Inside Pakistani star Anoushey Ashraf's dreamy Mehndi in Turkey: Colour, couture, and a whole lot of heart
Dubai: Anoushey Ashraf knows how to make an entrance — and this time, it wasn't just on-air.
The celebrated Pakistani actress, RJ and former VJ has officially kicked off her wedding celebrations in great style, starting with an intimate-yet-glamorous mehndi ceremony set against the stunning backdrop of Turkey.
Though she quietly tied the knot in a low-key nikkah last June, the Karachi-born talent is now celebrating her love story with a full-blown festive affair — and the internet simply can't look away.
Clad in a kaleidoscopic Nomi Ansari gharara, Anoushey brought a riot of colour and charisma to every frame. The look, equal parts heritage and haute, was a perfect match for her infectious spirit. Her husband Shahab opted for a timeless white sherwani — understated, classic, and utterly dapper.
From their romantic, reel-worthy couple dance to Anoushey's sassy solo performance to Makhna, the night was a masterclass in modern desi celebration — vibrant, emotional, and unapologetically joyful.
Her grand descent down a flower-lined staircase on her father's arm set the tone for the evening — emotional, meaningful, and straight out of a fairytale. Guests showered her with cheers, petals, and prayers.
But the most touching tribute came not from the stage, but from a guest, who wrote:
'She's the centre of our little universe — quite literally the middle child, the glue that holds us together. Flying in from Karachi to attend birthdays, Eids, or just to give me company when I was down… she's always shown up for all of us. Watching her shine in this moment with Shahab — our handsome 'third boy' — is everything."
Among those present were close friends and celebrity well-wishers such as Ayesha Omar, Ali Hamza, and her longtime confidant Dino Ali, who shared a moving tribute of his own.
The wedding looks were equally dazzling — Anoushey and her sister Alizeh wore vibrant Nomi Ansari creations, while Anushka and the bride's sister-in-law turned heads in Nickie Nina ensembles.
If this mehndi is anything to go by, Anoushey Ashraf's wedding journey is shaping up to be nothing short of magical — wrapped in love, style, and the kind of joy that lingers long after the music fades.
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
FACT
an hour ago
- FACT
FACT Chats: Atif Aslam talks fame, faith, and finding himself through music
From humble beginnings to legendary status, the Pakistani singer has amassed a global following of millions. It's 2004. I'm living my best life in Riyadh, but the closest I've gotten to Pakistani music is a few cassette tapes of Junoon and Vital Signs. And then, one evening, while lazily flipping through TV channels, I stumbled across a song that sounded different. It's raw and gripping in a way that feels personal, even though I don't know what the lyrics mean yet. It was Aadat by a new band called Jal, fronted by Atif Aslam. Within seconds, I'm hooked and so is my best friend. We can't stop talking about it. Our schoolbooks turn into pages of doodles and lyrics, passed between classes like secret letters. The obsession was real. So real that after browsing fan pages and forums on dial-up internet, I managed to find Atif Aslam's manager's number. Called him from a landline at 2am in Riyadh and whispered into the receiver like I was smuggling state secrets. 'Please, can I speak to Atif Aslam?' is what I asked his manager, and after some convincing, he handed over the phone to the icon himself, who was heading down from the stage fresh off a college or university performance. I don't remember what I spoke to Atif Aslam about, but I had told myself that if I ever got the chance to talk to him again, I'd ask him. It took me two decades, pursuing a career in journalism, and a last-minute schedule shuffle to finally make it happen. When I got the call that my slot with Atif Aslam was confirmed, I knew that this was my shot. An anxious 30-minute drive later, I was face-to-face with the voice that shaped my teenage years, my friendships, my first heartbreak – my wedding entrance even. I wore my grandfather's shirt to the interview, a man who never quite understood my Atif Aslam obsession. He passed away earlier this year and would probably shake his head if he knew, but he'd also understand because this wasn't just an interview. It was a full-circle moment. From a silly teenager making secret, international midnight calls from Riyadh, to a grown woman with a press pass and a voice recorder. And while the fangirl in me wanted to squeal, the journalist — and Capricorn — kept her cool. We exchanged pleasantries and got into the music, memories, and magic. From humble beginnings to a household name, Atif Aslam has witnessed the full arc of transformation. And yet, there's a steady humility in how he recalls it all — not as trophies, but as turning points. With over 20 years in the spotlight, he has remained both elusive and ever-present. In this chat, he reflects on the defining moments of his journey, the burden and blessing of fame, and the power of rediscovering joy in his craft. Looking back, it isn't the standing ovations or chart-topping records that Atif Aslam highlights first, but the quiet milestones such as his first paycheck and the moment his parents accepted his passion for music. Aadat turned his tide, launching him into the spotlight. But behind this rise was a young man watching his dreams unfold, armed with a voice that refused to be ignored. For a career that began with a soft rock ballad recorded on a modest budget, the trajectory has been nothing short of remarkable. From underground stardom to Bollywood's Tere Bin, and Sufi tunes like Tajdar-e-Haram, Atif Aslam has always resisted being boxed into a single genre. 