The Thursday Murder Club, Agatha Christie and Poker Face: Why millions of us are turning to cosy crime for comfort
A century ago, the crime fiction industry was flourishing. In 1925, Agatha Christie published her fifth book, The Secret of Chimneys, while her third Poirot novel, The Murder of Roger Ackroyd – voted the best crime novel ever by British Crime Writers' Association in 2013 – was serialised in the London Evening News.
The House without a Key, by Earl Derr Biggers, launched the Charlie Chan mysteries. Whose Body?, Dorothy L Sayers' first novel to feature Lord Peter Wimsey (which, thrillingly for the time, opens with the discovery of the naked body in a bathtub) had been flying off the shelves since 1923. In 1926, Freeman Wills Crofts, the Irish railway engineer and writer later described by Raymond Chandler as, 'the soundest builder of them all when he doesn't get too fancy,' published his second Inspector French novel, The Cheyne Mystery.
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Irish Independent
5 minutes ago
- Irish Independent
The Irish Independent's View: Remembering the Miami Showband killings – the day the music died at hands of callous murderers
The Miami Showband massacre, half-a-century ago this weekend, was one of those horror stories that seized everyone with the realities of terrorism. Here was a group of musicians from both sides of the Border and from unionist and nationalist traditions who attracted crowds from all communities in the North, as well as in the Republic, whose only interest was a mutual love of music, dancing and a good time. Then a gang of Ulster Volunteer Force (UVF) killers, many of whom were part of the auxiliary British army Ulster Defence Regiment, made a botched attempt to plant a bomb in the Miami van at a bogus checkpoint in the North. When the incompetent bombers' device exploded prematurely, the paramilitaries shot all around them, killing three band members. Only two escaped alive. Fifty years on, this remains an unresolved story of collusion between the British security services and loyalist paramilitaries. It dovetails with other incidents, such as the Dublin and Monaghan bombings 14 months earlier, in May 1974, which leaves other unanswered questions in Dublin-London relations. It also helps us to reflect on lesser-known victims of murder and mayhem There is clear evidence from many sources telling us that this murderous incident was an attempt by elements in London to coerce the Dublin government in 1974 to be more co-operative with the British security services. London was demanding ever tighter south-north border controls and extradition to an already suspect British judicial system, as subsequently shown by the railroading of innocent Irish suspects. The conspiracy aimed at portraying the Miami Showband as bomb transporters, which might have succeeded, was to be part of that pact. In the event, two band members survived to reveal the truth. The legacy of the Miami Showband is about more than just music – it is about bringing people together. It also helps us to reflect on lesser-known victims of murder and mayhem. We are reminded that many people died on this island to achieve a peace deal that was sketched out more than 50 years ago in the power-sharing agreement at Sunningdale. Yesterday, a survivor of the Miami Showband ambush spoke of the importance of remembering as he recalled the loss of his bandmates – singer Fran O'Toole, guitarist Tony Geraghty and trumpeter Brian McCoy. The two survivors, Des Lee and Stephen Travers, were among those who gathered at the roadside where the atrocity happened to honour the innocent victims. Mr Travers said they still want to tell the world of the Miami Showband legacy, which is that people from all sectors had come simply to dance, sing and enjoy.
