
Smoking kills … but celebrities are breathing new life into it
A generation ago, the scourge of smoking seemed to be nearing its end, symbolised by a famous 1997 cover of Time featuring a stubbed-out cigarette.
News of its demise, it appears, was greatly exaggerated.
Although tobacco use is at an 80-year low in both Britain and America, smoking has — to the chagrin of oncologists and dentists everywhere — apparently regained its cool. You can stamp out a cigarette, but not necessarily its allure.
First it was the British pop star Charli XCX, who sparked one up during a performance in Manchester last year, while offering fans a 'Brat starter pack' that included 'a pack of cigs, a Bic lighter and a strappy white top with no bra'.
Charli XCX and, below, on a London balcony
KEVIN MAZUR/GETTY IMAGES
ALAMY
Then at New York Fashion Week, Christian Cowan models with cigarettes teetering between their fingers walked the catwalk for a collection depicting the elevated glamour of the rich housewife.
The singers Addison Rae and Lorde mention smoking in new singles, and other celebrities seen taking a drag in recent weeks are the actress Dakota Johnson and the popstar Sabrina Carpenter. Beyoncé has lit up on stage during her Cowboy Carter tour — while performing her hit Ya Ya, she throws a cigarette on a piano, which ignites.
JOSE PEREZ/BAUER-GRIFFIN/GC IMAGES
Jared Oviatt, who runs the Instagram account @Cigfluencers, which features photos of glamorous celebrities smoking, told The New York Times he had struggled to find content when he started in 2021 but was no longer short of material.
'In the early days I was really dipping into the archives,' Oviatt said. 'There weren't a lot of new examples.' Now, he said, 'every week there's at least one or two people where I'm like, 'OK, that's new.''
He has featured a number of stars, including the singer Dua Lipa, with a cigarette dangling from her lips. 'That general star power makes it that much cooler,' he said.
Hestia Cigarettes, an independent seller of 'American-grown naked wild tobacco', declared this week on its X account: 'We are sooo back, baby!'
Cigarettes were once so ubiquitous that they were included in First World War soldiers' rations. After the Second World War, tobacco companies began heavily marketing smoking as glamorous, masculine and sophisticated. The popular Old Gold brand labelled its cigarettes 'fresh as mountain air'.
One soldier uses the 1914 Christmas truce to delve into his cigarette rations
THE ART ARCHIVE
For Americans and Brits, the habit peaked in the mid-1960s, when nearly half of all adults regularly lit up. This began to decline after January 11, 1964, when the US surgeon-general appeared on television to declare smoking tobacco was a major cause of lung cancer, throat cancer and chronic bronchitis.
Warning labels started appearing on packets, and television and radio adverts for cigarettes were banned. Studies show that as many as 30 per cent of all cancer deaths in industrialised nations are attributable to cigarette smoking.
It lost much of its sheen once smoking bans forced people to stand outside to indulge their habit during work breaks and at pubs and bars. Many nicotine addicts began seeking their fix from vapes, which were touted as a healthier alternative to cigarettes. But more recent studies have linked vaping to its own variety of health concerns.
In recent years, there appears to have been a pivot back.
Sociologists suggest it may be a reaction to the dominance of wellness influencers, whether it be Gwyneth Paltrow's detoxing cleanses or Kourtney Kardashian's immune-supporting supplements.
'Part of it is that it almost feels like rejection of wellness culture, which is very stupid,' said Rachel Yara, a student in Boston. 'I don't have the time or money to go to Whole Foods and do yoga and eat bowls. I'm just sitting here smoking my cigs.'
Some of the appeal might be a form of inter-generational nostalgia as millennials and Gen Zers reframe images such as James Dean in Rebel Without a Cause.
