Miley Cyrus Says Filming a Scene for ‘Something Beautiful' Gave Her a ‘Disgusting' Infection
Miley Cyrus isn't above making sacrifices for her art. While guesting on Jimmy Kimmel Live! Friday (May 23), the pop star revealed that she caught a 'brutal' infection in her leg after filming a not-so-hygienic scene for her upcoming Something Beautiful film — resulting in a condition that was so nasty, even her doctors were grossed out.
As seen in some of the previews for Something Beautiful — the accompanying visual to Cyrus' fast-approaching album of the same name — the musician at one point rolls around on the Hollywood Walk of Fame in the film. But while breaking down the scene for Kimmel, Cyrus revealed that she didn't have the budget to rent out the iconic strip, so she simply went and filmed there in the middle of the night — meaning there was no time or opportunity for her team to clean the ground on which countless people tread day in and day out, before she fully subjected herself to any germs and bacteria on the premises while shooting.
More from Billboard
Miley Cyrus Is 'Fueled by Fantasy' in 'Something Beautiful' Film Trailer Featuring an Unreleased Song
U2's Bono Calls for Hamas to 'Release the Hostages, Stop the War' During Ivor Novello Awards Speech
Rob49 on Viral Stardom, 'Let Me Fly,' Collab Album With G Herbo & Making Music With Justin Bieber
About a month later, the Grammy winner says she had to go to the ICU because her 'leg began to disintegrate' around her knee. 'The doctor goes, 'Do you have any idea why you would have such a brutal infection on your kneecap?'' she said, noting that her mind immediately flashed back to writhing around on the unspeakably dirty Walk of Fame.
'To have a surgeon look at you and say, 'Yuck,'' Cyrus continued as audience members laughed. 'Like, they open up cadavers, they see inside the guts of humans, and they're looking at me telling me I'm disgusting.'
Fans can check out a snippet of the scene in question in trailers for Something Beautiful, but they won't get to see the full thing until the film premieres in theaters for one night only on June 12 in the United States and Canada, and June 27 worldwide. The album itself drops May 30, with Cyrus unveiling the tracklist — featuring collaborations with Brittany Howard and Naomi Campbell — earlier in May.
Cyrus' conversation with Kimmel comes just one day after her sit-down with Apple Music 1's Zane Lowe went live, featuring the Hannah Montana alum getting candid about her sobriety. 'I've learned this about myself over the years,' she said in the interview. 'The sobriety is like, that's like my God. I need it, I live for it. I mean that it's changed my entire life.'
She also opened up about why winning her first-ever Grammys — best pop solo performance and record of the year for Billboard Hot 100-topping hit 'Flowers' — in 2024 was a 'healing' experience for her. 'I think somewhere inside of me, I needed maybe to hold a trophy and just feel for a moment that I have something that I can hold in my hands that feels like a true achievement,' she told Lowe.
Also on Kimmel, Cyrus performed 'More to Lose,' one of the singles off Something Beautiful. The album has also been led by 'Prelude,' 'End of the World' and its title track.
Watch Cyrus' full Jimmy Kimmel Live interview above.
