
ZU students curate Common Grounds show by Dubai Collection @ Art Dubai
The result of an academic collaboration, the exhibition reflects Dubai Collection's long-term vision to serve as a platform for education, research and cultural preservation. The project also highlights the Collection's role as both an archive and tool supporting research, creativity and the preservation of cultural narratives for the next generation. Common Grounds presents a selection of artworks from Dubai Collection made between the years 1949 and 2024, drawing on different geographic and cultural contexts, speaking to a shared human experience.
Guests look at the artworks.
It brings together a diverse group of artists, including Talal Al Najjar, Lamya Gargash and Juma Al Hajj and welcomes reflection on the role of art in revealing connections across time, place and identity. Presenting the exhibition at Art Dubai connects Dubai's cultural history with global audiences, underlining the Collection's commitment to preserving and narrating the stories of the city's diverse communities. Following a semester-long academic exploration, the exhibition was developed as part of the course Communities, Curatorial Practices, and Collections taught by Dr. Moya Goosen, College of Arts and Creative Enterprises, ZU.
As part of their final project, students used the Dubai Collection as a case study and curatorial resource, developing an exhibition concept grounded in their research. After a review process involving the Dubai Collection's curatorial committee, one project was selected for public presentation at Art Dubai. Student curators – Shamsa Al Qubaisi, Maryam Al Zaabi and Sara Al Sulaimani – then worked under the mentorship of curatorial advisors Dr. Nada Shabout and Magalí Arriola to refine their concept, culminating in Common Grounds. Inter alia, the exhibition provides the students with a global platform to present their ideas and projects, engage with leading industry professionals, enabling audiences to encounter works from the Collection in a new, inter-generational way.
Viewing Common Grounds by Dubai Collection.
Dubai Collection is run in partnership with Art Dubai Group. It is built through a loan-based model, with artworks contributed by individual and corporate patrons who retain legal ownership, while enabling public access through exhibitions and the Dubai Collection online museum. Muna Faisal Al Gurg, Chair of the Dubai Collection Curatorial Committee and CEO of the Museums and Heritage Sector at Dubai Culture, said that 'at its core, Dubai Collection is about more than preserving artworks - it is about inspiring thought, supporting talent, and shaping cultural knowledge.
'The collaboration with Zayed University represents the Collection's hybrid role, across digital and physical, as a platform for research, experimentation and dialogue with the public. Common Grounds is a testament to what is possible when our youth are empowered with access, guidance and the opportunity to contribute meaningfully to Dubai's cultural and academic life.' Benedetta Ghione, Executive Director of Art Dubai, said that 'working with the students has been particularly rewarding; their perspectives brought new energy to the Collection and reminded us of its potential to inspire the cultural voices of tomorrow.'
A visitor with an artwork.
Janet Bellotto, Dean College of Arts and Creative Enterprises, ZU, said: 'Opportunities like the Dubai Collection are transformative for our students at Zayed University. They offer a rare and invaluable chance to move beyond the classroom and engage directly with the cultural heartbeat of the region. It links academic learning and professional experience, empowering students to envision their place within the Culture and Creative Industries. These experiences deepen their understanding of curatorial and cultural work and inspire a stronger sense of purpose, relevance and possibility in their creative journeys.'
Dr. Nada Shabout, Regents Professor of Art History and Coordinator of Contemporary Arab and Muslim Cultural Studies Initiative at the University of North Texas and curatorial advisor to the exhibition, said: 'Through the Dubai Collection, the students were immersed in the realities of curatorial work, where research meets interpretation, and ideas take form.' Magali Arriola, Director of Museo Tamayo in Mexico City and curatorial advisor to the project, said that 'the students engaged deeply with Dubai Collection, not only as a repository of artworks, but as a curatorial challenge. Their concept, Common Grounds, balances academic rigour with emotional resonance, and offers a thoughtful perspective on how art can connect people across cultures and experiences.'
Eyeing a sculpture.
Dubai Collection includes over 1,000 artworks by artists from more than 40 countries. It features 22 Emirati artists, both established and emerging, like Hassan Sharif, Abdul Qader Al Rais, Shaikha Al Mazrou, Mohamed Ahmed Ibrahim, Mohammed Kazem and Sarah Almheiri. Nearly 100 female artists are also represented, with around 20 per cent of the works based outside the UAE, capturing Dubai's international outlook and commitment to cultural exchange. The Collection strives to engage with themes connected with the historical development of the emirate and the UAE. While maintaining focus on the UAE and the region, it's scope is international.