There is in fact research from the University of Illinois suggesting graphic warning labels on cigarettes may be backfiring — because they cause 'psychological reactance', a boomerang effect that occurs when a perceived loss of freedom prompts users to pursue a behaviour they are told to avoid. Smoking, it might be said, has become a counter-cultural revolt.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Telegraph
an hour ago
- Telegraph
How to master Ascot dressing for under £250
Royal Ascot is one of the most glamorous fixtures in the British social calendar, where guests don their finest frocks and hats for the occasion. But dressing the part can be expensive. A friend recently confided that they felt 'like an extra in a movie' at Ascot. While the royal attendees and A-listers arrive in custom-made and designer looks, it's easy to feel like you're watching from the sidelines. But as Royal Ascot's creative director Daniel Fletcher puts it, 'Think about Ascot as if it were a red-carpet awards ceremony – it's an opportunity to channel main character energy and walk the red carpet.' As a regular on this circuit, I can tell you that you don't need a designer outfit to feel like the main character. Dressing for Ascot doesn't need to be intimidating or expensive. With a little planning, you can feel confident and elegant without overspending. And with all the money you've saved? There's room in the budget for an extra glass of champagne or two. And who knows, with the right look, someone else might be buying! Skip to: My look The right foundations Hats Jewellery Shoes and bags My Look for Ascot With a budget of £250, I was looking for something classic, flattering, and easy to wear that wouldn't crease after a train journey or lunch. I began with an embroidered cotton shirt dress from Zara. I paired it with a black veiled hat – rented from Cotswold Hat Club – a textured raffia bag from JD Williams, and classic leather heels from Stradivarius to tie the look together. I kept it simple with faux pearl earrings from Orelia. Total: £242.98 Start with the right foundations I've attended Royal Ascot for several years – with a few wardrobe mishaps along the way. I wanted to put my experiences to good use and find stylish solutions that work for real budgets. Start with the dress or trouser suit and build from there. On a budget, fabric is key. The wrong material can cheapen the look or wilt by midday. 'Avoid fabrics that wrinkle easily like linen,' advises ITV fashion presenter and columnist Joanne Hegarty. 'Instead choose light, breathable fabrics like a silk mix, lace, chiffon or high-quality cotton for comfort. Opt for pieces that look polished like tailoring and dresses with elegant details.' Light tones like ivory, powder blue or soft yellow feel fresh in the sun, while dark colours can look heavy. A three-quarter or long sleeve adds polish and warmth. If your outfit is sleeveless, add a tonal jacket for an extra layer. Or, as stylist Alice Hare suggests, 'Long opera-style gloves have an elevating effect. The key to making the look less magician, more chic is to choose a sheer pair – Dents' are only £22.' For added dimension try a waist-defining belt or a scarf. 'I'm loving silk scarves at the moment – worn as a belt or a thick, choker-style necklace,' says Hare. 'River Island has elevated a simple suit with a fuchsia silk scarf around the waist.' Rental platforms like Hurr, Loan The Look and By Rotation are a great way to get a high-end outfit on a budget, and all three have Royal Ascot edits. 'Each year we see a notable increase in rentals leading up to Royal Ascot,' says Eshita Kabra-Davies, founder of clothing-rental company By Rotation. 'People love to go all out with their looks while being more conscious of their purchases.' I love the print Vampire's Wife dress on By Rotation for £25/day, flattering and far below the retail price. Top off your look with a head-turning hat Hats are a key ingredient of a Royal Ascot look, but can blow the budget. Rentals like By Rotation, Cotswold Hat Club and Lizzie's Hats offer designer styles for less. As the daughter of a racehorse trainer and wife of champion jockey Richard Hughes, there's nothing that founder Lizzie Hughes doesn't know about race day dressing: 'Pull a colour from your dress or echo the shape in the hat's structure to make the whole look feel bespoke,' she says. Always tuck the elastic under your hair – leaving it visible can cheapen your look. If you prefer to buy, John Lewis, Hobbs and Phase Eight offer some great options. Add polish with carefully chosen jewellery When it comes to jewellery, small touches go far. Faux pearls or drop earrings work well. Amelia Hitchcock-Merritt, founder of Bijoux De Mimi advises: 'Think about layering – a delicate necklace stack or a curated ear full of dainty huggies and cuffs adds personality without going overboard. Definitely consider pops of colour to compliment your outfit.' Choose shoes and bag that blend style with practicality As for shoes, block or wedge heels won't sink into the grass and closed toes look more polished. If you prefer stilettos don't forget to pack your heel stoppers, buy them for £3.99 from Clean Heels. Comfort is critical – and Lisa Illis, head of womenswear design at Marks & Spencer says heels don't have to be high. 'Lower heels and kitten heels feel modern and relevant and don't compromise on style or comfort. Ballet flats in fresh materials like snake, animal print and luxe satin feel elevated and contemporary. When it comes to the colour palette, neutrals and subtle metallics are versatile.' Choose a chic yet practical bag such as a structured clutch or small top-handle, Katie Loxton and Accessorize have a good selection. Either choose a bag similar in colour to your hat or shoes, otherwise a contrasting colour or texture will add dimension.