Best of Billboard
Chart Rewind: In 1989, New Kids on the Block Were 'Hangin' Tough' at No. 1
Janet Jackson's Biggest Billboard Hot 100 Hits
H.E.R. & Chris Brown 'Come Through' to No. 1 on Adult R&B Airplay Chart
Hashtags
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Yahoo
7 minutes ago
- Yahoo
Alex Warren's ‘Ordinary' Hits No. 1 on Billboard Hot 100
Alex Warren's 'Ordinary' ascends to No. 1 on the Billboard Hot 100, becoming the singer-songwriter's first leader on the list. It rises from No. 4, after reaching a previous No. 2 best. More from Billboard Ye Says He 'Dreams' of Apologizing to Jay-Z Addison Rae Says She Used to Get Paid $20 by Record Labels to Post TikTok Videos: 'It Was Actually Really Sketch' Pusha T Not a Fan of Drake's UMG Lawsuit: 'It Just Kind of Cheapens the Art' Warren becomes the first male soloist to earn an initial Hot 100 No. 1 this year. 'Ordinary,' the 1,181st No. 1 in the Hot 100's 66-year history, rose to the top of both the Billboard Global 200 and Billboard Global Excl. U.S. charts in May. On the Hot 100, Warren charted one prior entry, 'Burning Down' (No. 69 peak, last October). Concurrent with the coronation of 'Ordinary,' he adds his second top 40 Hot 100 hit, as 'Bloodline,' with Jelly Roll, debuts at No. 32. Before concentrating on music full-time, Warren grew a following in Hype House, a group of TikTok content creators that frequently collaborated. He signed to Atlantic Records in 2022. 'In my career, I have been so open with my friends who follow me,' Warren, who co-authored 'Ordinary,' told Billboard earlier this year. 'They know everything about me and we're so connected, and I love that. I'm thinking of these people while I'm writing these songs, because I'm thinking about what I would want to hear if I was still going through that.' Browse the full rundown of this week's top 10 below. The Hot 100 blends all-genre U.S. streaming (official audio and official video), radio airplay and sales data, the lattermost metric reflecting purchases of physical singles and digital tracks from full-service digital music retailers; digital singles sales from direct-to-consumer (D2C) sites are excluded from chart calculations. All charts (dated June 7, 2025) will update on tomorrow, June 3. For all chart news, you can follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram. Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published. 'Ordinary' tallied 21 million official streams (down 1% week-over-week), 43.5 million radio airplay audience impressions (up 15%) and 8,000 sold (up 24%) in the United States May 23-29. Boosting its profile, Warren performed the song on the American Music Awards, broadcast on CBS, May 26. The track rebounds 3-1 for a fifth week atop the Digital Song Sales chart and 6-4 on Streaming Songs, after four weeks at the summit. It reaches the top five on Radio Songs (7-5), as it becomes Warren's first No. 1 on a Billboard airplay chart, rising to the top of Adult Pop Airplay. Warren's 'Ordinary' is the first 'ordinary'-titled Hot 100 No. 1. Here's a look at all 10 not-so-'ordinary'-named songs that have hit the chart: 'Ordinary,' Alex Warren, No. 1 peak (one week to date), 2025 'Ordinary World,' Duran Duran, No. 3, 1993 'Ordinary People,' John Legend, No. 24, 2005 'No Ordinary Love,' Sade, No. 28, 1993 'Ordinary Day,' Vanessa Carlton, No. 30, 2002 'Ordinary Life,' Chad Brock, No. 39, 1999 'Ordinary Things,' Ariana Grande feat. Nonna, No. 55, 2024 'Ordinary,' The Weeknd, No. 72, 2016 'Ordinary Love,' U2, No. 84, 2014 'Ordinary Girl,' Hannah Montana, No. 91, 2010 'Ordinary' hits No. 1 in its 16th week on the Hot 100. It's the fifth song to reign for the first time in 2025, following fellow steady risers in Lady Gaga and Bruno Mars' 'Die With a Smile' (20 weeks to No. 1) and Kendrick Lamar and SZA's 'Luther' (13 weeks); conversely, Morgan Wallen's 'What I Want,' featuring Tate McRae, debuted at No. 1 a week ago and Travis Scott's '4X4' launched on top in February. Titles have taken an average of 10.2 weeks to hit No. 1 on the Hot 100 so far in 2025, the most of any year this decade, with one music industry professional theorizing that, currently, 'the whole nature of artist development takes time.' Avg. Weeks to No. 1 on Hot 100 in the 2020s: 2025: 10.2 2024: 4.3 2023: 8.9 2022: 9 2021: 3.5 2020: 5.8 (Since the Hot 100 adopted electronically-monitored Luminate data in late 1991, hits have taken an average of 8.4 weeks to