
Hoor Al Qasimi recognised as Officer of Order of Arts, Letters
Since 1957, this award has honoured individuals who have made significant contributions to the arts. The insignia of the Order of Arts and Letters is an expression of France's recognition of those who have actively worked to promote art and culture both in France and abroad.
Al Qasimi remarked, 'It is with great honour that I receive this award granted by the Embassy of France in the UAE. The insignia of Officer of the Order of Arts and Letters is a wonderful reflection of the collaborations and cultural exchanges that have shaped my work, in Sharjah, the UAE and internationally. It reaffirms the importance of continuing to build cultural dialogue through the arts. I accept this recognition, not only for myself, but for all those who have supported, guided and inspired me throughout my journey.'
His Excellency Nicolas Niemtchinow, Ambassador from France to the UAE and Jean-Christophe Paris, Consul General of France in Dubai, together with French Embassy staff Stéphanie Salha, Advisor for Cooperation and Cultural action of the Embassy of France in the UAE and the Director of the Institut Français in the UAE and Marie Lozon de Cantelmi, Cultural Attaché, were present for the official conferment of the award.
Niemtchinow comented, 'It is a great honor to award Her Excellency Sheikha Hoor Al Qassimi the insignia of Officer of the Order of Arts and Letters today in Sharjah. This award is a recognition of Sheikha Hoor's remarkable contribution to strengthening cultural and artistic ties between France and Sharjah and, more generally, between France and the UAE. Sheikha Hoor's commitment to Franco-Emirati friendship is further exemplified by her role within the Alliance Française of Sharjah. I also commend the Sharjah Biennial, which has become a reference in the world of contemporary art. Her Excellency Sheikha Hoor has always worked to showcase French and Francophone artists in this Biennial.'
Also in attendance were a number of distinguished guests, including His Excellency Sheikh Fahim Al Qasimi, Chairman of the Government Relations Department; Her Excellency Sheikha Nawar Al Qassimi, Vice President of Sharjah Art Foundation; Her Excellency Sheikha Noora Al Mualla, Director of Learning and Research at Sharjah Art Foundation; Her Excellency Sheikha Rad Alqasimi, Secretary General of the International French Association in Sharjah; Audrey Leseigneur, Director of Alliance Française Sharjah; and Mona El-Mousfy, Advisor to the Sharjah Architecture Triennial.
Alongside her role at Sharjah Art Foundation, Al Qasimi also serves as President of the International Biennial Association; President of The Africa Institute, Sharjah; Director of the Sharjah Architecture Triennial; head of Sharjah's Global Studies University; and President of the Sharjah Creative Quarter. She is also the Artistic Director of the upcoming 6th Aichi Triennale (2025) and the 25th Biennale of Sydney (2026).
About Sharjah Art Foundation
Sharjah Art Foundation is an advocate, catalyst and producer of contemporary art within the Emirate of Sharjah and the surrounding region, in dialogue with the international arts community. The Foundation advances an experimental and wide-ranging programmatic model that supports the production and presentation of contemporary art, preserves and celebrates the distinct culture of the region and encourages a shared understanding of the transformational role of art. The Foundation's core initiatives include the long-running Sharjah Biennial, featuring contemporary artists from around the world; the annual March Meeting, a convening of international arts professionals and artists; grants and residencies for artists, curators and cultural producers; ambitious and experimental commissions and a range of travelling exhibitions and scholarly publications.
Established in 2009 to expand programmes beyond the Sharjah Biennial, which launched in 1993, the Foundation is a critical resource for artists and cultural organisations in the Gulf and a conduit for local, regional and international developments in contemporary art. The Foundation's deep commitment to developing and sustaining the cultural life and heritage of Sharjah is reflected through year-round exhibitions, performances, screenings and educational programmes in the city of Sharjah and across the Emirate, often hosted in historic buildings that have been repurposed as cultural and community centres. A growing collection reflects the Foundation's support of contemporary artists in the realisation of new work and its recognition of the contributions made by pioneering modern artists from the region and around the world.
