logo
Bengaluru demolishes Punjab to reach its first IPL final since 2016

Bengaluru demolishes Punjab to reach its first IPL final since 2016

Yahoo6 days ago

Punjab Kings' Nehal Wadhera bowled out during the Indian Premier League qualifier cricket match between Punjab Kings and Royal Challengers Bengaluru at Maharaja Yadavindra Singh Cricket Stadium in Mohali, India, Thursday, May 29, 2025. (AP Photo)
Royal Challengers Bengaluru's Virat Kohli fields during the Indian Premier League qualifier cricket match between Punjab Kings and Royal Challengers Bengaluru at Maharaja Yadavindra Singh Cricket Stadium in Mohali, India, Thursday, May 29, 2025. (AP Photo)
Royal Challengers Bengaluru's Josh Hazlewood celebrates the dismissal of Punjab Kings' Azmatullah Omarzai with teammates during the Indian Premier League qualifier cricket match between Punjab Kings and Royal Challengers Bengaluru at Maharaja Yadavindra Singh Cricket Stadium in Mohali, India, Thursday, May 29, 2025. (AP Photo)
Royal Challengers Bengaluru's Josh Hazlewood celebrates the dismissal of Punjab Kings' Azmatullah Omarzai with teammates during the Indian Premier League qualifier cricket match between Punjab Kings and Royal Challengers Bengaluru at Maharaja Yadavindra Singh Cricket Stadium in Mohali, India, Thursday, May 29, 2025. (AP Photo)
Punjab Kings' Nehal Wadhera bowled out during the Indian Premier League qualifier cricket match between Punjab Kings and Royal Challengers Bengaluru at Maharaja Yadavindra Singh Cricket Stadium in Mohali, India, Thursday, May 29, 2025. (AP Photo)
Royal Challengers Bengaluru's Virat Kohli fields during the Indian Premier League qualifier cricket match between Punjab Kings and Royal Challengers Bengaluru at Maharaja Yadavindra Singh Cricket Stadium in Mohali, India, Thursday, May 29, 2025. (AP Photo)
Royal Challengers Bengaluru's Josh Hazlewood celebrates the dismissal of Punjab Kings' Azmatullah Omarzai with teammates during the Indian Premier League qualifier cricket match between Punjab Kings and Royal Challengers Bengaluru at Maharaja Yadavindra Singh Cricket Stadium in Mohali, India, Thursday, May 29, 2025. (AP Photo)
MOHALI, India (AP) — Royal Challengers Bengaluru bowled out Punjab Kings for 101 to qualify for their first Indian Premier League final since 2016 with a resounding eight-wicket victory in the qualifier 1 on Thursday.
Phil Salt's blazing unbeaten 56 off 27 balls powered Bengaluru to 106-2 in just 10 overs and handed Punjab the biggest-ever defeat in IPL playoff history in terms of balls remaining.
Advertisement
Punjab, in the playoffs for the first time in 11 years, will have another chance to qualify for next Tuesday's final when it faces the winner of Friday's eliminator between Mumbai Indians and Gujarat Titans.
The return of Josh Hazlewood (3-21) bolstered Bengaluru's pace attack as the Australian fast bowler dismissed captain Shreyas Iyer (2) and Josh Inglis (4) that saw Punjab slipping to 38-4 inside the batting power play.
The two other Bengaluru fast bowlers — Yash Dayal (2-26) and Bhuvneshwar Kumar (1-17) — also struck inside the first six overs before leg-spinner Suyash Sharma picked up 3-17 to bowl out Punjab in 14.1 overs.
Marcus Stoinis top-scored with 26 off 17 balls but was undone by Sharma's googly and was clean bowled while Punjab's ploy to bring in Musheer Khan as impact player for the first time this season didn't work out as he was trapped leg before wicket by Sharma for duck.
Advertisement
Bengaluru lost Virat Kohli (12) and Mayank Agarwal (19), but Salt batted with aggression, hitting six fours and three sixes in his unbeaten half-century as Bengaluru cruised to its first IPL final since losing the 2016 final to Sunrisers Hyderabad.
___
AP cricket: https://apnews.com/hub/cricket