No. 1.)Kendrick Lamar and SZA's 'Luther' holds at No. 5 after 13 weeks atop the Hot 100. It adds a 23rd week at No. 1 on both the multimetric Hot R&B/Hip-Hop Songs and Hot Rap Songs charts – surpassing Lamar's 'Not Like Us' (in 2024-25) for the longest command on Hot R&B/Hip-Hop Songs (dating to October 1958, when the chart became the genre's all-encompassing songs ranking). SZA, meanwhile, ranks third with 21 weeks atop Hot R&B/Hip-Hop Songs with 'Kill Bill' in 2022-23. Morgan Wallen's 'What I Want,' featuring Tate McRae, dips to No. 2 on the Hot 100, a week after it soared in as Wallen's fourth No. 1 and McRae's first. It claims a second week atop the multimetric Hot Country Songs chart. Wallen follows on the Hot 100 with the No. 2-peaking 'Just in Case' (2-3) and 'I'm the Problem' (3-4), as I'm the Problem, the parent set of all three songs, secures a second week at No. 1 on the Billboard 200. Shaboozey's 'A Bar Song (Tipsy)' rebounds 9-6 on the Hot 100, following its record-tying 19 weeks at No. 1 beginning last July, and Lady Gaga and Bruno Mars' 'Die With a Smile' dips 6-7 following five weeks at No. 1 beginning in January. Teddy Swims' 'Lose Control,' which led the Hot 100 for a week in March 2024, and became the year's No. 1 song, climbs 11-8. It posts a record-extending 63rd week in the top 10 and a record-padding 93rd week on the chart overall. Drake's 'Nokia' rises 12-9 on the Hot 100, after reaching No. 2. Rounding out the Hot 100's top 10, Benson Boone's 'Beautiful Things' bumps 14-10, after peaking at No. 2. It adds a 70th week on the survey, becoming just the 10th title ever to reach the milestone. Best of Billboard Chart Rewind: In 1989, New Kids on the Block Were 'Hangin' Tough' at No. 1 Four Decades of 'Madonna': A Look Back at the Queen of Pop's Debut Album on the Charts Chart Rewind: In 1990, Madonna Was in 'Vogue' Atop the Hot 100
New York Post
25 minutes ago
- New York Post
Richard O'Brien reveals this famous rocker tried to buy ‘The Rocky Horror Picture Show' film rights
Owned by Jagger. In the new documentary 'Strange Journey: The Story of Rocky Horror,' creator Richard O'Brien revealed that Mick Jagger and his team tried to buy the film rights to 'The Rocky Horror Picture Show' after the stage show made its US debut in 1974. But director Jim Sharman advised that they shouldn't go for Jagger's deal, and with producer Lou Adler's help, they created the film without a big name attached. 8 Richard O'Brien, Tim Curry and Patricia Quinn a lobby card from 'The Rocky Horror Picture Show.' Getty Images 8 Mick Jagger performs with the Rolling Stones at Madison Square Garden in 1975. Getty Images 'One of the great things about this is that we were a fringe theater event, and we were allowed to make a movie,' O'Brien, 83, said in the doc, according to People. 'Not only that, but Jim was allowed to direct it. Not only that, but Brian Thompson was allowed to be the artistic director. Not only that, but Tim [Curry] was allowed to play the lead role,' the famous producer continued. 'That's very rare, especially when it's America and a Hollywood matter.' 8 Susan Sarandon, Barry Bostwick, Jonathan Adams and Peter Hinwood on a lobby card from 'The Rocky Horror Picture Show.' Getty Images Patricia Quinn, who played Magenta in the original stage play and the 1975 film adaptation, revealed that Jagger, 81, was also interested in Curry's role in the movie. [There were] three people who wanted to play [Dr. Frank-N-Furter] — Mick Jagger, Lou Reed, and of course, David Bowie,' Quinn, 81, recalled. '[They said] no Mick Jaggers, no Bowies, I'm having the original cast,' she added. 8 Mick Jagger with Sue Mengers at a stage production of 'The Rocky Horror Show' in Los Angeles. Penske Media via Getty Images As revealed in the doc, 'The Rocky Horror Show' made it to the big screen after producers Adler, 91, and Michael White made a $1 million deal with the studio. They agreed to present their own funds if the film didn't make that amount, per People. 'From the beginning, I had the feeling it was an event and something very, very special by the cast and the music, immediately,' Adler recalled of the original stage production, which premiered in London in 1973. 8 Richard O'Brien at the Oxford Union in March 2004. CLA/LFI 'Enough so that I wanted to make a deal that night,' he added. Adler also said that The Roxy in Los Angeles was the 'perfect' location for the show's debut in America. 