'The sound has always evolved,' he reflects. But it's the environment around him that inspires his music. 'It's the people around me, a sudden thought or an unexpected emotion,' he explained. 'I'm lazy when it comes to capturing the moment, but when it hits, it's often because of the energy in the room.' Over the years, that energy has travelled with him through massive performances, from Dubai's Coca-Cola Arena to the Royal Albert Hall in London. Among the many memorable shows, one that stands out took place at the O2 Arena. 'We had to cover for another artist who didn't show up, and we ended up performing for three and a half hours,' he laughs. 'Someone from the crowd said, 'We came for — I don't want to name the artist — but we're leaving as your fans.' That was a beautiful twist of fate.' It's easy to think of Atif Aslam as a larger-than-life figure, but he remains surprisingly grounded. Had music not found him, he might have pursued a career in aviation or cricket. But giving up never felt like a real option — even during moments of doubt. Though the industry came with its share of pressures, including moral dilemmas about lyrics he didn't align with, he always found a way to return to himself. 'There were songs I didn't feel right singing,' he admitted. 'I had to change lyrics, but I had a family to take care of, a career to keep.' However, those tensions also prompted him to shift toward more spiritually rooted pieces that resonated with his soul, such as Wohi Khuda Hai, which showcased both his musical prowess and passion. There were also times when even fame felt like a burden. Being called the 'number one singer' everywhere, Atif Aslam began questioning it. 'Do I want to be number one? Do I even believe it?' he shared. 'But then I realised it's not for me to decide. If God gives you that position, be grateful and stay humble. Because nothing lasts forever.' That's also something he'd tell his younger self: 'So enjoy it while it lasts.' And fame, he's learned, is a double-edged sword. It's 'having the power to misuse fame but choosing not to'. Atif Aslam believes, 'Treating people like humans, regardless of what they've done to you, is the real measure of success.' Becoming a father also shifted his worldview. 'It didn't hit me in the first two years, but then I saw my son growing up and realised I wanted to take a back seat,' he chimes. 'He became my centre. But Atif Aslam still needs to sing to function, but there's a deeper intent behind each note. 'Music is spirituality,' he added. 'It's how I communicate with God. I found Him through it.' Lately, fans have been seeing a candid side of Atif Aslam — one that embraces goofy moments and connects with fans in surprising ways. The man who once projected mystery now posts reels. But this isn't a reinvention, it's a revelation. 'I've always been like this! I just never showed it publicly,' he laughs. 'It helps me connect. I don't want to be that untouchable 'legend'. I'm still here. I see you. I hear you.' But he also draws a line wherein his home life, for example, remains off-screen. 'Some things are sacred,' he adds. For UAE fans, Atif Aslam is more than a touring artist, he's practically a regular with Dubai being a 'second home'. And when he's not on stage, he's often spotted attending concerts and events, slipping into the crowd. 'When I'm in the audience myself, I see things differently,' he shared. 'The real connection isn't always in the views or streams, it's in how people respond when you're in front of them.' After all that he's achieved, Atif Aslam is still searching — but not for stardom. 'I'm not seeking Atif, the star,' he says. 'As Atif, the human being, I still need to look within, ask myself tough questions, fall, regroup, fall again, and rise again.' The search is inward now. And if he had to describe his journey in one word, it would be 'water', translating to 'jal' — ever-flowing, ever-changing, and always finding its way. As for the call that I made to him over 20 years ago, he didn't remember. Which, honestly, was a bit of a relief. But he laughed and said, 'You should include that in the interview.' So here it is, as a gentle reminder that sometimes the moments we hold onto are often the ones that shape us the most, moving us forward — just like water. GO: Follow @atifaslam on Instagram for more information.