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What's On
3 days ago
- What's On
From street art to sculpture parks: how Dubai is becoming an open-air gallery
Dubai isn't just a global hub for business and finance; it's also an open-air art gallery in its own right. Beyond the glittering skyscrapers and buzzing restaurants lies a city alive with creativity. In September 2018, during the inaugural project of Brand Dubai, His Highness Sheikh Mohammed bin Rashid Al Maktoum, Vice President of the UAE and Ruler of Dubai, stated that Dubai will become an open-air gallery. And now, seven years later, Dubai has accomplished that goal, thanks to the many initiatives by Dubai Culture, Brand Dubai, government entities, and the creatives of the city. A simple stroll under the stars can lead you to striking murals, thought-provoking sculptures, and vibrant art that bring its streets to life. But it is not done yet, and it is seeking more ways in which it can bring the arts to its residents and visitors. Here are some of the ways you can enjoy art in Dubai without the need of a ticket. 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Around Dubai, you will be treated to huge murals and street art, which make this city all the more colourful. You can spot these works of art easily in Karama shopping complex, where the art apparently sprang to life overnight back in 2016. The old buildings, once drab and grey, now boast stunning murals and have become a highlight of the neighbourhood. In Satwa, hidden in plain sight (though not as easy to find compared to Karama), are beautiful graffiti, stencil works, and more wall art. The murals depict Dubai's heritage, and there are more than 10 to find. Our favourite is the one of the Founding Father of the UAE, Sheikh Zayed bin Sultan Al Nahyan. And of course, if you've visited The Walk at JBR, you will spot art that was created as part of the Dubai Canvas 3D art festival. Created by talented international and national artists, the walls were painted to create cool 3D optical illusions guaranteed to make you go 'wow' even if you have seen them numerous times before. More street art and murals can also be found in Al Fahidi, Al Seef, City Walk, Al Quoz and Alserkal Avenue, and Dubai Design District. Murals have even found their way to the financial district (DIFC), where artists have splattered financial and business buildings with colours, adding a bit of cheer as people go on about their day. Sculpture Parks Sculptures in Dubai aren't restricted to galleries. You will find plenty of them dotted across the city. One popular spot to visit is the Jaddaf Waterfront Sculpture Park. Located adjacent to Jameel Arts Centre, it is the UAE's first open-air art and sculpture park. In the financial district, DIFC Sculpture Park transforms the urban landscape into an open-air gallery. You can take a walk through the creativity and discover the different structures around the iconic Gate Building. El Seed sculpture outside Dubai Opera |. Photo credit: El Seed Besides parks, a few minutes away, you can find sculptures around Downtown Dubai and near Dubai Mall. Check out the Win, Victory, Love sculpture; Love Me; Wings of Mexico and Declaration by eL Seed within minutes of each other. As a bonus, you'll have the Burj Khalifa in the backdrop. Art as part of Dubai's infrastructure By incorporating art as part of the infrastructure of the city, Dubai is ensuring it is making art accessible to a wider audience. One perfect example of this is the Dubai Metro stations, many of which have been transformed into art museums showing art and cultural artifacts. Metro stations like Bur Juman, Union, and others on the Green Line showcase photos of pearl diving, bedouins and more, telling passengers a tale of the history of Dubai. Ghubaiba – Dubai Metro station Other stations, such as Al Ghubaiba, feature traditional Emirati designs in their architecture, complementing the surrounding heritage areas. The interiors of the metro station also incorporate traditional Emirati architectural elements. Everyday life If the above isn't 'in your face' enough for you, Dubai Culture and Brand Dubai in the past, also teamed up with other government entities in Dubai to make art more accessible. RTA colourful parking machines One example includes the Road and Transport Authority, which, in collaboration with the creative sector and artists, turned 100 parking meters across the city into colourful artworks. Dubai Metro – art on Sheikh Zayed Road If you're heading towards old Dubai and are on Sheikh Zayed Road heading towards Sharjah, a number of Dubai Metro concrete piers between Dubai International Financial Centre and Emirates Towers station have been painted, adding a splash of colour to the busy highway. You will see astronauts, clouds, jellyfish, and more underwater scenes. Bus station art installations Bus users, don't worry, you weren't forgotten. As part of the Jumeira Project, eight artworks were created and erected next to popular bus stations stretching from Dubai Canal to Jumeira Al Naseem. Some of the art evoked nostalgia for longtime residents, while others celebrated its futuristic aspirations. And there's more to come… There is no limit to creativity, and Dubai has its eyes set on doing much more. With a number of megaprojects and major roadworks coming up, many of which will incorporate art in some form. This could be in the form of landscaping, sculptures, or even fountains showcasing Dubai's heritage. Want to experience the open-air gallery right now? With winter coming up, the dates of outdoor art festivals will be announced. Upcoming art festivals we are aware of include the Dhai Art Festival in November. You can find more details here. For all other art festivals, stay tuned to and we will bring you the latest details. Images: Getty Images, Dubai Media Office, WAM, Dubai Culture and RTA


