
‘What matters now is freedom': Banned filmmaker Panahi takes top Cannes prize with jail-inspired drama on revenge and resistance
CANNES, May 25 — Iranian dissident director Jafar Panahi won the Palme d'Or top prize at the Cannes film festival yesterday, using his acceptance speech to urge his country to unite for 'freedom'.
The latest film from the 64-year-old, 'It Was Just an Accident', tells the tale of five ordinary Iranians confronting a man they believed tortured them in jail.
The core of the provocative and wry drama examines the moral dilemma faced by people if they are given an opportunity to take revenge on their oppressors.
Panahi, who was banned from making films in 2010 and has been imprisoned twice, used his own experiences in jail to write the screenplay.
'Let's set aside all problems, all differences. What matters most right now is our country and the freedom of our country,' he told the VIP-studded audience on the French Riviera.
The leading light in the Iranian New Wave cinema movement has vowed to return to Tehran after the Cannes Festival, despite the risks of prosecution.
When asked yesterday evening if he was worried about flying home, he replied: 'Not at all. Tomorrow we are leaving.'
Iran was shaken by the 'Women, Life, Freedom' protests in 2022 sparked by after the death in custody of 22-year-old Mahsa Amini after she was arrested for allegedly flouting dress rules for women.
The demonstrations were quashed in a crackdown that saw thousands detained, according to the United Nations, and hundreds shot dead by security forces, according to activists.
Fairytale
Among the other Cannes awards, Brazil's Wagner Moura — best known for playing Pablo Escobar in 'Narcos' — picked up the best actor award for his performance in police thriller 'The Secret Agent'.
Its director, Kleber Mendonca Filho, also won the best director prize, making it a good evening for Brazil.
France's Nadia Melliti continued her fairytale fortnight in Cannes by clinching the gong for best actress.
Melliti, who had never appeared in a film before, plays a 17-year-old Muslim girl struggling with her homosexuality in Hafsia Herzi's 'The Little Sister'.
The keen football player of Algerian descent was spotted by a casting agent near a shopping mall in central Paris.
'Sentimental Value' by Norway's Joachim Trier, a moving family drama given a 19-minute standing ovation yesterday, picked up the second prize Grand Prix.
Sabotage
Yesterday's closing ceremony was the final act of a drama-filled day in Cannes that saw the glitzy seaside resort suffer a more than five-hour power cut.
The outage knocked out traffic lights and had visitors and locals scrambling for paper money because cash machines were out-of-order and restaurants were unable to process card payments.
Local officials said a suspected arson attack on a substation and vandalism of an electricity pylon had caused the disruption.
'Who is going to do my hair? There's no electricity, oh my God, I'm like in a panic attack,' Mahra Lutfi, Miss Universe UAE, told AFP as she prepared to walk the red carpet.
German director Mascha Schilinski joked that she had 'had difficulty writing her speech' because of the black-out as she accepted a special jury prize for her widely praised 'Sound of Falling'.
Politics
Panahi has won a host of prizes at European film festivals and showcased his debut film 'The White Balloon' in Cannes in 1995 which won an award for best first feature.
The head of the Cannes 2025 jury, French actress Juliette Binoche, paid tribute to 'It Was Just an Accident'.
'This is a film that emerges from a place of resistance, a place of survival, and it felt essential to bring it put it on top today,' she told reporters afterwards.
Iran's state IRNA news agency hailed Panahi's award, which is the second for an Iranian director.
'The world's largest film festival made history for Iranian cinema,' it report, recalling the first win in 1997 by Abbas Kiarostami, who was also banned and jailed.
Panahi has always refused to stop making films and his efforts to smuggle them out to foreign distributors and film festivals has become the stuff of legend.
A year after being handed a 20-year ban on filmmaking in 2010 he dispatched a documentary with the cheeky title 'This is Not a Film' to the Cannes Festival on a flash drive stashed in a cake.
