logo
Where was ‘28 Years Later' filmed? The locations behind Danny Boyle's zombie sequel

Where was ‘28 Years Later' filmed? The locations behind Danny Boyle's zombie sequel

Time Out9 hours ago

It has been more than two decades since director Danny Boyle and writer Alex Garland unleashed sprinting zombies on the world with 28 Days Later. That film's gnarly opening with Cillian Murphy wandering around empty streets of London still caters to our apocalyptic, past-pandemic anxieties. Now, the duo reunites for 28 Years Later, replacing urban decay with guerrilla warfare in the forests.
What is 28 Years Later about?
Set nearly three decades after the Rage virus outbreak, 28 Years Later follows a band of survivors who have set base on a windswept tidal island. But when seasoned scavenger Jamie (Aaron Taylor-Johnson), his preteen son Spike (Alfie Williams), and, later, mum Isla (Jodie Comer) embark on a journey to the mainland, they get exposed to the true extent of the infected.
Where was 28 Years Later filmed?
If the first film found Boyle's crew using Canon digital camcorders to capture action in concrete dystopias, 28 Years Later relies on an inventory of iPhone 15s and drones capturing the Gothic ruins and forested interiors of north eastern England. Expect sleepy parishes, Gothic monasteries, mist-shrouded forests, and the towering lines of the bone temples.
Where is the Bone Temple located?
An intriguing attraction of 28 Years Later is the Bone Temple site, a grim wasteland marked by pillars of human bones and skulls that carry ritual importance for the survivors. These stacks of bones were meticulously arranged at Redmire, a village and civil parish in North Yorkshire.
Production designer Carson McColl added that after scouting several locations, the team settled for Redmire because 'there was something about that location that felt that it's remained unchanged for a long, long time'.
Construction of this bony monument took no less than six months, with the production design team using over 250,000 replica bones and 5,500 skulls.
Is the island in 28 Years Later real?
The centre of the action is the remote island that harbours survivors like Jame and Spike. Much like the survivors in A Quiet Place and the Seraphite community in the new season of The Last of Us, these islanders are always on the lookout for any potential outsider attacks. They also have their own set of cultish post-apocalyptic rituals and customs, which makes the island's real-life setting all the more crucial.
The island in 28 Years Later is Lindisfarne, also known as Holy Island, which lies off the coast of Northumberland. Lindisfarne's recorded history dates back to the 6th century AD when it emerged as an important centre of celtic Christianity in Britain. Before the clash between zombies and survivors, the island bore witness to Viking invasions and the Norman conquest of England.
While CGI was used to recreate aerial views of Holy Island, most of the film's island sequences were shot on location.
Kielder Forest, Northumberland
As the survivors move from the island to the mainland, 28 Years Later is heavy on some fast-paced forest action. The 250-square-mile Kielder Forest stood in to provide some dense foliage for such scenes. Dotted with conifer trees and one of the UK's largest artificial reservoirs, the forest's Northumberland location makes it conveniently near Holy Island.
Sycamore Gap
The historical Sycamore Gap tree also features in two scenes, either filmed before its illegal felling in 2023 or recreated with CGI help.
The 150-year-old tree was a legendary symbol of the north east, enamouring the country's photographers and filmmakers for decades. Dramatically standing next to Hadrian's Wall, the tree featured in Kevin Costner's Robin Hood: Prince of Thieves, leading to it being nicknamed the Robin Hood tree.
The tree stump, which experts estimate will take 150 years to return to its former glory, is immortalised in 28 Years Later. The Sycamore Gap's presence remains tragically ironic in a dystopian film, especially one that runs with the tagline: 'Time didn't heal anything.'
Cheddar Gorge
This serenely historical Somerset gorge is the location used for the polarising final scenes. Cheddar Gorge's inclusion in a film about forest survival and Bone Temples seems apt, given this is where archaeologists discovered Britain's oldest human skeleton. 'Cheddar Man' is estimated to be 9,000 years old. Other atmospherically haunting attractions include narrow stalactite caves and many more bones over 12,000 years ago. Lord of the Rings fans also flock here for good reason, as the Gorge's caves inspired the Glittering Caves of Helm's Deep.
Where else was 28 Years Later filmed?
28 Years Later also filmed in Northumberland villages and parishes like Bellingham and Rothbury, the North Yorkshire parishes of Melsonby and Ripon, Newcastle upon Tyne, and Waskerley in County Durham.
Other locations include the 12th-century monastery Fountains Abbey in North Yorkshire, and the Aysgarth Falls, a set of waterfalls carved by the River Ure.
Who stars in 28 Years Later?
Apart from Aaron Taylor-Johnson and newcomer Alfie Williams starring as Jamie and his son Spike, 28 Years Later boasts an ensemble cast spearheaded by Ralph Fiennes and Jodie Comer. Fiennes plays outbreak survivor Dr Ian Kelson, while Comer is Isla, Jamie's wife, who is suffering from an unknown illness.
Fresh off his acclaimed turn as an Irish vampire in Sinners, Jack O'Connell also stars as Sir Jim Crystal, the eccentric leader of the self-titled cult 'Jimmies'. Erin Kellyman (The Falcon and the Winter Soldier) and Emma Laird (The Brutalist) play other members of Crystal's cult. Swedish actor Edvin Ryding (Young Royals) features as a NATO soldier washed up on the British mainland.
When is 28 Years Later released?
It's out in UK, Ireland and Australian cinemas now, and released in US theatres on June 20. Read our review here.