Telegraph
an hour ago
- Telegraph
Ministers pushed TV bosses to include pro-vaccine ‘propaganda' in soaps
Ministers met with TV bosses during the pandemic to persuade them to push pro-vaccine storylines in soaps such as EastEnders and Coronation Street, it has emerged. Freedom of information (FoI) requests reveal that officials from the Department for Culture, Media and Sport (DCMS) secretly met with ITV, the BBC and Channel 4, among others, calling for 'national unity programming'. Critics described the meetings as 'brazen state interference', while Sir David Davis, the former Brexit secretary who fought against vaccine mandates, said it amounted to ' underhanded propaganda ' by the government. 'What this demonstrates is that during Covid, the government reduced the broadcasters to mere arms of the state,' he said. 'Of course, it was important to tell the public about the efficacy and safety of vaccines, but the state should never resort to underhanded propaganda of this nature.' Heavily redacted documents show that as early as February 2 2020 – more than a month before the first lockdown – DCMS met with Dame Carolyn McCall, the chief executive of ITV, to 'test the possibility' of pro-vaccine messaging. A briefing note shows that the Department of Health wanted to write to broadcasters asking them to 'include vaccine storylines in their soaps', but DCMS considered a letter inappropriate given the 'importance of broadcasters' operational and editorial independence.' However, DCMS said it would meet privately with ITV to 'explore' the issue. It noted that ITV was planning soap storylines about climate change and so 'may be amenable to the idea of something similar in relation to vaccine messaging'. Oliver Dowden, the former culture secretary, and John Whittingdale, the former minister for media and data, also met with Dame Carolyn, as well as Tony Hall, the BBC's former director-general, and Alex Mahon, the chief executive of Channel 4 in March and April 2020. Among the discussions were plans to 'introduce health messages in soap stories'. Ms Mahon agreed that Channel 4 would 'reinforce Public Health England guidance' and target young people through its YouTube channel. Pro-vaccine messaging did end up in soaps. In one episode of EastEnders in April 2021, Patrick Trueman told Suki Panesar he felt like he had 'won the lottery' after getting his second vaccination. In the same clip, Karen Taylor was accused of being an 'anti-vaxxer' for worrying that they had developed the vaccine too quickly. While modelling shows that the vaccine may have saved 1.4 million lives globally, there is also evidence it was harmful or even deadly for some people. More than 17,500 Britons have applied to the government's Vaccine Damage Payment Scheme (VDPS) believing they or loved ones were injured by the jab. Laura Dodsworth, author of Sunday Times bestsellers A State of Fear: How the UK government weaponised fear during the Covid-19 pandemic and Free Your Mind, said the FoI was a smoking gun which confirmed what many people had suspected. 'The government was in close contact with broadcasters to ensure the 'right' messages made it into entertainment – that's not public health, it's propaganda,' she said. 'Behavioural scientists are not shy about writing openly about their role in nudging vaccine uptake. But it is always fascinating when the quiet part is said out loud: soaps were drafted into service. 'Take EastEnders. Patrick and Suki dutifully pushed the jab, while 'Karen' (white, and literally named Karen) voiced concerns and was ridiculed. It was heavy-handed, awkward and divisive. Propaganda often works by polarisation: creating in-groups and out-groups to shut down debate. There's a word for this: manipulation.' In January it emerged that the government had anticipated a £1.7 billion bill for injuries caused by the coronavirus vaccine. Yet it still sought to downplay concerns in soap storylines. Most of the successful vaccine harm claims relate to the AstraZeneca jab, which was found to cause vaccine-induced thrombocytopenia and thrombosis, a dangerous type of blood clotting which can be fatal. There is also data linking mRNA jabs to heart problems particularly in young people. Dr Colin Alexander, senior lecturer in political communications, at Nottingham Trent University said: 'What the FoI request information thus confirms is that broadcasters relinquished their primary democratic role of holding the powerful to account and instead became collusive with the official narrative. 'This at a time when scrutiny and investigation ought to have been at its highest. 'Full details of how pro-lockdown, pro-mask-wearing and pro-vaccine narratives were woven into the news broadcasts and entertainment products of the UK's key broadcasters will likely not be known unless several whistleblowers come forward with substantial caches of unredacted documents.' Molly Kingsley, the founder of campaign group UsForThem which was set up during the pandemic to protect children, said the briefing notes showed 'an egregious undermining of press freedom'. 