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Bryson DeChambeau is back to competing, preparing for US Open title defense after 'fun side quests'
Bryson DeChambeau is back to competing, preparing for US Open title defense after 'fun side quests'

San Francisco Chronicle​

time33 minutes ago

  • San Francisco Chronicle​

Bryson DeChambeau is back to competing, preparing for US Open title defense after 'fun side quests'

GAINESVILLE, Va. (AP) — As much as Bryson DeChambeau loves to practice and compete, the U.S. Open champion also appreciates the limited LIV Golf schedule that gives him time to pursue other interests. DeChambeau arrived at Robert Trent Jones Golf Club for LIV Golf Virginia after a characteristically busy few days that included a round of golf with President Donald Trump and some short-game practice on the South Lawn of the White House. Now the big-hitting YouTube star turns his attention to the 54-hole LIV event that starts Friday at Robert Trent Jones Golf Club. He said the thick rough and fast greens at RTJ would help prepare him for Oakmont, where he will try next week to win his third U.S. Open after triumphs last year at Pinehurst No. 2 and in 2020 at Winged Foot. 'I think LIV afforded me the opportunity to spend more time thinking, strategizing, getting my body healthy, ready for majors in a pretty unique way,' DeChambeau said Wednesday. 'For me, it was a great thing. I thought there was an opportunity to do other things in life, and look, do I want to win every single tournament I show up to? 100%.' The RTJ event is the eighth of 14 tournaments this year for the globetrotting, Saudi-funded LIV Golf League. Although PGA Tour players have more freedom to set their own schedules, they typically play more often. For top-ranked Scottie Scheffler, the U.S. Open will be the fourth of five events in a seven-week stretch. DeChambeau hasn't competed since last month's PGA Championship, won by Scheffler. While DeChambeau was enjoying a friendly round with Trump and posting a YouTube short in which he hit golf balls from the top of a mountain and the Bonneville Salt Flats in Utah, Scheffler was finishing off his third win of the past month at the Memorial. 'I've been doing some fun side quests, yes, there's no doubt,' DeChambeau said. When he does compete, nobody practices harder than DeChambeau. He hit 1,029 range balls — more than anyone else in the field — at the Masters, where he finished in a tie for fifth. The 31-year-old DeChambeau said he developed his practice habits as a teenager, when other junior golfers in California were beating him even though they didn't appear to try as hard. 'It stemmed from me not being as good as others and then realizing I can only be as good as how hard I work,' DeChambeau said. 'So I just became obsessed with hitting crazy amounts of golf balls.' Known for trying to optimize his swing and his equipment to produce a consistent ball flight — a long, high draw — DeChambeau also spends time practicing the unusual shots he needs to finish off tournaments. 'As much as I am a robot, and try to swing it as straight as possible and just stable as possible, I still do have to hit cuts and draws and hit weird shots every once in a while,' he said. 'Giving myself those opportunities in the bunker, in the bush, whatever, has only aided in my golf career.' Mickelson nears the end After he shocked the golf world four years ago by winning the PGA Championship at age 50, Phil Mickelson had a moment of honest self-assessment. 'It's very possible that this is the last tournament I ever win. Like if I'm being realistic,' Mickelson said on that triumphant Sunday at Kiawah Island. Mickelson hasn't won since, and while he wasn't eager to reflect Wednesday on a career that includes six major titles and just as many famous near-misses, he indicated his competitive future is limited. He said he wants to help his teammates on LIV's HyFlyers squad and would step away if he's no longer doing that. 'I'm also going to be 55 in a couple weeks, so I want to be realistic there, too. I want this team to succeed. I don't want to hold it back,' Mickelson said. 'If I'm holding it back, then it's time for me to move on and get somebody else in here.' Mickelson also acknowledged the possibility that Oakmont will be his last U.S. Open. He has a record six runner-up finishes at the national championship, the only major he hasn't won. 'There's a high likelihood that it will be,' Mickelson said, 'but I haven't really thought about it too much.' The USGA gave Mickelson a special exemption to the 2021 U.S. Open at Torrey Pines, which he ultimately didn't need because he won at Kiawah a month earlier. Nonetheless, the U.S. Open historically does not grant more than one special exemption to any player, and Mickelson has missed the past three U.S. Open cuts. He remains exempt for the other three majors as a past champion. ___