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

28 Years Later film review: This strangely beautiful film is electrifying and fizzing with adrenaline
28 Years Later film review: This strangely beautiful film is electrifying and fizzing with adrenaline

The Sun

time3 hours ago

  • The Sun

28 Years Later film review: This strangely beautiful film is electrifying and fizzing with adrenaline

28 YEARS LATER ★★★★★ 3 IT seems to be the season of the sequel, with a whopping 19 follow-ons being released this year. So it was with some trepidation that I watched another instalment from Danny Boyle's 2002 cult classic, 28 Days Later. My concerns quickly disappeared when this astonishing film started. Having dipped out of directing 2007's 28 Weeks Later, Boyle is back with writer Alex Garland to make a terrifying — and strangely beautiful — film. We meet the family of Jamie (Aaron Taylor-Johnson), his wife Isla (Jodie Comer) and their son Spike (Alfie Williams) in their threadbare house on an island off the coast of North-east England. It's 28 years since the deadly virus escaped a weapons lab, and while much of the rest of the world has carried on, Britain is in quarantine. That means if you're on it, you are never getting off. Zombie hunter Pockets of communities around the country have tried to survive, including this one. The island feels very The Wicker Man — an eerie hierarchy has been created and beliefs have a cult-like following. The men and women have traditional roles. One of those is the men go to the mainland, crossing the defended causeway, to hunt zombies. Jamie has been training 12-year-old Spike to become a zombie hunter and the pair leave the island with their bows and arrows to take some hits on the bloodthirsty undead. Meanwhile, Isla is bed bound, fighting another illness that's quickly making her lose her grip on reality. It makes for a fascinating juxtaposition between the family members, and Comer, as always, is spectacular. Jodie Comer looks striking in a metallic silver dress as she leads stars at 28 Years Later Boyle cuts back and forth to black-and-white war footage of young boys being trained, reminding us that Britain has a long history of sending our youth off to fight. It's only the enemy that changes. During his heart-racing expedition, Spike realises all is not as sold by his dad. There are other things happening on the mainland — and the infected are their own civilization now. The thumping soundtrack by Young Fathers is electrifying and fizzing with adrenaline. Very much like this film. Closing on a cliffhanger, and with two more films to come, it's good to know they're coming back for another bite. THE. LAST JOURNEY PG (95mins) ★★★☆☆ 3 THIS warm, funny and often deeply moving documentary charts Swedish TV presenter Filip Hammar's attempt to bring his 80-year-old father Lars back to life – figuratively, at least. Since retiring from his job as a French teacher, Lars has become increasingly withdrawn and frail. So, Filip decides to buy a battered old Renault 4, and whisks his dad off on a nostalgic road trip to the south of France, hoping to reignite a spark. They're joined by Filip's longtime TV partner Fredrik Wikingsson, and the pair's banter keeps the film fun, even as emotional undercurrents start to appear. The journey is nearly derailed early on by a nasty fall, and though Lars is slow to warm up, glimpses of his old self soon begin to reappear, particularly when surrounded by the culture and language he has loved for so many years. At times, the film veers close to manipulation. But what shines through is Filip's deep affection for his father, and a quietly powerful message about ageing, legacy and the bonds between parent and child. It's a bit uneven, but The Last Journey has heart to spare – and plenty of charm. ★★★☆☆ 3 SPACE and sentimentality are the linchpins of Disney and Pixar's latest animated adventure which encourages you to dream big. Sci-fi obsessed Elio Solis (voiced by Yonas Kibreab) is a cape-wearing cosmic obsessive adopted by his Aunt Olga after his parents pass away. When extraterrestrials make contact, Elio doesn't hesitate to respond, and before you can say 'Martian' he's beamed up to a kind of cosmic UN Committee from various galaxies, including Aunt Olga (Zoe Saldana). They believe he's the leader back on Earth and Elio doesn't correct them. He's soon tasked with negotiating an alien peace treaty with baddie Lord Grigon (Brad Garrett), but this quickly turns into a journey of self-discovery as, along with new wiggly best friend Glordon (a cutesy Remy Edgerly), our hero realises what really matters to him. Reminding us that there's no place like home, there's many Wizard Of Oz homages here, as we transport through solar systems and scary villains. Intergalactic, nourishing, family fun. There's a cameo from JLS singer Aston Merrygold too.