'This kind of brazen state interference with British media crosses multiple red lines. 'It indicates that the state-led pandemic censorship operation extended beyond 'merely' social media, and it raises serious questions about the integrity of messages broadcast to the public during the pandemic. 'It seems impossible for the Covid inquiry to reach conclusions without taking account of this very material disclosure.' ITV said it had acted independently of the government during the pandemic. 'ITV delivered over ten hours a day of live news and discussion programmes which brought our viewers the most up to date information, developments and advice about the pandemic as well as providing a schedule that gave viewers an escape through entertainment,' a spokesman said. 'All of this was entirely editorially independent of the Government and any other body or interest group.' The Telegraph has approached DCMS, Channel 4 and the BBC for comment. Propaganda from the government's Nudge Unit By Laura Dodsworth A newly released FoI confirms what many suspected all along: during the pandemic, the UK government co-ordinated closely with broadcasters to ensure 'on-message' content – including pro-vaccine storylines in soaps. And who knows what else this FoI would confirm if the bulk of it wasn't redacted? As brainwashing expert Edward Hunter wrote: 'Entertainment is sugar-coating for mind pills.' During Covid, our national broadcasters were ladling on the sugar. You couldn't avoid Covid on TV for many months. Now, although soap operas are often issue-led, you might think viewers would like to tune in for a spot of escapism. They were denied the relief. Apart from the ubiquitous masks and elbow bumps, key messaging was awkwardly inserted. Take one 2021 episode of EastEnders featuring a classic engineered storyline. Patrick and Suki promote the jab in a warm but overtly scripted conversation, evoking a kind of narrative uncanny valley. They are thrilled to be getting their jabs and Suki says, 'I'm calling it my superpower. Make me that bit more invincible.' Enter Karen – the only white character in the scene, female and literally named 'Karen' – who voices concern. She's instantly mocked and shut down. The message? Trust the state. Don't be like Karen. This is a textbook case of polarisation – a classic propaganda tactic that creates a virtuous in-group (vaccinated, compliant) and a foolish out-group (sceptical, selfish). Suki is a superhero by extension of her superpower. Karen is just stupid. It wasn't subtle, and audiences noticed. There were complaints that it was awkward, contrived and dismissive of justifiable objections and informed consent. It didn't just happen in the UK. I spoke to a Hollywood screenwriter who received an invitation to a US summit titled Educating Audiences on the Covid-19 Vaccines. Organised by the Ad Council and Covid Collaborative, the email said: 'Film & TV writers have incredible persuasive power and reach to educate audiences through authentic and resonant storytelling. That's why we hope you'll join the Ad Council and Covid Collaborative in the largest communications initiative in U.S. history: a massive public education campaign to inspire more confidence in the Covid-19 vaccines. 'On June 29, hear from market research and messaging experts from the Ad Council, for an in-depth briefing on all the ways you can help – including how your scripts and storylines can integrate the key vaccine facts and framing that resonate with hesitant audiences.' The scriptwriter declined. He felt it was unethical and realised it would furthermore ruin the storytelling. But many didn't – and we got a stream of clunky vaccine cameos, awkward dialogue and virtue signalling in place of character development. Why didn't the government rely upon the official government briefings and NHS channels? Quite simply, people trust celebrities and more than politicians. As one NHS document explained, the messenger is key: 'We are heavily influenced by who communicates information to us – we automatically defer to formal sources of authority, and we are affected by people-like-us and by the feelings we have for the messenger.' When I was researching A State of Fear, a scientific advisor to the government told me – anonymously – that we'd soon see targeted TV campaigns, using familiar faces to push the vaccine, even specifying Lenny Henry would be the likely choice to target black and ethnic minority communities. Bingo! Cue Lenny Henry's Letter to Loved Ones campaign. One government paper recommended that communications targeting ethnic minorities should not be 'affiliated with government or formal healthcare services' in order to be 'more trusted by some groups' as well as providing immunisations in community-based settings and religious sites. (Robert Jenrick talked about the importance of this as he visited the UK's first vaccination centre in a mosque.) Meanwhile, celebrities were paid to post 'vaxxies', or vaccine selfies. Others received lucrative advertising contracts. As scientist Dr Daisy Fancourt told