Irish Independent
5 minutes ago
- Irish Independent
‘I remember Bono warning me not to touch cocaine – but it was too late': Anthony Kavanagh on addiction, Stephen Gately and hiding his sexuality
It was the late 90s, by which point the Manchester-born singer had released two albums and enjoyed a run of chart singles, including the top 10 hit, I Can Make You Feel Good. 'I don't know how I ended up in there, but I somehow did,' Kavanagh says. 'I thought I was a man of the world and I was only about 19. But I do remember him quite seriously saying to me, 'whatever you do Kavana, don't do cocaine'. 'Unfortunately, in that moment in time, it was a little too late for that, but I was like a deer in the headlights going, 'yes sir'.' It should have been different. Achieving his teenage dreams of appearing on Top of the Pops and gracing the cover of Smash Hits, Kavanagh (47) moved to Los Angeles and turned his hand to acting in 2001 when he was dropped from his record label, Virgin. Yet, as he points out in his memoir Pop Scars, life after 90s pop stardom had no shortage of dark, low moments. He lays many of the dizzying highs and hellish lows out in the book in arrestingly vivid detail, often with a side helping of gallows humour. He opens with the moment where he wakes up in a stranger's apartment, having just been paid for sex. There are the lows of alcoholism and drug addiction. There was the moment where he met a homeless woman and ended up smoking crack in a skip in Hackney with her, later giving her his bank card and PIN number to score more drugs. In among the pop anecdotes are poignant passages about loss, bereavement and rehab. And then, there was one of his lowest points. 'I do remember coming back from America and I just couldn't put the payments on my parents' house anymore, which I take full responsibility for,' he says. They were in their 70s and I had to move them and it was the most gutting feeling 'I was living pillar to post, staying with friends, trying to get another comeback going, and I remember going to a phone box and phoning my mum and dad to tell them that we're going to lose the house, basically, and then walking around in circles, wondering how the hell it's come to this. They were in their 70s and I had to move them and it was the most gutting feeling.' Kavanagh's father was from Crumlin. He moved to Manchester as a young man and brought the best of his homeland with him. 'I've always felt more Irish than English, to be honest with you. Oddly, I didn't go to Dublin until I'd started my pop career, but you just feel a connection, don't you?' he says. He talks of a number of beloved aunties and cousins, one of whom gave him his first piano. In the Kavanagh household, Irish TV and radio were on daily, making the moment when he was asked to appear on The Late Late Show all the sweeter. 'He [his dad] was very proud when I was asked to go on that show,' Kavanagh says, adding that Gay Byrne was the show's master of ceremonies at the time. 'I remember the guests and his charm and his humour – he was a real character.' Growing up in working-class Moston, Kavanagh, a strange mix of introvert and extrovert, believed he would be a popstar. With his pin-up looks and telegenic presence, it didn't take long for people to take notice. Asked to support Boyzone on tour in 1996, he recalls meeting the band and noting that they felt like home, with their accents and humour. Ronan Keating was the apparent frontman ('He gets a pass to be a little more sure of himself'), while Kavanagh got on well with Keith Duffy ('an open book and a whole lot of fun') and Shane ('a rogue of a man with a laid-back vibe about him'). Mikey Graham was a little more serious and quieter than the others, yet Kavanagh was instantly smitten by Stephen Gately. Tentatively, they both realised, without talking too much about it, that the other was gay, yet closeted in the pop world, and they enjoyed a brief fling on the tour, in a moment that Kavanagh described in Pop Scars as 'a glimpse of what innocent, real, genuine connection with another feels like'. 'The exciting thing about being on tour was being suddenly around loads of people and you can get a bit disguised in it all,' he says. 'You'd be doing your sound check and you'd pass each other. [Boyzone would] be very busy because they were big stars, but you'd have a little chat with Stephen and get these little flutters where you think, 'oh God, I wish I could say something'. I remember being a bit crestfallen, especially when the tour finished... and the sadness of not being around this person all the time 'It sounds a bit corny, but I suddenly felt there was someone else like me. And not only that, but I think he likes me too... You know when you get that first rush of attraction with somebody and it's mutual? And I think because there was an element of being secretive, there's that as well. 'We know he went on to find true love and get married, but it was my first experience of navigating relationships, texting and boundaries and, 'do I text straight back?'