, with all tickets valid for the corresponding new dates, with refunds also available for the next seven days. According to the L.A. Times, an immigrants-rights leader in the city reported that 'about 300 people have been detained by federal authorities in California since sweeps began last week.' The situation has been inflamed after the Trump administration deployed the National Guard and U.S. Marines to Los Angeles amid protests over ICE raids. Cloonee is one of many artists who's spoken out on the ICE raids and their aftermath, with Doechii using her speech at the BET Awards in Los Angeles on Monday (June 9) to say that 'I do wanna address what's happening right now outside of the building. There are ruthless attacks that are creating fear and chaos in our communities in the name of law and order. Trump is using military force to stop a protest. And I want y'all to consider what kind of government it appears to be when every time we exercise our democratic right to protest, the military is deployed against us. What type of government is that?' 'For the past four years now, I have called this city my home. Like the city, my fans are diverse and it breaks my heart to see what the Latino community is going through right now.I have therefore decided that the right, responsible and only decision is to postpone this weekend's events. Our time together is meant to be one of celebration, and now is not the time for are moving this weekend's shows to the new dates of Friday, July 11th and Saturday, July 12th. All tickets will remain valid for the new corresponding date. If you are unable to join us at that time, you may cancel your tickets for a full refund in the next 7 days. All ticket buyers will receive an email to the address used to purchase the tickets with a refund link, or reach out to our team at understand this may upset a large number of ticket holders who, like myself, have waited months for these shows, and I do not take this decision lightly.I see you, I hear you and I simply will not throw a party whilst the Latino people who have supported me in this city are hurting so take care of yourselves, prioritize your safety and your community above all else. I will make this up to you in a months Best of Billboard Chart Rewind: In 1989, New Kids on the Block Were 'Hangin' Tough' at No. 1 Janet Jackson's Biggest Billboard Hot 100 Hits H.E.R. & Chris Brown 'Come Through' to No. 1 on Adult R&B Airplay Chart
