logo
Saiyaara Title Song OUT: Ahaan Panday Deals With Heartbreak In This Emotional Ballad

Saiyaara Title Song OUT: Ahaan Panday Deals With Heartbreak In This Emotional Ballad

News182 days ago

Last Updated:
The title song of Saiyaara, starring Ahaan Panday and Aneet Padda is finally out, and the emotional song is already winning hearts!
Ananya Panday's cousin Ahaan Panday is all set to make his grand Bollywood debut with Yash Raj Films' upcoming movie 'Saiyaara', co-starring Aneet Padda. The teaser of this Mohit Suri directorial was released last week. Fans had been eagerly waiting for the first song from the film, and much to their delight, the title track of Saiyaara is finally out! The emotional track is already winning hearts, with fans showering love on the lead pair Ahaan and Aneet.
On Tuesday, YRF released the title track of Saiyaara. The heartbreak song has already taken the internet by storm- not just for the soul-stirring melody, but also for the deeply emotional portrayal by Ahaan and Aneet. The music video shows Ahaan's character reliving precious moments spent with Aneet, and showcasing his emotional vulnerability as he grapples with love and loss. Sung by Faheem Abdullah, Saiyaara title song has been composed by Tanishk Bagchi, Faheem Abdullah, Arslan Nizami. The lyrics has been penned by Irshad Kamil. Check out the title track of Saiyaara below!
Fans React To Saiyaara Title Song
Reacting to the song, one netizen wrote, 'Don't know how the movie turns out but the songs will be remembered for ages," while another one commented, 'That kind of music needed what bollywood has missed for the last few yearss…It's beyond expectations What a Vibe what a energy this song has." A third comment read, 'Beautiful emotional Romantic song. This song reminds me of Ek Villain Music album….Wo time dobara aa raha hai jab hum kisi album ke ek ek song ke liye wait karte the…"
Saiyaara title track launches two exciting musical artistes from Kashmir. Director Mohit reveals, 'Saiyaara title track will also see us launch Faheem Abdulla and Arsalan Nizami, two extremely talented Indian composers and singers (from Kashmir) to Bollywood. The track has been composed by the genius Tanishk Bagchi, who I thank for making me meet Faheem and Arsalan. The beautiful lyrics are written by the maestro Irshad Kamil."
He adds, 'we have a line-up of incredibly talented artists who have worked on the first song of Saiyaara. I hope we are giving everyone a romantic song that they would remember for a long, long time."
Mohit says he wanted to give audiences a supremely fresh album with beautiful, soulful melodies for Saiyaara. He adds, 'I wanted to make an extremely fresh romantic album for a debutant film. The album of Saiyaara is very close to my heart. So, every song of this album feels really special. We are starting our marketing campaign by dropping Saiyaara title track first. There is so much love, longing and heart in this song that I fell in love with it instantly."
Saiyaara introduces Ahaan Panday as a hero to the Hindi film industry and also stars Aneet Padda (who stole hearts with her brilliant performance in the much-acclaimed series Big Girls Don't Cry) as the female lead. Saiyaara is produced by the company's CEO Akshaye Widhani and it is set to release on July 18, 2025 in theatres worldwide.
First Published:

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Husain's 21 unseen canvases on auction depict his vision of the last century
Husain's 21 unseen canvases on auction depict his vision of the last century