Arabian Post
5 days ago
- Arabian Post
Zia Ur Rehman Shaikh: Shaping Stories and Strengthening Cultures Through Filmmaking in the UAE
The United Arab Emirates has long established itself as a vibrant meeting point of cultures, ideas, and innovation — a country where talent from every corner of the world is celebrated. Among the creative figures making their mark on the UAE's cultural landscape is Zia Ur Rehman Shaikh, a dynamic filmmaker, storyteller, and cultural ambassador whose work continues to inspire and connect communities through the power of visual narratives. A Journey of Passion and Purpose Born in Hyderabad, Pakistan and raised in Karachi, Zia discovered his love for storytelling and filmmaking early in life. Driven by a passion for visual arts and narratives that resonate, he decided to pursue a career in filmmaking — a path that would eventually lead him to the UAE, a place known for embracing diverse talents and creative voices. ADVERTISEMENT Since moving to Dubai, Zia has steadily built a name for himself as a passionate filmmaker and content creator. In 2018, he began laying the groundwork for what would become a thriving career, officially launching his production house, Cam Crew Productions, in 2020. Cam Crew Productions: A Creative Force in the UAE Under Zia's leadership, Cam Crew Productions has grown into a highly respected production house specializing in short films, music videos, documentaries, and commercial content. What sets the company apart is its commitment to meaningful storytelling, crafting visually engaging projects that highlight diverse perspectives and cultural narratives. One of the significant highlights in Zia's career was the nomination of his short film Dhool at the Emirates Film Festival 2021. This accomplishment marked his rising influence in the UAE's independent film community and reflected his ability to produce content that resonates with both local and international audiences. He has also worked alongside prominent names, including Pakistani actor Haris Waheed, for a creative project in the UAE — further demonstrating his commitment to cross-border collaborations that unite talents from various backgrounds. Tea Talks with Zia: Conversations That Inspire Expanding his reach beyond the world of film, Zia created 'Tea Talks with Zia,' a podcast platform dedicated to hosting in-depth conversations with creators, artists, and change-makers from across the UAE and beyond. The podcast has become a space for meaningful dialogue, tackling topics ranging from cultural identity to entrepreneurship and creative innovation. ADVERTISEMENT The show has welcomed several notable personalities, including renowned Indian poet and writer Javed Akhtar, Pakistani-German journalist Atif Tauqeer, Pakistani actor Zain Afzal, and influential UAE-based content creators such as Zubair Sarookh, Ahmed Rashid, Ali Sufian Wasif, Ghazanfer Jaffery, Sami Rehman, and African content creator MSwahili. Acclaimed UAE photographer Jruzz has also been featured on the platform. Through Tea Talks, Zia continues to create a bridge between cultures and communities, using dialogue to foster greater understanding and creative exchange within the UAE. High-Profile Collaborations and Projects Zia's growing reputation as a visual storyteller has opened doors to several prestigious projects. Notably, he served as the Director of Photography (DOP) alongside Nahla Al Fahad, the second Emirati female filmmaker, for a documentary research project backed by the Gates Foundation at COP28. The documentary explored critical global social topics, highlighting Zia's ability to engage with content that carries significant social and cultural impact. In the music world, Zia directed an eye-catching video for Mariyam Kisat, a well-known RJ from City 1016, collaborating with international music figure DJ Buddha. Their track, Dilbar Dilbar, gained popularity for its striking visuals and its successful blending of different cultural influences, embodying the very spirit of multicultural creativity in the UAE. A Champion for Emerging Talent and Cross-Cultural Creativity As a Pakistani expatriate in Dubai, Zia has navigated both the challenges and opportunities of working in one of the world's most culturally diverse cities. His projects reflect a fusion of creative influences and showcase the beauty of cultural exchange, contributing to the UAE's reputation as a hub for artistic innovation. Beyond his film and media work, Zia actively supports the next generation of creative professionals. He frequently mentors aspiring filmmakers, participates in workshops, and collaborates with educational institutions, sharing valuable insights from his own experiences to inspire and empower young talents. Through his work, Zia not only strengthens connections between the UAE and Pakistan but also promotes a broader message of inclusivity, resilience, and artistic courage. Future Aspirations: A Continuing Creative Legacy Looking ahead, Zia remains dedicated to developing content that tells authentic, meaningful stories. He is currently working on a new wave of projects, including thought-provoking documentaries, collaborative short films, and digital content pieces that aim to spark conversations around social topics and underrepresented narratives. With each project, he reaffirms his commitment to creating visual art that not only entertains but also educates, inspires, and connects. His contributions are making a tangible difference in the UAE's creative sector, reflecting the nation's vision of fostering cultural exchange and innovation. An Artist of Impact and Influence Zia Ur Rehman Shaikh's journey from Karachi to the heart of Dubai's creative industry stands as a powerful example of how storytelling can bridge gaps, foster dialogue, and build lasting cultural connections. Through his films, podcasts, and mentorship efforts, he continues to shape a more inclusive and vibrant creative community within the UAE. His dedication to elevating cultural narratives and mentoring future storytellers positions him as a valuable asset to the Emirates' growing artistic landscape — and a worthy candidate for the UAE Golden Visa as a cultural contributor and creative leader. Follow his work and journey on Instagram | TikTok | YouTube. Also published on Medium. Notice an issue? Arabian Post strives to deliver the most accurate and reliable information to its readers. If you believe you have identified an error or inconsistency in this article, please don't hesitate to contact our editorial team at editor[at]thearabianpost[dot]com. We are committed to promptly addressing any concerns and ensuring the highest level of journalistic integrity.