Sharjah Art Foundation is a legally independent public body established by Emiri Decree and supported by government funding, grants from national and international nonprofits and cultural organisations, corporate sponsors and individual patrons. Hoor Al Qasimi serves as President and Director. All exhibitions are free and open to the public.
About Sharjah
Sharjah is the third largest of the seven United Arab Emirates and the only one bridging the Arabian Gulf and the Gulf of Oman. Reflecting the deep commitment to the arts, architectural preservation and cultural education embraced by its ruler, Sheikh Dr Sultan bin Muhammad Al Qasimi, Sharjah is home to more than 20 museums and has long been known as the cultural hub of the United Arab Emirates. In 1998, it was named UNESCO's 'Arab Capital of Culture' and has been designated the UNESCO 'World Book Capital' for the year 2019.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Al Etihad
4 hours ago
- Al Etihad
'The Day of The Jackal' author Frederick Forsyth dies aged 86
9 June 2025 22:31 LONDON (AFP)Prolific British thriller writer Frederick Forsyth, who instantly became a global bestselling author when his book 'The Day of the Jackal' was published in 1971, died on Monday aged 86, his literary agents Curtis Brown famously penned his most famous work, about a fictional assassination attempt on French president Charles de Gaulle by right-wing extremists, in just 35 days after falling on hard times."The Jackal" went on to be made into a hit film starring Edward Fox as the assassin.A Netflix remake last year with Eddie Redmayne in the lead role was released last year."We mourn the passing of one of the world's greatest thriller writers," his agent Jonathan Lloyd died at home surrounded by his family following a brief illness, according to Curtis former journalist and pilot wrote over 25 books including 'The Odessa File' (1972) and 'The Dogs of War' (1974), and sold over 75 million copies of his novels were also turned into films. Forsyth attributed much of his success to "luck", recalling how a bullet narrowly missed him while he was covering the Biafra civil war between 1967 and 1970.


ARN News Center
5 hours ago
- ARN News Center
Frederick Forsyth, 'Day of the Jackal' author, dies at 86
British novelist Frederick Forsyth, who authored best-selling thrillers such as 'The Day of the Jackal' and 'The Dogs of War', has died aged 86, his publisher said. A former correspondent for Reuters and the BBC, and an informant for Britain's MI6 foreign spy agency, Forsyth made his name by using his experiences as a reporter in Paris to pen the story of a failed assassination plot on Charles de Gaulle. The Day of the Jackal, in which an English assassin, played in the film by Edward Fox, is hired by French paramilitaries angry at de Gaulle's withdrawal from Algeria, was published in 1971 after Forsyth found himself penniless in London. Written in just 35 days, the book was rejected by a host of publishers who worried that the story was flawed and would not sell as de Gaulle had not been assassinated. De Gaulle died in 1970 from a ruptured aorta while playing Solitaire. But Forsyth's hurricane-paced thriller complete with journalistic-style detail and brutal sub-plots of lust, betrayal and murder was an instant hit. The once poor journalist became a wealthy writer of fiction. "I never intended to be a writer at all," Forsyth later wrote in his memoir, The Outsider - My Life in Intrigue. "After all, writers are odd creatures, and if they try to make a living at it, even more so." So influential was the novel that Venezuelan militant revolutionary Illich Ramirez Sanchez, was dubbed 'Carlos the Jackal'. Forsyth presented himself as a cross between Ernest Hemingway and John le Carre - both action man and Cold War spy - but delighted in turning around the insult that he was a literary lightweight. "I am lightweight but popular. My books sell," he once said. His books, fantastical plots that almost rejoiced in the cynicism of an underworld of spies, criminals, hackers and killers, sold more than 75 million copies. Behind the swashbuckling bravado, though, there were hints of sadness. He later spoke of turning inwards to his imagination as a lonely only child during and after World War Two. The isolated Forsyth discovered a talent for languages: he claimed to be a native French speaker by the age of 12 and a native German speaker by the age of 16, largely due to exchanges. He went to Tonbridge School, one of England's ancient fee-paying schools, and learned Russian from two emigre Georgian princesses in Paris. He added Spanish by the age of 18. He also learned to fly and did his national service in the Royal Air Force where he flew fighters such as a single seater version of