French Open: Jannik Sinner wins his 19th consecutive Grand Slam match and returns to the semifinals
French Open: Jannik Sinner wins his 19th consecutive Grand Slam match and returns to the semifinals

San Francisco Chronicle​

time33 minutes ago

  • San Francisco Chronicle​

French Open: Jannik Sinner wins his 19th consecutive Grand Slam match and returns to the semifinals

PARIS (AP) — Top-ranked Jannik Sinner's overpowering run through the French Open moved into the semifinals with a 6-1, 7-5, 6-0 victory over No. 62 Alexander Bublik on Wednesday. Sinner, who lost to champion Carlos Alcaraz in the final four at Roland-Garros a year ago, needed just 1 hour, 49 minutes to advance against Bublik, who upset No. 5 Jack Draper in the previous round. Not only hasn't Sinner ceded a set yet, he only has dropped a total of 36 games through five matches over the past 1 1/2 weeks. And he played clean-as-can-be tennis against Bublik — who was making his major quarterfinal debut — with 31 winners to just 13 unforced errors. Next for Sinner is a semifinal Friday against either 24-time major champion Novak Djokovic or No. 3 Alexander Zverev, the 2024 runner-up in Paris. The other men's semifinal will be No. 2 Alcaraz against No. 8 Lorenzo Musetti. They won their quarterfinals Tuesday. Sinner, 23, is a three-time Grand Slam champion. That includes last year's U.S. Open and this year's Australian Open, so his winning streak at majors is now at 19 matches. ___

Broadway has found its Gen Z audience — by telling Gen Z stories
Broadway has found its Gen Z audience — by telling Gen Z stories