Incredible films that were shot on an iPhone including star-studded 28 Years Lat
Incredible films that were shot on an iPhone including star-studded 28 Years Lat

Metro

time3 hours ago

  • Metro

Incredible films that were shot on an iPhone including star-studded 28 Years Lat

While there is endless filmmaking equipment out there costing from hundreds to £80,000 (and more), you would have thought the most anticipated horror film of 2025 might be using gear at the higher end of the scale… Right? Wrong. If you're saving up for the best camera in the business to film your next project, you may just be wasting your time. Why not just use your iPhone? Everyone else is, including Danny Boyle's 28 Years Later, which Metro has given 5 big fat emotional stars in our review. It's not the first time this has happened, either. Here are all the films you might not know were filmed primarily using an iPhone. One even made it to the Oscars. Hitting cinemas on Friday and starring Jodie Comer and Aaron Taylor-Johnson, the hotly-anticipated sequel to 28 Days Later used an adapted iPhone 15 for the job, making the Hollywood thriller – with its $75million budget – the biggest film to be shot with a phone to date. In 2002, 28 Days Later was one of the first Hollywood feature films to be shot with a Canon XL-1 for an intentionally low-fi look. This new flick – which kicks off a new trilogy for the franchise – took inspiration from its original. Boyle recently explained why he used an adapted iPhone 15 for the job during the London premiere of the film. To view this video please enable JavaScript, and consider upgrading to a web browser that supports HTML5 video The director told The Independent: 'We decided to shoot it on the upgrade of a domestic video camera. That's smartphones, they're everywhere. They are lightweight in the countryside. You can create special rigs with them, filming the violence. But also you can give it to the actors and they can film themselves sometimes. 'Horror movies let you refresh the palate – you don't have to go classical.' He also added to Business Insider: 'Any smartphone now can record at 4K, indeed up to 60 frames per second, which is more than enough resolution you need for cinema exhibition.' Boyle went on to reveal how they utilised farm animals to help, explaining: 'We did strap a camera to some animals a couple of times — yeah, a goat.' Nice. Stormzy's new film Big Man was fortunate enough to get their hands on an iPhone 16 Pro for filming… Eat your hear out Danny Boyle. Slow-motion scenes were captured in 4K 120 fps, while cinematic mode was also used to blur backgrounds. Apple's short film tells the story of Tenzman, a fed up musician played by Stormzy whose life is changed by two youngsters when they embark on a journey together. 'I've never shot an entire piece of narrative filmmaking on an iPhone before, and it's been a really invigorating process,' director Aneil Karia said. 'iPhone is much smaller than the traditional cameras used for television, film, or music videos, and the lightness and flexibility that comes with that is boundless in a sense. 'I like trying to strive for an intimacy with characters, and sometimes a big camera is not particularly conducive for that.' Psychological thriller Unsane, starring Claire Foy and Joshua Leonard, was filmed entirely on an iPhone 7 Plus. Unsane follows a stalking victim called Sawyer Valentini (Foy) who is trapped in a mental institution against her will. The 2018 film became one of the most high-profile uses of iPhone filming (until 28 Years Later) as its prominent director Steven Soderbergh championed the method through it. 'I think this is the future,' he told Indiewire. 'Anyone going to see this movie without any idea of the backstory to the production will have no idea this was shot on the phone.' Soderbergh's second iPhone-only film came hot off the heels of Unsane in the form of NBA drama High Flying Bird. This time though, an iPhone 8 was used. Fancy! In it Andre Holland stars as sports agent Ray Burke who tries to accelerate a rookie player's career in an unusual way. While it seems unlikely an iPhone would be able to capture the subtle details that make up a tense, dramatic sports film, it's largely focused on the chatter around the gamerather than the game itself. 'It was shot in February and March of 2018, in three weeks. It's a very small crew and the gear that's available to enhance this already pretty extraordinary capture-device made it even better,' Soderbergh told The Hollywood Reporter. 'So, if I had to do it in a more traditional way, it would have actually hurt the film. I was able to do things because of the ease of shooting something. 'You can basically shoot anything you can think of, you can put the lens anywhere you want. If I were in a more traditional mode, there were things that I wouldn't have been able to execute as well as I'd wanted, because of the size of the equipment and people necessary to move it around.' Tangerine, a 2015 film by Sean Baker – who swept the board at the Oscars this year with Anora – was shot entirely on an iPhone 5s using the FiLMIC Pro App, which gives further focus, aperture and colour temperature control. The independent film, which was met with critical praise and was Sundance Film Festival's breakout movie, was shot using an iPhone to keep costs low. 'It was surprisingly easy,' Baker told The Verge. 'We never lost any footage.' Alongside the help of the $8 app, Baker used a Steadicam to stabilise the footage. 'These phones, because they're so light, and they're so small, a human hand – no matter how stable you are – it will shake. And it won't look good,' he explained. They also used an adapter lens that was attached to the iPhone, which was 'essential' to make it cinematic. 'To tell you the truth, I wouldn't have even made the movie without it,' he said. 'It truly elevated it to a cinematic level.' 2012's Oscar-winning film Searching for Sugar Man follows two fans of a South African icon – believed to be dead – as they set out to learn his true fate. More Trending While Swedish filmmaker Malik Bendjelloul didn't set out for the film to make this list, he ran out of money so was forced to use an iPhone for the final shots. 'I started shooting this film with a Super 8 camera, which is pretty expensive stuff. I completely ran out of money. I had just a very few shots left, but I needed those shots,' he told CNN in an interview. 'I realised that there was this app on my iPhone and I tried it and it looked basically the same.' The iPhone App in question was called 8mm Vintage Camera, which did a decent job at imitating a real 8mm camera. Good to know. Got a story? If you've got a celebrity story, video or pictures get in touch with the entertainment team by emailing us celebtips@ calling 020 3615 2145 or by visiting our Submit Stuff page – we'd love to hear from you. MORE: 'Mind-bending' horror film available to stream for free as sequel wows critics MORE: Aaron Taylor-Johnson, 35, and director wife Sam, 58, look loved up at 28 Years Later premiere MORE: Jodie Comer talks through her character's agonising journey in unseen 28 Years Later clip