.' Owing mainly to busy schedules and globetrotting, their connection was short-lived. 'I remember being a bit crestfallen, especially when the tour finished, because of the sadness of the tour ending and then the sadness of not being around this person all the time, but you're whisked away and on to the next thing.' Kavanagh recalls the moment when he found out Gately had died in 2009 at the age of 33. 'It was a complete shock. The first time I'd experienced the death of someone that I knew that wasn't a family member,' he says. 'I still can't quite believe it, to be honest.' Kavanagh does recall how both he and Gately – and doubtless some others worried about revealing their sexuality – would politely dodge the girlfriend question, or talk on autopilot about the women they fancied when asked by journalists. Mainly, Kavanagh worried about what his fanbase might think if he wasn't straight. Alcohol and drugs loomed large as a means of comfort, of escape. 'Once you start [that], you collude in the lie,' he says. 'You've made your bed, now you've got to lay in it. And it kind of gets a bit awkward. You'd be racking your brains trying to answer. I loved girls, but I didn't understand what it was like to be sexually attracted to one.' He recalls hanging out with the Spice Girls and being 'terrified' they would realise he was gay. He laughs a little at the times he had to mask his sexuality around his pop peers. 'Some of the other pop lads backstage would be all, 'Oh, she's really sexy', and we'd go, 'Really? That's not what we'd say. We prefer her over there'.' These days, Kavanagh is enjoying chatting to journalists about his book, enthused about writing about his addiction from the other side. He feels creatively invigorated and back in the proverbial swing of things. In my day, there was no social media, no camera phones – who knows what that would have been like He is now sober three years and is excited once again about meetings and opportunities. The pop industry is a very different beast, for any number of reasons, since Kavanagh's heyday. Supports for mental health and addiction are offered and pop stars can build their own audiences on social media. Pop's dream factory still has a tendency to spit its players back out on to the street, but it's not quite as vicious a machine as it once was. 'In my day, there was no social media, no camera phones – who knows what that would have been like,' he says. 'Then, it was very much, meet the manager, go to the record label, get the deal. Now, everyone can be famous from their living room. 'I remember hanging out with a woman, some player in the music business, and she once said to me, 'remember, it's called the music business, not the music friendship'. I'll never forget that.' 'Pop Scars' by Anthony Kavanagh is out now via Bonnier books.
Irish Daily Mirror
34 minutes ago
- Irish Daily Mirror
Irish EuroMillions player guaranteed to become a millionaire in special draw
One Irish EuroMillions player is guaranteed to become a millionaire in a special draw tonight (August 1). Tonight's EuroMillions draw will feature an extra special 'Ireland Only' Raffle event, which will include a guaranteed €1,005,000 prize for one player. As with every EuroMillions draw, ten players will win €5,000 with their unique raffle ticket number and among them, one fortunate winner will have an additional €1,000,000 added to their prize, making them the 16th National Lottery millionaire of the year with a total prize worth €1,005,000. In addition to this guaranteed €1,000,500 for one Irish EuroMillions player, tonight's EuroMillions jackpot also rolls to an estimated €170 million. Players dreaming of becoming Ireland's newest EuroMillions winner are reminded that tickets for tonight's draw can be purchased in-store, through the National Lottery app or here ahead of the 7.30pm cut off. Meanwhile, a Mayo player has secured €47,002 after matching five numbers and the bonus in Wednesday night's main Lotto draw. The winning Quick Pick Play was purchased on the day of the draw from Hiney's Londis in Crossmolina. The winning numbers in Wednesday's Lotto draw were: 4, 24, 26, 31, 39, 40 and the bonus was 44. While there was no winner of the Lotto jackpot worth €13,185,721, in total over 54,000 players won prizes in the Lotto and Lotto Plus draws, including the Mayo player who matched five numbers and the bonus in the main Lotto draw. Darragh O'Dwyer, National Lottery spokesperson, said: 'What a fantastic night for one player in Mayo who has claimed a life-enhancing €47,002 after matching five numbers and the bonus in last night's main Lotto draw. 'If you bought your ticket in Mayo, now's the time to double-check, you could be Ireland's newest big winner.' Get all the big crime and court stories direct to your phone on our new WhatsApp service. Sign up here. The Irish Mirror's Crime Writers Michael O'Toole and Paul Healy are writing a new weekly newsletter called Crime Ireland. Click here to sign up and get it delivered to your inbox every week