Gulf Today
30-07-2025
- Gulf Today
Open call for submissions for 7th Ithra Art Prize announced by KSA
The King Abdulaziz Center for World Culture (Ithra) has announced the open call for the 7th edition of the biennial Ithra Art Prize, an art grant supporting contemporary art across the Arab world. Submissions officially opened on July 24 and will be accepted till October 16, 2025. Founded in 2017, the prize is a valuable platform for artists from the region. With a grand award of USD 100,000, the winning artwork will find a permanent home in Ithra's forever art collection. In a significant expansion from previous years, the prize, through an appointed jury, will bestow production grants to five finalists for showcasing their work in an exhibition at Ithra, in the spring of 2026. The exhibition is a new highlight of the prize, as it returns the award to its home in KSA's Eastern Province, contributing to the artists' evolving legacies and aiming to amplify the discourse on contemporary art in the region. The final winner will be selected during the course of the exhibition. As part of its evolving approach, both new commissions and also recontextualised existing works, are eligible to apply. The Ithra Art Prize recognises artists whose practices are intellectually engaged, contextually grounded, and developed through sustained inquiry over time. Submitted works must also reflect artists' ongoing practice and research. The prize is open to individual artists and collectives aged 18 and older, should be of Arab heritage or be currently residing in one of the 22 Arab countries. E Pluribus Unum by Nadia Kaabi-Linke. Farah Abushullaih, Head of Ithra's Museum, said that 'the Ithra Art Prize supports artists who engage creatively and critically with conditions and ideas that speak to the diverse contexts of our region. The 7th Edition of the Ithra Art Prize marks a homecoming that expands the Prize's scope through an exhibition at Ithra, featuring multiple works in dialogue with one another.' The Ithra Art Prize is a premier platform for contemporary artists and celebrates a wide range of practices and perspectives. Past winners have exhibited at leading institutions within the Kingdom and internationally. They include Ayman Zedani (2018) for Mem, unveiled at Art Dubai; Daniah Al Saleh (2019), who won the second edition with Sawtam, an audiovisual installation based on Arabic phonemes, also unveiled at Art Dubai and exhibited later at the State Hermitage Museum, Russia; and Fahad bin Naif (2020), awarded for Rakhm, an installation exploring themes of environmental preservation and urban ecosystems. In 2021, Nadia Kaabi-Linke won with E Pluribus Unum, presented at the Diriyah Contemporary Art Biennale. E Pluribus Unum explored the impact of the global pandemic. The following year, Adel Abidin (2023), an Iraqi-Finnish artist, received the fifth edition prize for his large-scale installation ON. 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The Ithra Art Prize is one of the most significant awards dedicated to contemporary artists from or based in the 22 Arab countries. The biannual prize initially focused on Saudi and Saudi-based artists, and later expanded its fourth edition to include practices from across the wider Arab region. Farah Abushullaih, Head of Ithra's Museum. Offered by the King Abdulaziz Center for World Culture (Ithra), the prize's mandate is to spark cultural curiosity, foster original thought and expression, and celebrate work that reflects intellectually engaged and contextually responsive approaches. The winning artist is awarded by an international jury with a USD 100,000 grant, and his or her work is acquired by the Ithra Collection, helping shape both their artistic legacy and furthering the evolving discourse of contemporary Arab art. With every edition, Ithra aims to contribute to the region's creative ecosystem by providing a platform for contemporary artists to project their talent and forge partnerships with leading regional institutions, including Art Dubai, the Diriyah Biennale Foundation, and the AlUla Arts Festival. The King Abdulaziz Center for World Culture (Ithra) — meaning 'enrichment' in Arabic — was built as part of Saudi Aramco's vision to create an ambitious initiative for the public. Ithra is the Kingdom's leading cultural and creative destination for talent development and cross-cultural experiences. Since its inaugural in 2018, each of Ithra's programmes has served as windows to global experiences, celebrating human potential and empowering creativity. Ithra's operating pillars include culture, creativity, community, art, and knowledge. With the visionary platforms and key initiatives, the art and culture body offers workshops, performances, and events. The leading cultural destination is located in Dhahran, Saudi Arabia. With a focus on enriching people's lives by offering impactful cultural and creative programmes and initiatives, since its opening Ithra has also become a distinguished architectural landmark that houses the Idea Lab, Library, Theater, Museum, Cinema, Great Hall, Energy Exhibit, Children's Museum and Knowledge Tower.