Sam Locke did audition for Danny Boyle's 28 Years Later with nan
Sam Locke did audition for Danny Boyle's 28 Years Later with nan

BBC News

time6 hours ago

  • BBC News

Sam Locke did audition for Danny Boyle's 28 Years Later with nan

A 24-year-old Welsh actor says he recorded a self tape with his nan to land a role in a highly-anticipated post-apocalyptic horror Danny Boyle's new film 28 Years Later - the third in the series that began with 28 Days Later back in 2002 - was released in UK cinemas on new chapter of the story, starring Jodie Comer, Aaron Taylor-Johnson and Ralph Fiennes, features 24-year-old Sam Locke from Merthyr Tydfil, making his feature film Locke said his casting journey for the project had humble beginnings in Wales. He said he was visiting his grandmother, Wendy, when the call came in for the self-tape."We had a good time filming that, she read in for the roles," he told Behnaz Akhgar on BBC Radio added he was back with his nan, "in the same living room", when he got the good news that he had secured the job, nearly three months later."I was sat with my grandfather and he was telling me 'if you don't get the role, don't be disheartened' and literally about 10 minutes after my agent rang with the confirmation," he said."There was a lot of excitement."He said he would be watching the film on release day with his mother and some family friends, but would be sure to take his grandparents for a trip to the cinema said he was proud of everything he had achieved, but equally of his Merthyr roots."I pinch myself every day." 28 Years Later picks the story up as survivors find a way to exist among the infected after the Rage virus escaped a medical research is set on Holy Island, or Lindisfarne, a real-life island off the coast of north-east England."That's where the survivors of our story live and then it takes us onto the mainland many times, and you see what's lying over there," said warned this film, like those that came before it in the trilogy, was "very gory", adding he did not want to give too much away, but could reveal he plays a "minimal" role in this film - but one which helps set the plot up "for films going forward"."We're very energetic, we're very physical, and it's a conversation starter," he said."Luckily I'm quite active anyway," added the keen skateboarder and Liverpool FC fan."But we had a week of stunt training and that pretty much trained our endurance."It helped us gel together, my immediate cast. We needed that week, and you'll see why." He said he loved working with "film-making royalty" Danny Boyle, adding: "It's bucket list, for almost any actor, so when I found out I got it I did more research on him and was excited to work with him."But being on set, he said, was "a different kettle of fish"."He's got authority, but he's calm with it. He makes you feel comfortable," he said the premier in London on Wednesday, which was the first viewing of the finished film for him and some of the other supporting cast members, was "brilliant"."We were all blown away," he previously starred in the BBC series The Way - directed by Michael Sheen - while he was still a student."To be part of that, with so much Welsh talent… Michael Sheen's passion towards the project rubbed off on everyone involved."

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store