'Sort of like cabaret, that you could go beyond sitting in a theater but you could enjoy the whole experience of it. And in the back of my mind, I just envisioned it as a film pretty much from the beginning,' Adler shared. 8 Lou Adler at his Hollywood Walk of Fame star ceremony in 2006. © Mark Savage/Corbis He continued, 'The casting for the Roxy, we had some very, very talented people, most of who were local actors. I thought pretty much I couldn't duplicate Tim Curry. That was somebody we had to bring over, and that went for Richard also. But not only the fact that you're getting the actor that was in it, you're getting the creator.' 8 'The Rocky Horror Picture Show' stars Richard O'Brien, Tim Curry and Patricia Quinn. Getty Images 8 Patricia Quinn, Tim Curry, Nell Campbell in 'The Rocky Horror Picture Show.' ©20thCentFox/courtesy Everett Adler recalled that the first 'Rocky Horror Show' show in LA was 'something really special.' 'We had a turn out of the rock and roll celebrities, the John Lennons and everyone wanted to be there for it,' he said.
San Francisco Chronicle
an hour ago
- San Francisco Chronicle
Immersive tech reshapes music and film landscape with Bono, Metallica and 'Matrix' taking the leap
INGLEWOOD, Calif. (AP) — With a mic in hand, Bono belts out 'Vertigo,' close enough to reach out and touch, as if you're sharing the stage with him at the Beacon Theatre in New York. As he performs, the front row seat experience becomes deeply personal, with the U2 frontman seemingly locking eyes with you before the camera swings to his side to reveal the crowd, pumping their fists in excitement. The song's lyrics leap from beneath Bono's feet through 3D animation, gathering around him while hovering over the crowd. This isn't your typical concert. It's an all-access pass into Bono's performance and documentary film 'Bono: Stories of Surrender," which premiered last week on Apple TV+ and gained new life through the Apple Vision Pro. The device places viewers right onstage with Bono, delivering it all in 8K with spatial audio for a fully immersive 180-degree video. 'There's a kind of intimacy afforded to us,' said Bono, who added that immersive technologies tap into viewers senses and emotions more deeply than traditional media. 'It's not just being in the room. You can be in your head.' These days, experiences like Bono's concert film have become the next frontier of music, film and live performances. Headset devices like the Vision Pro and Meta's Quest 3, alongside next-gen venues such as the Sphere and Cosm, are making these experiences borderless, turning every seat into the best one in the house. Some of music's biggest names — including U2, Metallica, Megan Thee Stallion, Alicia Keys, T-Pain, Phish and The Weeknd — have had projects featured on these platforms. Even the iconic film 'The Matrix' has been reintroduced in this immersive space. 'This is the future. These experiences enhance the connection,' said Robert Trujillo, guitarist for Metallica, whose powerhouse Mexico City performance was delivered in an immersive concert experience through the Vision Pro in March. After watching their show on the device, he was in awe. 'It almost felt like you could touch the crowd and us,' he said. 'It was really incredible. The sound is amazing. The dynamic ranges from the ambient noises and the crowd. It's a special experience.' How music greats view future of immersion tech for industry Bono has long embraced innovation and technology to forge a connection with U2's audience. The band's 2014 album 'Songs of Innocence" was added to every Mac, iPhone, iPad, and iPod. In 2023, the foursome became the first band to perform at the Sphere, launching a successful residency at the $2.3 billion, 366-foot-tall Las Vegas venue that illuminates the city's skyline. U2 guitarist The Edge felt the Sphere was a 'quantum leap forward' in terms of the sensory impacts of a live concert. Now, with 'Stories of Surrender,' Bono goes solo, reflecting on his life from childhood and family to his career as a rock star and activist. It's the first feature film shot in Apple Immersive Video, bringing the artwork from his book 'Surrender: 40 Songs, One Story' to life with 3D animation. Bono even used the Apple Pencil Pro to create images featured in the film. He believes the immersive technology can connect with audiences on a profound level and hopes the $3,500 Vision Pro will eventually become more affordable. 