Hindustan Times

time13 minutes ago

  • Hindustan Times

Husain's 21 unseen canvases on auction depict his vision of the last century

MUMBAI: Dadiba Pundole recollects the day towards the end of 2003 when Maqbool Fida Husain walked into the Pundole's art gallery, located in Fort, Mumbai, and asked Dadiba to postpone the next exhibition, as he wanted to use the space as a studio. 'He told us, 'I've lived through the 20th century, and I want to document it in paint',' Dadiba said. That very evening, buckets of paint and rolls of canvas arrived. Husain, then 90, pinned one stretch of canvas up on the long side of the gallery and approached it with a charcoal. Over the course of the next few weeks, during which time Dadiba grew increasingly anxious, Husain sketched and painted almost incessantly, bringing icons and political events to life with bold colours. 'At that time, we had no clue what would come of it. We didn't know how much he wanted to paint, or what all he wanted to depict. Nothing was discussed,' Dadiba said. Husain eventually moved his canvases and paints to a friend's empty apartment in Deira, Dubai, and within a year produced 25 works — often cutting up his canvases into diptychs or triptychs — that he showed at a day-long event at the Al Burj in 2004. The works, which he initially titled, An Artist's Vision of the 20th Century, and eventually came to be called, Our Plant Called Earth or OPEC, were exhibited hanging as scrolls from a high ceiling. Actor Shabana Azmi was invited to conduct a conversation with the artist. After showing these works at the Pierre Cardin Centre in Paris, Husain sold all of them to Mumbai-based businessman Guru Swarup Srivastava for a spectacular sum of ₹25 crore — an amount that at the time 'could have bought all of Husain's oeuvre up to that point,' Dadiba pointed out. Later that year, Husain announced his plan to make 100 works around the same theme, and sell them to Srivastava for ₹100 crore in a press conference held in New Delhi's Vadehra Art gallery. 'While Srivastava is not a collector, both of us share similar concerns about Indian art being greatly undervalued and that it deserves to be treated on the same platform as Western art,' reported Husain telling the reporters. The same December, Srivastava's company, Swarup Group, started an online agricultural commodities exchange. Two years later in 2006, the Central Bureau of Investigation initiated a probe into the Swarup Group and against Srivastava for alleged misappropriation of ₹150 crore from a ₹236-crore loan from the National Agricultural Cooperative Marketing Federation of India Ltd (NAFED). In 2008, a tribunal permitted NAFED to secure assets of ₹100 crore, including the Husain paintings. Husain, too, abandoned his project, and only these 25 works remain of his prolificity. A little over two decades later, the works are back on Dadiba's walls, this time completed, and ready for auction on the orders of the Bombay high court. The sale is being conducted on the instance of NAFED, the claimant in the court case. Dadiba submitted a valuation report of the paintings, valuing them at ₹25 crore, last May and earlier this year, the gallerist-turned-auctioneer was approached to put the works under the hammer. In March, his team began serious work on the paintings that had stayed rolled up for several years. He rejoined some of the canvases that the artist had split, for the sake of visual continuity, and also treated all of the works to rigorous restoration. The works that now total to 21 lots will be auctioned on June 12, under strict rules laid down by the Mumbai Sheriff, which includes that interested bidders submit an Earnest Money Deposit of ₹5 lakh and that they pay the amount of the sale by June 27. The high court has asked for a Sheriff's report on the sale of the works by July 3. The works are variously priced – some between ₹60 lakh to ₹80 lakh, others between ₹2 crore to ₹3 crore. The final cost of the works may go up higher, as Husain has recently seen an upswing among collectors. Earlier in March, a 1954 piece titled Gram Yatra fetched ₹118 crore in a Christie's auction. The works are historically significant as they not only depict the famed artist's vision of the last century, but also point to his varied inspirations that shaped his global and cosmopolitan outlook. We see a Charlie Chaplinesque figure hold a young child's hand as a rocket takes off behind them. Winston Churchill, Franklin D. Roosevelt, and Joseph Stalin, the leaders of Great Britain, the United States of America and Soviet Union, respectively, sit around a chess board with human figures toppled over it as pawns, inspired by the Yalta Conference of 1945 that signalled the end of World War II. In a far more abstract triptych, we see different races of men sit on a bench that has been propped up by goblins and cherubs. They are bookended by one figure holding an Olympic torch, and another, dressed in coattails balancing a tray. Another canvas shows the backs of two women — one in a sari, another in a dress, a clear indication of the East and the West — sitting together in convivial joy as a dove spreads its wings beneath their bench. Explaining this series and Husain's approach, art critic Ranjit Hoskote, writes in the show's catalogue: '(...T)he 20th century was, far more than any previous epoch, distinguished by the self-conscious and global historical awareness that its artists, intellectuals and political visionaries demonstrated. Many of these figures — whether the Communists, the Free Market advocates, the Suprematists, the Surrealists, or the protagonists of the Non-Aligned Movement — saw themselves as actors on a world stage, with all of recorded history and geological time as their backdrop and the cosmos as their frontier. With his boundless curiosity, inventiveness, playfulness and commitment to inquiry, Husain embodied this world-view to perfection.' 'What's interesting to see is the range of influences Husain clearly had in his life. But what is even more curious for me is to wonder what else he would have shown had he completed his original idea and made 100 paintings,' Dadiba said.