Gulf Today
02-06-2025
- Gulf Today
Art as aide-memoire: Abda Fayyaz's works are reminders of the divine
Abda Fayyaz is one of the artists taking part in Perspectives – II, a celebration of art inaugurated on May 29 and ongoing at Capital Club, DIFC. A Pakistani national based in Dubai, she is a self-taught and award-winning artist; her work is a reflection of how she understands the universe and the constant changes and transformations that take place within and around us. She works mainly in acrylic and her artworks meld classical subjects, contemporary styles and cutting edge techniques. Her pieces convey the message of interlinked energies: Nature's mysteries and features of the cosmos, form a significant part of her canvas. 'Everything has a purpose, meaning and an important role to play, whether a grain of sand, a drop of water or the entire cosmos — we are here for a reason through which we all are closely connected. We all are one!' she says. An established artist with over 10 years of art practice, she has showcased her talent in nearly 20 exhibitions just only in the past three years. She holds art talks and workshops and has won innumerable awards, including the Anna Molka Gallery Award (2022) and DC Aviation and All Futtaim Art Award (2022, in the Flight into Innovation Art competition) and her artwork has been recognised as being among the best at World Art Dubai, 2021. Abda Fayyaz connects with Gulf Today What are the influences on your art? The deepest influences on my art come not from the external world, but from the subtle worlds we often ignore - the realms of silence, intuition, and inner knowledge. Nature is one of my greatest teachers; I often observe how a leaf curls, how shadows stretch at different times of the day, or how stillness can have its own language. My work is also shaped by a desire to peel back the layers we wear to survive the outer world, and instead offer a gateway inward. The influences are universal rhythms, timeless truths, and a yearning for connection. Every line I draw, every layer I build, is an echo of that journey — a way to bridge the infinite and the intimate. The Search Within — Red 2. Does Rumi or other Sufis play a role in your art? Rumi deeply resonates with me, as does Ibn Arabi and other Sufi mystics. Their words aren't mere poetry — they are openings, reminders, living teachings. The Sufi idea that the Almighty is not out there but in here — within every cell and in every breath — is the same current I try to touch in my work. What is the message of your works? If I had to distill it into one word, the message would be: 'Remember'. My work invites viewers to remember who they are beneath identity, conditioning, and distraction. It is a gentle nudge back to the sacred link that we all carry within us, a call to reconnect with the inner compass we often silence. The divine isn't something you need to seek outside - it's a remembering of what you've always carried. The canvas becomes a companion on that inner journey. What roles do black, grey and white play in your art? These colours are the spiritual language of the work. Black isn't used as a symbol of emptiness or negativity. It is a space of potential, like the night sky or the womb. White in my work is not purity in the traditional sense – it is illumination, a sudden knowing, or the light that enters when we allow it. Grey, the space between, holds its own wisdom. It allows the conversation between shadow and light to unfold in a more nuanced way. Together, these tones act like prayer beads. What made you turn to using red colour in your latest pieces? Red came like a pulse — a vital, undeniable force that insisted on being seen and felt. Red didn't arrive gently. It erupted. It brought fire, blood, and flesh. It's primal and spiritual at once — the colour of roots and also of awakening. I didn't choose red; it chose me. In the 'Red Edition', this colour acts as a mirror for all that we often suppress: desire, urgency, boldness, even action. It is the colour of the heart, of courage and also vulnerability. It brings with it not just energy, but a kind of sacred heat. Red is not a departure from my earlier works — it is a deepening. Abda Fayyaz looks out into the world. The calligraphy in your works do not belong to any particular school. Is this so? My calligraphy is untethered from any formal tradition. I'm drawn to the 'gesture' of writing rather than the message itself. My scripts are closer to breathing or chanting than to writing. I'm not trying to be read — I'm trying to be felt. In that way, the calligraphy becomes an extension of my deeper philosophy: that truth doesn't have to be explained to be understood. These cave like calligraphy elements speak to something older than language — something ancestral, intuitive, and timeless. Can you tell us how you are evolving as an artist? In the past, I might have sought validation or clarity before beginning a piece. Now, I allow myself to start without knowing where I'll end. That shift — from control to surrender — has been the most significant part of my evolution. I no longer seek perfection; I seek truth.