the de Havilland Vampire. Impressing Reuters' editors with his languages and knowledge that Bujumbura was a city in Burundi, he was offered a job at the news agency in 1961 and sent to Paris and then East Berlin where the Stasi secret police kept close tabs on him. He left Reuters for the BBC but soon became disillusioned by its bureaucracy and what he saw as the corporation's failure to cover Nigeria properly due to the government's incompetent post-colonial views on Africa. It was in 1968 that Forsyth was approached by the Secret Intelligence Service, known as MI6, and asked by an officer named "Ronnie" to inform on what was really going on in Biafra. By his own account, he would keep contacts with the MI6, which he called "the Firm", for many years. His novels showed extensive knowledge of the world of spies and he even edited out bits of The Fourth Protocol (1984), he said, so that militants would not know how to detonate an atomic bomb. His writing was sometimes cruel, such as when the Jackal kills his lover after she discovers he is an assassin. "He looked down at her, and for the first time she noticed that the grey flecks in his eyes had spread and clouded over the whole expression, which had become dead and lifeless like a machine staring down at her." After finally finding a publisher for The Day of the Jackal, he was offered a three-novel contract by Harold Harris of Hutchinson. Next came The Odessa File in 1972, the story of a young German freelance journalist who tries to track down SS man Eduard Roschmann, or The Butcher of Riga. After that, The Dogs of War in 1974 is about a group of white mercenaries hired by a British mining magnate to kill the mad dictator of an African republic - based on Equatorial Guinea's Francisco Macias Nguema - and replace him with a puppet. The New York Times said at the time that the novel was "pitched at the level of a suburban Saturday night movie audience" and that it was "informed with a kind of post‐imperial condescension toward the black man". Divorced from Carole Cunningham in 1988, he married Sandy Molloy in 1994. But he lost a fortune in an investment scam and had to write more novels to support himself. He had two sons - Stuart and Shane - with his first wife. His later novels variously cast hackers, Russians, Al Qaeda militants and cocaine smugglers against the forces of good - broadly Britain and the West. But the novels never quite reached the level of the Jackal. A supporter of the United Kingdom's exit from the European Union, Forsyth scolded Britain's elites for what he cast as their treachery and naivety. In columns for The Daily Express, he gave a host of withering assessments of the modern world from an intellectual right-wing perspective. The world, he said, worried too much about "the oriental pandemic" (known to most as COVID-19), Donald Trump was "deranged", Vladimir Putin "a tyrant" and "liberal luvvies of the West" were wrong on most things. He was, to the end, a reporter who wrote novels. "In a world that increasingly obsesses over the gods of power, money and fame, a journalist and a writer must remain detached," he wrote. "It is our job to hold power to account."


Al Etihad
6 hours ago
- Al Etihad
Emirati, UK artists unite at Kensington Palace for gala concert by Abu Dhabi Festival, PPT
9 June 2025 20:19 ABU DHABI (WAM)Abu Dhabi Festival, in collaboration with the Peace and Prosperity Trust (PPT), premiered an extraordinary gala concert with Emirati and international artists at the prestigious Kensington Palace on June 6, marking a significant milestone in the 'Abu Dhabi Festival Abroad' special performance also highlights the festival's mission to build cultural capacities and foster global collaboration through co-production was the culmination of an intensive three-week UK Artist Residency Programme, supported by the Abu Dhabi Music & Arts Foundation (ADMAF) in partnership with the Peace and Prosperity Trust (PPT).During the residency, Emirati artists engaged in rigorous training, rehearsals and seminars with esteemed instructors across prestigious musical venues. The resulting performance presented a repertoire that blended Emirati traditions with global influences and underscored the vital role of cultural exchange in shaping artistic conversations and inspiring new creative the heart of the evening was the world premiere of Ruins of Time, a powerful new composition exclusively commissioned by ADMAF from acclaimed Emirati composer Ihab Darwish, recognised for bringing the UAE's cultural identity to global audiences through programme also featured mezzo-soprano Fatima Al Hashimi performing masterpieces by Saint-Saëns, Mozart and Jule Styne, and baritone Ahmed Al Hosani presenting celebrated works by De Curtis and Bizet, alongside