‘Bhool Chuk Maaf' Box Office collection day 13: Rajkummar Rao and Wamiqa Gabbi's time-loop drama crosses Rs 65 crore mark
‘Bhool Chuk Maaf' Box Office collection day 13: Rajkummar Rao and Wamiqa Gabbi's time-loop drama crosses Rs 65 crore mark

Time of India

time37 minutes ago

  • Time of India

‘Bhool Chuk Maaf' Box Office collection day 13: Rajkummar Rao and Wamiqa Gabbi's time-loop drama crosses Rs 65 crore mark

Rajkummar Rao and Wamiqa Gabbi 's latest film 'Bhool Chuk Maaf' is on a winning streak. After a delayed start at the cinemas, the film has now touched the Rs 65 crore mark in just 13 days. The time-travel love story has clearly struck a chord with the audience and is showing strong performance at the box office, despite facing competition from Hollywood releases. Day 13 collection According to early estimates shared by Sacnilk, 'Bhool Chuk Maaf' earned around Rs 1.75 crore on its 13th day. This brings the film's total India net collection to Rs 65.10 crore. Occupancy on day 13 Even after nearly two weeks, 'Bhool Chuk Maaf' continues to attract viewers to cinemas. On Day 13, Wednesday, 4 June 2025, the film saw an overall Hindi occupancy of 8.07%. Morning shows had a 5.34% turnout, while afternoon shows rose to 9.56%. Interestingly, evening shows recorded 0% occupancy, but numbers bounced back during night screenings, which reached 9.30%. Here's a full breakdown of the film's daily earnings so far: Week 1 Collections: Day 1 [Friday]: Rs 7 crore Day 2 [Saturday]: Rs 9.5 crore Day 3 [Sunday]: Rs 11.5 crore Day 4 [Monday]: Rs 4.5 crore Day 5 [Tuesday]: Rs 4.75 crore Day 6 [Wednesday]: Rs 3.5 crore Day 7 [Thursday]: Rs 3.35 crore Total Week 1: Rs 44.1 crore Week 2 Collections: Day 8 [Friday]: Rs 3.25 crore Day 9 [Saturday]: Rs 5.25 crore Day 10 [Sunday]: Rs 6.35 crore Day 11 [Monday]: Rs 2.2 crore Day 12 [Tuesday]: Rs 2.2 crore Day 13 [Wednesday]: Rs 1.75 crore (early estimate) Total Till Now: Rs 65.10 crore What is 'Bhool Chuk Maaf' about? Set in the spiritual city of Banaras, 'Bhool Chuk Maaf' tells the story of Ranjan, played by Rajkummar Rao. He's madly in love with Titli, portrayed by Wamiqa Gabbi, and wants to marry her. But to win her hand, he must first land a government job. Just when it seems like Ranjan has managed everything, things take a strange turn. He breaks a promise he made to Lord Shiva—and ends up stuck in a time loop. Ranjan starts reliving the same day over and over again. The story that follows is both heartwarming and funny, as Ranjan tries to fix his mistakes, seek forgiveness, and make the right choices to break the cycle. B-Town Shines at Bhool Chuk Maaf Check out our list of the latest Hindi , English , Tamil , Telugu , Malayalam , and Kannada movies . Don't miss our picks for the best Hindi movies , best Tamil movies, and best Telugu films .

Conflicting words: Bengalureans opine on actor Kamal Haasan's language remark
Conflicting words: Bengalureans opine on actor Kamal Haasan's language remark

New Indian Express

time39 minutes ago

  • New Indian Express

Conflicting words: Bengalureans opine on actor Kamal Haasan's language remark

This controversy seems more like a politically-motivated stunt orchestrated by certain parties in Karnataka. Kamal Haasan has made immense contributions to Indian cinema – not just to Tamil cinema, he has seen himself as an Indian artiste. In fact, Mani Ratnam's first film was in Kannada, Pallavi Anu Pallavi (1983) and both he and Haasan have consistently expressed their love and respect for the Kannada language and its people. This controversy appears to be a deliberate attempt by some politicians to create unnecessary division. He absolutely does not need to apologise for a misunderstanding. Haasan has already clarified his intention and statement — an apology is unnecessary. Yes, there may be financial losses in crores, but he has taken a principled stance, and that's a risk he is willing to take. This controversy is likely to backfire — it's a significant loss for the Karnataka theatre associations. Moreover, it could strain the relationship between the Tamil and Kannada film industries.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into the world of global news and events? Download our app today from your preferred app store and start exploring.
app-storeplay-store