me during an interview for A State of Fear: 'It mustn't look like propaganda… It needs to come from influencers.' The key word is 'look'. It mustn't look like propaganda – even if it is. A panoply of unprecedented nudges everywhere pushed the vaccines. From soft and 'cuddly' (but weird) nudges like petting zoos, Euro football ticket raffles and clothing voucher giveaways, to hard and authoritarian nudges like the Vaccine Passport, the government was determined to get jabs in arms. But this isn't just about vaccines. As the FoI reveals, ITV was already 'planning soap storylines related to the environment and climate change and therefore they may be amenable to the idea of something similar in relation to vaccine messaging'. Television has long been used as a behaviour change tool for many purposes, including politically controversial net zero objectives. In 2022, Sky released a report written in collaboration with the UK government's Behavioural Insights Team (aka the Nudge Unit): The Power of TV: Nudging Viewers to Decarbonise their Lifestyles. The report openly encourages TV writers to weave climate messaging into dramas, children's shows (with bonus generational spillover effects) and even news. The aim? Normalise climate-conscious behaviours via scripted entertainment. Just as they admit they have in the past for public health, gender equality and reducing violence. These are all noble aims, but there's a word for sharing information that is biased and used to promote a political cause, especially through emotionally compelling narratives: propaganda. This collaboration between the Nudge Unit and different broadcasters explains how, during Cop26 (the United Nations Climate Change Conference), storylines in multiple soap operas converged on the environment. Each soap filmed scenes that covered different aspects of climate change, the shows referenced each other and characters popped up in different soaps. And given Eastenders's enthusiastic embrace of fashionable messaging, it's no surprise that the programme makers adapted the iconic closing credits to show London if sea levels rose by two metres. This FoI is a useful piece of evidence, but the real scandal has been hiding in plain sight all along. Behavioural scientists have boasted about their involvement. Politicians have proudly described how they engineered 'trusted messengers' to bypass scepticism. And television continues to be openly harnessed for net zero messaging. There's a growing trend of public policy delivered through storylines – we're being entertained into compliance. What better to wash your brain with than with a soap?


Daily Mail
an hour ago
- Daily Mail
How smoking became 'cool again': Stars like Sabrina Carpenter and Charli XCX can't help lighting up despite years of anti-cigarette campaigns
Charli XCX will take to the stage of London 's Brockwell Park this weekend, in front of 35,000 people, as she headlines Lido Festival. She will likely dance in her underwear in front of a neon green stage and perform hits from her critically acclaimed album Brat - and - as is normal at a Charli XCX gig - light up a cigarette on stage. The Cambridge-born singer, a pioneer of the indie sleaze revival, is leading the way in making smoking 'cool again'. And she's not alone, the habit, which has been widely socially shunned since the 2007 smoking ban, is now au fait again - at least in celebrity circles. Dua Lipa and Sabrina Carpenter are among the Gen Z starlets who have been pictured sparking up. Spanish singer Rosalia gifted the Von Dutch star a bouquet of cigarettes for her 32nd birthday last August. Meanwhile, Sabrina Carpenter used a fork as a cigarette holder in the music video for her latest single 'Manchild', Recently, the newly engaged Dua Lipa was spotted puffing on a cigarette together with fiance Callum Turner while cuddling up in Paris. The singer previously announced she had given up smoking last year to protect her vocal health, but it seems she has picked the habit up again. Other singers who have recently been seen with a cigarette in hand, whether intentionally in promo shoots or casually on the street, include Addison Rae, Clairo, Bruno Mars (who famously lit a cigarette on stage while accepting a Grammy in 2022), and Chappell Roan. In acting circles, smoking has also taken on a shiny new reputation. Paul Mescal has been spotted smoking in public on several occasions, and even admitted during an interview on the Graham Norton Show last year that he couldn't give the habit up even while training for Gladiator 2. The Normal People star has also been spotted enjoying a cigarette with Phoebe Waller-Bridge and Natalie Portman. Ben Affleck is a prolific smoker - with one particular meme of him smoking going viral as 'sad Affleck' - while Florence Pugh, Anya Taylor-Joy, Adam Scott, and Lily-Rose Depp all finding themselves dubbed 'Cigfluencers' under the popular Instagram account of the same name. Speaking to The New York Times about the trend, Jared Oviatt, the creator of the Cigfluencers Instagram account, said he has seen a rise