'All of this is impressive,' he said. 'I think about the film, when I'm singing about my mother, and (my mother's name) Iris start to appear. I was completely taken aback, even though I'd drawn the Iris. There are other moments when I see my father in the chair beside me as a drawing partially by me.' Bono added: 'Then I thought, 'We might be getting beyond technology here into some kind of magic. Not just a magic trick like 'Hey, presto.' But more alchemy, more of 'What did I just feel?'" Trujillo, who typically avoids watching replays of his performances, found himself drawn in by the immersive experience of their show, which included interviews and close-ups of fans. He said the technology amplifies the energy of a live performance at a time when that excitement can feel diminished. 'For a lot of bands, especially in the hard rock genre, it felt like it was disappearing,' he said. "To me, this really brings it back and relevant again. It shows you the strength in the performance and the emotional attachment to the fans.' How immersive venues are making their mark While virtual reality headsets offer a personal window into performances, venues like the Sphere and Cosm are expanding these experiences to entire crowds. In their own way, both are redefining the possibilities of live performances and shared experiences. 'It's virtual reality without the glasses,' said Baz Halpin, the CEO and founder of Silent House Group, who produced and designed the Eagles' residency at the 17,500-seat Sphere. Halpin said Silent House will also be involved in the Backstreet Boys upcoming Sphere residency, kicking off in July. 'You can create optical illusions that I didn't think were frankly possible,' Halpin said. 'It's such a big swing. It's such a bold idea. It's still that concert experience, but somehow the visuals have turned into a rollercoaster and movie, and you're apart of it." Shared reality through "The Matrix" While the Sphere looms large over Las Vegas, Cosm offers a more intimate experience, featuring a new venture into Keanu Reeves' iconic world as Neo. Cosm is stepping into 'The Matrix' with a shared reality cinematic experience, celebrating the film's 25th anniversary with screenings at their locations in Dallas and Inglewood, California, starting June 6. Inside Cosm's 87-foot LED dome, the original film plays while the environment dynamically mirrors the on-screen action, pulling audiences deeper into the world. 'We are continuing to push the immersive tech industry forward,' said Jeb Terry, the CEO and president at Cosm, which also hosts live sports, 'O' by Cirque du Soleil, 'Orbital' and 'Big Wave: No Room for Error." The company plans to open its third location in Atlanta in 2026. With 'The Matrix,' Cosm believes the shared reality experience will pave the way for showcasing more classic films, complementing the traditional movie theater experience. 'We're really commemorating some of these legendary amazing films,' said Alexis Scalice, Cosm's vice president of business development and entertainment. 'We're keeping that interactive and exciting approach to it.' What's next for Sphere? The vision for a second Sphere location will come to fruition in the United Arab Emirates. In collaboration with the Abu Dhabi Department of Culture and Tourism, the new venue will replicate the cutting-edge technology and scale of the Las Vegas version. The Abu Dhabi Sphere is part of a broader plan to establish additional Spheres globally and domestically, alongside smaller U.S. venues with seating capacities of 3,000 to 6,000. 'We are advancing our vision of this global network,' said Jennifer Koester, the president and COO at Sphere. She said the smaller Spheres will make the concept more deployable across different markets. As construction of the Abu Dhabi location progresses, the Las Vegas Sphere is preparing to bring a timeless classic to life. In late August, the original 'The Wizard of Oz' is set to premiere at the venue. Koester said AI models were trained on original scene drawings, set designs and materials sourced from the Academy Museum to fully fill the Sphere's massive screen. She said that evolving the technology is key to staying ahead. 'In the industry, we're seeing a lot of people talk about bringing forward experiences that are more immersive,' she said. 'People are looking for it, and people are expecting it. The bar is going to continue to get higher and higher.'