'I'm alive as long as I'm making films. If I'm not making films, then what happens to me no longer matters,' he told AFP this week. — AFP
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Malaysian Reserve
05-06-2025
- Malaysian Reserve
The RM1.7b revival of Hotel Provençal
French Riviera Hotel that hosted Charlie Chaplin and Ernest Hemingway reborned as luxury homes, attracting rich Americans by SARAH RAPPAPORT THE French Riviera needs little introduction. It's long been beloved as a vacation destination, with the jet-set flocking to the Cannes film festival in May, partying at the beach clubs of St Tropez and staying in storied resorts like Hotel du Cap-Eden-Roc. But on some parts of the coast, the glamour has faded. Take the striking white art deco Hôtel Provençal on the western end of Cap d'Antibes, built for American railway heir Frank Jay Gould, which opened its doors in 1927. It had drawn names like Charlie Chaplin, Ernest Hemingway and Pablo Picasso as guests before closing for good in 1977 and sitting vacant ever since. Billionaire British mobile phone mogul John Caudwell, a frequent visitor to the area, said he'd often pass the empty building on his cycle route and admire it. 'I had seen the Hotel Provençal be derelict for decades, and I used to think that it's a magnificent property,' said Caudwell, speaking exclusively to Bloomberg. 'It dominates the entrance to Cap D'Antibes, and I could just see that the building could be really beautiful.' A little more than a decade ago, Caudwell decided to ring a number on the board outside the hotel and make an offer. Caudwell finalised the purchase in 2014. He said he spent about £300 million (RM1.74 billion) to buy the building and renovate it. 'I didn't want to make it a hotel again. I wasn't a hotelier,' he said. 'But I knew I could make beautiful residences.' So he turned the 290-room hotel into a 41-unit luxury residence renamed Le Provençal, with a furnished four-bedroom apartment listed for €9.75 million (RM48.46 million) and a penthouse for sale for €40 million. Turning an art deco hotel into luxury apartments took the better part of a decade, and the building's doors will reopen in July for the first residents to move in. The common areas of the building feature an Ottoman-style domed gold-leaf ceiling, an art deco-inspired cinema for residents and a 2,155 sq ft health spa with a sauna, vitality pool and cold plunge. Outside are six acres (2.43ha) of landscaped gardens with a 98ft long showpiece swimming pool. Caudwell enlisted Richard Martinet of Parisian architecture and design studio Affine Design, known for his work on the Hôtel de Crillon, to work on the renovation. 'It's always a bit crass to say no expenses were spared, because that could indicate that you're just being blingy for the sake of it, but we have certainly not cut any costs at all,' Caudwell said. 'If something was needed for the quality of the building, we have invested in that. The goal is to make it the best on the coastline.' He said that the renovation took time because he wanted everything to be perfect, and that the project was a labour of love for him. Caudwell says the renovation took time because he wanted everything to be perfect and the project was a labour of love There will still be a hotel connection in Le Provençal's second life, however. A partnership agreement with the neighbouring Hôtel Belles Rives, will give Le Provencal residents access to its amenities, including concierge service, the private beach club and the Michelin-starred restaurant La Passagère. Caudwell said these kinds of services and perks are what the buyers of ultra-luxurious residences want now. 'It's a real chic hotel with its own beach and jetty,' he said. 'And it's just across the road, so the partnership is a perfect fit for us.' Rooms at Hôtel Belles Rives start at about €600 a night in June. Around 25% of the apartments in the building have sold so far, Caudwell said. Experts said there's not much like it in the area, which is dominated by villas and single-family homes in the luxury space. 'Demand for new build is huge, because there is hardly anything on the market,' said Savills French Riviera and French Alps ED Alex Balkin, adding that clients will certainly be drawn to a renovated historic art deco building with all new interiors. As to who is buying, Caudwell said it's been a mix of Brits and Europeans, though he's also seen strong interest coming from the US. That makes sense, according to Balkin, who said a lot of the demand at the top end on the French Riviera is coming from Americans, who've had a love affair with the region for a long time. Hôtel Provençal was originally built for an American millionaire after all. Balkin added that demand at the top end has increased significantly since US President Donald Trump returned to office. 'There's always been a real love story between Americans and the South of France,' said Balkin. 'But we've seen much more demand this year than last year or the year before. We've seen a real pickup since the election.' Other brokers have noticed the same trend. 'The Cote d'Azur is really coming back, especially in the high end, because we have seen many more American buyers flooding back into the market,' said Sotheby's International Realty France-Monaco chairman and CEO Alexander Kraft. 'There's a lot of movement, especially between US$10 and US$50 million (RM218.5 million) [properties].' Americans have really come back to the market in force, Kraft said, and not just from one end of the political spectrum. 'They have been of either political persuasion, either trying to get away from Trump or Trump supporters who are optimistic about the future and want to place their money into real estate.' 'The South of France is the number one destination worldwide for second homes,' he added, 'and seen as a safe place for wealth.' — BLOOMBERG This article first appeared in The Malaysian Reserve weekly print edition


Free Malaysia Today
03-06-2025
- Free Malaysia Today
Rocking ‘King Lear' to draw young audience in Iran
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Free Malaysia Today
01-06-2025
- Free Malaysia Today
Iran silent as dissident director wins Cannes' top prize
Jafar Panahi has been banned from filmmaking since 2010 and jailed multiple times. (AP pic) TEHRAN : Iranian authorities offered no reaction today after dissident filmmaker Jafar Panahi won the Cannes Film Festival's top prize for his political drama. Panahi, 64, was awarded the Palme d'Or last night for 'It Was Just an Accident' – a film in which five Iranians confront a man they believe tortured them in prison. A story inspired by his own time in detention, it had led critics' polls throughout the week at Cannes. The win has so far been met with silence from Iran's government and ignored by the state broadcaster, which instead focused on a state-aligned 'Resistance' film festival. The conservative Fars news agency suggested the jury's choice was politically motivated, saying it was 'not uninfluenced by the political issues surrounding Jafar Panahi inside Iran'. Reformist newspapers Etemad, Shargh and Ham Mihan reported the win on their websites but did not feature it on their front pages, possibly due to the timing of the announcement. Panahi, who has been banned from filmmaking since 2010 and jailed multiple times, addressed the Cannes audience with a call for national unity. He confirmed plans to return to Iran immediately. Asked last night if he feared arrest, he said: 'Not at all. Tomorrow we are leaving.' This marks only the second time an Iranian director has won the Palme d'Or, after the late Abbas Kiarostami received the honour for 'Taste of Cherry' in 1997. Both directors faced bans throughout their careers.