in photos of celebrities appearing glamorous as they take a drag from their cigarettes. When he first began the account in 2021, Jared said he was having to search the archives for such photos, but now there are 'at least one or two people' snapped while smoking 'every week'. After a dip in portrayals of tobacco on-screen, Hollywood is embracing cigarettes once again. In Celine Song's new film Materalists, Dakota Johnson's character Lucy smokes throughout the film, holding a cigarette as she flirts with her ex, played by Chris Evans. Last year, a report by Truth Initiative, a non-profit organisation that campaigns against smoking, found that the number of movies featuring tobacco has increased for the first time since 2002 when researchers began tracking it in top films. Ben Affleck is a prolific smoker and went viral after a photograph of him taking a smoke break in Los Angeles became a meme known as 'sad Affleck' Paul Mescal has spoken about how smoking is his vice - the actor didn't even give it up while training intensively for Gladiator 2 Dua Lipa has also been public about her smoking habit, and in an Instagram post shared in August, she included a snap of herself holding wine, cards and a box of cigarettes in her hands The health organisation's analysis found that eight of the 10 films nominated for Best Picture at the 2025 Oscars contained tobacco imagery, with 41% of the top films released in 2023 showing tobacco compared to 35% in 2022. It also found that popular TV series streamed on platforms like Netflix and HBO are exposing young people to tobacco imagery. According to Truth Initiative, hit teen dramas like Euphoria and Stranger Things were among the most popular shows with tobacco content, as were animated series like The Simpsons and Bob's Burgers. The style set are also becoming much more casual about being seen with a cigarette in hand - an image that has always had a veneer of chicness about it. Models like Bella Hadid and Gabriette have posed while smoking, emulating a past in which supermodel Kate Moss was well-known for her smoking habit. The 51-year-old was dubbed 'perhaps the greatest smoker of all time' by Esquire magazine for her love of cigarettes at the height of her career in the 1990s. Smoking on the runway still holds allure for designers, as last year Christian Cowan and LaQuan Smith both sent their models strutting whilst holding cigarettes aloft during New York fashion week. The popularity of cigarettes has been nosediving since the 1960s, as growing awareness of the health risks put people off the habit. But up until as recently as 2007, before indoor smoking was banned, it was normal to enter a pub, club, restaurant and even the workplace and be greeted by a cloud of smoke. The indoor smoking ban, introduced by the Labour government at the time, was hailed at the time as the greatest advance in public health for half a century and followed a long campaign that began in the 1950s. While tobacco use remains at an all-time low, with figures showing only 11.9% of UK adults smoking as of 2023, the rise in celebrities having a puff could be seen as cause for concern. Statistics from HM Revenue and Customs also show that tobacco sales have declined significantly. However, some experts are worried that the black market for tobacco is thriving, as high prices of cigarettes and other tobacco products send smokers searching for cheaper, albeit illicit alternatives. But a new survey by Action on Smoking and Health appears to show that the British public is unswayed by the rich and famous's preference for a smoke. The polling, carried out by YouGov of over 11,000 adults in England, show that two-thirds (68%) of the public support the 'Smokefree Generation' policy, which would ban the sale of tobacco to anyone born after 2009. It also found that 65% of people in England want to live in a country where no one smokes, while nearly half 45% believe the government is not doing enough to tackle smoking. Smoking remains a primary concern for the government, as it seeks to bring down the 80,000 preventable deaths caused by smoking in the UK each year. In 2023, former prime minister Rishi Sunak vowed to crack down on smoking through his flagship Tobacco and Vapes Bill, which proposed a ban on vaping and smoking outdoors and aimed to ban young people from ever being able to smoke legally. Prime minister Keir Starmer confirmed in November that his government would not go ahead with the outdoor smoking ban as it would impact the hospitality sector, which is already struggling with rising operational costs and declining profit margins. However, the nationwide ban on vapes came into effect on June 1, and it is now illegal to sell single-use disposable vapes. The government also plans to extend the indoor smoking ban to specific outdoor spaces, such as children's playgrounds and areas outside schools and hospitals. 'Due to the highly addictive nature and continued perpetuation of smoking being cool, it is a habit that has continued,' Solt added; Kate Moss seen smoking a cigarette in 2002 in London