San Francisco Chronicle​

time33 minutes ago

  • San Francisco Chronicle​

Broadway has found its Gen Z audience — by telling Gen Z stories

NEW YORK (AP) — Kimberly Belflower knew 'John Proctor is the Villain' needed its final cathartic scene to work — and, for that, it needed Lorde's 'Green Light.' 'I literally told my agent, 'I would rather the play just not get done if it can't use that song,'' the playwright laughed. She wrote Lorde a letter, explaining what the song meant, and got her green light. Starring Sadie Sink, the staggering play about high schoolers studying 'The Crucible' as the #MeToo movement arrives in their small Georgia town, earned seven Tony nominations, including best new play — the most of any this season. It's among a group of Broadway shows that have centered the stories of young people and attracted audiences to match. Sam Gold's Brooklyn-rave take on 'Romeo + Juliet,' nominated for best revival of a play and led by Kit Connor and Rachel Zegler with music from Jack Antonoff, drew the youngest ticket-buying audience recorded on Broadway, producers reported, with 14% of ticket purchasers aged 18-24, compared to the industry average of 3%. The shows share some DNA: pop music (specifically the stylings of Antonoff, who also produced 'Green Light'), Hollywood stars with established fanbases and stories that reflect the complexity of young adulthood. 'It was very clear that young people found our show because it was doing what theater's supposed to do,' Gold said. 'Be a mirror.' Embracing the poetry of teenage language The themes 'John Proctor' investigates aren't danced around (until they literally are). The girls are quick to discuss #MeToo's impact, intersectional feminism and sexual autonomy. Their conversations, true to teenage girlhood, are laced with comedy and pop culture references — Taylor Swift, Beyoncé, 'Twilight,' and, of course, Lorde. Fina Strazza, 19, portrays Beth, a leader who is whip-smart and well-intentioned — but whose friendships and belief system are shaken by the play's revelations. 'You have so much empathy and are so invested in her, but she still has these mishaps and slip-ups that young people often have,' said Strazza, nominated for best featured actor in a play. Some audience members have given her letters detailing how Beth helped them forgive themselves for how they handled similar experiences. The script is written in prose, with frequent line breaks and infrequent capital letters. Director Danya Taymor, nominated for best direction of a play a year after winning a Tony for another teenage canon classic, 'The Outsiders, ' was drawn to that rhythm — and how Belflower's depiction of adolescence captured its intensity, just as S.E. Hinton had. 'There's something about the teenage years that is so raw,' Taymor said. 'None of us can escape it.' Classic themes, made modern During his Tony-winning production of 'An Enemy of the People,' Gold found himself having conversations with young actors and theatergoers about climate change, politics and how 'theater was something that people their age and younger really need in a different way, as the world is becoming so addicted to technology,' he said. That conjured 'Romeo and Juliet.' The original text 'has it all in terms of what it means to inherit the future that people older than you have created,' Gold said. Building the world of this show, with an ensemble under 30, was not unlike building 'An Enemy of the People,' set in 19th century Norway, Gold said: 'I think the difference is that the world that I made for this show is something that a very hungry audience had not gotten to see.' Fans, Gold correctly predicted, were ravenous. Demand ahead of the first preview prompted a preemptive extension. Word (and bootleg video) of Connor doing a pullup to kiss Zegler made the rounds. 'Man of the House,' an Antonoff-produced ballad sung by Zegler mid-show, was released as a single. With the show premiering just before the U.S. presidential election, Voters of Tomorrow even registered new voters in the lobby. Audiences proved willing to pay: Average ticket prices hovered around $150. Cheaper rush and lottery tickets drew lines hours before the box office opened. Every week but one sold out. 'The show was initially really well sold because we had a cast that appealed to a really specific audience,' said producer Greg Nobile of Seaview Productions. 'We continued to see the houses sell out because these audiences came, and they were all over online talking about the ways in which they actually felt seen.' Building a Gen Z theater experience with Gen Z Thomas Laub, 28, and Alyah Chanelle Scott, 27, started Runyonland Productions for that very reason. 'We both felt a lot of frustration with the industry, and the ways that we were boxed out of it as students in Michigan who were able to come to New York sparingly,' Laub said. Runyonland was launched in 2018 with the premise that highlighting new, bold voices would bring change. This spring, Scott, known for playing Whitney in HBO's 'Sex Lives of College Girls,' acted off-Broadway in Natalie Margolin's 'All Nighter.' 'I was standing onstage and looking out and seeing the college kids that I was playing,' Scott said. 'I was like, 'I respect you so much. I want to do you proud. I want to show you a story that represents you in a way that doesn't belittle or demean you, but uplifts you.'' Co-producing 'John Proctor,' Scott said, gave Runyonland the opportunity to target that audience on a Broadway scale. Belflower developed the show with students as part of a The Farm College Collaboration Project. It's been licensed over 100 times for high school and college productions. The Broadway production's social and influencer marketing is run by 20-somethings, too. Previews attracted fans with a $29 ticket lottery. While average prices jumped to over $100 last week (still below the Broadway-wide average), $40 rush, lottery and standing room tickets have sold out most nights, pushing capacity over 100%. The success is validating Runyonland's mission, Laub said. 'Alyah doesn't believe me that I cry every time at the end,' Laub said. Scott laughs. 'I just want to assure you, on the record, that I do indeed cry every time.' Harnessing a cultural catharsis The final scene of 'John Proctor' is a reclamation fueled by rage and 'Green Light.' Capturing that electricity has been key to the show's marketing. 'The pullup (in 'Romeo + Juliet') is so impactful because it's so real. It's like so exactly what a teenage boy would do,' Taymor said. 'I think when you see the girls in 'John Proctor' screaming ... it hits you in a visceral way.' That screaming made the Playbill cover. 'In my opinion, the look and feel of that campaign feels different from a traditional theatrical campaign, and it feels a lot closer to a film campaign,' Laub said. The show's team indeed considered the zeitgeist-infiltrating work of their sister industries, specifically studios like Neon and A24. In May, 'John Proctor is the Villain' finished its second 'spirit week' with a school spirit day. Earlier events included an ice cream social — actors served Van Leeuwen — a silent disco and a banned book giveaway. For those not in their own school's colors, the merch stand offered T-shirts, including one printed with the Walt Whitman-channeling line said by Sink's Shelby: 'I contain frickin' multitudes.' Julia Lawrence, 26, designed the shirt after the show's team saw her TikTok video reimagining their traditional merch into something more like a concert tee. 'It's just so incredible to bring Gen Z into the theater that way, especially at a time when theater has never been more important,' Lawrence said. 'In a world that's overpowered by screens, live art can be such a powerful way to find understanding.'

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into the world of global news and events? Download our app today from your preferred app store and start exploring.
app-storeplay-store