international musicians from the concert was conducted by Toby Purser, Artistic Director of the Peace and Prosperity Trust. Together, they shone a spotlight on the immense talent emerging from the UAE and its meaningful contribution to the international creative landscape. The concert followed the success of the Abu Dhabi Festival's pioneering 'Arts @ Embassies' cultural diplomacy initiative, held on May 22 at the UAE Embassy in three exceptional Emirati artists took part in a panel discussion where they shared their artistic journeys and heartfelt reflections on heritage, identity, innovation, and discovery – narratives that are helping shape the future of music. The panel reaffirmed the power of the arts as a platform to foster dialogue, promote understanding, and strengthen cultural ties between the UAE and the Al Khamis-Kanoo, Founder of ADMAF and Founder of Abu Dhabi Festival, remarked that the Kensington Palace Gala Concert — held under the patronage and in the presence of HRH Prince Richard, Duke of Gloucester, in partnership with the Peace and Prosperity Trust — and the 'Arts @ Embassies' panel discussion, presented as part of the Abu Dhabi Festival Abroad programme, mark the beginning of a new chapter in cultural diplomacy between the UAE and the said, 'This world premiere performance by composer Ihab Darwish, mezzo-soprano Fatima Al Hashimi, and baritone Ahmed Al Hosani, reflects our vision to promote knowledge exchange, cultural dialogue, and the global presentation of Emirati artistic and musical achievements, consolidating the UAE's position as an incubator of creativity and a destination for innovators.'She added, "In parallel with this historic co-production, we also presented the fourth annual edition of our pioneering cultural diplomacy initiative, 'Arts @ Embassies.' As part of the programme, we organised a panel discussion featuring the three exceptional Emirati artists, moderated by Emirati filmmaker and producer Noor Kanoo, to highlight their journeys and experiences in composition and music.'"Culture enhances the depth and strength of diplomatic relations and adds momentum to them. The arts are the bridge that unites us, creating bonds that transcend borders. Therefore, our presentation of Emirati artists within the UK Artist Residency Programme - supported by the Abu Dhabi Music & Arts Foundation (ADMAF) in partnership with The Peace and Prosperity Trust - allows art itself to lead the way."This is one of many successful partnerships that ADMAF has established with British cultural institutions for more than two decades, built on the foundation of cooperation and the long-standing friendship shared by the UK and the UAE,' she Khouri, Founder of the Peace and Prosperity Trust (PPT), stressed the uniqueness of the concert at Kensington Palace, noting it was the first-ever collaboration of PPT with the Abu Dhabi Music and Arts Foundation (ADMAF).'Not only is it the first time that Emirati artists have collaborated with PPT artists, but it also marks the world premiere of a composition by Ihab Darwish, created especially for this occasion. I was truly amazed that what started with a modest concept, a musical fusion between opera and Arabic music, has grown into a unique cultural brand, gathering its own audiences and practitioners,' he added, 'In the past, the repertoire was often chosen to mirror the needs and purposes of the concerts, but tonight's concert is a showcase for six artists, all at different stages of their careers, from a vast range of backgrounds and musical styles, and with no artistic agenda per se, except to produce music to the best of their abilities.'"This concert comes at the end of three weeks of coaching and training which the Emirati singers underwent with renowned professional artists. It is the result of a visionary idea made possible by Huda Al Khamis-Kanoo, when she met a couple of years ago with The Duke of Gloucester and me.'Through the universal language of music, the collaboration between the Abu Dhabi Music & Arts Foundation and The Peace & Prosperity Trust unites their vision of promoting Emirati culture on a global stage. This partnership also plays a vital role in raising the international profile of Emirati artists, fostering their professional growth and expanding their exposure to new and diverse audiences around the Kensington Palace concert and the 'Arts @ Embassies' talk in the UK signal a new chapter in a long-standing journey of exchange and mutual respect between ADMAF and the UK. Since 2007, ADMAF has initiated and supported a wide range of collaborative programmes, inspired by the vision of the UAE's Founding Father, the late Sheikh Zayed bin Sultan Al Nahyan, whose legacy of cultural exchange continues to shape the Festival's mission.