Gulf Today
17-07-2025
- Gulf Today
Sevil Dolmacı Dubai greets summer with Pop of Time group exhibition
Sevil Dolmacı Dubai is currently presenting Pop of Time, a summer exhibition centering on contemporary aesthetics and cultural rhythm of artists around the world. On view till September 9, the show combines the visual language of the digital age with neon colours, graphic imagery, and nostalgic elements. The featured artworks invite the viewer on a journey through time, set against the intense summer atmosphere of Dubai. In the curated selection, pop aesthetics are not merely a surface thing; it is deliberately intentional in attitude. Featured artists are Ebru Döşekçi, Sabine Boehl, Hiba Kalache, Jacopo di Cera, Matteo Mandelli, Sinem Sezgin Bozkurt, Emre Namyeter, Onur Hastürk and Deniz Özuygur. The exhibition also blends contemporary visual language with evocations of collective memory, while simultaneously engaging with critical issues at the forefront of contemporary art discourse. Pop of Time is a visual record of this era and a contemporary narrative shaped through pop. Matteo Mandelli's Cyber Carpets. Ebru Döşekçi was born in Ankara (1972), and has been creating sculptures since her graduation from the Faculty of Communication at Ege University, Turkey. She received her Master's degree in Plastic Arts from Yeditepe University and has participated in numerous exhibitions and fairs in Turkey and overseas. Her works are included in various private and public collections. The broad variety of vibrant structures of Sabine Boehl`s conceptual work refer to different cultural and historical epochs. She works with glass beads that are sewn onto canvas, with every single coloured bead serving as an informational sign. She is drawn to structures that meander, which simultaneously move and stand still. Boehl`s works have wide-ranging frames of reference, from ancient ornaments, grotesque embellishments, modernism and textile and fashion design, and range up to American abstraction. Hiba Kalache is an interdisciplinary artist whose practice spans installation, drawing, painting, sculpture and interactive projects. Kalache draws on her daily life for her materials, process and content. She interrogates the separation between the private and public spheres, more specifically what she calls 'the banality of daily rituals'. Emre Namyeter's untitled work. She has exhibited in Beirut, Berlin, Brussels, Istanbul, New Orleans, Oakland, San Jose (USA), San Francisco, Tehran, Athens, London and Paris. Her work has also been shown at art fairs including MENART fair, Art Dubai, Abu Dhabi Art, Drawing Now (Paris), and Gwangju Art (South Korea). In 2017, she taught fine arts at the Lebanese American University. Jacopo Di Cera (b. 1981, Milan, Italy), is a contemporary photographer and digital artist who treats photography not as a window to the world, but as a tactile, sensory encounter with it. From migration and memory to tourism and tradition, Di Cera's photographs are less about documentation and more about resonance — about holding space for feeling in a world that rarely slows down. In 2016, Di Cera introduced the idea of Photomaterism or photography that refuses to stay flat. Photomaterism insists that a photo can be more than an image; it can be an object, a presence, a tactile thing you feel as much as you see. 'Art, to me, is a passage — a point of contact between what exists and what could be. I don't offer answers, I spark questions,' says Matteo Mandelli. 'Art is never comfortable, but it is always necessary. With the gift of seeing beyond the horizon, the artist has the duty to reveal new perspectives, lighting the way to explore yet undiscovered worlds.' Sinem Sezgin Bozkurt (b. 1985), is an interdisciplinary artist who creates figurative paintings and textile works. She focuses on the persistent lack of representation of women in contemporary society. Her goal is to create a new 'personal reality' that reflects common female experiences and evoke a sense of empathy. She foregrounds feminine elements by integrating handcrafting techniques into her works. Artwork by Emre Namyeter. Emre Namyeter (b. 1984, Istanbul), uses the paint he creates on his own, to make multiple layered abstract sculptures. Onur Hasturk (b. 1983, Mersin, Turkey) specialises in the art of classical Ottoman miniature painting. In his work, he utilises the cultures of Islam and places them in new conversations with the art of the West, from Henri Matisse to Andy Warhol. Deniz Ozuygur (b. Istanbul) is a multidisciplinary artist whose work spans sculpture, photography, video, and ceramics. She often incorporates unconventional materials such as fuse beads, baby clothes, and domestic objects. Her practice explores themes of gender, identity, and labour, frequently subverting traditional craft techniques and familiar forms, to challenge societal norms. Ember by Emre Namyeter. Located in the heart of the Dubai Design District where art, design, and fashion meet, Sevil Dolmacı Dubai is a contemporary space that embodies the white cube concept with single space, high ceilings, and large white walls. The gallery strives to bridge the gap between the western art world and the Middle East. Sevil Dolmacı, who has an academic background, completed her Master's and Doctorate studies on art history and attended courses on contemporary art at the Royal Academy of Arts, London. She worked in various institutions in London such as the Saatchi Gallery and Tate Modern Museum. She has long been providing consultancy services to Turkey's important art collections, and has undertaken important projects such as the DEMSA Group Art Consultancy and Museum Project, St. Regis Hotel Project, Demirören Group Art Consultancy, Kemer Country Golf Club Sculpture Park Project and Kabakçı Collection Art Consultancy. Sevil Dolmacı also offers consultancy services to private collections, galleries and artists.